Popularity: 6 (history)
| Director: | James Marsh |
|---|---|
| Writer: | Jane Hawking, Anthony McCarten |
| Staring: |
| The Theory of Everything is the extraordinary story of one of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde. | |
| Release Date: | Nov 26, 2014 |
|---|---|
| Director: | James Marsh |
| Writer: | Jane Hawking, Anthony McCarten |
| Genres: | Drama, Romance |
| Keywords | husband wife relationship, biography, physicist, based on true story, based on memoir or autobiography, fictional biography, motor neuron disease, als, cambridge university, inspirational, admiring |
| Production Companies | Working Title Films, Working Title Films |
| Box Office |
Revenue: $123,726,688
Budget: $15,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Eddie Redmayne | Stephen Hawking |
| Felicity Jones | Jane Hawking |
| Charlie Cox | Jonathan Hellyer Jones |
| Emily Watson | Beryl Wilde |
| Simon McBurney | Frank Hawking |
| David Thewlis | Dennis Sciama |
| Maxine Peake | Elaine Mason |
| Harry Lloyd | Brian |
| Tom Prior | Robert Hawking (Age 17) |
| Sophie Perry | Lucy Hawking (Age 14) |
| Finlay Wright-Stephens | Timothy Hawking (Age 8) |
| Alice Orr-Ewing | Diana King |
| Thomas Morrison | Carter |
| Michael Marcus | Ellis |
| Gruffudd Glyn | Rees |
| Paul Longley | Barman - Rowing Club |
| Guy Oliver-Watts | George Wilde |
| Lucy Chappell | Mary Hawking |
| Charlotte Hope | Philippa Hawking |
| Abigail Cruttenden | Isobel Hawking |
| Nicholas Gerard-Martin | Physicist #1 |
| Brett Brown | Physicist #2 |
| Anthony Skrimshire | Physicist #3 |
| Christian McKay | Roger Penrose |
| Adam Godley | Senior Doctor - Cambridge Hospital |
| Nicola Sloane | Bedder |
| Lottie Hamilton | Robert Hawking (New Born) |
| Enzo Cilenti | Kip Thorne |
| Rufus Taylor | Robert Hawking (Age 2) |
| Delilah Sexton | Lucy Hawking (New Born) |
| Eileen Davies | Eileen Bond |
| Simon Chandler | John Taylor |
| Georg Nikoloff | Khalatnikov |
| Oliver Payne | Robert Hawking (Age 8) |
| Raffiella Chapman | Lucy Hawking (Age 6) |
| Sam Houston | Timothy Hawking (Baby) |
| Victoria Emslie | Sarah (Geneva Student) |
| Frank Lebœuf | Swiss Doctor |
| Will Barton | Technician |
| Lucy Challenger | Female Fan |
| Nicola Victoria Buck | Cockcroft Guest #2 |
| Stuart Benson | Cockcroft Guest #3 |
| Andrew Bridgmont | Cockcroft Guest #5 |
| Jamie Edwards | Cockcroft Guest #4 |
| Jumaane Brown | Cockcroft Guest #1 |
| Becky Bush | Undergraduate (uncredited) |
| Name | Job |
|---|---|
| James Marsh | Director |
| John Paul Kelly | Production Design |
| Stephen Noble | Costume Design |
| Jinx Godfrey | Editor |
| Rebecca Pearson | Location Manager |
| Pat Sweeney | Gaffer |
| Sylvia Parker | Script Supervisor |
| Natasha Cousins | Costume Supervisor |
| Agnes Legere | Makeup Artist, Hairstylist |
| Jill McCullough | Dialect Coach |
| Glenn Marks | Stunt Coordinator |
| David Campbell-Bell | Location Manager |
| Kira Kemble | Assistant Art Director |
| Rachel Kennedy | Unit Publicist |
| Ian Tapp | Sound Re-Recording Mixer |
| Adam Scrivener | Sound Re-Recording Mixer |
| Mark Keady | Associate Editor, First Assistant Editor |
| Jane Hawking | Book |
| Danny Freemantle | Sound Designer |
| Claire Freeman | Music Supervisor |
| Sarah Bridge | Music Supervisor |
| Liam McGill | Rigging Gaffer |
| Liam Daniel | Still Photographer |
| Paul Wrightson | Dialogue Editor, ADR Editor |
| Lesley Smith | Key Makeup Artist |
| Anthony Weeden | Orchestrator |
| John Warhurst | Music Editor |
| Colin Nicolson | Production Sound Mixer |
| Jan Sewell | Makeup Designer, Prosthetic Designer, Hair Designer |
