 
  Popularity: 7 (history)
| Director: | Ridley Scott | 
|---|---|
| Writer: | Adam Cooper, Steven Zaillian, Bill Collage, Jeffrey Caine | 
| Staring: | 
| The defiant leader Moses rises up against the Egyptian Pharaoh Ramses, setting 400,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues. | |
| Release Date: | Dec 03, 2014 | 
|---|---|
| Director: | Ridley Scott | 
| Writer: | Adam Cooper, Steven Zaillian, Bill Collage, Jeffrey Caine | 
| Genres: | Adventure, Action, Drama | 
| Keywords | moses, bible, epic, racism, slave, ancient egypt, old testament, angry, aggressive, ramses, bitter, apathetic, callous, mean spirited | 
| Production Companies | 20th Century Fox, Chernin Entertainment, Babieka Films, TSG Entertainment, Volcano Films, Scott Free Productions | 
| Box Office | Revenue: $268,031,828 Budget: $140,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Job | 
|---|---|
| Dariusz Wolski | Director of Photography | 
| Arthur Max | Production Design | 
| Celia Bobak | Set Decoration | 
| Adam Cooper | Screenplay | 
| Steven Zaillian | Screenplay | 
| Alistair Williams | Special Effects | 
| Rowley Irlam | Stunts | 
| Janty Yates | Costume Design | 
| Bill Collage | Screenplay | 
| Nina Gold | Casting | 
| Brian N. Bentley | Compositors | 
| Peter Burgis | Foley | 
| Paul Massey | Sound Re-Recording Mixer | 
| Flavio Martínez Labiano | Second Unit Cinematographer | 
| Óscar Sempere | Art Direction | 
| Luigi Rocchetti | Makeup Artist | 
| Juan Aguirre | Property Master | 
| Will Holden | Greensman | 
| Billy Rich | Editor | 
| Ridley Scott | Director | 
| Rob Inch | Stunt Coordinator | 
| Alberto Iglesias | Original Music Composer | 
| Gavin Fitch | Art Direction | 
| Matthew Gray | Art Direction | 
| Matt Wynne | Art Direction | 
| Jeffrey Caine | Screenplay | 
| Ravi Bansal | Art Direction | 
| Alex Cameron | Art Direction | 
| Alejandro Fernández | Art Direction | 
| Hayley Easton Street | Art Direction | 
| Siân Miller | Hairstylist | 
| Luigi Marchione | Art Direction | 
| Ashley Winter | Art Direction | 
| Pilar Revuelta | Set Decoration | 
| Nicola Buck | Hairstylist | 
| Carolyn Cousins | Hairstylist | 
| Nana Fischer | Hairstylist | 
| Pippa Woods | Hairstylist | 
| Alexis Continente | Hairstylist | 
| Denise Kum | Hairstylist | 
| Eva Marieges Moore | Hairstylist | 
| Tina Earnshaw | Makeup Department Head | 
| Jessica Brooks | Makeup Artist | 
| Robb Crafer | Makeup Artist | 
| Audrey Doyle | Makeup Artist | 
| Kristin Rasch | Makeup Artist | 
| Nora Robertson | Makeup Artist | 
| Matteo Silvi | Makeup Artist | 
| Orlando Bassi | Wigmaker | 
| Peter Hawkins | Animatronic and Prosthetic Effects | 
| Matthew MacMurray | Animatronic and Prosthetic Effects | 
| Ray Marston | Wigmaker | 
| Darren Robinson | Animatronic and Prosthetic Effects | 
| Alex Rouse | Wigmaker | 
| Rubén Serra | Animatronic and Prosthetic Effects | 
| Felicity Hickson | Art Department Coordinator | 
| Quinn Robinson | Assistant Art Director | 
| Florian Müller | Assistant Art Director | 
| Philip Gilmore | Assistant Art Director | 
| Sarah Hunt | Construction Coordinator | 
| Roger Holden | Greensman | 
| Dennis Wiseman | Property Master | 
| Alan Gooch | Lead Painter | 
| Elena Machado Hernandez | Set Decoration Buyer | 
| Rachael Tate | ADR & Dubbing, Dialogue Editor | 
| Andrea King | Foley | 
| Jack Stew | Foley | 
| Jason Swanscott | Foley | 
| Michael Fentum | Sound Designer | 
| James Harrison | Sound Designer | 
| Oliver Tarney | Sound Designer | 
| Mark Taylor | Sound Effects Editor | 
| Victoria Stokes | Special Effects Coordinator | 
| Marlene Chazot | Animation Director | 
| Paul Chung | Animation Supervisor | 
| Stafford Lawrence | Animation Supervisor | 
| Shawn Broes | Visual Effects Editor | 
| Abi Cadogan | Visual Effects Editor | 
| Nick Dacey | Visual Effects Editor | 
| Stefan Drury | Visual Effects Producer | 
