Popularity: 3 (history)
| Director: | Juan José Campanella |
|---|---|
| Writer: | Eduardo Sacheri, Juan José Campanella |
| Staring: |
| Hoping to put to rest years of unease concerning a past case, retired criminal investigator Benjamín begins writing a novel based on the unsolved mystery of a newlywed’s rape and murder. With the help of a former colleague, judge Irene, he attempts to make sense of the past. | |
| Release Date: | Aug 13, 2009 |
|---|---|
| Director: | Juan José Campanella |
| Writer: | Eduardo Sacheri, Juan José Campanella |
| Genres: | Drama, Mystery, Thriller |
| Keywords | rape, writing, homicide, kidnapping, investigation, police, partner, murder, tension, argentina, justice, legal drama, secret |
| Production Companies | TVE, 100 Bares, Haddock Films, INCAA, Tornasol Media, Telefe, Canal+ España, Ministerio de Cultura |
| Box Office |
Revenue: $33,965,843
Budget: $2,000,000 |
| Updates |
Updated: Mar 02, 2025 Entered: Mar 03, 2025 |
| Name | Character |
|---|---|
| Ricardo Darín | Benjamín Espósito |
| Soledad Villamil | Irene Menéndez Hastings |
| Pablo Rago | Ricardo Morales |
| Javier Godino | Isidoro Gómez |
| Guillermo Francella | Pablo Sandoval |
| Carla Quevedo | Liliana Coloto |
| Bárbara Palladino | Compliment Girl |
| Alejandro Abelenda | Pinche Mariano |
| Mario Alarcón | Judge Fortuna Lacalle |
| Rudy Romano | Ordóñez |
| Mariano Argento | Romano |
| Sebastián Blanco | Pinche Tino |
| Gabriela Daniell | Alejandra Sandoval |
| José Luis Gioia | Inspector Báez |
| Juan José Ortíz | Agent Cardozo |
| Kiko Cerone | Molinari |
| Fernando Pardo | Sicora |
| Maximiliano Trento | Police Station Guard |
| Sergio López Santana | Jacinto Cáceres |
| Elvio Duvini | Juan Robles |
| David Di Nápoli | Notary Andretta |
| Darío Valenzuela | Foreman |
| Alicia Haydée Pennachi | Mother Gómez |
| Carlos Mele | Old man in Outhouse |
| Iván Sosa | Interrogator Warden |
| Judith Buchalter | Mother Irene |
| Héctor La Porta | Civil Guard Ministry of Social Welfare |
| Liliana Cuomo | Margarita |
| Alejandro Pérez | Thug |
| Pedro Kochdilian | Drunk Man #1 (uncredited) |
| Oscar Sánchez | Drunk Man #2 (uncredited) |
| Name | Job |
|---|---|
| Eduardo Sacheri | Novel, Writer |
| Walter Rippell | Casting |
| Cecilia Monti | Costume Design |
| Juan José Campanella | Director, Writer, Editor |
| Marcelo Pont Vergés | Art Direction |
| Félix Monti | Thanks, Director of Photography |
| Juan Pablo Anselmi | Second Second Assistant Director |
| Cristian Fernandez | Painter |
| Esther Barbini | Assistant Hairstylist |
| Javier Alfonso | Assistant Hairstylist |
| Miguel Caram | Camera Operator |
| Mirta Castillo | Assistant Hairstylist |
| Fernanda Cacivio | Assistant Makeup Artist |
| Leandro de Loredo | ADR Recordist, Foley Recordist |
| Eduardo Poli | Assistant Makeup Artist |
| Cecilia Jacquemin | Props |
| Rubén Piputto Santos | Sound Mixer |
| Gonzalo Matijas | Sound Effects Editor |
| Muriel Cabeza | Production Manager, Sound Editor |
| Federico Posternak | Production Manager, Line Producer |
| Emilio Kauderer | Original Music Composer |
| Federico Jusid | Original Music Composer |
| Bechen de Loredo | Foley Editor |
| Vicente D'Elia | Foley Artist |
| Gabriela d'Agostino | Assistant Makeup Artist |
| María Paz Antonino | Assistant Makeup Artist |
| Juan Alejo Fernandez | Grip |
| Araceli Farace | Assistant Hairstylist |
| Juan Cavia | Set Designer |
| Daniela Yawien | Location Assistant |
| Carlos Garrido | Sound Re-Recording Mixer |
| Mariela Aracena | Special Effects Makeup Artist |
