Popularity: 7 (history)
Director: | Noam Murro |
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Writer: | Kurt Johnstad, Frank Miller, Zack Snyder |
Staring: |
Greek general Themistocles attempts to unite all of Greece by leading the charge that will change the course of the war. Themistocles faces the massive invading Persian forces led by mortal-turned-god, Xerxes and Artemesia, the vengeful commander of the Persian navy. | |
Release Date: | Mar 05, 2014 |
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Director: | Noam Murro |
Writer: | Kurt Johnstad, Frank Miller, Zack Snyder |
Genres: | Action, Drama, War |
Keywords | based on comic, sword fight, soldier, massacre, slow motion, based on graphic novel, ancient greece, duringcreditsstinger, sea battle, hand to hand combat, naval warfare, ancient warfare, sparta greece, warriors, 5th century bc, athenian, sword and sandal, god king, sword and shield |
Production Companies | Warner Bros. Pictures, Legendary Pictures, Hollywood Gang Productions, Atmosphere Entertainment MM, Nimar Studios, Cruel & Unusual Films |
Box Office |
Revenue: $337,580,051
Budget: $110,000,000 |
Updates |
Updated: Sep 23, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Sullivan Stapleton | Themistocles |
Eva Green | Artemisia |
Lena Headey | Queen Gorgo |
Callan Mulvey | Scylias |
David Wenham | Dillios |
Rodrigo Santoro | Xerxes |
Jack O'Connell | Calisto |
Andrew Tiernan | Ephialtes |
Ashraf Barhom | General Bandari |
Andrew Pleavin | Daxos |
Hans Matheson | Aesyklos |
Peter Mensah | Persian Emissary |
Ben Turner | General Artaphernes |
Christopher Boyer | Senator |
Fred Ochs | Senator |
Price Carson | Senator |
John Michael Herndon | Senator |
David Pevsner | Senator |
Peter Ferdinando | Greek Ambassador |
Igal Naor | King Darius |
Luke Roberts | Butcher |
George Georgiou | Greek Citizen |
Farshad Farahat | Persian Officer |
Christopher Sciueref | General Kashani |
Steven Cree | Decapitated Greek marine |
Caitlin Carmichael | 8 Year Old Artemisia |
Jade Chynoweth | 13 Year Old Artemisia |
Kevin Fry-Bowers | Lascivious Greek |
David Sterne | Old Statesman |
Gregor Truter | Small Ambassador |
Vincent Walsh | Naval Commander |
Nick Court | Theban Commander |
Mark Killeen | Greek Commander |
Stefan Ivanov | Persian Commander |
Atanas Srebrev | Blacksmith |
Mark Aaron Wagner | Artemesia's Father (uncredited) |
Nancy McCrumb | Athenian Woman (uncredited) |
Hunter Clowdus | Spartan Warrior (uncredited) |
Bo Roberts | Spartan Warrior (uncredited) |
Gregory Shelby | Spartan Warrior (uncredited) |
Wayne Dalglish | Young Spartan (uncredited) |
Velimir Velev | Hermit (uncredited) |
Dimo Alexiev | Rope Puller |
Georgi Stanislavov | Persian Bomber 03 (uncredited) |
Dimiter Doichinov | Spartan Warrior (uncredited) |
Velizar Peev | Spartan Warrior (uncredited) |
Aleksandar Belovski | Greek Citizen (uncredited) |
Name | Job |
---|---|
Noam Murro | Director |
Kurt Johnstad | Screenplay |
Frank Miller | Novel |
Zack Snyder | Screenplay |
Wyatt Smith | Editor |
Simon Duggan | Director of Photography |
Christine Bieselin Clark | Costume Design |
Alexandra Byrne | Costume Design |
Timothy M. Earls | Set Designer |
Alan Robert Murray | Supervising Sound Editor |
Eric A. Norris | Sound Designer |
Tom Ozanich | Sound Designer |
Natasha Anne Francis | Visual Effects Producer |
Damon Caro | Stunt Coordinator |
Dian Hristov | Stunt Coordinator |
Hristo Dimitrov | Casting |
George A. Sack | Transportation Coordinator |
Clay Enos | Still Photographer |
Peter McCaffrey | Camera Operator |
Jay Oliva | Storyboard Artist, Storyboard |
Karin Silvestri | Stunts |
Serge Crozon-Cazin | Stunts |
Wayne Dalglish | Stunts |
Tim Rigby | Stunt Coordinator |
Patrick Tatopoulos | Production Design |
Eryn Krueger Mekash | Makeup Artist |