| David Hindle | Supervising Art Director |
| Alison Banks | Unit Production Manager |
| Lauren Evans | Casting Associate |
| Glen Gathard | Foley Editor |
| Nicholas Freemantle | Assistant Sound Editor |
| Alice Sutton | Art Department Assistant |
| Gillian Dodders | Dialogue Editor, ADR Editor |
| Mark Holt | Special Effects Supervisor |
| Theo Park | Casting Assistant |
| Craig Barwick | Production Accountant |
| Deborah Saban | First Assistant Director |
| Bruce Gordon | Sculptor |
| Jim Philpott | Key Grip |
| Carrie-Ann Banner | Production Coordinator |
| Colin Gregory | Boom Operator |
| Derek Trigg | Foley Editor |
| Ines Li | Visual Effects Coordinator |
| Dillon Bennett | Sound Effects Editor |
| Dean Hawley | Painter |
| Eilam Hoffman | Sound Effects Editor |
| Mat Campbell | Greensman |
| Finola O'Brien | Visual Effects Coordinator |
| Ben Barker | Sound Designer |
| Anita Burger | Makeup Artist |
| Tim Lanning | Greensman |
| Noga Alon Stein | Visual Effects Producer |
| Alex Rouse | Wigmaker |
| Kristyan Mallett | Prosthetic Supervisor |
| Dan Maslen | Storyboard Artist |
| Craig Price | Property Master |
| Kevin Day | Props |
| Claire Nia Richards | Set Decoration |
| Benoît Delhomme | Director of Photography |
| Nina Gold | Casting |
| Glenn Freemantle | Supervising Sound Editor |
| Allan Jenkins | Music Editor |
| Anthony McCarten | Screenplay |
| Mark Milsome | Camera Operator |
| Gerry Vasbenter | Steadicam Operator |
| Robert Sterne | Casting Assistant |
| Jóhann Jóhannsson | Orchestrator, Original Music Composer |
| Matt Curtis | Title Designer |
| Name | Title |
|---|---|
| Amelia Granger | Executive Producer |
| Richard Hewitt | Co-Producer |
| Lucas Webb | Associate Producer |
| David Kosse | Executive Producer |
| Eric Fellner | Producer |
| Lisa Bruce | Producer |
| Anthony McCarten | Producer |
| Tim Bevan | Producer |
| Liza Chasin | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Picture | N/A | Nominated |
| Academy Awards | Best Actor | Eddie Redmayne | Won |
| Golden Globes | Best Actor | Eddie Redmayne | Nominated |
| Golden Globes | Best Picture | N/A | Nominated |
| BAFTA Awards | Best Actor | Eddie Redmayne | Won |
| SAG Awards | Best Actor | Eddie Redmayne | Won |
| BAFTA Awards | Best Supporting Actor | Hugh Bonneville | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 26 | 34 | 20 |
| 2024 | 5 | 30 | 37 | 23 |
| 2024 | 6 | 34 | 57 | 19 |
| 2024 | 7 | 38 | 87 | 20 |
| 2024 | 8 | 30 | 53 | 20 |
| 2024 | 9 | 23 | 34 | 16 |
| 2024 | 10 | 27 | 46 | 17 |
| 2024 | 11 | 30 | 46 | 22 |
| 2024 | 12 | 29 | 68 | 20 |
| 2025 | 1 | 28 | 40 | 22 |
| 2025 | 2 | 21 | 43 | 5 |
| 2025 | 3 | 9 | 32 | 2 |
| 2025 | 4 | 5 | 8 | 4 |
| 2025 | 5 | 5 | 7 | 3 |
| 2025 | 6 | 4 | 6 | 3 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 4 | 6 | 3 |
| 2025 | 9 | 5 | 7 | 4 |
| 2025 | 10 | 5 | 7 | 4 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 913 | 939 |
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| 2025 | 9 | 854 | 923 |
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| 2025 | 8 | 620 | 813 |
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| 2025 | 7 | 984 | 984 |
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| 2025 | 6 | 308 | 754 |
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| 2025 | 5 | 994 | 994 |
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| 2025 | 3 | 562 | 764 |
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| 2025 | 2 | 273 | 620 |
| Year | Month | High | Avg |
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| 2025 | 1 | 750 | 852 |
