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Birdman or (The Unexpected Virtue of Ignorance) Poster

Birdman or (The Unexpected Virtue of Ignorance)

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2014 | 120m | English

(687057 votes)

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Popularity: 10 (history)

Details

A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.
Release Date: Oct 17, 2014
Director: Alejandro González Iñárritu
Writer: Alejandro González Iñárritu, Nicolás Giacobone, Armando Bo, Alexander Dinelaris
Genres: Comedy, Drama
Keywords new york city, midlife crisis, times square, superhero, dark comedy, marijuana, broadway, magic realism, meditative, city life, father daughter relationship
Production Companies Worldview Entertainment, New Regency Pictures, TSG Entertainment, Le Grisbi Productions, M Productions
Box Office Revenue: $103,215,094
Budget: $18,000,000
Updates Updated: Aug 07, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Michael Keaton Riggan
Emma Stone Sam
Zach Galifianakis Jake
Edward Norton Mike
Andrea Riseborough Laura
Naomi Watts Lesley
Amy Ryan Sylvia
Lindsay Duncan Tabitha
Merritt Wever Annie
Jeremy Shamos Ralph
Damian Young Gabriel
Kenny Chin Korean Grocer
Jamahl Garrison-Lowe Daniel (Stagehand)
Katherine O'Sullivan Costume Assistant
Keenan Shimizu Han
Akira Ito Translator
Natalie Gold Clara
Michael Siberry Larry
Clark Middleton Sydney
William Youmans Bartender (Tommy)
Paula Pell Lady in Bar
David Fierro Man in Bar
Hudson Flynn Kid in Bar (Billy)
Warren Kelley Dresser
Joel Marsh Garland Stagehand
Brent Bateman Broadway Tourist
Donna Lynne Champlin Broadway Lady
Valentino Musumeci Broadway Kid
Taylor Schwencke Broadway Kid
Craig muMs Grant Broadway Man on Street
Kyle Knauf Annoying Times Square Guy
Dave Neal Annoying Times Square Guy
Kelly Southerland Annoying Times Square Guy
Roberta Colindrez Broadway Woman on Street
Catherine Peppers Cashier
Frank Ridley Mr. Roth
Janis Corsair Female Usher
Rakesh G. Shah Liquor Store Owner
Bill Camp Crazy Man
Malachi Weir Guy in Window
Jackie Hoffman Lady on Balcony (Mary)
Stephen Adly Guirgis Good Neighbor
Glenn Wein Young Male Usher
Ebrahim Jaffer Cab Driver
Rain Noe Intermission Man
Susan Blackwell Intermission Woman
Anna Hardwick Blonde Reporter
Dusan Dukic Newscaster
Helena-Alexis Seymour Newscaster
Ian Finlay Newscaster
Lynn Marocola Theatre Goer (uncredited)
Paugh Shadow Theater Guard (uncredited)
Name Job
Emmanuel Lubezki Director of Photography
Stephen Mirrione Editor
Francine Maisler Casting
Albert Wolsky Costume Design
Aaron Glascock Sound Designer
Martín Hernández Sound Designer, Music Editor
Alejandro González Iñárritu Writer, Director
Tom Ozanich Sound Re-Recording Mixer
Chris Haarhoff Steadicam Operator
Rodrigo Prieto Additional Photography
Corey Bayes First Assistant Editor
Nicolás Giacobone Writer
Armando Bo Writer
Heidi Germaine Schnappauf Stunts
Jeremy Sample Stunts
Caroline Vexler Stunts
Shawnna Thibodeau Stunts
Nicole Callender Stunts
Scott Burik Stunts
Peter Epstein Stunts
Aja Frary Stunts
Benjamin Kanes Stunt Double
Thomas La Marche Stunts
Drew Leary Stunts
Natalie M. Meyer Stunts
Declan Mulvey Stunts
Mick O'Rourke Stunts
Paul Lacovara Stunts
Christopher Place Stunts
Victor Paguia Stunts
Thomas Place Stunts
Blaise Corrigan Stunts
Skip Lievsay Sound Re-Recording Mixer
Douglas Crise Editor
Kevin Thompson Production Design
Stephen H. Carter Art Direction
George DeTitta Jr. Set Decoration
Judy Chin Makeup Department Head
Gay Howard Art Department Coordinator
David Meyer Assistant Art Director
Chris Shriver Assistant Art Director
Joseph A. Alfieri Jr. Construction Coordinator
Gerald DeTitta Leadman
Jeremy Peirson Sound Designer
Roland N. Thai Sound Effects Editor
Bill Meadows Sound Re-Recording Mixer
Frank A. Montaño Sound Re-Recording Mixer
Jon Taylor Sound Re-Recording Mixer
Johann Kunz Special Effects Coordinator
Ivy Agregan Visual Effects Producer
Francis Clément Visual Effects Editor
Isabelle Langlois Visual Effects Producer
Ara Khanikian Visual Effects Supervisor
Stephen A. Pope Stunt Coordinator
Atsushi Nishijima Still Photographer
Alison Cohen Rosa Still Photographer
Robert Sciretta Gaffer
Thomas O'Connor Rigging Gaffer