Philip A. Patterson | First Assistant Director |
Gena Vazquez | Props |
Christian Wood | Digital Compositor |
Troy Robinson | Stunts |
Steve M. Davison | Stunts |
Natalie Padilla | Stunts |
Michael Runyard | Stunts |
Radka Petkova | Stunts |
Tomasz Krzemieniecki | Stunts |
Tom Holkenborg | Original Music Composer |
Dimiter Petkov | Painter |
Lucy Bevan | Casting |
Paul Greenwood | Modeling |
Patricio M. Farrell | Art Direction |
Alexei Karagyaur | Art Direction |
Darren Poe | Art Direction |
Sonya Savova | Art Direction |
Jenny Oman | Set Decoration |
Simon Wakefield | Set Decoration |
Justin Raleigh | Makeup Department Head |
Mirel Ahmed | Sculptor |
Petar Alexandrov | Sculptor |
Darren Fitzsimons | Sculptor |
Laurent Ben-Mimoun | Conceptual Design |
Tammy S. Lee | Set Designer |
Anna Hadzhieva | Art Department Coordinator |
Allison Klein | Art Department Coordinator |
Stefan Manchev | Set Designer |
Yossif Mladenov | Set Designer |
Anshuman Prasad | Set Designer |
Nikolai Nikolov | Set Designer |
Brian Shell | Construction Coordinator |
Roger Holden | Greensman |
Randall D. Wilkins | Set Designer |
Chris Jenkins | Sound Re-Recording Mixer |
Allen Hall | Special Effects Coordinator |
Ilona Blyth | Visual Effects Producer |
Jasmin Hasel | Visual Effects Producer |
Charley Henley | Visual Effects Supervisor |
Richard E. Hollander | Visual Effects Supervisor |
Michel Mielke | Visual Effects Producer |
Oliver Money | Visual Effects Producer |
Julie Orosz | Visual Effects Producer |
Betsy Paterson | Visual Effects Supervisor |
Danielle Plantec | Visual Effects Supervisor |
Yavor Zahariev | Gaffer |
Jasmina Vasileva | Costume Supervisor |
Vyarka Sirkova | Set Costumer |
Tricia Yoo | Set Costumer |
Joshua Coleman | Set Costumer |
Jim Passon | Color Timer |
Tom Kramer | Music Editor |
Melissa Muik | Music Editor |
James P. Schramm | Thanks |
Collin Butrum | Transportation Coordinator |
Kalin Nikolov | Transportation Coordinator |
Michael Jon Sparks | Transportation Captain |
Jaclyn Tamizato | Set Costumer |
Sue Chan | Supervising Art Director |
Rhonda C. Gunner | Visual Effects Producer |
Michael Harden | Visual Effects Editor |
Brad Minnich | Visual Effects Editor |
Anton Bakarski | Camera Operator |
Alice Hobden | Underwater Camera |
James Baker | Visual Effects |
Kristina Sakizli | Assistant Director Trainee |
John 'D.J.' Des Jardin | Visual Effects Supervisor |
David V. Butler | Dialogue Editor |
Dirk Buchmann | Property Master |
Maxim Penev | Assistant Camera |
Ivan Vatsov | Camera Operator |
Brook Willard | Camera Technician |
Jason Bauer | Digital Imaging Technician |
Toby Gallo | Digital Imaging Technician |
Alexandre Trenev | Electrician |
A. Anthony Cappello | First Assistant Camera |
Hristo Aleksandrov | First Assistant Camera |
Emiliano Topai | First Assistant "A" Camera |
Hristo Idakiev | Gaffer |
Ian Bird | Key Grip |
Georgi Petkov | Key Grip |
Ivan Aleksandrov | Key Grip |
Jeremy Brussell | Key Rigging Grip |
Gareth Viner | Libra Head Technician |
Mike Wächter | Lighting Design |
Nikifor Shopov | Rigging Gaffer |
Dimitar Dimitrov | Rigging Grip |
Mihail Yanakiev | Second Assistant Camera |
Alexander Kenanov | Second Assistant Camera |
Borislav Belberov | Second Assistant Camera |
Lorenzo Senatore | Second Unit Director of Photography |
Pete Romano | Underwater Director of Photography |
Neil Blackman | Underwater Gaffer |
R. Scott Lawrence | Video Assist Operator |
David Schmalz | Video Assist Operator |
Viktor Lonek | Video Assist Operator |
Martin Mecko | Video Assist Operator |
Kristin Arrigo | Assistant Hairstylist |
Cristina Patterson | Contact Lens Designer |
Aileen Seaton | Hair Designer |
Nicola Matthews | Key Hair Stylist |
Yana Stoyanova | Key Makeup Artist |
Clare Ramsey | Makeup & Hair |
Lesley Smith | Makeup & Hair |
Carla Vicenzino | Makeup & Hair |
