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Noah

The end of the world is just the beginning.
2014 | 138m | English

(273466 votes)

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Popularity: 4 (history)

Details

A man who suffers visions of an apocalyptic deluge takes measures to protect his family from the coming flood.
Release Date: Mar 07, 2014
Director: Darren Aronofsky
Writer: Ari Handel, Darren Aronofsky
Genres: Adventure, Drama
Keywords genesis, bible, fairy tale, god, apocalypse, flood, old testament, noah, noah's ark, apologetic, condescending
Production Companies Paramount Pictures, Regency Enterprises, Protozoa Pictures, Disruption Entertainment
Box Office Revenue: $362,600,000
Budget: $125,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Russell Crowe Noah
Jennifer Connelly Naameh
Ray Winstone Tubal-cain
Anthony Hopkins Methuselah
Emma Watson Ila
Logan Lerman Ham
Douglas Booth Shem
Nick Nolte Samyaza (voice)
Mark Margolis Magog (voice)
Kevin Durand Rameel (voice)
Leo McHugh Carroll Japheth
Marton Csokas Lamech
Finn Wittrock Young Tubal-cain
Madison Davenport Na'el
Gavin Casalegno Young Shem
Nolan Gross Young Ham
Skylar Burke Young Ila
Dakota Goyo Young Noah
Ariane Rinehart Eve
Adam M. Griffith Adam
Don Harvey Mean Uncle
Sami Gayle Refugee Daughter
Sophie Nyweide Younger Sister
Ezra Barnes Refugee Father
Nurit Monacelli Refugee Mother
Barry Sloane Poacher Leader
Arna Magnea Danks Laughing Poacher
Vera Fried One Eyed Crone
Thor Kjartansson Young Methuselah
Gregg Bello Testu-col
Mellie Maissa Rei Campos Newborn Baby
Oliver Lee Saunders Newborn Baby
Frank Langella Og (voice)
Jóhannes Haukur Jóhannesson Cain (uncredited)
Arnar Dan Abel (uncredited)
Jack Angel Rock (voice) (uncredited)
Rick Bolander Soldier (uncredited)
Joe Barlam Soldier (uncredited)
Joseph Basile Wedge Soldier (uncredited)
Gabriel F. Bellotti Refugee (uncredited)
Anne Bergstedt Jordanova Wife Maiden (uncredited)
Andres Bjornsson Crator Raider (uncredited)
Jean Burns Refugee (uncredited)
Lucas McHugh Carroll Refugee (uncredited)
Adam Celentano Refugee (uncredited)
Ludovic Coutaud Refugee (uncredited)
Angela Dee Screams (voice) (uncredited)
Jeff El Eini Soldier (uncredited)
Joe Fionda Refugee (uncredited)
Jim Ford Refugee (uncredited)
Bradley Growden Refugee (uncredited)
Tommi Thor Gudmundsson Warlord (uncredited)
Jonathan Haltiwanger Refugee (uncredited)
Eythor Atli Hilmarsson Dead Body (uncredited)
David Itchkawitz Wedge Soldier (uncredited)
Chris Kapcia Refugee (uncredited)
Shana Kaplan Refugee (uncredited)
Danielle Kay Refugee (uncredited)
Austin Kennedy Refugee (uncredited)
Chris Kepford Wedge Soldier (uncredited)
Bjarni Kristjánsson Raider (uncredited)
Anna Kuchma Refugee (uncredited)
Kirk Larsen Warlord (uncredited)
Jerry Lobrow Butcher (uncredited)
David Madison Soldier (uncredited)
Raymond Mamrak Refugee (uncredited)
Branden Marlowe Refugee (uncredited)
Davy J. Marr Refugee (uncredited)
Brian Matthews Soldier (uncredited)
Mara McCann Refugee (uncredited)
Kevin Medina Soldier (uncredited)
Lauren Meley Refugee (uncredited)
Jon Michael Refugee (uncredited)
Róisín Monaghan Refugee (uncredited)
Julian Murdoch Warlord's Child (uncredited)
Paul Nandzik Soldier (uncredited)
Hayden Oliver Refugee Child (uncredited)
Simon Pearl Additional Voices (uncredited)
Joseph Piazza Refugee (uncredited)
Max Abe Plush Refugee Child (uncredited)
Marek Radin Soldier (uncredited)
Greg Sammis Soldier (uncredited)
Giovanni Sanseviero The Blacksmith Boss (uncredited)
Rob Scebelo Wedge Soldier (uncredited)
Sarah Schoofs Refugee (uncredited)
George Schroeder Soldier (uncredited)
Max Kolby Refugee (uncredited)
Maria Shamkalian Outcast (uncredited)
David Shannon Warlord (uncredited)
McKenzie Shea Maiden (uncredited)
Christian Paul Sherwood Refugee (uncredited)
Lawrence Smith Warlord (uncredited)
Stephen Stanton Additional Voices (uncredited)
Thomas W. Stewart Refugee (uncredited)
Boriana Williams Refugee (uncredited)
Ray Zupp Refugee (uncredited)
Name Job
Dan Webster Supervising Art Director
Troy Gilbert Stunts
Tina Mckissick Stunts
Chris Cenatiempo Stunts
G.A. Aguilar Second Unit Director, Stunt Coordinator
Jeff Kryvicky Title Designer
Aaron McBride Art Direction
Judy Chin Makeup Department Head
Deborah Jensen Art Direction
Nicholas DiBlasio Set Decoration
Atli Geir Grétarsson Art Direction
Alex DiGerlando Art Direction
Lindsay Graham Ahanonu Casting
Douglas Crosby Stunt Coordinator
Debra Schutt Set Decoration
Ari Handel Writer