| Esteban Golubicki | Foley Recordist |
| Fernando Alcalde | Assistant Director |
| Glenda Heevel | Second Assistant Director |
| Horacio Mendoza | Simulation & Effects Artist |
| Silvana Vega | Special Effects Makeup Artist |
| Ignacio López Larsen | Additional Visual Effects |
| Mariela Andújar | Assistant Makeup Artist |
| Lucía Marachi Levy | Assistant Makeup Artist |
| Sol Soto | Painter |
| Augusto Latorraca | Assistant Property Master |
| Santiago Morone | Boom Operator |
| Martin López Funes | Additional Visual Effects |
| Laura Guaragna | Set Dresser |
| Guillermo Imsteyf | Producer's Assistant |
| Marisol Freites | First Assistant Director |
| Milagros Hormazábal | Third Assistant Director |
| Marcelo Firmano | Special Effects Supervisor, Stunt Double, Weapons Master, Stunt Driver, Stunt Coordinator |
| Pablo José Fuertes | Additional Visual Effects |
| Norberto Poli | Assistant Hairstylist |
| Mora Guazzone | Assistant Makeup Artist |
| Cecilia Smith | Assistant Makeup Artist |
| Guillermo Duckevich | Assistant Camera |
| José E. Caldararo | Foley Artist |
| Romina Lareu | Additional Visual Effects |
| Rodrigo S. Tomasso | Visual Effects Supervisor, Visual Effects Compositor |
| Martín Batres | Graphic Designer |
| Sebastián Osvaldo Vaina | Graphic Designer |
| Cecilia Pérez Riveros | Dialogue Editor |
| Jaume Puig | Dolby Consultant |
| Hernán Bressan | Digital Compositor |
| Juan Pablo Esquivel | Second Second Assistant Director |
| Federico Noejovich | Location Scout |
| Ileana Rippel | Casting Assistant |
| Roberto J. Sanchez | VFX Artist |
| Mauricio Leon | Special Effects Makeup Artist |
| Juan José Fernández | Key Grip |
| María Navarro | Seamstress, Wardrobe Assistant |
| Alex Mathews | Makeup Effects, Special Effects Makeup Artist |
| Mauro F. Serei | Animation |
| Demián Astur | VFX Artist |
| Marcelo Yañez | Additional Visual Effects |
| Alejandro Taylor | VFX Artist |
| Marcos Hastrup | Second Assistant Camera |
| Ricardo Viñas | Dolby Consultant |
| Federico Cueva | Stunt Coordinator, Special Effects Supervisor |
| Sebastián Mogordoy | Casting, Casting Assistant |
| Maria Antolini | Still Photographer |
| Ricardo Freixa | Thanks |
| José Luis Díaz | Sound |
| Osvaldo Esperón | Hairstylist |
| Marcelo G. García | Visual Effects Producer |
| Natalia Rocca | Assistant Costume Designer |
| Oscar Rodríguez | Assistant Hairstylist |
| Daniela Alvarado | Delegated Producer |
| Ariel Frias | Assistant Property Master |
| Boris Piñero | Boom Operator |
| Lucas Amado | Key Scenic Artist |
| Francisco Rizzi | Foley Artist |
| Andrea Soledad San Martín | Graphic Designer |
| Ignacio Suárez Rubio | Additional Visual Effects |
| Soledad Muñiz | Costume Assistant |
| Jaime Muschietti | Electrician |
| María Fernanda Mallo | Second Assistant Camera |
| Martin Rago | Location Assistant |
| Daniel Hermo | Gaffer, Grip |
| Ezequiel Villanueva | Digital Compositor |
| Matías Nicolás | First Assistant Camera |
| Yolanda Hurtado | Online Editor |
| Matias Ezequiel Mastrogiano | VFX Artist |
| Diego Igartua | Location Assistant |
| Leonel Pazos Scioli | Digital Imaging Technician |
| Juan Olivares | Digital Compositor |
| Cecilia Larrea | Special Effects Makeup Artist |
| Manuel Bullrich | Assistant Director of Photography |
| Miguel P. Gilaberte | Digital Intermediate |
| Lucila Robirosa | Makeup Artist |
| David Magdael | Publicist |
| Francisco Freixa | Assistant Editor |
| Aída Bortnik | Thanks |
| Jorge Sesán | Property Master |
| Anele Onyekwere | Music Editor |
| Flor Colombatti | Art Department Coordinator |
