 
  Popularity: 2 (history)
| Director: | Ted Kotcheff | 
|---|---|
| Writer: | Joe Gayton, Wings Hauser | 
| Staring: | 
| A group of Vietnam War veterans re-unite to rescue one of their own left behind and taken prisoner by the Vietnamese. | |
| Release Date: | Dec 16, 1983 | 
|---|---|
| Director: | Ted Kotcheff | 
| Writer: | Joe Gayton, Wings Hauser | 
| Genres: | Action, Drama, War | 
| Keywords | vietnam veteran, post-traumatic stress disorder (ptsd), loss of loved one, war veteran, fight, vietnam, vietnam war, laos, based on true story, heroism | 
| Production Companies | Paramount Pictures | 
| Box Office | Revenue: $30,503,151 Budget: $11,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Gene Hackman | Col. Cal Rhodes | 
| Fred Ward | Wilkes | 
| Robert Stack | MacGregor | 
| Patrick Swayze | Kevin Scott | 
| Harold Sylvester | Johnson | 
| Randall "Tex" Cobb | Sailor | 
| Tim Thomerson | Charts | 
| Alice Lau Nga-Lai | Lai Fun | 
| Kwan Hi Lim | Jiang | 
| Kelly Junkerman | Paul MacGregor | 
| Todd Allen | Frank Rhodes | 
| Gail Strickland | Helen Rhodes | 
| Reb Brown | Blaster | 
| Jane Kaczmarek | Mrs. Wilkes | 
| Gloria Stroock | Mrs. MacGregor | 
| Jeremy Kemp | Ferryman | 
| Debi Parker | Mai Ling | 
| Charles Aidman | Sen. Hastings | 
| Constance Forslund | Mrs. Charts | 
| Jan Tříska | Gericault | 
| Michael Dudikoff | Blaster's Assistant | 
| Emmett Dennis III | Medic #1 | 
| Charles Faust | G.I. #1 | 
| Dave Austin | G.I. #2 | 
| Le Tuan | Guard #1 | 
| James Edgcomb | CIA Agent | 
| Ken Farmer | Jail Guard | 
| Tad Horino | Mr. Ky | 
| Bruce Paul Barbour | Helicopter Pilot | 
| Steve Solberg | P.O.W. #1 | 
| Laurence Neber | P.O.W. #2 | 
| Don Mantooth | P.O.W. #3 | 
| Jerry Supiran | Frank at 9 | 
| Brett Johnson | Kid #1 | 
| Barret Oliver | Kid #2 | 
| Marcello Krakoff | Kid #3 | 
| Justin Bayly | Kid #4 | 
| Kevin Brando | Kid #5 | 
| Angela Lee Sloan | Kid #6 | 
| Juan Fernández | Orderly | 
| Darwyn Carson | Secretary | 
| Nancy Linari | Reporter | 
| David Dangler | Reporter | 
| Joseph Dypwick | American Soldiers | 
| William S. Hamilton | American Soldiers | 
| Napoleon Hendrix | American Soldiers | 
| Chip Lally | American Soldiers | 
| Michael P. May | American Soldiers | 
| Tom Randa | American Soldiers | 
| Larry Charles White | American Soldiers | 
| Michael Endoso | Son (uncredited) | 
| Sig Frohlich | Reporter (uncredited) | 
| Rorion Gracie | Reporter (uncredited) | 
| Scott Perry | Father of POW (uncredited) | 
| Tom Willett | Reporter (uncredited) | 
| Name | Job | 
|---|---|
| Joanie Blum | Script Supervisor | 
| Lynn Stalmaster | Casting | 
| James Horner | Original Music Composer | 
| Conrad E. Palmisano | Second Unit Director, Stunt Coordinator | 
| Thomas Rosales Jr. | Stunts | 
| Kenny Endoso | Stunts | 
| Pat Romano | Stunts | 
| George Gaines | Set Decoration | 
| John H. Anderson | Set Decoration | 
| Mel Dellar | Unit Production Manager | 
| Craig Huston | First Assistant Director | 
| Lynda Gurasich | Hairstylist | 
| George L. Little | Costume Supervisor | 
| Violet N. Cane | Costume Supervisor | 
| Douglas Ryan | Camera Operator | 
| Kim Guthrie | First Assistant Camera | 
| Martin G. Beazell | Second Assistant Camera | 
| Michael G. Riba | Second Assistant Camera | 
| Jack N. Green | Second Assistant Camera | 
| Tom May | Key Grip | 
| Douglas T. Madison | Property Master | 
| Karl A. Wickman | Pilot | 
| Joe Gayton | Author | 
| James L. Schoppe | Production Design | 
| Mark Melnick | Editor | 
| Jack G. Taylor Jr. | Art Direction | 
| Ross Reynolds | Pilot | 
| Pamela M. Eilerson | Second Assistant Director | 
| Ric Waite | Additional Director of Photography | 
| Monty Westmore | Makeup Artist | 
| Dorothy Byrne | Hairstylist | 
| Dan Chichester | Costumer | 
| Joe R. Marquette Jr. | Camera Operator | 
| Michael Gershman | Camera Operator | 
| Michael St. Hilaire | Camera Operator | 
| Baird Steptoe | First Assistant Camera | 
| Michael R. Marquette | Second Assistant Camera | 
| Jerry D. Good | Second Assistant Camera | 
| Tim Griffith | Gaffer | 
| John Hennessey | Dolly Grip | 
| James W. Gavin | Pilot | 
| Joe Lombardi | Special Effects Coordinator | 
| Eric Myers | Unit Publicist | 
| Frank M. Holgate | Second Unit Director of Photography | 
| Christopher Koefoed | Assistant Editor | 
| Fred Stafford | Sound Effects Editor | 
| Stan Siegel | Sound Effects Editor | 
| Juno J. Ellis | Assistant Sound Editor | 
| Bruce W. Talamon | Still Photographer | 
