Popularity: 11 (history)
Director: | Peter Jackson |
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Writer: | Fran Walsh, Philippa Boyens, Peter Jackson, J. R. R. Tolkien, Guillermo del Toro |
Staring: |
The Dwarves, Bilbo and Gandalf have successfully escaped the Misty Mountains, and Bilbo has gained the One Ring. They all continue their journey to get their gold back from the Dragon, Smaug. | |
Release Date: | Dec 11, 2013 |
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Director: | Peter Jackson |
Writer: | Fran Walsh, Philippa Boyens, Peter Jackson, J. R. R. Tolkien, Guillermo del Toro |
Genres: | Fantasy, Adventure, Action |
Keywords | elves, dwarf, based on novel or book, mountain, gold, shapeshifting, lake, giant spider, melancholy, sequel, bear, troll, dragon, turns into animal, barrel, fantasy world, wizard, journey, ring, invisibility, captured, live action and animation, high fantasy, sword and sorcery, trekking, good versus evil, earnest, sincere |
Production Companies | WingNut Films, New Line Cinema, Metro-Goldwyn-Mayer |
Box Office |
Revenue: $958,400,000
Budget: $250,000,000 |
Updates |
Updated: Oct 05, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Ian McKellen | Gandalf the Grey |
Martin Freeman | Bilbo Baggins |
Richard Armitage | Thorin Oakenshield |
Benedict Cumberbatch | Smaug / Sauron |
Orlando Bloom | Legolas |
Evangeline Lilly | Tauriel |
Lee Pace | King Thranduil |
Luke Evans | Bard / Girion |
Stephen Fry | The Master of Laketown |
Ken Stott | Balin |
James Nesbitt | Bofur |
Mikael Persbrandt | Beorn |
Sylvester McCoy | Radagast the Brown |
Aidan Turner | Kili |
Dean O'Gorman | Fili |
Graham McTavish | Dwalin |
Adam Brown | Ori |
Peter Hambleton | Gloin |
John Callen | Oin |
Mark Hadlow | Dori |
Jed Brophy | Nori |
William Kircher | Bifur |
Stephen Hunter | Bombur |
Ryan Gage | Alfrid |
John Bell | Bain |
Manu Bennett | Azog the Defiler |
Lawrence Makoare | Bolg |
Peggy Nesbitt | Sigrid |
Mary Nesbitt | Tilda |
Cate Blanchett | Galadriel |
Ben Mitchell | Narzug |
Stephen Ure | Fimbul |
Craig Hall | Galion |
Robin Kerr | Elros |
Eli Kent | Lethuin |
Simon London | Feren |
Brian Sergent | Spider |
Peter Vere-Jones | Spider |
Mark Mitchinson | Braga |
Kelly Kilgour | Soury |
Sarah Peirse | Hilda Blanca |
Nick Blake | Percy |
Dallas Barnett | Bill Ferny Snr |
Matt Smith | Squint |
Katie Jackson | Betsy Butterbur |
Richard Whiteside | Butterbur Snr |
Greg Ellis | Net Mender |
Ray Henwood | Old Fisherman |
Tim Gordon | Stallkeeper |
Jabez Olssen | Fish Monger |
Stephen Colbert | Laketown Spy |
Evelyn McGee-Colbert | Laketown Spy |
Peter Colbert | Laketown Spy |
John Colbert | Laketown Spy |
Norman Kali | Laketown Spy |
Carter Nixon | Laketown Spy |
Zane Weiner | Laketown Spy |
Allan Smith | Orc Underling |
Jack Binding | Laketowner (uncredited) |
Terry Binding | Laketowner (uncredited) |
Frank Edwards | Dock Worker (uncredited) |
Peter Jackson | Albert Dreary (uncredited) |
Terry Notary | Goblin (uncredited) |
Emma Smith | Dead Dwarf (uncredited) |
Phoebe Gittins | Prancing Pony Wench (uncredited) |
Alaina Wilks | Laketown Girl (uncredited) |
Name | Job |
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John Hubbard | Casting |
Fran Walsh | Screenplay |
Philippa Boyens | Screenplay |
Peter Jackson | Director, Screenplay |
Andrew Lesnie | Director of Photography |