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| 2024 | 12 | 638 | 818 |
| Year | Month | High | Avg |
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| 2024 | 11 | 977 | 977 |
Well told picture with amazing Felicity Jones and Eddie Redmayne. However, the script has been quite modify to adapt it to how the story wanted to be told no matter how many swaps in the time line, omissions or mistakes were introduced. ...
'The Theory of Everything' is James Marsh's biopic of scientific genius Stephen Hawking. Eddie Redmayne plays Hawking as we learn about his early days at university, his diagnosis of motor neuron disease, and the rise to his now iconic status. Marsh's direction is very good and he uses many point of ... view shots to create a huge sense of empathy for the main character. Marsh uses stunning visual effects in order to express Hawking's inner feelings and torment whilst highlighting his genius. The choice of music is also uplifting and echoes the key themes throughout the film. The screenplay is a really interesting piece of work and tells the story in a funny yet intriguing way. However, it does seem to lack a certain something as it tries to alter the source material in order to create some very conventional scenes. The performances in 'The Theory of Everything' are truly exceptional. Eddie Redmayne plays Stephen Hawking in a transformational and moving manner. You can barely recognise him as he highlights his illness with complete sincerity and plausibility. Felicity Jones plays his wife, Jane Wilde. I thought her role would be a simple one as she would work off of the powerhouse performance from Redmayne but the way she shows her strength and compassion is very moving and she does an excellent job. Overall, 'The Theory of Everything' is a fascinating film about a genius as he deals with his dibilitating illness. The maturity of everyone involved in this make it a remarkable movie. ★★★½
Based around the honest, touching and frequently heart-rending book by Jane Hawking (here played very well by Felicity Jones), this is essentially a story of love and dedication - with one hell of a lot of frustration thrown in too. Eddie Redmayne is superb as the now acclaimed, flawed and often rat ... her unpleasant scientist whose brain was years ahead of it's time; and the drama marries his dedication to his work with his devotion to himself, his family and, of course, to everyone's handling of the increasingly debilitating disease that ultimately denied him just about every aspect of his physical being. It's not a science lesson - never fear, our neurones are left pretty much unchallenged. It is a love story. Not a romance, either - but a depiction of a relationship that thrived, struggled, rose and - ultimately - fell. The intimacies of the photography almost immerse us in their lives as both take a rather stoic, but not always enjoyable, approach to the difficulties faced by all concerned. It is well scripted, the dialogue is sensitive and plausible - and Jóhann Jóhannsson's score augments the visuals aptly too. As biopics go, it comes across as far less speculative; it has an integrity to it that coupled with with two actors at the top of the bill who clearly enjoyed working with each other, gives us a superior drama about two people who were genuinely interested in each other, and who are genuinely of interest to the audience. The supporting efforts from the likes of David Thewlis and Harry Lloyd and from the myriad of actors who portray the couple as they grow up from childhood add well to the overall richness of this - and I thoroughly enjoyed watching it.