 
  Popularity: 4 (history)
| Director: | Anthony Asquith | 
|---|---|
| Writer: | Anthony Asquith | 
| Staring: | 
| Algernon Moncrieff is surprised to discover that his affluent friend -- whom he knows as "Ernest" -- is actually named Jack Worthing. Jack fabricated his alter ego in order to escape his country estate where he takes care of his charge, Cecily Cardew. Cecily believes that Ernest is Jack's wayward brother and is keen on his raffish lifestyle. Algernon, seeing an opportunity, assumes Ernest's identity and sneaks off to woo Cecily. | |
| Release Date: | Jun 02, 1952 | 
|---|---|
| Director: | Anthony Asquith | 
| Writer: | Anthony Asquith | 
| Genres: | Comedy | 
| Keywords | love triangle, etiquette, marriage, based on play or musical, mistaken identity | 
| Production Companies | J. Arthur Rank Organisation, British Film-Makers, Javelin Films | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Michael Redgrave | Ernest Worthing | 
| Michael Denison | Algernon Moncrieff | 
| Edith Evans | Lady Bracknell | 
| Joan Greenwood | Gwendolen Fairfax | 
| Dorothy Tutin | Cecily Cardew | 
| Margaret Rutherford | Miss Prism | 
| Miles Malleson | Canon Chasuble | 
| Richard Wattis | Seton | 
| Walter Hudd | Lane | 
| Aubrey Mather | Merriman | 
| Ivor Barnard | Conductor (Uncredited) | 
| Name | Job | 
|---|---|
| Desmond Dickinson | Director of Photography | 
| Arthur Alcott | Production Controller | 
| Eric Wood | Sound Editor | 
| George Blackler | Makeup Artist | 
| Beatrice Dawson | Costume Design | 
| Yvonne Caffin | Costume Supervisor | 
| Benjamin Frankel | Conductor, Original Music Composer | 
| Joan Bridge | Other | 
| John D. Guthridge | Editor | 
| David Harcourt | Camera Operator | 
| Roy Goddard | Production Manager | 
| Gordon K. McCallum | Sound Recordist | 
| John Dennis | Sound Recordist | 
| Joan Davis | Continuity | 
| Weston Drury Jr. | Casting | 
| Bert Batt | Third Assistant Camera | 
| Arthur Taksen | Set Dresser | 
| Dorothy Edwards | Wardrobe Supervisor | 
| Harry Gillard | Still Photographer | 
| David W. Orton | Second Assistant Director | 
| Ernest Archer | Draughtsman | 
| John Box | Draughtsman | 
| Biddy Chrystal | Hairstylist | 
| Anthony Asquith | Screenplay, Director | 
| Carmen Dillon | Art Direction | 
| Robert Asher | Assistant Director | 
| Peter Lamont | Draughtsman | 
| Oscar Wilde | Theatre Play | 
| Name | Title | 
|---|---|
| Teddy Baird | Producer | 
| Earl St. John | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 9 | 16 | 6 | 
| 2024 | 5 | 12 | 23 | 7 | 
| 2024 | 6 | 9 | 18 | 5 | 
| 2024 | 7 | 11 | 21 | 6 | 
| 2024 | 8 | 9 | 16 | 6 | 
| 2024 | 9 | 10 | 16 | 6 | 
| 2024 | 10 | 11 | 32 | 6 | 
| 2024 | 11 | 8 | 14 | 5 | 
| 2024 | 12 | 9 | 17 | 4 | 
| 2025 | 1 | 8 | 13 | 5 | 
| 2025 | 2 | 7 | 9 | 3 | 
| 2025 | 3 | 5 | 10 | 1 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 1 | 3 | 0 | 
| 2025 | 9 | 5 | 9 | 3 | 
| 2025 | 10 | 5 | 6 | 4 | 
Trending Position
There's little point in outlining the plot here - it's not what the film is about. It is the combination of characterisations and the wonderfully witty writing of Oscar Wilde that make this a thoroughly enjoyable film to watch. It makes no bones about it's theatrical origins - even featuring a curta ... in at the start and the finish, and that sets us up for a cracker of a comedy that swipes at snobbery, pomposity, crass stupidity, deception and offers us a tour de force effort from the inimitable Dame Edith Evans ("Lady Bracknell"). Anthony Asquith has created a delightfully honest interpretation of the play - the dialogue is pithy and quickly paced, few lines are wasted and the talents of Michael Redgrave, Michael Denison, Dorothy Tutin, the perfectly cast Joan Greenwood as "Gwendoline" and Margaret Rutherford as the prim "Miss Prism" combine to give us a genuinely laugh-out-loud series of scenarios that are a joy to behold. It's colourfully set, the costumes a delight (though, I felt seriously gaudy at times!) and the comically timed mannerisms, gestures and charisma of the performers is great, too. It is rare for a piece of theatrical comedy to transfer so effortlessly to the big screen, but here it all looks so very natural...