Dan Hennah | Production Design |
Victoria Burrows | Casting |
J. R. R. Tolkien | Novel |
Howard Shore | Original Music Composer |
Liz Mullane | Casting |
Richard Taylor | Costume Design |
Carolynne Cunningham | First Assistant Director |
John Howe | Conceptual Design |
Peter McCaffrey | Camera Operator |
Eric Saindon | Visual Effects Supervisor |
David Farmer | Sound Designer |
Paul Shapcott | Stunt Coordinator |
Tim Wong | Stunt Coordinator |
Christian Rivers | Visual Effects Designer |
Christopher Boyes | Sound Re-Recording Mixer |
Michael Semanick | Sound Re-Recording Mixer |
Alan Lee | Conceptual Design |
Mark Trotter | Stunts |
Min Windle | Stunts |
Chad Moffitt | Animation |
Natalie Crane | Costume Assistant |
Carolina Jiménez | Layout |
Daniel Falconer | Sculptor |
Vanessa Cater | Stunts |
Flora Moody | Makeup & Hair |
Ingrid Kleinig | Stunt Double |
Jacob Tomuri | Stunts |
Guillermo del Toro | Screenplay |
Peter Swords King | Makeup & Hair |
Jason Astley | VFX Artist |
Amy Hubbard | Casting |
Miranda Rivers | Casting |
Bob Buck | Costume Design |
Ann Maskrey | Costume Design |
Paul Tobin | Conceptual Design |
Sean Button | Stunts |
Hugo Dominguez | Visual Effects |
Matt Weaver | VFX Artist |
Andy McLaren | Art Direction |
Simon Bright | Supervising Art Director, Set Decoration |
Rick Findlater | Key Makeup Artist, Hair Supervisor |
Michele Barber | Makeup Artist |
Ricci-Lee Berry | Makeup Artist |
Geogia Lockhart-Adams | Hairstylist |
Catherine Maguire | Makeup Artist |
Jaime Leigh McIntosh | Hairstylist |
Amy McLennan | Makeup Artist |
Richard Muller | Hairstylist |
Nancy Hennah | Hairstylist |
Isadore William Crooks | Set Designer |
Karen Flett | Art Department Coordinator |
Matthew Handscomb | Greensman |
Brendan Heffernan | Conceptual Illustrator |
John Lott | Set Designer |
Colette Mullin | Set Designer |
Eduardo Pena | Conceptual Design |
Neil Schrader | Modeling |
Nick Weir | Property Master |
Richard Wiles | Set Designer |
Neil Aldridge | ADR Editor |
Brent Burge | Supervising Sound Editor |
Hayden Collow | Sound Effects Editor |
Melanie Graham | Sound Effects Editor |
Nigel Stone | ADR Supervisor |
Craig Tomlinson | Foley Editor |
Chris Ward | Supervising Sound Editor |
Justin Webster | Sound Effects Editor |
Dave Whitehead | Sound Designer |
Steve Ingram | Special Effects Supervisor |
Sophie Cherry | Visual Effects Coordinator |
Siobahn Durkin | Visual Effects Coordinator |
Anna-Louise Gordon | Visual Effects Producer |
La-Râ Hinckeldeyn | Visual Effects Coordinator |
Matt Holmes | Visual Effects Editor |
Jeremy Pickett | CG Supervisor |
Mike Perry | CG Supervisor |
Eric Reynolds | Animation Supervisor |
Alessandro Saponi | CG Supervisor |
Simon Harding | Steadicam Operator |
Rob Marsh | Camera Operator |
Mark Pokorny | Still Photographer |
Daniel Cruden | Set Costumer |
Sally Gray | Set Costumer |
Charlotte Hayes | Set Costumer |
Jenny Rushton | Key Set Costumer |
Karen Elliott | Music Supervisor |
Nigel Scott | Music Editor |
Mark Willsher | Supervising Music Editor |
Teresa Berus | Production Coordinator |
Dion Boothby | Armorer |
Roisin Carty | Dialect Coach |
Veronique Lawrence | Script Supervisor |
Leith McPherson | Dialect Coach |
Chrissy Metge | Production Coordinator |
Victoria Sullivan | Script Supervisor |
Helene Takacs | Production Coordinator |