| Andrew Edmondson | Visual Effects Editor | 
| Pierre Escande | Visual Effects Producer | 
| Moriah Etherington-Sparks | Visual Effects Producer | 
| Struan Farquhar | Visual Effects Editor | 
| Lisa Goldberg | Visual Effects Producer | 
| Paul Kolsanoff | Visual Effects Producer | 
| Daniel Matley | Visual Effects Producer | 
| Matthew Ozerski | Visual Effects Editor | 
| Xinyi Puah | Visual Effects Editor | 
| Charlotte Raffi | Visual Effects Producer | 
| Aled Robinson | Visual Effects Editor | 
| Jamie Stevenson | Visual Effects Producer | 
| Abbie Tucker-Williams | Visual Effects Producer | 
| Garrett Wilson | Visual Effects Editor | 
| Mark S. Wright | Visual Effects Editor | 
| Leanne Young | Visual Effects Editor | 
| Asregadoo Arundi | Visual Effects Supervisor | 
| Simon Carr | Visual Effects Supervisor | 
| Peter Chiang | Visual Effects Supervisor | 
| Jessica Norman | Visual Effects Supervisor | 
| Stephan Trojansky | Visual Effects Supervisor | 
| Stefano Trivelli | Visual Effects Art Director | 
| Claas Henke | Visual Effects Art Director | 
| Jennifer Herbert | Sequence Supervisor | 
| Tim Ledbury | Sequence Supervisor | 
| Tom Rolfe | Sequence Supervisor | 
| James Rustad | CG Supervisor | 
| Tim Zaccheo | CG Supervisor | 
| Lukas Lepicovsky | CGI Supervisor | 
| Daniel Pastore | CG Supervisor | 
| David Acereto | Camera Operator | 
| Graham Hall | Camera Operator | 
| Al Hindley | Camera Operator | 
| Julian Morson | Camera Operator | 
| Imanol Nabea | Camera Operator | 
| Stefan Stankowski | Camera Operator | 
| Julio Vallejo | Camera Operator | 
| Ibon Antuñano | Camera Operator | 
| Adam Dale | Helicopter Camera | 
| John Marzano | Helicopter Camera | 
| Kerry Brown | Still Photographer | 
| Inesa De La Roche | Still Photographer | 
| José Luis Rodríguez | Gaffer | 
| Ken Crouch | Costume Supervisor | 
| Cristina Sopeña | Costume Supervisor | 
| Amanda Trewin | Set Costumer | 
| James Long | Digital Intermediate | 
| Laurence Johnson | First Assistant Editor | 
| Robert Houston | Music Editor | 
| Tony Lewis | Music Editor | 
| Andrés Leal Chele | Transportation Coordinator | 
| Melina Frías | Transportation Coordinator | 
| Lee David Hollingsworth | Transportation Coordinator | 
| David Louis Jones | Transportation Coordinator | 
| Aline Rajan-Harjani | Transportation Coordinator | 
| Julia Chiavetta | Script Supervisor | 
| Ahmed Sobhy | Location Manager | 
| Félix Rosell | Location Manager | 
| Izaskun Montilla | Location Manager | 
| Matt Jones | Location Manager | 
| Linda Gamble | Unit Publicist | 
| Roisin Carty | Dialect Coach | 
| Luis Gamazo | Actor's Assistant | 
| Sandra Mooney | Casting | 
| Annie Penn | Script Supervisor | 
| Benjamín Fernández | Supervising Art Director | 
| Marc Homes | Supervising Art Director | 
| James Lewis | Art Direction | 
| Adrien Flanquart | VFX Artist | 
| Mike Stillwell | VFX Artist | 
| Christoph Westphal | VFX Artist | 
| Mark Patten | Director of Photography | 
| Lauren Camilleri | VFX Editor | 
| Liang Yang | Stunts | 
| Tim Wooster | Underwater Director of Photography | 
| Michael Byrch | Stunts | 
| Pete Ford | Stunts | 
| Ryan Stuart | Stunts | 
| Cristian Knight | Stunts | 
| Chris Rosewarne | Concept Artist | 
| Name | Title | 
|---|---|
| Peter Chernin | Producer | 
| Mark Huffam | Producer | 
| Jenno Topping | Producer | 
| Michael Schaefer | Producer | 
| Mohamed El Raie | Producer | 
| Ridley Scott | Producer | 
| Adam Somner | Co-Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
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| 2024 | 4 | 73 | 109 | 54 | 
| 2024 | 5 | 76 | 112 | 50 | 
| 2024 | 6 | 66 | 107 | 44 | 
| 2024 | 7 | 84 | 123 | 55 | 
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| 2024 | 9 | 64 | 85 | 43 | 
| 2024 | 10 | 57 | 88 | 42 | 
| 2024 | 11 | 64 | 112 | 39 | 
| 2024 | 12 | 51 | 70 | 41 | 
| 2025 | 1 | 56 | 71 | 39 | 
| 2025 | 2 | 44 | 65 | 8 | 
