Popularity: 3 (history)
Director: | J.A. Bayona |
---|---|
Writer: | Patrick Ness |
Staring: |
12-year-old Conor encounters an ancient tree monster who proceeds to help him cope with his mother's terminal illness and being bullied in school. | |
Release Date: | Oct 07, 2016 |
---|---|
Director: | J.A. Bayona |
Writer: | Patrick Ness |
Genres: | Family, Fantasy, Adventure |
Keywords | based on novel or book, grandparent grandchild relationship, monster, dreams, artist, nightmare, tree, truth, terminal illness, bullying, cancer, bully, disease, grandmother |
Production Companies | Summit Entertainment, Telecinco, River Road Entertainment, Participant, Apaches Films, Focus Features, La Trini, A Monster Calls |
Box Office |
Revenue: $47,309,313
Budget: $43,000,000 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Lewis MacDougall | Conor |
Sigourney Weaver | Grandma |
Felicity Jones | Mum |
Toby Kebbell | Dad |
Ben Moor | Mr. Clark |
James Melville | Harry |
Oliver Steer | Sully |
Dominic Boyle | Anton |
Jennifer Lim | Miss Kwan |
Max Gabbay | Steven |
Joe Curtis | Peter |
Morgan Symes | Lawyer |
Max Golds | 5-Year-Old Connor |
Frida Palsson | Lily's Mum |
Wanda Opalinska | Female Nurse |
Patrick Taggart | Teacher |
Lily-Rose Aslandogdu | Lily |
Liam Neeson | The Monster (voice) |
Geraldine Chaplin | The Head Teacher (uncredited) |
Jake Talbot | Rollercoaster Boy (uncredited) |
Lee Bolton | Rollercoster Rider (uncredited) |
Garry Marriott | Paramedic (uncredited) |
Name | Job |
---|---|
J.A. Bayona | Director |
Jaume Martí | Editor, Post Production Supervisor |
Eugenio Mira | Second Unit Director |
Fernando Trullols | First Assistant Director |
Paul Lowe | Stunt Double |
Ian van Temperley | Stunt Coordinator |
Ariel Margolis | Property Master |
Fernando Velázquez | Original Music Composer |
Óscar Faura | Director of Photography |
Bernat Vilaplana | Editor |
Eugenio Caballero | Production Design |
Tom Holland | Stand In |
Montse Ribé | Makeup Effects |
Cuco Usín | Stunt Coordinator |
Ferran Domenech | Visual Effects Supervisor |
Natalie Wickens | Special Effects Best Boy |
Alvaro Garcia Gonzalez | Quality Control Supervisor |
Angela Cardin | Makeup Artist |
Ángel Martínez | Modeling |
Jose Angel Moran | Pre-Visualization Supervisor |
Miguel Ángel Sánchez-Arévalo | VFX Artist |
Emiliano Nanfaro | Visual Effects Supervisor |
José Antonio González Ledesma | Driver |
Glenn Amonitti | Opening/Ending Animation |
Ravi Bansal | Art Direction |
Dídac Bono | Art Direction |
Sarah Wheale | Line Producer |
Stephen Noble | Costume Design |
Siobhan Dowd | Idea |
Shaheen Baig | Casting |
Pilar Revuelta | Set Decoration |
Jaime Anduiza | Art Direction |
Steve Joberns | Thanks |
Félix Bergés | Visual Effects Supervisor |
Marese Langan | Makeup Designer, Hair Designer |
Pau Costa | Special Effects Supervisor |
Oriol Tarragó | Sound Designer |
David Martí | Makeup Effects |
Marc Bech | Sound Effects Editor |
Laura Díez Mora | Dialogue Editor |
Wasselena Bilak | Visual Effects Coordinator |
Peter McDonald | Visual Effects Supervisor |
Esther Mestres | Second Assistant "C" Camera |
Layla Merrick-Wolf | Casting Associate |
Maryllis Gonzalez | Production Accountant |
Víctor Martí | Post Production Supervisor |
Debora Witte | Electrician |
Carmen Romero | Extras Casting |
Anita Primett | Studio Teacher |
Joseph Díaz | Concept Artist |
Sean Sevestre | Concept Artist |
Albert Carreras | Camera Operator |
Yousef El Awage | Epk Camera Operator |
José Haro | Still Photographer |
Marc Estrugo | Set Designer |
Florian Müller | Set Designer |
Jose Ruiz | Foley Editor |
Edward Botham | Second Assistant Camera |
Cristina Malillos | Makeup Effects |
Jesus Espin | Third Assistant Director |
Mónica Sánchez | Second Assistant Director |
Elizabeth Himelstein | Dialogue Coach |
Sarah Shepherd | Dialect Coach |
Goyo Gámez | Unit Manager |