Marcia Patten Costume Supervisor
Bob Schneider Digital Intermediate
Michael Dillon Digital Intermediate
Will Kaplan Music Editor
Daniel Matthews Transportation Coordinator
Eva Z. Cabrera Script Supervisor
Emma Cooper Unit Publicist
Martin Lasowitz Property Master
Sean Madsen Sound Recordist
Bradford Bell Sound Recordist
Mark Purcell Sound Recordist
Glynna Grimala Dialogue Editor
Thierry J. Couturier Supervising Dialogue Editor, Supervising ADR Editor
Albert Gasser Dialogue Editor
Michelle Pazer Supervising Dialogue Editor, Supervising ADR Editor
Michele Perrone Dialogue Editor, ADR Editor
Nerses Gezalyan Foley Mixer
Jeffrey Wilhoit Foley Artist
Catherine Harper Foley Artist
Gary Marullo Foley Artist
Joe Dzuban Foley Editor
Thomas Varga Production Sound Mixer
Raymond Carver Short Story
Winsome G. McKoy Set Costumer
Monica Ruiz-Ziegler Set Costumer
Antonio Sánchez Original Music Composer
Jerry Popolis Hair Department Head
Kat Drazen Key Hair Stylist
Rondi Scott Key Makeup Artist
Peter Kohn First Assistant Director
Amy Lauritsen Second Assistant Director
Catherine Feeny Second Second Assistant Director
Joel Custer Assistant Property Master
Travis Quegan Assistant Property Master
Dan DeTitta Assistant Set Decoration
Chris Marzulli Construction Grip
Geoffrey D. Pound Construction Grip
Eric Helmin Graphic Designer
Michael Acevedo Key Carpenter
Steve Fratianni Key Construction Grip
Judy Gurr Set Decoration Buyer
Matthew DeTitta Set Dresser
Timothy Joliat Set Dresser
Jolie Scherberger Set Dressing Manager
Soal Givord Animation
Jocelyn Hudon Animation
Raphael Letertre Animation
Sebastien Francoeur CG Supervisor
Eloi Brunelle Compositing Supervisor
Alexis Belanger Digital Compositor
Jean-Michel St-Pierre Lapierre Digital Compositor
Alice Pépujol Digital Compositor
Matthieu Veillette Matte Painter
Guillaume Champagne Modeling
Carl Gagnon Modeling
Patrice Poissant Modeling
Robert Bock VFX Director of Photography
Vincent Bergeron Visual Effects Production Assistant
William Cote Visual Effects Production Assistant
Jill Miller Visual Effects Production Assistant
Amelie Thomas Visual Effects Production Assistant
David Crawford Visual Effects Production Manager
Adam O'Brien-Locke Visual Effects Production Manager
Peter Colavito Best Boy Electric
Paul Candrilli Best Boy Grip
Abby Levine Digital Imaging Technician
James Heerdegen Dolly Grip
Luis Contreras Electrician
Sean Sciretta Electrician
George Selden Electrician
Gregor Tavenner First Assistant Camera
Matthew Rohn Generator Operator
Simon Vincent Grip
James Boniece Key Rigging Grip
Jon Sandin Loader
Cooper Boniece Rigging Grip
Joseph Fleming Rigging Grip
Michael A. McFadden Rigging Grip
Beka Venezia Second Assistant Camera
Matthew Wells Post Production Coordinator
J.C. Robaina Stunts
Kim Rideout Stunts
Jason Silvis Stunts
Trampas Thompson Stunt Double
Stacy Courtney Stunts
Tim Gallin Stunts
Josh Lakatos Stunts
Desira Pesta Stunts
Balint Pinczehelyi Stunts
Mitch Lillian Key Grip
Adam Somner First Assistant Director
Ralph Gagliano Driver
William C. Nixon Production Assistant
Robert Legato Thanks, Visual Effects Supervisor
Dawn Baillie Art Designer
Jacqueline Weiss Hairstylist
Alexander Dinelaris Writer
George B. Colucci Jr. Stunts
Name Title
Arnon Milchan Producer
Nicolás Giacobone Associate Producer
Sarah E. Johnson Executive Producer
Christopher Woodrow Executive Producer
James W. Skotchdopole Producer
Drew P. Houpt Associate Producer
Christina Won Associate Producer
Molly Conners Executive Producer
Alejandro González Iñárritu Producer
John Lesher Producer
Alexander Dinelaris Associate Producer
Organization Category Person
Academy Awards Best Actor Michael Keaton Nominated
Academy Awards Best Actress Julianne Moore Won
Academy Awards Best Picture N/A Won
Golden Globes Best Picture N/A Nominated
Golden Globes Best Supporting Actress Emma Stone Nominated
Golden Globes Best Supporting Actor J.K. Simmons Won
BAFTA Awards Best Picture N/A Won
Spirit Awards Best Picture N/A Won
SAG Awards Best Picture N/A Won
SAG Awards Best Supporting Actress N/A Won
Venice Film Festival Best Picture N/A Won
BAFTA Awards Best Director N/A Won
SAG Awards Best Actor Edward Norton Won
SAG Awards Best Director N/A Nominated
Popularity Metrics