Felicity Wright | Makeup & Hair |
Sidony Etherton | Makeup Artist |
Ani Plotkin-Maloney | Makeup Artist |
Petya Simeonova | Makeup Artist |
Valentin Valov | Makeup Artist |
Greta Velikova | Makeup Artist |
Mike Mekash | Makeup Artist |
Lorraine Martin | Makeup Artist |
Liz Mendoza | Makeup Artist |
Eleanor Sabaduquia | Makeup Artist |
Natalie Thimm | Makeup Artist |
Sofi Hvarleva | Makeup Supervisor |
Daniela Avramova | Prosthetic Makeup Artist |
Kelly Golden | Prosthetic Makeup Artist |
Kevin Kirkpatrick | Prosthetic Makeup Artist |
Danielle Noe | Prosthetic Makeup Artist |
Ryk Fortuna | Prosthetics |
Cass McClure | Prosthetics |
Eric Jewett | First Assistant Director |
Toby Pease | First Assistant Director |
Mariana Popova | Script Supervisor |
Shelly Stoyanova | Script Supervisor |
Trisha Burton | Script Supervisor |
Gabriella Loria | Assistant Costume Designer |
Sharon Long | Assistant Costume Designer |
Christian Cordella | Costume Illustrator |
Robert McKinnon | Costume Illustrator |
Alan Villanueva | Costume Illustrator |
Kasia Chojnowska | Costumer |
Adam M. West | Costumer |
Tisha D. Nagel | Costumer |
Jo Rosen | Costumer |
Desislava Andonova | Key Costumer |
Harriet Kendall | Key Costumer |
Rachel Parkin | Key Costumer |
Bronwyn Edwards | 2D Supervisor |
Zave Jackson | 2D Supervisor |
Walid Mouawad | 3D Artist |
Johannes Vogl | 3D Artist |
José Manuel Weil | 3D Artist |
Claudia Huerta | 3D Editor |
John K. Goodman | Animation Supervisor |
Eric Petey | Animation Supervisor |
Elliot Newman | CG Supervisor |
Axel Akesson | CG Supervisor |
Max Wood | CG Supervisor |
Lukas Lepicovsky | CG Supervisor |
Harry Mukhopadhyay | CG Supervisor |
Andy Lesniak | CG Supervisor |
Felix Laser | Compositing Lead |
Arek Komorowski | Compositing Supervisor |
Nick Crew | Compositing Supervisor |
Marshall Richard Krasser | Compositing Supervisor |
David Harter | Compositing Supervisor |
Will Telford | Digital Effects Supervisor |
Mohsen Mousavi | Digital Effects Supervisor |
Santiago Colomo | Lead Animator |
Evan Fraser | Matchmove Supervisor |
Adam Blank | Matchmove Supervisor |
Vipin Raj | Modeling |
Thom Jones | Modeling |
Ryan A. McCoy | Pre-Visualization Supervisor |
Patrick Smith | Pre-Visualization Supervisor |
Clint G. Reagan | Pre-Visualization Supervisor |
Jateen Thakkar | Sequence Supervisor |
Julie Stark | Sequence Supervisor |
Karishma Mirashi | Shading |
Richard Clarke | VFX Supervisor |
Victoria Albanese | Visual Effects Coordinator |
Zaira Brilhante | Visual Effects Coordinator |
Paola Chavez | Visual Effects Coordinator |
Ann Chow | Visual Effects Coordinator |
James Cochrane | Visual Effects Coordinator |
Crystal Compton | Visual Effects Coordinator |
Melissa Franco | Visual Effects Coordinator |
Sheila Giroux | Visual Effects Coordinator |
James Grummitt | Visual Effects Coordinator |
Anna Guseva | Visual Effects Coordinator |
Chris Jestico | Visual Effects Coordinator |
Sian Judge | Visual Effects Coordinator |
Joshua Pang | Visual Effects Coordinator |
James Purdy | Visual Effects Coordinator |
Kraig Tytus | Visual Effects Coordinator |
Hélène Bécourt | Visual Effects Coordinator |
Murray Gale | Visual Effects Coordinator |
Matina Skouteri | Visual Effects Coordinator |
Uday Joshi | Visual Effects Coordinator |
Rebecca Scott | Visual Effects Coordinator |
Ashlyn Hardie | Visual Effects Coordinator |
Dave Kim | Visual Effects Coordinator |
Paul Stemmer | Visual Effects Coordinator |
Scott Anderson | Visual Effects Editor |
Kosta Saric | Visual Effects Editor |
Andy Stevens | Visual Effects Editor |
David Willinsky | Visual Effects Editor |
Cindy Liu | Visual Effects Editor |
David Stephens | Visual Effects Editor |
Tim Mulvihill | Visual Effects Editor |
Timo Rolle | Visual Effects Editor |
Jack Geist | Visual Effects Producer |