Albert Ribas | Dialogue Editor |
Ramón Sánchez | Steadicam Operator |
Kelly Zampogna | Makeup Artist |
Quim Vives | Still Photographer |
Queralt González | Assistant Editor |
Andrey Ryabovichev | Concept Artist |
Don Hoffman | Sound Re-Recording Mixer |
Kyle D. Krajewski | ADR Mixer |
Jordi Florensa | First Assistant Camera |
Celine Gravez | Second Assistant Camera |
Víctor Sarasa | Electrician |
Lyndsey Haluszczak | Assistant Production Coordinator |
Margarita Huguet | Unit Production Manager |
Tiger Rudge | Stunts |
Miquel Auguet | Second Assistant Camera |
Javier González Leonardo | Key Grip |
José Luis Rodríguez | Gaffer |
Jason Bond | Property Master |
Abner Marín | Sculptor |
Manuel Carrión | Foley Artist |
Srinivas Janapati | Visual Effects Coordinator |
Guillem Huertas | First Assistant "A" Camera |
Jaime Gutiérrez Domínguez | Orchestrator |
Alberto Bernad | VFX Editor |
Inés Font | Post Production Coordinator |
Patricia Johnson | Unit Publicist |
Ruben Goldfarb | Second Assistant Director |
Jan Zalar | Second Assistant Director |
Thomas Barrera | Camera Trainee |
Oriol Busquets | Camera Operator |
David Valldepérez | Camera Operator |
Ana Charte | Assistant Editor |
Marcel Cifré | VFX Editor |
Glòria Blanes | Script Supervisor |
Josué Corral | Assistant Production Manager |
Anna Capdevila | Third Assistant Director |
Kieran O'Neal | Floor Runner |
Ainara Castro | Visual Effects Producer |
Martí Albert | Sound Effects Editor |
Geraint Hixson | Visual Effects Coordinator |
Jen Rooks | Production Coordinator |
Marc Rial | Second Assistant Director |
Javier López Antía | Assistant Property Master |
Richard Rowntree | Greensman |
Emma Saunders | Graphic Designer |
Shaun Mills | Boom Operator |
Marc Orts | Sound Re-Recording Mixer |
Chus Lucas | Stunt Double |
Anna Aguilà | Costume Supervisor |
Nairye Apelian | Visual Effects Assistant Editor |
Piotr Weiss | Pre-Visualization Coordinator |
Piotr Weiss | Pre-Visualization Coordinator |
Guillaume Fabre | Digital Film Recording |
Guillaume Laforge | Visual Effects Compositor |
Guillaume Duchaussoy | Visual Effects Assistant Editor |
Ángel Rico Riesgo | Digital Compositor |
Patrick Ness | Screenplay, Novel |
Name | Title |
---|---|
Belén Atienza | Producer |
Álvaro Augustin | Executive Producer |
Jonathan King | Executive Producer |
Enrique López Lavigne | Executive Producer |
Bill Pohlad | Executive Producer |
Jeff Skoll | Executive Producer |
Sandra Hermida | Co-Producer |
Patrick Wachsberger | Executive Producer |
Ghislain Barrois | Executive Producer |
Mitch Horwits | Executive Producer |
Patrick Ness | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 29 | 41 | 20 |
2024 | 5 | 37 | 46 | 28 |
2024 | 6 | 29 | 44 | 16 |
2024 | 7 | 43 | 70 | 20 |
2024 | 8 | 28 | 41 | 17 |
2024 | 9 | 25 | 35 | 17 |
2024 | 10 | 28 | 43 | 19 |
2024 | 11 | 27 | 48 | 19 |
2024 | 12 | 23 | 35 | 16 |
2025 | 1 | 38 | 83 | 19 |
2025 | 2 | 77 | 170 | 11 |
2025 | 3 | 15 | 55 | 3 |
2025 | 4 | 5 | 7 | 4 |
2025 | 5 | 4 | 4 | 3 |
2025 | 6 | 3 | 4 | 3 |
2025 | 7 | 3 | 3 | 2 |
2025 | 8 | 4 | 5 | 3 |
2025 | 9 | 5 | 8 | 3 |
2025 | 10 | 4 | 5 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 494 | 706 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 819 | 905 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 334 | 535 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 923 | 951 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 56 | 635 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 911 | 916 |