| Juan Giribaldi | Assistant Art Director |
| Valeria Pivato | Script Supervisor |
| Ariel Sotomayor | Additional Visual Effects |
| Name | Title |
|---|---|
| Carolina Urbieta | Producer |
| Gerardo Herrero | Executive Producer |
| Juan José Campanella | Producer |
| Vanessa Ragone | Executive Producer |
| Mariela Besuievsky | Producer |
| Axel Kuschevatzky | Associate Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best International Feature | N/A | Won |
| Golden Globes | Best International Feature | Juan José Campanella | Won |
| SAG Awards | Best International Feature | N/A | Won |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 26 | 39 | 20 |
| 2024 | 5 | 31 | 39 | 24 |
| 2024 | 6 | 30 | 47 | 18 |
| 2024 | 7 | 35 | 68 | 24 |
| 2024 | 8 | 31 | 81 | 18 |
| 2024 | 9 | 31 | 50 | 24 |
| 2024 | 10 | 37 | 68 | 19 |
| 2024 | 11 | 36 | 65 | 26 |
| 2024 | 12 | 31 | 38 | 23 |
| 2025 | 1 | 35 | 45 | 25 |
| 2025 | 2 | 30 | 50 | 5 |
| 2025 | 3 | 11 | 31 | 2 |
| 2025 | 4 | 4 | 6 | 3 |
| 2025 | 5 | 4 | 5 | 3 |
| 2025 | 6 | 4 | 6 | 2 |
| 2025 | 7 | 4 | 4 | 3 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 793 | 815 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 276 | 695 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 593 | 800 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 537 | 576 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 805 | 880 |
Please, I emplore you. This is the original ‘The secret in their eyes’ without the Hollywood gloss and Pseudo ‘Top Actors/Actresses’ The Agentinian original film that won best foreign film at the Oscars. Deservedly so. Don’t sell yourself short and see the Hollywood redo. It’s got a endin ... g I wish I could tell you about. See This show!
Story, director, actors--I bow my head. Have not watched many Spanish movies lately, but along with Iñárritu's 'Amores Perros,' and Babenco's 'Pixote,' I’ve really been missing out. ...
For many years since his retirement "Espósito" (Ricardo Darín) has been haunted by a brutal case of rape and murder that he was unable to solve. He decides that maybe the best way to formulate his thoughts and re-order the investigation is to write a novel, so with the help of an antiquated old Oliv ... etti from his friend, and the new departmental boss "Irene" (Soledad Villamil) he starts to reconstruct the investigation. Using transcripts and photographs, he alights on the woman's schoolfriend "Gómez" (Javier Godino) who has long since disappeared from the scene. Increasingly, he becomes convinced in this man's complicity and now consulting with the dead woman's widower "Morales" (Pablo Rago) we all start to learn a little about the backstory, and it's complex, violent and tragic in equal measure. Can his deductions find the truth? This is a great example of a methodological and forensic drama that looks at the crime, sure, but it takes almost the same amount of time and effort to examine the strongly built characterisations. The nature of obsession, the desire for closure and completion - all addictive aspects of human nature that Darín and the almost perfect pacing from Juan José Campanella deliver here. It's a mystery that works on several levels evaluating the effectiveness of legal process and modern policing whilst reminding us that those exposed to crime are also affected, sometimes profoundly, by what they encounter. This works really well in a cinema, if you can. The frequently intimate style of the photography and the sparing use of light at times makes this an eerily effective watch that is rarely straightforward.