Charuhas Sonar | Visual Effects Producer |
Gracie Edscer | Visual Effects Producer |
Danny Huerta | Visual Effects Production Manager |
Tim Pounds-Cornish | Visual Effects Production Manager |
Emily Williams | Visual Effects Production Manager |
Lauren McCallum | Visual Effects Production Manager |
Matthew Novak | Visual Effects Technical Director |
Michael Botha | ADR Mixer |
Shane Hayes | ADR Mixer |
Nick Kray | ADR Mixer |
Jason Oliver | ADR Mixer |
Stephen Webster | ADR Mixer |
James Hyde | ADR Recordist |
Ryan Young | ADR Recordist |
Kevin Murray | Assistant Sound Editor |
John T. Cucci | Foley Artist |
Dan O'Connell | Foley Artist |
Willard Overstreet | Foley Editor |
James Ashwill | Foley Mixer |
Blake Collins | Foley Mixer |
John Guentner | Foley Mixer |
Susan Dudeck | Sound Editor |
Jason King | Sound Editor |
Ai-Ling Lee | Sound Editor |
F. Hudson Miller | Sound Editor |
Mark Holding | Sound Mixer |
Walter Anderson | Sound Mixer |
Bub Asman | Supervising Sound Editor |
Court Chu | Concept Artist |
Francesco Corvino | Concept Artist |
Kelton Cram | Concept Artist |
Gavriil Klimov | Concept Artist |
Joshua Min | Concept Artist |
Luca Nemolato | Concept Artist |
Steffen Reichstadt | Concept Artist |
Aaron Sims | Concept Artist |
Ivaylo Nikolov | Concept Artist |
Axel Nicolet | Construction Manager |
Evgeni Yordanov | Construction Manager |
Krasimir Rizov | Graphic Designer |
Stefan Razlojki | Props |
David Chow | Set Designer |
Richard F. Mays | Set Designer |
Ivan Dimitrov | Set Dresser |
Rosen Stefanov | Lead Set Dresser |
Mihaela Gavanozova | Set Painter |
Katy Wood | Supervising ADR Editor |
Pavel Bayraktarski | Storyboard Artist |
Darryl Henley | Storyboard Artist |
Martin L. Mercer | Storyboard Artist |
Gary Damian Thomas | Storyboard Artist |
Carlos Castillon | Assistant Editor |
Adam M. Duthie | Assistant Editor |
Stefan Sonnenfeld | Digital Intermediate Colorist |
Erik Kaufmann | Digital Intermediate Editor |
Annie Johnson | Digital Intermediate Producer |
Richard B. Molina | First Assistant Editor |
Stephen Perone | Music Programmer |
Delyan Borisov | Production Accountant |
Ventsislava Yoveva | Production Accountant |
Violeta Piperevska | Production Coordinator |
Carrie-Ann Banner | Production Coordinator |
Rachael Lin Gallaghan | Production Coordinator |
Jyoti Bhalchandra Deshpande | Production Manager |
Veselin Karadjov | Production Manager |
Jason Pomerantz | Production Manager |
Rebecca Collis | Production Secretary |
Carmen Pepelea | Production Supervisor |
Josh Tessier | Stunts |
Yovko Dogandjiiski | Special Effects Supervisor |
Darrell Warner | Costume Illustrator |
David Brenner | Editor |
Michael Keller | Sound Re-Recording Mixer |
Mike Justus | Stunts |
Elliot Hawkes | Stunts |
Assen Karanikolov | Set Costumer |
Eric Kimelton | Visual Effects Coordinator |
Freddy Bouciegues | Stunts |
Vencislav Stojanov | Stunts |
Danko Jordanov | Stunts |
Ivailo Dimitrov | Stunts |
Stilyan Mavrov | Stunts |
Zahari Grozdanov | Stunts |
Velizar Peev | Stunts |
Wolfgang Stegemann | Stunts |
Name | Title |
---|---|
Mark Canton | Producer |
Bernie Goldmann | Producer |
Deborah Snyder | Producer |
Zack Snyder | Producer |
Thomas Tull | Producer |
Wesley Coller | Co-Producer |
Craig J. Flores | Executive Producer |
Gianni Nunnari | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 55 | 69 | 41 |
2024 | 5 | 51 | 81 | 38 |
2024 | 6 | 56 | 95 | 41 |
2024 | 7 | 75 | 129 | 46 |
2024 | 8 | 53 | 82 | 42 |
2024 | 9 | 54 | 67 | 39 |
2024 | 10 | 57 | 95 | 40 |
2024 | 11 | 49 | 62 | 39 |
2024 | 12 | 48 | 71 | 41 |
2025 | 1 | 52 | 60 | 40 |
2025 | 2 | 47 | 64 | 8 |
2025 | 3 | 16 | 56 | 3 |
2025 | 4 | 10 | 13 | 6 |
2025 | 5 | 8 | 13 | 6 |
2025 | 6 | 8 | 12 | 6 |
2025 | 7 | 6 | 8 | 5 |
2025 | 8 | 6 | 8 | 6 |
2025 | 9 | 8 | 10 | 5 |
