Popularity: 5 (history)
| Director: | Francis Ford Coppola |
|---|---|
| Writer: | S.E. Hinton, Kathleen Rowell |
| Staring: |
| When two poor Greasers, Johnny and Ponyboy, are assaulted by a vicious gang, the Socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events. | |
| Release Date: | Mar 25, 1983 |
|---|---|
| Director: | Francis Ford Coppola |
| Writer: | S.E. Hinton, Kathleen Rowell |
| Genres: | Drama, Crime |
| Keywords | street gang, based on novel or book, children's home, coming of age, gang, juvenile delinquent, tulsa, oklahoma, based on young adult novel, teenager |
| Production Companies | American Zoetrope |
| Box Office |
Revenue: $33,697,647
Budget: $10,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| C. Thomas Howell | Ponyboy Curtis |
| Matt Dillon | Dallas Winston |
| Ralph Macchio | Johnny Cade |
| Patrick Swayze | Darrel Curtis |
| Rob Lowe | Sodapop Curtis |
| Emilio Estevez | Two-Bit Matthews |
| Tom Cruise | Steve Randle |
| Glenn Withrow | Tim Shepard |
| Diane Lane | Cherry Valance |
| Leif Garrett | Bob Sheldon |
| Darren Dalton | Randy Anderson |
| Michelle Meyrink | Marcia |
| Tom Waits | Buck Merrill |
| Gailard Sartain | Jerry |
| William Smith | Store Clerk |
| Tom Hillmann | Greaser in Concession Stand |
| Hugh Walkinshaw | Soc in Concession Stand |
| Sofia Coppola | Little Girl |
| Teresa Wilkerson Hunt | Woman at Fire |
| Linda Nystedt | Nurse |
| S.E. Hinton | Nurse |
| Brent Beesley | Suburb Guy |
| John C. Meier | Paul |
| Ed Jackson | Motorcycle Cop |
| Daniel R. Suhart | Orderly |
| Nicolas Cage | Soc (uncredited) |
| Trey Callaway | Soc (uncredited) |
| Ronald Colby | College Professor (uncredited) |
| Flea | Soc (uncredited) |
| Cam Neely | Soc (uncredited) |
| Jonnie Parnell | Hospital Lab Tech (uncredited) |
| Name | Job |
|---|---|
| Francis Ford Coppola | Director |
| S.E. Hinton | Novel |
| Carmine Coppola | Original Music Composer |
| Stephen H. Burum | Director of Photography |
| Anne Goursaud | Editor |
| Janet Hirshenson | Casting |
| Dean Tavoularis | Production Design |
| Richard Hymns | Sound Editor |
| Steve M. Davison | Stunts |
| Buddy Joe Hooker | Stunt Coordinator |
| Scott Wilder | Stunts |
| Richard Beggs | Sound Designer |
| Kathleen Rowell | Screenplay |
| Gary Fettis | Set Decoration |
| Jack Petty | Makeup Artist |
| James Austin | Sound Re-Recording Mixer |
| Michael Minkler | Sound Re-Recording Mixer |
| Name | Title |
|---|---|
| Fred Roos | Producer |
| Francis Ford Coppola | Producer |
| Gray Frederickson | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 46 | 74 | 29 |
| 2024 | 5 | 66 | 92 | 52 |
| 2024 | 6 | 49 | 65 | 32 |
| 2024 | 7 | 42 | 60 | 27 |
| 2024 | 8 | 35 | 53 | 21 |
| 2024 | 9 | 28 | 43 | 19 |
| 2024 | 10 | 49 | 107 | 23 |
| 2024 | 11 | 34 | 59 | 23 |
| 2024 | 12 | 29 | 51 | 19 |
| 2025 | 1 | 30 | 57 | 18 |
| 2025 | 2 | 24 | 47 | 4 |
| 2025 | 3 | 11 | 39 | 2 |
| 2025 | 4 | 5 | 6 | 3 |
| 2025 | 5 | 5 | 6 | 4 |
| 2025 | 6 | 6 | 9 | 4 |
| 2025 | 7 | 4 | 6 | 3 |
| 2025 | 8 | 5 | 7 | 4 |
| 2025 | 9 | 5 | 8 | 3 |
| 2025 | 10 | 4 | 6 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 867 | 903 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 809 | 809 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 421 | 766 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 803 | 892 |
_**Artsy teen melodrama in mid-60’s Oklahoma from the perspective of a 16 year-old**_ In the Tulsa area in 1965 the rivalry between the Greasers (poor kids) and the Socs (rich kids) heats up after a gang member is killed. The Greasers supposedly responsible flee the area (C. Thomas Howell and Ral ... ph Macchio), but ironically end up being viewed as heroes. Matt Dillon costars while the notable peripheral cast includes the likes of Patrick Swayze, Rob Lowe, Emilio Estevez, Tom Cruise, Diane Lane and Leif Garrett. “The Outsiders” (1983) was one of two films Francis Ford Coppola shot back-to-back based on S.E Hinton’s young-adult novels. This one was successful at the box office while the even more artsy “Rumble Fish” (1983) failed to draw an audience. Hinton began writing “The Outsiders,” her most popular novel, in 1965 when she was 16, inspired by two rival gangs at her school, Will Rogers High School, which is about 2.5 miles west of downtown. I bring this up because the movie definitely comes across as an overdramatic tale from the perspective of a teenager. The most mundane, trivial events are presented as life-or-death happenings, like going to a drive-in theater or facing your nemeses at a park where one person idiotically brings a switchblade to a fistfight. This explains why some people write the flick off as “the cheesiest and corniest movie ever.” In its defense, you have to acclimate to it in order to appreciate it. Go back to what was happening in your life when you were in your mid- teens and how a fistfight or breakup was an earthshattering event. The movie captures this very well. The original theatrical film runs 1 hour, 31 minutes, while the 2005 Director’s Cut runs 23 minutes longer and includes new music. It was shot in the Tulsa area. GRADE: B-/B
Hmmm. Francis Ford Coppola has creatively produced a piece of superbly photographed and frequently quite intimate observational cinema here this is far more remarkable for it's casting than for anything especially innovative about the story or the characterisations. Indeed had seven of this cast not ... gone on to great and good things - to varying degrees - then I'm afraid I can't think this film would rate much better than as an interesting, "West Side Story" style derivate with neither the style nor the personalities. It is essentially a gang enmity film - the "Greasers" consisting of those at the top of the bill - (a rather toothy) Tom Cruise, Rob Lowe, Ralph Macchio, Matt Dillon, Patrick Swayze et al having a constant rivalry with their wealthier rivals from the other side of town - The "Socs" (Soshes). Every day there are skirmishes between the two until one evening, young Macchio ("Johnny") and pal "Ponyboy" (C. Thomas Howell) are set upon by a group of older lads and tragedy ensues, a tragedy that leads to all concerned discovering and displaying their true colours. Unfortunately, the acting here is all pretty wooden - except, perhaps, for a decent last minute effort from Rob Lowe. Dillon was a good looking man, but like the others here he was never an especially versatile actor and much of the emphasis here is upon the fact they look good in 501s. The story is otherwise a rather humdrum, violent, coming of age effort that ends in sadness and salvation - but is delivered in an almost rushed fashion. Time hasn't been terribly kind to this, it has lost much of what made it potent at the time - but it is still a story worth a watch.