Michael Hedges | Sound Re-Recording Mixer |
Tony Johnson | Production Sound Mixer |
Ray Beentjes | Dialogue Editor |
Martin Kwok | Dialogue Editor |
Matt Stutter | Dialogue Editor |
Jason Canovas | Supervising Dialogue Editor |
Stephen Gallagher | Music Editor |
Vanessa Baker | ADR Voice Casting |
David Clayton | Animation Supervisor |
Tom Greene | Visual Effects Coordinator |
Graham Binding | Senior Animator |
Ronan Binding | Painter, Animation |
Steven Saunders | Sculptor |
Ra Vincent | Set Decoration |
Joe Letteri | Visual Effects Supervisor |
Stephen Smart | Data Wrangler |
Julian Legge | Animation |
Daniel Macarin | CG Supervisor |
Matt Aitken | Visual Effects Supervisor |
Francisco Cubas | Online Editor |
Hamish Drummond | Propmaker |
Jabez Olssen | Editor |
Jeff Capogreco | Visual Effects Supervisor |
R. Christopher White | Visual Effects Supervisor |
Alexander Nowotny | VFX Artist |
Hiroo Minami | Stunts |
Jason Lei Howden | Rotoscoping Artist |
Name | Title |
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Toby Emmerich | Executive Producer |
Alan Horn | Executive Producer |
Carolynne Cunningham | Producer |
Peter Jackson | Producer |
Fran Walsh | Producer |
Callum Greene | Executive Producer |
Zane Weiner | Producer |
Ken Kamins | Executive Producer |
Carolyn Blackwood | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 76 | 94 | 54 |
2024 | 5 | 78 | 93 | 58 |
2024 | 6 | 78 | 113 | 52 |
2024 | 7 | 92 | 130 | 61 |
2024 | 8 | 68 | 96 | 48 |
2024 | 9 | 76 | 132 | 62 |
2024 | 10 | 82 | 116 | 60 |
2024 | 11 | 73 | 142 | 54 |
2024 | 12 | 75 | 113 | 60 |
2025 | 1 | 78 | 94 | 62 |
2025 | 2 | 64 | 102 | 12 |
2025 | 3 | 23 | 73 | 3 |
2025 | 4 | 16 | 21 | 12 |
2025 | 5 | 12 | 21 | 9 |
2025 | 6 | 11 | 16 | 10 |
2025 | 7 | 10 | 11 | 8 |
2025 | 8 | 11 | 12 | 9 |
2025 | 9 | 12 | 15 | 9 |
2025 | 10 | 10 | 11 | 10 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 85 | 324 |
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2025 | 9 | 116 | 347 |
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2025 | 8 | 70 | 336 |
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2025 | 7 | 125 | 506 |
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2025 | 6 | 88 | 465 |
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2025 | 5 | 109 | 513 |
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2025 | 4 | 99 | 501 |
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2025 | 3 | 105 | 424 |
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2025 | 2 | 98 | 404 |
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2025 | 1 | 56 | 377 |
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2024 | 12 | 150 | 371 |
Year | Month | High | Avg |
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2024 | 11 | 98 | 438 |
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2024 | 10 | 249 | 428 |
Year | Month | High | Avg |
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2024 | 9 | 115 | 253 |
Year | Month | High | Avg |
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2024 | 8 | 144 | 444 |
The second part amends the fiasco of the first one. Spectacular and, again, with several moments of the already classic "platform-like" fights on the run from these series of movies that could be enhanced if some sense would be given to them. Still, the staging of every location and, remarkably, ... Smaug, is worth seeing.