Hannah Davis Scenic Artist
Colin Brantley Scenic Artist
Robert Barnett Scenic Artist
Chris Moseley Camera Operator
Nicole Greenbaum Costume Supervisor
John Finklea Music Editor
Ragnar P. Pétursson Transportation Co-Captain
Steve Baine Foley
Nikki Black Assistant Art Director
Nick Miller Construction Coordinator
Donna Maloney Costume Supervisor
William Lance Sculptor
Stephen Morahan Assistant Art Director
Douglas Poland Art Department Coordinator
Harrison Meyle Dialogue Editor
Reg Poerscout-Edgerton Casting
Margrét Einarsdóttir Costume Supervisor
Eric Lewis Beauzay Assistant Art Director
James P. Schramm Thanks
George Chavez Color Timer
Anguibe Guindo Boom Operator
Dominick Tavella Sound Re-Recording Mixer
James Fanning Transportation Captain
Jerome Butler Dialect Coach
Elizabeth Himelstein Dialect Coach
Trenton Dallas Set Costumer
Lori A. Balton Location Scout
Kathryn C. McGinnis Scenic Artist
Shayna Brown Sound Re-Recording Mixer
Monika Darby Set Costumer
Jessica Lichtner Script Supervisor
Rachel Nemec Assistant Art Director
Coll Anderson Sound Effects Editor
Merav Elbaz Belschner Set Costumer
Gabriela Stanciu Set Costumer
Abe Costanza Scenic Artist
Rebecca Perrenod Scenic Artist
Ugla Hauksdóttir Other
Kayla Franklin Visual Effects Editor
Brian N. Bentley Compositors
Yan Zou Software Engineer
David Greene Special Effects
Philippe Rebours Visual Effects Supervisor
Ben O'Brien VFX Artist
John Walker VFX Artist
Mickael Coedel Animation
Jim Grout Electrician
James Boniece Rigging Grip
Marjorie Durand Key Makeup Artist
Andrew Sadtler Electrician
M. Parker Shippey Electrician
John G. Velez Gaffer
Eric Boncher Gaffer
Ísak Bjarnason Lighting Programmer
Thorir G. Agustsson Lighting Technician
Derek Murphy Rigging Gaffer
Steve Koster Aerial Director of Photography
Martin Jaksa Rigging Grip
Danny Nallan Rigging Grip
Mark Oliver Electrician
Pierson Silver Libra Head Technician
Hrafn Garðarsson Lighting Technician
Niko Tavernise Still Photographer
Daniel E. Joyce Electrician
Michael A. McFadden Rigging Grip
Stephen Consentino Steadicam Operator
Ryan Rodriguez Best Boy Electric
Bernice Autovino Electrician
Lamont Crawford Key Grip
Lukasz Jogalla Second Unit Director of Photography
Eric Gearity Key Grip
Gregory Michael Baney Electrician
Brad Printz Electrician
Thomas Beczynski Lighting Technician
Gerard Fiore Rigging Grip
Jerry Popolis Hair Department Head
Joseph Abbatecola Best Boy Grip
Jonathan Beck Camera Operator
Gabe Munitz-Alessio Electrician
Arnar Einarsson First Company Grip
Sigurdur Mar Davidsson Lighting Technician
Keith Marshall Best Boy Grip
James Phelps Electrician
Dave Thurlow Lighting Technician
Christine Fennell Key Hair Stylist
Craig Vaccaro Key Rigging Grip
Egill Antonsson Lighting Technician
Christian May Best Boy Electric
Kevin Karpinski Electrician
Pete Romano Underwater Director of Photography
Jerad Marantz Creature Design
Daniel Perez Ferreira Visual Effects Technical Director
Alex Stebbins Stand In
Sandy Hamilton Property Master
Gwyneth E. Larsen Stunts
Shawn Kelly Lead Animator
Richard Graves First Assistant Director
Amy Lauritsen Second Assistant Director
Travis Rehwaldt Second Second Assistant Director
Sandra Steinþórsdóttir Additional Second Assistant Director
Davíð Óskar Ólafsson Second Assistant Director
Xanthus Valan Second Assistant Director
Woodrow Travers Additional Second Assistant Director
Timothy Blockburger Second Second Assistant Director
Aaron Vexler Stunts
Darren Aronofsky Director, Writer
Matthew Libatique Director of Photography
Mark Friedberg Production Design
Michael Wilkinson Costume Design
Clint Mansell Original Music Composer
Andrew Weisblum Editor
Mary Vernieu Casting
Neville Page Creature Design
Kyle Cooper Conceptual Design
Craig Henighan Supervising Sound Editor
Kirsty McGregor Casting
Suzanne Smith Crowley Casting
Tyson Bidner Location Manager
Satoshi Kon Thanks
Michele Ziegler First Assistant Director
Aja Frary Stunts
Peter Epstein Stunts
Tim Rigby Stunts
Jodi Michelle Pynn Stunts
Declan Mulvey Stunts
Name Title
Ari Handel Executive Producer
Chris Brigham Executive Producer
Scott Franklin Producer
Darren Aronofsky Producer
Mary Parent Producer
Arnon Milchan Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 58 78 39
2024 5 67 80 49
2024 6 48 77 36
2024 7 47 82 28
2024 8 60 123 29
2024 9 31 40 24
2024 10 37 64 22
2024 11 38 66 24
2024 12 33 45 24
2025 1 38 72 27
2025 2 26 39 5
2025 3 10 33 2
2025 4 9 15 4
2025 5 6 14 3
2025 6 6 10 4
2025 7 4 5 3
2025 8 5 6 4
2025 9 6 9 4
2025 10 4 5 4