| Joe Kenworthy | Sound Mixer | 
| Michele Sharp | Sound Effects Editor | 
| Bub Asman | Sound Effects Editor | 
| Tony Garber | Sound Effects Editor | 
| Darren T. Holmes | Assistant Sound Editor | 
| Richard Tyler | Sound Re-Recording Mixer | 
| Kenneth Karman | Music Editor | 
| Eric Tomlinson | Scoring Mixer | 
| Cal DiValerio | Construction Coordinator | 
| Don MacDougall | Sound Re-Recording Mixer | 
| John L. Mack | Sound Re-Recording Mixer | 
| Greig McRitchie | Orchestrator | 
| Dale Henry | Transportation Coordinator | 
| Dan Curry | Title Designer | 
| Ted Kotcheff | Director | 
| Stephen H. Burum | Director of Photography | 
| Wings Hauser | Author | 
| Richard H. Prince | Second Assistant Director | 
| Michael Westmore | Makeup Artist | 
| Thomas Laughridge | Camera Operator | 
| Name | Title | 
|---|---|
| John Milius | Producer | 
| Wings Hauser | Associate Producer | 
| Buzz Feitshans | Producer | 
| Burton Elias | Associate Producer | 
| Ted Kotcheff | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 21 | 34 | 12 | 
| 2024 | 5 | 24 | 46 | 14 | 
| 2024 | 6 | 20 | 31 | 12 | 
| 2024 | 7 | 19 | 31 | 12 | 
| 2024 | 8 | 14 | 20 | 9 | 
| 2024 | 9 | 11 | 17 | 7 | 
| 2024 | 10 | 12 | 29 | 7 | 
| 2024 | 11 | 10 | 21 | 6 | 
| 2024 | 12 | 11 | 15 | 8 | 
| 2025 | 1 | 16 | 34 | 9 | 
| 2025 | 2 | 10 | 17 | 3 | 
| 2025 | 3 | 6 | 19 | 1 | 
| 2025 | 4 | 2 | 7 | 1 | 
| 2025 | 5 | 2 | 7 | 1 | 
| 2025 | 6 | 1 | 3 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 2 | 3 | 0 | 
| 2025 | 9 | 2 | 4 | 0 | 
| 2025 | 10 | 1 | 3 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 951 | 951 | 
Overall, Uncommon Valor (UV) is a less-flashy atypical Hollywood movie of ex-soldiers being reunited to form a team to rescue Vietnam POWs, using good (but not Oscar quality) humor, and decent near-realistic (but not memorable) special effects to tell a 2-part story of forming a rescue team which th ... en performs their mission. Decades after UV was produced, one could say that it's just another run-of-the-mill movie about rescuing Vietnam POWs; however, this was one of the earlier movies of this genre so I don't think it can be fairly compared with the rest of this ilk. (E.g. Missing In Action was 1985 and the 2nd Rambo movie was 1986.) UV isn't a typical Hollywood attempt at making a blockbuster, yet it did very well in the theater. UV is noteworthy for being more emotional than its brethren; it's not a tear-jerker, nor is it a masterpiece drama since it is a bit light-hearted in many places and uses humor liberally. (The humor isn't comedy per se, I felt that its purpose is to reminder us that the characters are misfits and has-beens, ex-soldiers but not ex-warriors, and they're transitioning from plain vanilla real lives to what's normally reserved for elite teams of soldiers like Delta Force. UV has a charm about it that most others lack. The acting isn't superb, but it's still very good. It doesn't have tons of eye-candy special effects, but it does use them fairly appropriately to enhance the story; I'd even go so far to say that, unlike typical Hollywood movies of today, instead of dialogue and story gluing together a bunch of CGI action scenes, UV takes the opposite approach of using action scenes and humor to glue together the story parts and demonstrate that the characters are a bunch of misfits, aging former soldiers brought together for a rescue mission. Patrick Swayze's character is unique here, really gung ho, kind of a counterpoint to the aging ex-soldiers. The 1st half of UV tells a story of ex-soldiers coming together, overcoming their unique prejudices, and re-learning how to work together as a team. Eventually, they form a fairly effective team and the rescue mission is a Go. The action scenes weren't very realistic, but they were still OK, certainly good at demonstrating how the character steadily became a team. The 2nd half of UV is the rescue mission itself, not really anything spectacular and more typical of a Hollywood film. It's not bad at all, just fairly routine, but done well, nonetheless. The action scenes, in particular, are decent but not eye-popping or noteworthy of realism, yet they're sufficient for the story. (Of course, there are scenes which are a bit over-the-top, maybe worth a half-star ding in the overall rating.) PS This review is based on my having seen UV in the theater when released, augmented by my just having watched it again over 30 years later.