Popularity: 3 (history)
Director: | David Webb Peoples |
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Writer: | David Webb Peoples |
Staring: |
Set in a futuristic world where the only sport that has survived in a wasted society is the brutal game known as jugging. Sallow, the leader of a rag-tag team, has played in the main Leagues before, but was cast out because of indiscretions with a lady. Now joined by a talented newcomer, Kidda, an ambitious young peasant girl, he and his team find they have one last chance for glory. | |
Release Date: | Oct 19, 1989 |
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Director: | David Webb Peoples |
Writer: | David Webb Peoples |
Genres: | Adventure, Action, Science Fiction |
Keywords | martial arts, future, post-apocalyptic future, dystopia, sports, revenge, desert, combat |
Production Companies | Handistom Investment, Kings Road Entertainment, Kamisha Corporation |
Box Office |
Revenue: $882,290
Budget: $0 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Rutger Hauer | Sallow |
Anna Katarina | Big Cimber |
Delroy Lindo | Mbulu |
Joan Chen | Kidda |
Gandhi MacIntyre | Gandhi |
Vincent D'Onofrio | Young Gar |
Justin Monjo | Dog Boy |
Casey Huang | Kidda's Father |
Quang Dinh | Samchin Head Elder |
John Doumtsis | Samchin Timekeeper |
Hugh Keays-Byrne | Lord Vlle |
Max Fairchild | Gonzo |
Basil Clarke | Red City Overlord |
Richard Norton | Bone |
Cecilia Wong | Kidda's Mother |
Name | Job |
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Richard Francis-Bruce | Editor |
David Webb Peoples | Writer, Director |
Bonnie Timmermann | Casting |
Lesley Vanderwalt | Makeup Artist |
John Roesch | Foley Artist |
Ollie Hall | Stunts |
Alison Barrett | Casting |
Terry Ryan | Costume Design |
David Eggby | Director of Photography |
Neville Maxwell | Special Effects Coordinator |
Frances McDonald | Art Department Coordinator |
Kate Green | Machinist |
Robyn Austin | Makeup Artist |
Wendy Sainsbury | Makeup Artist |
Dennie Thorpe | Foley Artist |
Marnie Moore | Foley Artist |
Robert McFarlane | Still Photographer |
Katrina Crook | Clapper Loader |
Derry Field | Focus Puller |
Nick Mayo | Focus Puller |
Donah Bassett | Negative Cutter |
Richard Ritchie | Color Timer |
John Wingrove | Art Direction |
Liz Neate | Machinist |
Helen Mather | Machinist |
Nik Dorning | Makeup Artist |
Sonja Smuk | Makeup Artist |
Paige Sartorius | Dialogue Editor |
Chris Goldsmith | Boom Operator |
Jo Weeks | Continuity |
Phil Cross | Camera Operator, Steadicam Operator |
Frank Hammond | Second Unit Director of Photography |
Adrien Seffrin | Clapper Loader |
Patricia A. Galvin | First Assistant Editor |
Guy Norris | Stunt Coordinator |
Mitch Deans | Stunts |
Lee Rice | Stunts |
Don Vaughn | Stunts |
John Stoddart | Production Design |
Todd Boekelheide | Original Music Composer |
Marjory Hamlin | Makeup Artist |
Luis Colina | Foley Editor |
John Breslin | Clapper Loader |
Grahame Litchfield | Key Grip |
Peter Terakes | Assistant Camera |
Louise Innes | First Assistant Editor |
Glenn Ruehland | Stunt Coordinator |
Josef Schwaiger | Stunts |
Danny Baldwin | Stunts |
Jeff Jensen | Stunts |
Greg Stuart | Stunts |
Douglas 'Rocky' McDonald | Stunts |
Richard Norton | Stunts |
Steve Rackman | Stunts |
Name | Title |
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Richard Francis-Bruce | Executive Producer |
Charles Roven | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 12 | 17 | 8 |
2024 | 5 | 15 | 19 | 10 |
2024 | 6 | 14 | 23 | 8 |
2024 | 7 | 16 | 31 | 8 |
2024 | 8 | 12 | 20 | 8 |
2024 | 9 | 9 | 14 | 7 |
2024 | 10 | 16 | 37 | 7 |
2024 | 11 | 12 | 28 | 7 |
2024 | 12 | 11 | 19 | 6 |
2025 | 1 | 9 | 16 | 6 |
2025 | 2 | 8 | 12 | 3 |
2025 | 3 | 5 | 10 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 1 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 3 | 3 | 2 |
2025 | 10 | 3 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 137 | 552 |
A Minor Classic. My own opinion is this post apocalyptic flic deserves to be right up there with the best of the Mad Max films, and I suspect an indifferent ad campaign doomed it from the start. I love it when a film delivers a lot more than I expected, which is what you get here. Rutger Hauer a ... nd Joan Chen are the primary players on a team of roving 'athletes' who play a brutal game involving two sides, each of which is attempting to win by being the first to spike the skull of a dog on the opposing team's post (don't ask - the origin of this 'sport' is never revealed). The winning team gets room and board, and maybe a cut of the betting. Think of it as a variation of baseball's farm system and minor leagues. Sully, Rutger's character, reached the 'major leagues' before the film begins, but due to poor judgement in choosing his bed partners, was cast all the way down to the bottom, and he's trying to make it back. The teams that get to the top are allowed to commingle with this future society's one percenters who hold all the wealth and power. They also get a vicarious thrill watching their 'sports heroes' bleed playing the game, hence the title. The film is well paced but sparse, you get to learn just enough to understand what's happening and why. Because of the context in which it is portrayed, it seems to never get dated. Almost no romantic moments, but violence? Oh, yeah. If for no other reason, the film's ending scene where Sully instructs Kidda (Joan Chen's character) what her next actions should be, elevates this above most other films in the genre. Let me put it this way - I gladly re-watch this one every chance I get. My vote - 4 and 1/2 stars.