| 2025 | 3 | 17 | 58 | 5 | 
| 2025 | 4 | 11 | 20 | 6 | 
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| 2025 | 9 | 979 | 979 | 
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| 2025 | 8 | 946 | 964 | 
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| 2025 | 4 | 530 | 720 | 
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| 2024 | 12 | 287 | 530 | 
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| 2024 | 11 | 593 | 799 | 
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| 2024 | 8 | 753 | 892 | 
This is a well known story and I have also seen the '56 movie 'The Ten Commandments'. So in this film could not foresee the modification, but it did in a slight manner like the later 'Noah' movie. The best part was the visuals, the graphics were so good, hard to resist the pleasure if you are vfx ge ... ek like me. That's the reason I love modern movie, especially remake of a classic like 'King Kong'. The problem in this flick was lie in the story telling. As we know, Ridley Scott is an excellent narrator, but this movie was too short even though it ran 150 minutes. I felt it was just a brief, I mean there were no details or depth in the important scenes. You will know what I'm saying if you had watched '56 movie I mentioned in a above paragraph. That's drawback for the first timers at a same time advantage for not to fall in boredom for those who have already seen other versions. Christian Bale, awesome; Joel Edgerton, good; Ben Kingsley, never required; Aaron Paul, totally waste. Overall, not cleverly stablised in the scenes that are very important, especially the final one about ten commandments should have been extended a little bit with a moral message. If it was a Peter Jackson movie, definitely it would have been a trilogy with an aggregated time of over 500 minutes. This movie was an entertainer like I enjoyed it than the message deliverer. Must be watched for the amusement and for the pleasure in updating technical aspect of the narration rather than inspiration. 7.5/10
This movie was rather disappointing as far as I am concerned. The original story has been rewritten rather drastically. This in itself do not bother me too much. I am not one of those fanatics that get a fart stuck the wrong way if someone messes with the holy bible. However, I really do not think t ... his was a good rewrite. A lot of the magical moments had been removed and that took away a lot from the story. The movie starts off good enough with some nice and fairly impressive battles. Then it slows down a lot and sometimes I got a “get on with it damn it” feeling. When we finally got around to the burning bush part I got rather underwhelmed. God as a vengeful kid? Come on! The disasters and the special effects are not too shabby but the entire bit where Moses confronted Ramses and warned him about the disasters that where to befall Egypt are taken out. They where just thrown on Egypt one after another in ways that could be explained away as natural disasters. From one point of view I can understand the wish to do this but to me it took something away from the movie. Later when Ramses decides to go after the Hebrews it continues in the same way with Ridley Scott downplaying the magic in the story. There is no pillar of fire and Moses is not holding out his staff to split the see. The sea just decided to recede and Moses takes advantage of it. Sure the effects when the water returns where quite cool but again, the magic was gone. Technically the movie is quite well done and the acting is quite okay but the biblical grandeur and mythical aspects are no longer there. This grand adventure story is simply reduced to an ordinary, fairly mediocre adventure movie with a high budget. I have to say that I enjoyed Cecil B. DeMille’s The Ten Commandments more even though the special effects in that one is hopelessly outdated and the acting is a bit awkward.