Trending Position


Year Month High Avg
2025 4 676 808
Year Month High Avg
2025 1 499 821
Year Month High Avg
2024 12 628 865
Year Month High Avg
2024 11 380 619

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Reviews

Dark Jedi
4.0

Let me make it clear from the beginning, I do not care if a movie like this is 100% true to the bible and I could not care less about the creationist fanatics moaning about how this and that movie is telling the wrong story or is distorting their religion. But this attempt to re-tell the story is ju ... st bad. The first half of the movie is not all bad. It is actually somewhat enjoyable. The dark scenery is sometimes depressing and beautiful at the same time. I did like the watchers. It added a bit of extra to the movie and the fight when Tubal-Cain tried to capture the ark was not bad at all. However, then it went downhill quickly with Noah going more and more nuts and Tubal-Cain, having survived, is subverting Noah’s son Ham. Not that Noah did not really bring that upon himself to some extent though. The parts where Noah want to kill his grandchildren and stops in the last minute is just Hollywood soap-opera bullshit. Also, do not get me started about the ridiculous scene where Anthony Hopkins goes berry hunting like some mental retard. Up until about half the movie I did not really understand all the very negative reviews but after having watched through the miserable last half I have to say that I do understand them more. I think the one-star ones are a bit harsh since the movie is often quite beautiful and the acting, despite the crappy script, is quite good, but the lousy script is just destroying the movie. Definitely a disappointment.

