Popularity: 3 (history)
| Director: | Ridley Scott |
|---|---|
| Writer: | Gerald Vaughan-Hughes, Joseph Conrad |
| Staring: |
| In 1800, as Napoleon Bonaparte rises to power in France, a rivalry erupts between Armand and Gabriel, two lieutenants in the French Army, over a perceived insult. For over a decade, they engage in a series of duels amidst larger conflicts, including the failed French invasion of Russia in 1812, and shifts in the political and social systems of Europe. | |
| Release Date: | Aug 31, 1977 |
|---|---|
| Director: | Ridley Scott |
| Writer: | Gerald Vaughan-Hughes, Joseph Conrad |
| Genres: | Drama, War |
| Keywords | cossack, fencing, napoleonic wars, based on short story, pistol duel, sword duel, 19th century, waterloo, strasbourg |
| Production Companies | Paramount Pictures, Enigma Productions |
| Box Office |
Revenue: $0
Budget: $900,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Keith Carradine | Armand d'Hubert |
| Harvey Keitel | Gabriel Feraud |
| Albert Finney | Joseph Fouché |
| Edward Fox | Colonel Perteley |
| Cristina Raines | Adèle |
| Robert Stephens | Brigadier-General Treillard |
| Tom Conti | Dr. Jacquin |
| John McEnery | Amiable Second |
| Diana Quick | Laura |
| Alun Armstrong | Lieutenant Lacourbe |
| Maurice Colbourne | Tall Second |
| Gay Hamilton | Maid |
| Meg Wynn Owen | Léonie |
| Jenny Runacre | Mme. de Lionne |
| Alan Webb | Chevalier du Rivarol |
| Arthur Dignam | Captain with Eyepatch |
| Matthew Guinness | Mayor's Son |
| Dave Hill | Cuirassier |
| Neville Jason | Hilaire |
| Timothy Penrose | Singer |
| William Morgan Sheppard | Fencing Master |
| Liz Smith | Fortune Teller |
| Anthony Douse | Surgeon |
| Hugh Fraser | Officer |
| Richard Graydon | Cossack / Hussar |
| Tim Hardy | Officer |
| William Hobbs | Swordsman |
| Michael Irving | Officer |
| Tony Mathews | Gen. Treillard's Aide-de-Camp |
| Pete Postlethwaite | Orderly shaving Gen. Treillard |
| Jason Scott | Léonie's son |
| Luke Scott | Léonie's son |
| Stacy Keach | Narrator (voice) |
| Jean-Pierre Bordas | Pianist (uncredited) |
| Paul Casson-Yardley | Napoleonic Boy Soldier (uncredited) |
| George Oliver | Wedding Guest (uncredited) |
| Name | Job |
|---|---|
| Bryan Graves | Art Direction |
| Tom Rand | Costume Design |
| Les Benson | Dressing Prop |
| Terry Marcel | First Assistant Director |
| Mike Dempsey | Title Designer |
| Ann Mollo | Set Dresser |
| Sheila Thomas | Assistant Hairstylist |
| Derrick Leather | Sound Mixer |
| Roy Burge | Assistant Editor |
| Melinda Rees | Continuity |
| Pamela Power | Editor |
| Peter J. Hampton | Production Design |
| Hugh Johnson | Clapper Loader |
| Patricia Eberhard | Second Assistant Director |
| Ray Hall | Grip |
| John Lanzer | Property Buyer |
| Peter Hollywood | Assistant Editor |
| Peter Kohn | Third Assistant Director |
| Peter Jaques | Production Manager |
| Maria Dumas | Art Department Assistant |
| Pat Hughes | Dressing Prop |
| Mickey Pugh | Props |
| John Burgess | Special Effects |
| Al Watson | Gaffer |
| Rita Wakely | Wardrobe Master |
| Jean-François Villemer | Location Assistant |
| Con Lewis | Driver |
| Guilhaine Cosse | Production Secretary |
| Nicole Miloux | Assistant Accountant |
| Lynda Smith | Production Secretary |
| Gerald Vaughan-Hughes | Screenplay |
| Howard Blake | Conductor, Original Music Composer |
| Michael Bradsell | Supervising Editor |