2025 | 10 | 7 | 7 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 613 | 853 |
Year | Month | High | Avg |
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2025 | 9 | 448 | 725 |
Year | Month | High | Avg |
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2025 | 8 | 569 | 889 |
Year | Month | High | Avg |
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2025 | 7 | 325 | 740 |
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2025 | 6 | 259 | 708 |
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2025 | 5 | 360 | 794 |
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2025 | 4 | 160 | 635 |
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2025 | 3 | 266 | 691 |
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2025 | 2 | 509 | 779 |
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2025 | 1 | 287 | 768 |
Year | Month | High | Avg |
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2024 | 12 | 460 | 772 |
Year | Month | High | Avg |
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2024 | 11 | 584 | 829 |
Year | Month | High | Avg |
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2024 | 10 | 555 | 830 |
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2024 | 9 | 552 | 718 |
Year | Month | High | Avg |
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2024 | 8 | 694 | 870 |
Thought this movie was pretty good when I wasn't expecting too much from the bad ratings and reviews I'd seen. I was pleasantly surprised at the storyline, and the visuals and battle scenes were pretty epic. Overall I would say this is worth a watch but don't expect too much from the film. The origi ... nal is better but this is a worthy follow up.
This is one of these movies which will always have its detractors because it is not historically correct. There are certain movies in which you expect a certain amount of historical accuracy and there are certain movies where you do not. This is one of the latter. You must be out of your mind if you ... ever expected any great deal of historical accuracy from this movie (or any Hollywood production nowadays for that matter). Therefore it pains me to see the reviews that slams this movie with a one-star rating and moans about how it is screwing with the (their) history. I would certainly not call this a great movie but, as a movie, it is far from the one-star range. The movie is watchable, it is even somewhat enjoyable to watch but it is not really a great and epic movie. There are lots of action which is one of the good parts. Some of the scenery, especially the naval ones, are quite magnificent even though they are somewhat overdone in the usual Hollywood way. The bow waves make these heavy, wooden, oar-powered ships look like they are speeding ahead at 30 knots for instance. The action is of the rather gory and blood splattering type. Given all the slow motion scenes with copious amounts of blood slowly floating in the air I would assume this was more out of intention than out of ignorance although the ease by which these ancient swords chopped through bones and necks seemed rather unbelievable. I do not mind blood and gore in my movies but I have to say that the blood and gore in this movie seemed to have taken precedence over the rest of the creative process. The movie simply failed to inspire the awe that one would expect an epic movie of this type would do. Someone said that the movie played out a lot like a video game and to some extent that is true. I never really felt much for any of the characters when watching the movie. I found myself just waiting for the next action scene. The enjoyable part of this movie is really the action, the scenery and the effects, not the story or the characters. The movie is watchable, even enjoyable depending on your expectations but far from great.