May 16, 2024
TheGSides
N/A

This is a hard movie to watch and rate. The Good: The images of the flood coming from both above and below the earth were spectacular. The trauma that Noah deals with during the flood and post-flood is beautifully depicted. I loved the image of Noah realizing that the ‘sickness’ is in him as we ... ll as the others. The story-telling of creation to fall to the flood was beautifully done. I also liked the tension of Noah and the family on the ark as they wrestle with the possibility that the Creator has forgotten them. So with all that good, what ruins the movie? I do think a director/writer has an obligation to the source material. Subtract the religious aspect of this movie and imagine the outrage if someone changed the story of Harry Potter or Thor. (Oh wait…they are doing that.) Point is: if you have source material, use it. Go ahead and be creative when there are blanks to fill in but why have source material if you're not going to use it? The director did merge two ancient flood stories – the Bible and the Babylonian Enuma Elish. In the end – neither tradition gets a clear telling of their story. Other issues? The role of Methusala was a complete waste of the talented Anthony Hopkins. And I still have no idea as to why he was even in the film. The conclusion felt hollow and rushed. Noah at the beginning of the film leads an isolationist lifestyle focused on raising his children to be good stewards of the earth. How is this different at the end of the film? It's not. Their understanding of life, the Creator, the world isn't any different than the beginning. There really isn't a pay off to the story...at all. It's just an average film and I expected more with this cast.

Jun 23, 2021
tmdb28039023
2.0

Watching Noah, it occurs to me that it must have been made by atheists. After all, they are treating the Word of God as little more than a first draft. On the other hand, though, co-writer/director Darren Aronofsky isn’t fucking around with the old "thou shalt not take the name of the Lord your ... God in vain," making sure to substitute the G word with the epithet "the Creator." Thus, Noah (Russell Crowe) tells his wife Naamah (Jennifer Connelly) that “[the Creator] is going to destroy the world” (after which he will presumably be known as “the Destroyer”) by way of a flood, which may have given rise to the expression 'when it rains it pours;' I mean, the characters are already living in a post-apocalyptic wasteland; destroying it would certainly qualify as overkill. Noah turns to his grandfather Methuselah (Anthony Hopkins) for advice — by the way, according to the Bible, Noah invented wine, but what the Good Book doesn’t say is that Methuselah invented tea; the latter is a miracle in itself, since water and leaves, the two essential ingredients to prepare this beverage (not to mention the fuel needed to start a fire and the kindle to keep it burning), are entirely conspicuous by their absence. Luckily, Methuselah has a magical seed that can grow an entire forest overnight, but which he had apparently been saving to give to Noah. Noah uses the wood from the trees in this forest to build the Ark, which follows the Field of Dreams Principle; i.e., 'If you build it, they will come' — 'they' being two of each animal, all of which without exception clearly belong to the computatrum generatae genus, but then the visual effects are one of the few pleasures to be had here; in particular the “Watchers” (fallen angels turned into semi-anthropomorphic rock formations voiced by Frank Langella and Nick Nolte, among others), as well as the montage that accompanies Noah's narration of Genesis. Additionally, the Ark itself and the accompanying flood are not unimpressive, and I like how Aronofsky has Noah's sons succumb to Rapid Aging Syndrome to indicate the passage of the many years it would take to complete such a gargantuan project. The problem with this is that they grow up to be Emma Watson, Logan Lerman, Douglas Booth, etc., all of them with impossibly perfect hair, skin, and teeth (unless, of course, Methuselah also invented shampoo and toothpaste, in addition to tea). All things considered, however, the real highlight of the film is Ray Winstone's performance as Tubalcaín. Winstone is nominally the villain, but his character is really the most sensible of all (and Winstone’s delivery lends eve more weight to his convictions), correctly pointing out that both the Creator and the proto-David Koresh that Crowe plays Noah as — although his madness is justifiable; "if the noise of all those animals didn't drive Noah insane (not to mention the insect bites), the smell should have killed him" (The Skeptic’s Dictionary) — have become drunk with power.

