Popularity: 14 (history)
Director: | Brett Ratner |
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Writer: | Ryan Condal, Evan Spiliotopoulos |
Staring: |
When a new enemy threatens the innocent, Hercules must lead his fearless team of warriors in a battle against overwhelming odds. | |
Release Date: | Jul 23, 2014 |
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Director: | Brett Ratner |
Writer: | Ryan Condal, Evan Spiliotopoulos |
Genres: | Adventure, Action |
Keywords | killing, mercenary, past, based on comic, battle, ancient greece, hercules, peplum, warrior, sagen, 4th century bc |
Production Companies | Paramount Pictures, Metro-Goldwyn-Mayer, Radical Studios, Flynn Picture Company |
Box Office |
Revenue: $244,819,862
Budget: $100,000,000 |
Updates |
Updated: Sep 25, 2025 Entered: Apr 13, 2024 |
Name | Job |
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Éva Zöld | Art Department Coordinator |
Tanoai Reed | Stunt Double |
Fernando Velázquez | Original Music Composer |
György Mihályi | Boom Operator |
Clifford De Spenser | Dialect Coach |
Bence Erdélyi | Art Direction |
Ildikó Szücs | Stunt Coordinator |
Kerry Brown | Still Photographer |
Lorenzo Senatore | Steadicam Operator, Camera Operator |
Claudia Kossik | Transportation Coordinator |
Robert Cowper | Art Direction |
Rohan Harris | Scenic Artist |
Pinto Sasikumar | Visual Effects Producer |
Alessandro Brambilla | Steadicam Operator, Camera Operator |
Katherine Renee Jones | Visual Effects Supervisor |
Jon Marson | Greensman |
Steve Street | Visual Effects Supervisor |
Tim Chau | Supervising Sound Editor, Sound Designer |
Martin Cantwell | Supervising Sound Editor |
Cathy Sandrich Gelfond | Casting |
James Shannon | Dolby Consultant |
Zsolt Büti | Gaffer |
Zsoka Hoka | Costume Supervisor |
Tommy Lockett | Music Editor |
Monica Hada | Visual Effects Producer |
Annamária Orosz | Assistant Art Director |
Chris Burdon | Sound Re-Recording Mixer |
Ami Verge | Stunt Coordinator |
Ádám Fillenz | Camera Operator |
Lucinda Syson | Casting |
Tamas Ordodi | Sculptor |
Clayton Weber | Sound Designer |
Lisa Goldberg | Visual Effects Producer |
Zsolt Csutak | Casting |
Amanda Mackey | Casting |
Tina Jones | Set Decoration |
Maria Pudlowska | Special Effects Coordinator |
Simon Stanley-Clamp | Visual Effects Supervisor |
Susie Jones | Script Supervisor |
Graeme Purdy | Property Master |
Zoltán Kiss | Sculptor |
Jason Swanscott | Foley |
Sacha Walker | Dialogue Editor |
Doug Cooper | Sound Re-Recording Mixer |
Jessica Newhouse-Smith | Visual Effects Producer |
David Rosenbaum | Transportation Coordinator |
James Baker | Visual Effects |
Erica Jean Yeager | Compositors |
Jason Knox-Johnston | Supervising Art Director |
Géza Kovács | Stunts |
Richard Davies | Assistant Costume Designer |
Kate Phillips | Visual Effects Producer |
Michael Eaton | Graphic Designer |
Russell Pawson | Visual Effects Editor |
Priyanka Balasubramania | Visual Effects Producer |
Soren Bendt Aaboe Pedersen | Concept Artist |
Rob Bliss | Concept Artist |
Brett Ratner | Director |
Ryan Condal | Screenplay |
Dante Spinotti | Director of Photography |
Mark Helfrich | Editor |
Julia Wong | Editor |
Jean-Vincent Puzos | Production Design |
Tom Still | Art Direction |
Jany Temime | Costume Design |
Peter Burgis | Foley |
Domonkos Párdányi | Stunt Coordinator |
Evan Spiliotopoulos | Screenplay |
John Bruno | Visual Effects Supervisor |
Dayna Grant | Stunt Double |
Greg Powell | Stunt Coordinator |
László Roráriusz | Location Manager |
Bálint Kovács | Location Manager |
Alexander Witt | Second Unit Director, Second Unit Director of Photography |
Khristian Lupo | Stunts |
Raicho Vasilev | Stunt Double |
Diane Kingston | Visual Effects Producer |
Julian Foddy | CG Supervisor |
Tracey Wilson | Storyboard Artist |
Name | Title |
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Barry Levine | Producer |
Jesse Berger | Executive Producer |
Sarah Aubrey | Executive Producer |
Brett Ratner | Producer |
Ross T. Fanger | Executive Producer |
Peter Berg | Executive Producer |
Beau Flynn | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 76 | 113 | 48 |
2024 | 5 | 82 | 121 | 56 |
2024 | 6 | 65 | 96 | 42 |
2024 | 7 | 67 | 110 | 45 |
2024 | 8 | 74 | 158 | 47 |
2024 | 9 | 67 | 86 | 53 |
2024 | 10 | 69 | 118 | 47 |
2024 | 11 | 58 | 105 | 43 |
2024 | 12 | 56 | 99 | 41 |
2025 | 1 | 61 | 84 | 43 |
2025 | 2 | 42 | 61 | 10 |
2025 | 3 | 16 | 53 | 4 |
2025 | 4 | 7 | 10 | 5 |
2025 | 5 | 6 | 7 | 5 |
2025 | 6 | 6 | 8 | 5 |
2025 | 7 | 6 | 7 | 5 |
2025 | 8 | 7 | 8 | 6 |
2025 | 9 | 9 | 12 | 5 |
2025 | 10 | 13 | 14 | 9 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 918 | 923 |
Year | Month | High | Avg |
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2025 | 9 | 447 | 749 |
Year | Month | High | Avg |
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2025 | 4 | 708 | 767 |
Year | Month | High | Avg |
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2024 | 11 | 500 | 586 |
Of course, not the best movie but the cast is well chosen and delivers a good performance. The intention is no more than doing an entertaining action movie, maybe a bit too violent for all audiences. In any case, the fresh approach is to show a down to earth Hercules, not a demigod, but the ac ... tual product of the marketing for creating a hero and become a legend when centuries have past. Just for this it deserves some recognition.