Did they really have to do a second movie? More of the same but with lack of innovation and talent. The story is predictable and unconnected, the same than the battles. Stapleton's character doesn't have the same power in screen than 300's Butler's. Probably, the only thing to save is Eva G ... reen although I think she is walking a path in which she is not gaining points to perform in better future movies.
Turgid sequel with a towering performance by Eva Green at its center. Make no mistake, she dominates this movie and lays scorched earth wherever she goes. The male cast members flex and grimace with all they've got but when Green is on screen she is all you look at. It's definitely one of the ... best performances in a bad movie I can recall.
**A very expensive video game made for people who have never been to war, without any basis in true historical facts, and which almost insults the history of Greece.** A few years ago, I wrote a short text for the movie “300”, which I found repugnant and an insult to anyone who knows the slightes ... t bit about Greek history. Unfortunately, Frank Miller's graphic novels show that, for him, History is not important. I didn't expect these films to be documentaries, but the amount of exaggeration and absurd anachronisms is unbearable. When I studied Greek History in college, I had to read a very complete book on the subject (among others, but this one particularly impressed me). I would love to be able to use it to slap Miller and the producers of this movie. The great – and only – redeeming quality of this film is its visual exuberance, achieved at the expense of colossal amounts of CGI to great effect, which amplify the fight scenes to the extreme and give the film the appearance of an extremely expensive video game. The use of slow-motion and some sound effects serve to amplify the battle and give it a glorious, choreographed, fake look. I usually say that only those who have never had to participate in a war will like war... after seeing such homoerotic attraction for war, and for naked athletic bodies spurting blood, I am pretty sure that, in this film, very few went through a real war. Sullivan Stapleton and Eva Green are the only two actors who deserve some attention here, and this is due to the protagonism of their characters, fictional and carnivalesque versions of two historical characters: Themistocles and Artemisia. Lucky for both actors, there wasn't much concern to be historically accurate: Themistocles and Artemisia were older than these two actors. He was, above all, an Athenian politician with a lot of public experience at the time of the events of this film, while she was a queen, the widow of the Satrap of Caria. And contrary to what the movie says, she didn't command the Persian fleet, although she was one of the main commanders. As I said, the film is full of historical inaccuracies: the Persian Wars began with the annexation of Lydia by Cyrus the Great, Persia's first Achaemenid monarch. Included in the conquest were the cities of Ionia, culturally Greek and subject to Lydia. They tried to separate with the support of Athens, but Emperor Darius won them, going against the Athenians. It is then that Themistocles appears, defending the creation of an Athenian fleet capable of facing the Persian, and that Marathon is won, the work of his political rival Miltiades. Darius dies (of natural causes, forget the movie) and Xerxes succeeds him. This was followed, as is known, by the Battle of Thermopylae, where more than 1,400 Greeks died (and not just the famous 300). At the same time, the Battle of Artemisium was fought on the seas, in which Themistocles stopped the Persian fleet. Xerxes makes his way to Athens, which is hastily evacuated by sea before the Persians sack and burn the city. It is Themistocles who then decides to pretend to be a traitor and suggest to Xerxes a decisive attack on the Greek fleet in the Bay of Salamis. There, under cover of a tight bay, the quality of the Greek ships proved decisive. What gave the Greeks victory was not glory, empty heroism, muscles or six-pack abs. What gave them victory was intelligence, choosing able leaders when it was vital, and choosing military tactics that well balanced the invader's numbers. There were many Persians, but their troops were no match for the Greek phalanx covered in steel (they didn't fight in underpants, as the film shows!): unlike the Greeks, the Persians didn't wear metal armour, they had shields made of plaited wicker and carried, essentially, archers, slingers, short-spear spearmen and a lot of cavalry. Likewise, the Persians had a lot of ships, but their quality was very poor when compared to the Athenian and Corinthian galleys. The Greek victory was essentially a triumph of technique and intelligence over brute force and numbers. And this movie doesn't tell us about that.