Popularity History


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Reviews

tmdb39513728
N/A

**mounting spontaneity** or (dumb luck) It's not fair. I love Raymond Carver, long takes, theatre, Batman, NYC rooftops and alleyways, the blending layers of self-referential fiction, delirious fantasy, the creative process, the insane logistics of run-on cinematography, the seamless assembly ... of shifting environments, stepping into unresolved mental spaces, demonstrations of solitary madness and the unbearable anticipation of being, being judged, being booed, un-being, unhinging, delusional uppers, existential downers, magic surrealism, telekinetic fury, dreams of flying, throwing tantrums, the fragile yet invincible ego, immaculately constructed chaos, the recurring climax of ending it all -- where the blazes is that blasted improvisational drumming coming from? -- oh there, and there, so absurd, don't stop, the shot must go on, the show must go on, "You are not important, get used to it," she said, but so much angst overwhelms him, tethered to a feathered fantasy, a nagging reminder of what once was, or could have been, refusing to believe it's too late to soar to former heights, yet grounded by time and gravity, trapped in a narrative, caged in a fabrication, "You're an actress, honey," says another, "you have no self-respect" and all actors are game, Keaton and Stone zoned-in, knowing the pain, pretending to not care or pretending to matter, failing to be authentic, acting over acting, meta-acting meta-fiction meta-filmed with a meta-critical message: yeah, we're all messed-up and meta-fµcked, but after shooting your nose to spite the ruse, by unmasking the unexpected virtue of ignorance, peeling off layers of pretense and self-importance, you just might find a momentary strain of pure, uncomplicated innocence. It's not fair. I love this sh*t!

