Popularity: 3 (history)
| Director: | John Crowley |
|---|---|
| Writer: | Nick Hornby, Colm Tóibín |
| Staring: |
| In 1950s Ireland and New York, young Eilis Lacey has to choose between two men and two countries. | |
| Release Date: | Oct 20, 2015 |
|---|---|
| Director: | John Crowley |
| Writer: | Nick Hornby, Colm Tóibín |
| Genres: | Drama, Romance, History |
| Keywords | love triangle, based on novel or book, homesickness, ship, community, marriage, working class, boarding house, suburb, ireland, brooklyn, new york city, journey, irish immigrant, 1950s |
| Production Companies | Fox Searchlight Pictures, BBC Film, Ingenious Media, Téléfilm Canada, Wildgaze Films, HanWay Films, Item 7, TSG Entertainment, Finola Dwyer Productions, Parallel Film Productions, Bun and Ham Productions |
| Box Office |
Revenue: $62,076,141
Budget: $11,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Saoirse Ronan | Eilis Lacey |
| Domhnall Gleeson | Jim Farrell |
| Emory Cohen | Tony Fiorello |
| Jim Broadbent | Father Flood |
| Julie Walters | Madge Kehoe |
| Jessica Paré | Miss Fortini |
| Eve Macklin | Diana Montini |
| Brid Brennan | Miss Kelly |
| Fiona Glascott | Rose Lacey |
| Jane Brennan | Mary Lacey |
| Nora-Jane Noone | Sheila Heffernan |
| Jenn Murray | Dolores Grace |
| Eva Birthistle | Georgina |
| Michael Zegen | Maurizio Fiorello |
| Matt Glynn | Priest |
| Maeve McGrath | Mary |
| Emma Lowe | Mrs. Brady |
| Barbara Drennan | Shabby Woman |
| Gillian McCarthy | Timid Woman |
| Eileen O'Higgins | Nancy Byrne |
| Art Campion | George Sheridan |
| James Corscadden | Ship Waiter |
| Emily Bett Rickards | Patty McGuire |
| Mary O'Driscoll | Miss McAdam |
| Samantha Munro | Dorothy |
| Jane Wheeler | Bartocci Customer #1 |
| Adrien Benn | Diner Waiter |
| Alain Goulem | Joshua Rosenblum |
| Max Walker | Young Man |
| Iarla O'Lionaird | Frankie Doran |
| Ellis Rockburn | Young Man at Dance |
| Erika Rosenbaum | Bartocci Customer #2 |
| Ellen David | Mrs. Fiorello |
| Christian de la Cortina | Laurenzio Fiorello |
| Paulino Nunes | Mr. Fiorello |
| James DiGiacomo | Frankie Fiorello |
| Tadhg McMahon | Boy's Father |
| Hudson Leblanc | Boy at City Hall |
| Paul Stewart | City Hall Official |
| Niamh McCann | Maria |
| Denis Conway | Mr. Brown |
| Karen Ardiff | Mrs. Farrell |
| Gary Lydon | Mr. Farrell |
| Áine Ní Mhuirí | Mrs. Byrne |
| Mella Carron | Girl on Deck |
| Karen Belfo | Lady at the Cinema (uncredited) |
| Name | Job |
|---|---|
| Glenn Freemantle | Supervising Sound Editor, Sound Designer |
| Michael Brook | Original Music Composer |
| Dustin Hoffman | Thanks |
| Yves Bélanger | Director of Photography |
| Roger Donaldson | Thanks |
| Nicole Hilaréguy | Line Producer |
| Tania Bijlani | Production Design |
| Caroline Levy | Line Producer |
| Patrick O'Donoghue | Line Producer |
| Jenny Oman | Set Decoration |
| Eames Gagnon | Gaffer |
| Daniel Bishop | Steadicam Operator |
| Alice Searby | Casting Associate |
| Dillon Bennett | Sound Effects Editor |
| Mark Heslop | Sound Effects Editor |
| Kerry Brown | Still Photographer |
| Gary Brown | VFX Supervisor |
| James McGuire | Gaffer |
| Irene O'Brien | Art Direction |
| Ciara Gillan | Visual Effects Producer |
| Nicolas Marion | First Assistant Camera |
| Rowena Ladbury | Script Supervisor |
| Ellen Crawshaw | Assistant Costume Designer |
| Yann McCullough | Music Editor |
| Kle Savidge | Music Supervisor |
| Jack Stew | Foley |
| Robert Parle | Art Direction |
| Andy Clarke | Visual Effects Supervisor |
| Christine Fitzgerald | Assistant Art Director |
| Gillian Mackie | Visual Effects Coordinator |
| Gillian Dodders | ADR & Dubbing, Dialogue Editor |
| Vanessa Porter | Assistant Costume Designer |
| Michelle Côté | Key Hair Stylist |
| Lea Morement | First Assistant Editor |
| Christopher Fulton | Hair Department Head |
| Adam Scrivener | Sound Re-Recording Mixer |
| Justin Lanchbury | Digital Intermediate |
| Michelle Cort | Digital Intermediate |
| Ivy Ermert | Makeup Department Head |
| Marlène Rouleau | Makeup Artist |
| Ian Tapp | Sound Re-Recording Mixer |
| R. Cory McCutcheon | Key Hair Stylist |
| Niamh O'Loan | Makeup Artist |
| Steve Owen | Digital Intermediate |
| Lindsay Feldman | Production Manager |
| Pierre L'Heureux | Special Effects |
| Patrick Legault | Unit Manager |
| Réal Hamel | Picture Car Coordinator |
| Polly Duval | Post Production Supervisor |
| Jonathan Rutter | Unit Publicist |