| David Wimbury | Second Assistant Director |
| Paul Nix | Hairstylist |
| Elaine Carew | Assistant Makeup Artist |
| Mike Fowlie | Property Master |
| Bill Burgess | Boom Operator |
| Les Healey | Assistant Editor |
| Sue Barradell | Makeup Supervisor |
| Kay Fenton | Continuity |
| John Hogan | Dressing Prop |
| Ted Stickley | Props |
| Hugh Strain | ADR Mixer |
| James Wakely | Wardrobe Master |
| Olga Farel | Location Manager |
| John Richards | Music Editor |
| Paul Cadiou | Production Accountant |
| Gil Mead | Production Assistant |
| Brian Higgins | Carpenter |
| Arthur Wicks | Dressing Prop |
| Joe Ryan | Sound Recordist |
| Tito Tomassini | Weapons Master |
| Lily van Rijs | Casting |
| Clinton Cavers | Location Scout |
| Matthew Binns | Runner Art Department |
| Steve Lincoln | Runner Art Department |
| Sean O'Brien | Assistant Accountant |
| Ridley Scott | Camera Operator, Director |
| Frank Tidy | Director of Photography |
| Mary Selway | Casting |
| Adrian Biddle | Focus Puller |
| David Appleby | Still Photographer |
| William Hobbs | Fight Choreographer |
| Terry Rawlings | ADR Editor |
| Richard Graydon | Stunts |
| Joseph Conrad | Story |
| Steve Barron | Clapper Loader |
| Name | Title |
|---|---|
| Carolyn Pfeiffer | Associate Producer |
| David Puttnam | Producer |
| Ivor Powell | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 21 | 35 | 13 |
| 2024 | 5 | 22 | 36 | 15 |
| 2024 | 6 | 21 | 55 | 10 |
| 2024 | 7 | 17 | 37 | 11 |
| 2024 | 8 | 19 | 49 | 11 |
| 2024 | 9 | 16 | 32 | 9 |
| 2024 | 10 | 19 | 35 | 10 |
| 2024 | 11 | 15 | 32 | 10 |
| 2024 | 12 | 17 | 45 | 10 |
| 2025 | 1 | 14 | 29 | 7 |
| 2025 | 2 | 9 | 13 | 3 |
| 2025 | 3 | 5 | 17 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 3 | 1 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 5 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 871 | 871 |
After what can only be described as the most minor of misunderstandings, the decent "d'Hubert" (Keith Carradine) is forced to duel with the hot-tempered "Feraud" (Harvey Keitel). That ends inconclusively and now the narrative leads us through a series of re-matches set against a tale of their trials ... and tribulations during the rise and fall of Napoleon in early 1800s France. Joseph Conrad wrote a characterful story and Ridley Scott makes full use of that with a focused, frequency pithy and entertaining, dialogue and two measured and engaging leading performances with plenty of entertaining swordplay. The supporting cast is as A-list as you're ever likely to get in a non-romantic period drama. Albert Finney and Edward Fox, Tom Conti and an on form Robert Stephens as well Cristina Raines' charming effort as "Adèle" contribute well. All are dressed perfectly amidst settings that suit this gritty and battle-worn story perfectly, too. It's a cunningly devised theme, this - it has the obvious storyline, but also takes well aimed swipes at pomposity, the futility of war, and the stupidity of man - all in a manner that resonates cleverly, even now. It was clearly produced on a limited budget, which is apparent from time to time with the continuity (never one of Scott's strong suits) or with some overused extras amongst the soldiers - but, overall, it is a testament to what can be done in a relatively short film, with a good story and cast and some creative leadership behind the camera.