Jun 23, 2021
Ditendra
1.0

First of all, let me say, I like most of movies where Naomi Watts plays & thought this one would be good too, after all it has high ratings, but don't be fooled by famous actors which play in this movie. Don't be fooled & think that movie is good. No, not at all. This movie is complete junk. It supp ... osed to be a comedy, but I didn't even find it funny. It's just like a big mess. I started watching it & I couldn't last longer than 30 minutes, it was so boring & uninteresting that I fell asleep. I can't believe people rate this movie so high & even worse - this movie won an Oscar. This again proves, that ratings & Oscar ain't always accurate.

Jun 23, 2021
mattwilde123
9.0

This film tells the story of an over-the-hill actor called Riggan Thomson (brilliantly portrayed by Michael Keaton) who was once the star of a superhero blockbuster franchise known as 'Birdman'. We are shown his journey into making a Broadway production starting with the initial rehearsals and read- ... throughs. What follows is a brilliant exploration of celebrity culture in an intriguing and satirical way. 'Birdman' could essentially be looked at as one continuous long shot. The camera constantly weaves around the actors and action and so the audience are completely immersed into the perspectives of the various characters (mostly Riggan's). The opening shot plays like a scene in Paul Thomas Anderson's 'Boogie Nights' as it delightfully establishes the narrative in a fluid and polished style whilst introducing the cast and their entertaining interchanges during a rehearsal with hilarious consequences. The editing throughout the picture is almost flawless when moving from scene to scene and has a dizzying effect much like Gasper Noé's 'Irreversible'. 'Birdman' also boasts some marvellous special effects throughout such as when Riggan (Keaton) is alone and being taunted by his egotistical alter-ego. The film shows up typical blockbuster action movies by asking the audience what they want and giving it to them in a manner which embraces the excitement and epic-ness of the genre whilst also poking fun of the conventions. The music that accompanies the film is very scarce in a lot of places adding emphasis to the dialogue and situations arising but, in some cases, an erratic and improvisational drum riff can be heard (occasionally accompanied with the drummer on the set) which completely adds to the eccentricity and spontaneity of the movie. The screenplay is very intricately written and contains many profound philosophical speeches about art, celebrity and criticism. There are monologues and debates by characters in which they discuss the core beliefs of the film such as Riggan's speech during his performance of his Raymond Carver play "What We Talk About When We Talk About Love". The whole narrative of the film is very intriguing and interesting. There is a perfect blend of comedy and poignancy. There are a lot of twists and ambiguity throughout the film which could be analysed and interpreted for a long time. Michael Keaton is fantastic as the protagonist and gives a performance that would have given his career a huge revival (his squeal is my highlight of the film). The parallels with the character's career and that of Keaton's could not have been a mistake and gives the performance that much more edge. Edward Norton plays the method actor from hell (Mike Shiner). He is annoying, snobbish and smug and played brilliantly by Norton who excels in the vileness and pomposity of the character. The film is very much about actors. The self obsessive nature of acting is definitely highlighted by the two central performances but there is also a cast that really help to deliver the film's meaning such as Emma Stone, Zach Galifianakis, Andrea Riseborough and Naomi Watts. Overall, 'Birdman' is a fantastic film. It is filled with pathos and profound imagery whilst keeping the viewer thoroughly entertained throughout. ★★★★½