| François Séguin | Production Design |
| Lorraine Glynn | Hair Designer |
| Morna Ferguson | Makeup Designer |
| Charlie Watson | First Assistant Director |
| Louise O'Malley | Controller |
| Ian Morgan | Dialogue Editor |
| Suzanne Cloutier | Set Decoration |
| Liam Kiernan | Assistant Location Manager |
| John Crowley | Director |
| Nick Hornby | Screenplay |
| Fiona Weir | Casting |
| Odile Dicks-Mireaux | Costume Design |
| Colm Tóibín | Novel |
| Jake Roberts | Editor |
| Louise Tremblay | Set Decoration |
| Name | Title |
|---|---|
| Christine Langan | Executive Producer |
| Hussain Amarshi | Executive Producer |
| Amanda Posey | Producer |
| Finola Dwyer | Producer |
| Susan Mullen | Co-Producer |
| Thorsten Schumacher | Executive Producer |
| Beth Pattinson | Executive Producer |
| Pierre Even | Co-Producer |
| Marie-Claude Poulin | Co-Producer |
| Zygi Kamasa | Executive Producer |
| Alan Moloney | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Actress | Saoirse Ronan | Nominated |
| Golden Globes | Best Supporting Actress | Julie Walters | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 62 | 145 | 33 |
| 2024 | 5 | 193 | 241 | 144 |
| 2024 | 6 | 102 | 212 | 40 |
| 2024 | 7 | 38 | 81 | 17 |
| 2024 | 8 | 23 | 58 | 12 |
| 2024 | 9 | 26 | 35 | 17 |
| 2024 | 10 | 18 | 30 | 12 |
| 2024 | 11 | 20 | 38 | 14 |
| 2024 | 12 | 23 | 46 | 14 |
| 2025 | 1 | 23 | 43 | 14 |
| 2025 | 2 | 16 | 30 | 3 |
| 2025 | 3 | 7 | 23 | 1 |
| 2025 | 4 | 17 | 63 | 2 |
| 2025 | 5 | 8 | 55 | 3 |
| 2025 | 6 | 6 | 23 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 570 | 797 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 987 | 987 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 856 | 903 |
> An ordinary woman's life struggle that lives very close to average of us. A very fascinating movie. Depicted as a real life drama that is totally different from the other Oscars nominees for this year. Based on the novel of the same name, that tells the story of a young Irish woman, Eilis, in t ... he 1950s who travels to the United States, Brooklyn, looking for a better future. Thousands of kilometers across the Pacific ocean, she finds a new job, new friends, a whole new life, but what she misses is her home and family. So how she makes out of those difficulties, and finds a way to go forward is the rest. About an ordinary woman's life struggle that lives very close to average of us. That's why I loved this film more than other drama films nominated for this Oscar. The first two acts were amazing, the third was a bit off and cliche, but that's how the story rediscovered by getting back at the conclusion. I think this is Saoirse Ronan's full matured character as an adult woman. She was my favourite child actress and seen all her films. So felt strange to see her like this, because that's not how I remember her, but it only gets better after she does more character like this. She was very good, in fact, she should get the Oscar for the role. In my prediction, Brie Larson for 'Room' and Ronan are the top contenders, but if Cate Blanchett wins that'll be a great disappointment. I'm also expecting adapted screenplay awards. The cinematography was fantastic, those 50s New York City really brought back on the screen. It is a must watch, especially if you're a middle aged guy, because you're well experienced about personal and social life already, and this movie only a reminder. 9/10
Brooklyn (2015) A Beautiful and Moving Film - A Love Story. 26 August 2016 - 2 out of 2 users found this review helpful. A beautiful and moving film. A love story that draws you in, and is told so well that you care about the characters almost immediately. The photography and the close-ups are re ... ally beautiful, and the camera loves Saoirse Ronan. She leaves Ireland and she is off to America, (Brooklyn). Her trip to America is shot so economically, yet powerfully, you could feel what it must have been like on that Ocean Liner. Homesick and missing her widowed Mum and Sister she makes a home for herself in Brooklyn. But will she stay in Brooklyn? The cast is amazing, Julie Waters, Jessica Pare, and Jim Broadbent, to mention a few. The wardrobe was authentic, and the soft warm colors seemed to give this film a dreamlike feeling. But In the end it was all about Saoirse, she carried this film, there was never a false moment. When she was homesick, you knew it, you could feel it. I love "BROOKLYN".