7 out of 10 stars would normally be considered quite okay and I guess you could say that this movie is quite okay. However, it has a reputation to live up to. As a movie in the Tolkien universe and with LOTR and The Hobbit: An Unexpected Journey this movie have a lot to live up to and, as far as I a ... m concerned, it does not. As an action/adventure/fantasy movie it is a quite okay movie. It has a lot of action of course, a lot of adventure and a lot of special effects. Of course everything plays out with the Tolkien universe as a back-drop. I guess it is rather superfluous to mention that the movie is based on the book The Hobbit by Tolkien. However it is here the problems start. In my review of The Hobbit: An Unexpected Journey the first thing that I mentioned was that you should be aware of the fact that the movie did not follow the book in any great detail and that this was quite okay since the extensions were well made. Well, it should be no surprise that the first part of this statement is valid for this movie as well. Unfortunately, whereas the first movie felt like a fluid extension of the book this one feels like it is just full of fillers. There are a lot of cool scenes and a lot of action but it really feels like it was just put in there as fillers to showcase the special effects. Speaking of special effects, quite a few of them where rather unimpressive I have to say. The scenes where the dwarfs went down the rapids in barrels frequently looked plastic and artificial. The scenes with Smaug was not too bad even though he was quite overused but the parts around the forges was just plain ridiculous. I know it is fantasy but come one, getting them started and producing tons and tons of molten gold in a few minutes not to mention riding on molten metal without getting burned was just silly. On the whole I found it an enjoyable movie but I was expecting more.
Jackson turned a great story into just another Prates of the Caribbean. Jumping, sliding, gags, etc. All the thinking parts are gone. ...
I'm happy to be back in this world, but _Empire_ this ain't. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._ ...
Still very good, but I found <em>'The Hobbit: The Desolation of Smaug'</em> to be a step below the preceding 2012 release. The conclusion is what affects it the most, in my opinion. It isn't anything bad, but it goes on for too long - yet the ending itself comes out of nowhere a little. It's iffi ... ly crafted, with the entertainment value not enough to cover it up. Again, nothing anywhere near terrible... just not as great as I wanted/expected. I also kinda wanted more scenes with Martin Freeman (Bilbo) across the midway point. I like the focus on Richard Armitage (Thorin) & Co. but I felt there needed to be more with the lead - and with Ian McKellen (Gandalf), for that matter. I've led with my negatives first, but I have many positives too. I enjoyed the scenes in Esgaroth with Luke Evans (Bard), all of the stuff there looks awesome. The character of Tauriel, played by Evangeline Lilly, is cool. Orlando Bloom (Legolas) remains fun to watch. Everything else, including the score, is very nicely done - as anticipated. Love the end credits song ("I See Fire") by Ed Sheeran, by the way. Not quite as grand and great as "May It Be" from LOTR, but it's pretty close!
I'm afraid I still really struggled with the lightweight casting here, but once I'd convinced myself to get over that, I found this to be a far more characterful and entertaining adventure. With the dragon "Smaug" now safely in possession of the gold, it falls to "Thorin" (Richard Armitage) and his ... band of dwarves to make their way - via the misty mountains and the realm of the elves - to the human settlement of "Laketown" where the nimble-fingered "Bilbo" (Martin Freeman) must find and use a secret way into the lair so he can try to repossess the "Arkenstone". Meantime, the mischievous "Gandalf" (Sir Ian McKellen) is off having escapades of his own in the South? Will they rendezvous in time to thwart the increasingly narked fire-breather. What is clear here is that some of the philosophising from the book is very much on the back burner. This is an out-and-out action movie with loads of combat scenes, some very clever visual effects that almost rendered me a bit sea-sick at times - all built around a solid story of companionship and determination. Characters are playing to their strengths and weaknesses; relationships are being forged and challenged; courage is being found - and lost and it's all enjoyable and engaging to watch on the big screen. Maybe I could have been doing without the romantic interludes (yuk!) but for the most part this is a great looking and visionary interpretation that just happens to have a cast that really should have been so much better. A good, not a great, watch that tees us up nicely for the finale.