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Crime of Passion Poster

Crime of Passion

The sin ... the lie ... the crime of passion.
1956 | 83m | English

(3358 votes)

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Popularity: 4 (history)

Director: Gerd Oswald
Writer: Jo Eisinger
Staring:
Details

Kathy leaves the newspaper business to marry homicide detective Bill, but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
Release Date: Dec 28, 1956
Director: Gerd Oswald
Writer: Jo Eisinger
Genres: Drama, Crime, Thriller
Keywords infidelity, press, ambition, police operation, police, film noir, columnist, unhappy marriage, unhappy wife
Production Companies United Artists, Robert Goldstein Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

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Full Credits

Name Character
Barbara Stanwyck Kathy Ferguson
Sterling Hayden Lt. William Doyle
Raymond Burr Inspector Tony Pope
Fay Wray Alice Pope
Virginia Grey Sara Alidas
Royal Dano Capt. Charlie Alidas
Robert Griffin Police Sgt. James
Dennis Cross Police Sgt. Jules
Jay Adler Mr. Nalence
Stuart Whitman Laboratory Technician
Malcolm Atterbury Police Officer Spitz
Robert Quarry Sam, Reporter
Gail Bonney Mrs. London
Joe Conley Delivery Boy
Ralph Brooks Reporter in Newspaper Office (Uncredited)
Larry Carr
Jack Chefe Bartender (uncredited)
Richard Collier Reporter (uncredited)
Nan Dolan
Madelon Erin
Patricia Merlin Taxi Driver (uncredited)
Charles Perry Cornerman (uncredited)
Kenner G. Kemp Party Guest (uncredited)
Peg La Centra Mrs. James (uncredited)
Joe Ploski Bartender (uncredited)
Carl Sklover Restaurant Patron (uncredited)
Cosmo Sardo Guest at Birthday Party (uncredited)
Bert Stevens Policeman Writing Ticket (uncredited)
Geraldine Wall Justice of the Peace (uncredited)
Helen Jay Newspaper Reader (uncredited)
Jean Howell Mrs. Jules (uncredited)
Name Job
Gerd Oswald Director
Verna Fields Sound Effects Editor
Joseph LaShelle Director of Photography
Paul Dunlap Conductor, Original Music Composer
Marjorie Fowler Editor
Jo Eisinger Screenplay, Story
A. Leslie Thomas Art Direction
Morris Hoffman Set Decoration
Robert J. Schiffer Makeup Artist
Francis J. Scheid Sound
Grace Houston Costume Design
Jack R. Berne Production Manager, Assistant Director
Joe Thompson Property Master
Jack Masters Wardrobe Supervisor
Shirley Madden Hairstylist
Mary Gibsone Script Supervisor
Jill Campbell Music Editor
Name Title
Robert Goldstein Executive Producer
Herman Cohen Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 9 15 4
2024 5 12 19 7
2024 6 9 16 5
2024 7 11 18 6
2024 8 10 27 5
2024 9 9 15 5
2024 10 10 25 5
2024 11 7 11 4
2024 12 8 11 6
2025 1 8 11 4
2025 2 5 9 1
2025 3 3 8 1
2025 4 2 3 1
2025 5 2 3 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 0 1 0
2025 9 1 2 0
2025 10 3 5 2

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Reviews

Geronimo1967
6.0

"Kathy" (Barbara Stanwyck) is a feisty journalist who is sent to get the "woman's angle" on a crime and encounters a rather sexist captain and his more reasonable lieutenant "Doyle" (Sterling Hayden). After a bit of an whirlwind romance, the couple marry and move in together. It doesn't take her too ... long to discover that her husband, though loving, is actually a bit of a plodder who is content to work in the same job, with the same dull people, until he collects his clock. Their relationship starts to founder a little and that's when she becomes friendly with his unhappy colleague "Tony" (Raymond Burr) and his unassuming wife "Alice" (Far Wray). Pretty swiftly there is some cheating going on, but that only frustrates "Kathy" further, forcing a tragedy that has her husband and his entire team focused on an investigation that can only wreak havoc with all of their lives. This starts off quite strongly, with Stanwyck having a few pithy lines to deliver. As it meanders along, though, it loses that sharpness and becomes a bit more of a standard romantic thriller gone wrong! Raymond Burr could never be described as versatile, and he and Hayden battle one and other to see who can be the most wooden. It is watchable but could lose twenty minutes, I thought, leaving us with a far tighter, less verbose, story of betrayal that might just have worked better.

Jun 01, 2023