Jun 23, 2021
MatthewL.Brady
10.0

"I'm nothing. I'm not even here." The story to Birdman is about an wash up actor (Michael Keaton) - famous for portraying an iconic superhero - as he struggles to mount a Broadway play. In the days leading up to opening night, he battles his ego and attempts to recover his family, his career, and ... himself. Okay in my review of Whiplash I bought this movie up mid way through the review just to give a heads up of when I'm going to watch it, because Birdman was my most anticipated film of 2014. But just like every time I really wanted to see a film so baldy I have to wait for a while until I finally get a chance to watch it, story of my life really. But anywhere, I was really looking forward to this movie ever since September, and now finally seeing the film I can safely say that Birdman is one of the best movie of 2014. I always know that Micheal Keaton was the kind of movie star that will pick any random movie role just because... well he what's to be important and still show to everyone that he still got it, I guess. Early last year he was in two movies that were pretty blah, and that was The Robocop (remake) and Need for Speed, and those films just made Keaton look like he was just cashing it in just for the sake of it. Until I watched this movie and seeing Micheal Keaton's performance and thinking to myself "Wait is Keaton giving probably his best performance I've ever seen in my life? I think he is", because Keaton in this movie pretty much pulls of the best performance I've seen him in his all career. His character in this movie is like a washed up actor who had everything like: the love from the critics and he's fans. Yeah he still dose have that Keaton thing that he always dose in his previous movies, but the scenes where he plays his character (Which is himself if you really look at his character in this movie) but anywhere he still gives a strong and believable performance that at times give me flashbacks of the good old days when he still had roots and felt like he isn't just cashing it in. I hear a lot of Oscar buzz about his performance in this movie, and I wouldn't be surprise if he wins because he totally deserves it. Excellent work Keaton. Edward Norton is also in this movie and played a familiar character to himself has the hard to work with actor that at times doesn't follow the lines that he was given or even the direction he was told. We already know that Norton is a fantastic actor in his previous work, but in this movie his performance could be descried has stellar and insanely good. Emma Stone is this movie and of course like most of the actors I named off so far who were outstanding in this movie and well you can already guess what I'm going to say next. Emma Stone acting in this movie was just terrific and marvellous to watch. It's good to see a real break out performance from her more than the lay back ones in her other movies. Nice one Emma. The other cast in the movie like Naomi Watts, Zach Galifianakis both did good as well. The whole movie is shot to look like it's all in one shot and my mind was just blown away by that fact. There were scenes in way I said to myself "Oh my god is it one shot?", well I can already imagine the stress, hard work and how many takes they had to do to get it, and boy did it pay off nicely, because I couldn't take my eyes off the screen. I dared myself to look away from the beautiful cinematography and the impressive editing used in the film. The movie has a brilliant message about film critics today that doesn't feel like it's in your face message that you normally get in movies. There's a scene in this movie and by the way it's not a spoiler, but I really need to get this out the way first. Micheal Keaton character starts having a rant over this theater critic who is going to give a bad review to he's play when she hasn't even seen it or any of the premieres. He talks about how she only users big words that nobody will say in person and shes to lazy to come up what she really thinks about it so she users big words just to fill in the sentence. This movie probably has the best rant in movie history and Keaton in that scene shows how good of a actor that he is. For problems in the movie: I really don't have any to be honest. I loved this movie and yes I'm coming out be saying that. This isn't just the best movie of the year and such, no this is just flawless film making right here. Birdman and Whiplash are the two films I will highly recommend to people, because those two films are my favorite films of 2014.

Jun 23, 2021
narrator56
6.0

I was drawn to watch this film for a couple of reasons. One, basically, was Michael Keaton. Overall I find movies are worth a look when he is in it. Also there is the play within a play, the stage production his character is doing, based on an actual short story by Raymond a carver. When I first st ... arted writing short stories and novels decades ago, I was influenced by Carver’s spare writing style and his realistic dialogue. I guess this particular short story has been used in a few short films also. I don’t believe this movie is in any way considered an Independent Film, but it has that feel to me, the way it clings to gritty realism and comic book fantasy all at once, the philosophical musings of most of the characters, the total lack of a defined ending, all speak to me of an independent film. I didn’t come away from watching it thinking it was a great movie, merely interesting in places and well acted. Unfortunately, I disliked most of the characters, with a few exceptions such as the discarded ex-wife/girlfriend or whatever she was. However skilled the production standards and acting might be, this movie proved to me that empathy for the characters and the quality of the writing still counts for a lot. And as a writer (of lower quality admittedly) I was relieved to realize it.

Jun 23, 2021