**An alternate way to confront the reality.** Based on the British novel, made by a well known Spanish director. This film might remind you the titles like 'Finding Neverland', 'Where the Wild Things Are', 'Neverwas' et cetera, but still it is unique. Particularly for the message it carried out. ... Many lines were awesome, inspiring for those whose world are crumbling down. Emotional, as well as one of the best recent children's films. The story of a boy whose mother is severely ill. He starts to have weird dreams, following, an appearance of a tree-monster from the nearby cemetery. The monster is to tell a few tales and at the end of it, he has to tell the truth about his nightmares to him. So as the days go by, it becomes more challenging to him to confront the reality. He can't run away from all, but to face it and those are the remaining narration. While being a kid, they believe every fantasy tale have narrated to them. Even a picture of those tales would influence to have an imagination in their daily life activity. This film does not hide anything from the viewers just to bring a breathtaking twist at the finale. So, you would know what's happening, but why, is the puzzle to solve. Even that is not a hard nut to crack. Though the purpose of the film is to reveal how some children cope a tragic event in their life, like perhaps the film 'Before I Wake', with misunderstanding the words said by the grown ups to them. This is really a wonderful film for kids, as well as for adults. I Hope you won't miss it. _7/10_
This is a very enjoyable tale. It's targeted to younger viewers, and therefore the characters are not at all complex. In spite of that shortcoming from an adult's POV, the overall effect is wonderful and emotional. Definitely worth the time. ...
**It's not a hateful or forgettable movie, but it's far from being lively or happy.** Despite its weaknesses, I confess I liked this film, and that maybe comes from the fact that it touched me personally. Being a film that is so focused on the pain of losing someone dear, on how a person faces si ... tuations of suffering and manages to digest it, it was a film that cost me a little to watch because I also lost a very dear person recently. I expected a more cheerful film with a more lively tone. That, yes, partially frustrated my expectations, and I believe that other people will also say the same. However, I cannot say that I hated what I saw. In fact, the script focuses on a young teenager who has to live his day-to-day life, at school and at home, while mentally and psychologically preparing himself for the imminent orphanhood, as his mother is very ill and, we know it, will die soon. And in the midst of all this, he ends up imagining, in a very realistic way, a big monster that comes to visit him and that forces him to deal with the feelings he is feeling, and to deal with situations, and also with a grandmother with who has relationship problems. Directed by J.A. Bayona is a relatively average film. The script is predictable, the "monster-tree" is something we've seen in other films, but it's always a good idea, especially if it's supposed to be a wise and ancient monster, as is the case here. Lewis MacDougall is the young man who will have the lead role in the film, and he does it quite well, even though the script is not very demanding on him. I also enjoyed Felicity Jones' performance, even though the actress doesn't really have much to do. And I feel sorry for Sigourney Weaver, because she's a good actress in the wrong role. It was a massive casting error, and it would have been preferable to cast a genuinely British actress in the role, rather than an American with a notoriously faked accent. Technically, the highlight obviously goes to the CGI, which is good enough and does an interesting job, especially in the scenes where the tree “awakens” to move and reveal its real appearance. I also liked the soundtrack, even if it's not the most memorable or interesting, and the cinematography, which does its job flawlessly. Liam Neeson was, once again, responsible for the voice of the monster. The actor is already a veteran of dubbing and has given voice to many fantastic characters in other films, so it was a sure bet for the production.