Sep 06, 2022
GenerationofSwine
6.0

I feel obligated to watch and review movies like this. I am just happy as a clam that they make movies based on real life or mythological things simply because it gets people interested in it. I mean, I'm a historian...one that has spent his life walking that fine line between history, geology, a ... nd a Catholic faith... They never agree. Don't worry, I don't care about how historically accurate movies are and being a historian I play lip service to the presumed accuracy of my religion. ...And as someone with a deep understanding of geology, when it comes to even 5,000 years ago I play lip service to my own profession. I think it's hysterical that people are hating on this film for religious reasons. "Noah" is largely Biblically inaccurate, which is even funnier than usual given that every Priest I've ever had recognizes Noah as Gilgamesh. So to hate it on a religious stance is idiotic to begin with...and to hate a totally religiously inaccurate film simply because it's based on a tale from the Abrahamic Holy books is as idiotic because, well, it's not even accurate to those. So we'll erase all the Religious and history crap now and just look at the movie. If you didn't see this in the theater and if you don't have a, well, an Ark sized TV...it might not be worth it. The main selling point is really watching the Great Flood, the Deluge is sort of why people like me want to see it...and we want to see it BIG. HUGE. ENORMOUS. So...a small screen and you might as well be watching abrupt History Channel "The Bible" miniseries...and just leave it at that. In fact, you may be better off passing if you don't watch it big...because without the enormity of the flood on the enormous screen you are left with Russell Crowe and that just hurts. Yup...Russell Crowe. What you have here, minus the flood (which is the star of the show) is Crowe, a man that is so convinced that he is God's gift to acting that he totally forgot how to do it. I don't care how you feel about religion (as long as you tolerate all of them) and I don't care how you feel about accuracy in film...no matter your feelings you have to endure Crowe. If you can do that more power to you. But then you have Jennifer Connelly and yeah, you may think she's still eye candy--and you would be right--but that doesn't change the fact that she still can't emote. Thankfully you have Watson, who manages to out act both of them...and Hopkins if he really had a role in all of this worth his skills. So if you have the means to watch it big...the flood is worth the price of admission...if you don't beware of the Crowe.

Jan 14, 2023
Wuchak
6.0

**_The “least-biblical biblical film ever made”_** Helmed by Darren Aronofsky, "Noah" (2014) is his imaginative reimagining of the story from Judeo-Christian Scripture. Being an artistic filmmaker, the production values are top notch, including the quality cast and stellar Icelandic locations, no ... t to mention there’s a moving spirit of reverence to the proceedings. The storytelling is compelling enough, although I started getting a little bored in the second half when the protagonists are stuck in the ark. The title blurb above is from Aronofsky himself, who described himself as not religious, but he once practiced Judaism and was interested in the Noah story, especially the environmentalist angle, yet other parts as well. The movie creatively adds lumbering rock creatures obviously inspired by the fallen “sons of God” and the giant Nephilim they fathered from Genesis 6. I found them interesting, but they are not part of the scriptural story. The worst deviation is the depiction of the title character (Russell Crowe), who is described in the Bible as a righteous, blameless man who walked with God. We know Noah wasn’t perfect and that he sinned myriad times during his life, but the second half of the film erroneously portrays him as an extreme misanthrope bent on wiping out humanity. Meanwhile the villain of the piece, Tubal-Cain (Ray Winstone), soundly believes that humans were made in God’s image and had dominion over the animals. He also believed in the right to hunt animals for sustenance even though such food was divinely prohibited before the global flood, which is the setting of the story; so, as depicted in the movie, Tubal-Cain was in sin on this count. (The fruits of the earth, by the way, were more nutritious and better adapted for the sustenance of the human body prior to the flood; later, they were less capable of supporting the growing feebleness of the body). Needless to say, “Noah” can only be appreciated as an artistic movie inspired by the biblical story. The rock creatures are fantastical and plentiful bits are totally unbiblical. Nevertheless, a lot of key scriptural truths are featured, like the existence of God, the intelligent design of physical creation, the intrinsic corruption of humanity, divine judgment, the global flood, the ark-vessel that saves some people & animals, and love overcoming righteous wrath for a second chance. The film runs 2 hours, 18 minutes, and was shot in southern Iceland, including Dyrhólaey, Fossvogur, Reynisfjara, as well as a set of Noah’s Ark at the Planting Fields Arboretum State Historic Park on Long Island. “Noah” was a success at the box office, earning $359.2 million worldwide on a cost of $125 million. GRADE: B-/C+

Mar 05, 2024