A fairly entertaining movie but Hercules as most people know the story it is not. The movie blurb above from Paramount is at least fairly honest in calling it a “revisionist take”. Most other commercial texts talk about the legendary twelve labors and in general makes you think that Hercules is … we ... ll Hercules. Do not be fooled. Most of this movie goes to some length to portray Hercules as a normal man, unusually strong for sure but certainly no demigod, that have created the myth surrounding him himself with the help of his friends. If you are into Greek mythology and do not like it messed with this movie is not for you. It is a classical Hollywood rewrite focusing on action with little respect for anything else. Having said that, it is not the total disaster as is normally the result when Hollywood makes “their take” on something classical. Hercules and his team are a fairly charming bunch of hard hitting rascals. The revised story is not really all that bad. Simple and predictable of course, it is a Hollywood action movie after all, but it works fairly well. The movie is an action movie so naturally the main reward of this movie are the action scenes which are fairly good. Over the top, unbelievable and devoid of any form of actual military strategy of course but still quite entertaining. Whoever wrote the scenes having Hercules and his friends running around in the middle of huge battles without much in terms of protection while the rest of the army huddled down in this famous shield wall formation is no genius, military or otherwise, that has to be said. Well, at least it got Hercules some head bashing moments. If you are a fan of action movies and are prepared to put your brain in park and just enjoy the show this is a rather entertaining movie. At least this is my take on it. Some of the scenery is quite beautiful, even slightly breathtaking. It never really feels slow and the acting is on a level suitable for the movie. A slightly above average Hollywood “rewrite” I would say.
Dwayne Johnson has always been able to give off that cheeky look, as if to say "Hey - I can't believe I'm doing this for a living!" - here he manages to add "and, I'll bet neither can you!"... Based loosely on Greek legend, he is the eponymous hero who has to rescue his perilously poised nephew "Iol ... aus" (Reece Ritchie) from a fate worse than death, then take his sword to work for the rather feeble King "Eurystheus" of Thrace (Joseph Fiennes) and his feisty daughter "Atalanta" (Ingrid Bolsø Berdal) against the ruthless Lord "Cotys" (John Hurt - a man who also looks like drink has been taken). Anyway, what now ensues is a collection of reasonably produced set-piece action scenarios as our demi-god must parry and thrust he way through all sorts of peril. Aside from the two at the top of the bill, it really does plumb the deaths of British cinema mediocrity - Ian MacShane and Rufus Sewell being chief amongst the acting "talent" that ought to have fallen on their swords shortly before the titles ran. The visual effects are fine, and there is plenty of adventure to be had - but the dialogue is banal and even the usually reliable Rebecca Ferguson can find nothing to spice this up. Pity - these are great and unlimited tales for the big screen; this one might just keep you entertained on a long train journey on your iPhone. Ham, anyone?
Rewatching Hercules by Brett Ratner didn’t do it any favors. If anything, it felt worse than I remembered back in 2014. The production quality was a major letdown. The costumes and sets looked fake and uninspired, taking away from any sense of immersion. It’s disappointing because the story had the ... potential to be something great, but it completely failed to deliver a proper message or even a satisfying narrative. There were, however, some bright spots in the acting. Ian McShane, Rebecca Ferguson, Aksel Hennie, and Rufus Sewell stood out with strong performances that brought some much-needed life to the film. As for Dwayne Johnson, he was exactly what you’d expect—charismatic but predictable. His performance was similar to most of his other roles, and while he fits the action-hero mold well, he didn’t bring anything exceptional to this character. The movie had a good plot idea but failed to make it meaningful or memorable. It’s a shame because it could have been so much more if there had been better direction and production. Instead, it ends up feeling like a wasted opportunity. While there are some enjoyable moments, it’s hard to ignore the flaws that hold it back.