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The Importance of Being Earnest Poster

The Importance of Being Earnest

They don't come any wilder than Oscar Wilde's classic comedy of manners, morals and morality!
1952 | 95m | English

(6776 votes)

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Popularity: 4 (history)

Director: Anthony Asquith
Writer: Anthony Asquith
Staring:
Details

Algernon Moncrieff is surprised to discover that his affluent friend -- whom he knows as "Ernest" -- is actually named Jack Worthing. Jack fabricated his alter ego in order to escape his country estate where he takes care of his charge, Cecily Cardew. Cecily believes that Ernest is Jack's wayward brother and is keen on his raffish lifestyle. Algernon, seeing an opportunity, assumes Ernest's identity and sneaks off to woo Cecily.
Release Date: Jun 02, 1952
Director: Anthony Asquith
Writer: Anthony Asquith
Genres: Comedy
Keywords love triangle, etiquette, marriage, based on play or musical, mistaken identity
Production Companies J. Arthur Rank Organisation, British Film-Makers, Javelin Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

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International Posters

Full Credits

Name Character
Michael Redgrave Ernest Worthing
Michael Denison Algernon Moncrieff
Edith Evans Lady Bracknell
Joan Greenwood Gwendolen Fairfax
Dorothy Tutin Cecily Cardew
Margaret Rutherford Miss Prism
Miles Malleson Canon Chasuble
Richard Wattis Seton
Walter Hudd Lane
Aubrey Mather Merriman
Ivor Barnard Conductor (Uncredited)
Name Job
Desmond Dickinson Director of Photography
Arthur Alcott Production Controller
Eric Wood Sound Editor
George Blackler Makeup Artist
Beatrice Dawson Costume Design
Yvonne Caffin Costume Supervisor
Benjamin Frankel Conductor, Original Music Composer
Joan Bridge Other
John D. Guthridge Editor
David Harcourt Camera Operator
Roy Goddard Production Manager
Gordon K. McCallum Sound Recordist
John Dennis Sound Recordist
Joan Davis Continuity
Weston Drury Jr. Casting
Bert Batt Third Assistant Camera
Arthur Taksen Set Dresser
Dorothy Edwards Wardrobe Supervisor
Harry Gillard Still Photographer
David W. Orton Second Assistant Director
Ernest Archer Draughtsman
John Box Draughtsman
Biddy Chrystal Hairstylist
Anthony Asquith Screenplay, Director
Carmen Dillon Art Direction
Robert Asher Assistant Director
Peter Lamont Draughtsman
Oscar Wilde Theatre Play
Name Title
Teddy Baird Producer
Earl St. John Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 9 16 6
2024 5 12 23 7
2024 6 9 18 5
2024 7 11 21 6
2024 8 9 16 6
2024 9 10 16 6
2024 10 11 32 6
2024 11 8 14 5
2024 12 9 17 4
2025 1 8 13 5
2025 2 7 9 3
2025 3 5 10 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 1 3 0
2025 9 5 9 3
2025 10 5 6 4

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Reviews

Geronimo1967
7.0

There's little point in outlining the plot here - it's not what the film is about. It is the combination of characterisations and the wonderfully witty writing of Oscar Wilde that make this a thoroughly enjoyable film to watch. It makes no bones about it's theatrical origins - even featuring a curta ... in at the start and the finish, and that sets us up for a cracker of a comedy that swipes at snobbery, pomposity, crass stupidity, deception and offers us a tour de force effort from the inimitable Dame Edith Evans ("Lady Bracknell"). Anthony Asquith has created a delightfully honest interpretation of the play - the dialogue is pithy and quickly paced, few lines are wasted and the talents of Michael Redgrave, Michael Denison, Dorothy Tutin, the perfectly cast Joan Greenwood as "Gwendoline" and Margaret Rutherford as the prim "Miss Prism" combine to give us a genuinely laugh-out-loud series of scenarios that are a joy to behold. It's colourfully set, the costumes a delight (though, I felt seriously gaudy at times!) and the comically timed mannerisms, gestures and charisma of the performers is great, too. It is rare for a piece of theatrical comedy to transfer so effortlessly to the big screen, but here it all looks so very natural...

Sep 09, 2022