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A Monster Calls Poster

A Monster Calls

Stories are wild creatures.
2016 | 108m | English

(97540 votes)

TMDb IMDb

Popularity: 3 (history)

Director: J.A. Bayona
Writer: Patrick Ness
Staring:
Details

12-year-old Conor encounters an ancient tree monster who proceeds to help him cope with his mother's terminal illness and being bullied in school.
Release Date: Oct 07, 2016
Director: J.A. Bayona
Writer: Patrick Ness
Genres: Family, Fantasy, Adventure
Keywords based on novel or book, grandparent grandchild relationship, monster, dreams, artist, nightmare, tree, truth, terminal illness, bullying, cancer, bully, disease, grandmother
Production Companies Summit Entertainment, Telecinco, River Road Entertainment, Participant, Apaches Films, Focus Features, La Trini, A Monster Calls
Box Office Revenue: $47,309,313
Budget: $43,000,000
Updates Updated: Aug 10, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Lewis MacDougall Conor
Sigourney Weaver Grandma
Felicity Jones Mum
Toby Kebbell Dad
Ben Moor Mr. Clark
James Melville Harry
Oliver Steer Sully
Dominic Boyle Anton
Jennifer Lim Miss Kwan
Max Gabbay Steven
Joe Curtis Peter
Morgan Symes Lawyer
Max Golds 5-Year-Old Connor
Frida Palsson Lily's Mum
Wanda Opalinska Female Nurse
Patrick Taggart Teacher
Lily-Rose Aslandogdu Lily
Liam Neeson The Monster (voice)
Geraldine Chaplin The Head Teacher (uncredited)
Jake Talbot Rollercoaster Boy (uncredited)
Lee Bolton Rollercoster Rider (uncredited)
Garry Marriott Paramedic (uncredited)
Name Job
J.A. Bayona Director
Jaume Martí Editor, Post Production Supervisor
Eugenio Mira Second Unit Director
Fernando Trullols First Assistant Director
Paul Lowe Stunt Double
Ian van Temperley Stunt Coordinator
Ariel Margolis Property Master
Fernando Velázquez Original Music Composer
Óscar Faura Director of Photography
Bernat Vilaplana Editor
Eugenio Caballero Production Design
Tom Holland Stand In
Montse Ribé Makeup Effects
Cuco Usín Stunt Coordinator
Ferran Domenech Visual Effects Supervisor
Natalie Wickens Special Effects Best Boy
Alvaro Garcia Gonzalez Quality Control Supervisor
Angela Cardin Makeup Artist
Ángel Martínez Modeling
Jose Angel Moran Pre-Visualization Supervisor
Miguel Ángel Sánchez-Arévalo VFX Artist
Emiliano Nanfaro Visual Effects Supervisor
José Antonio González Ledesma Driver
Glenn Amonitti Opening/Ending Animation
Ravi Bansal Art Direction
Dídac Bono Art Direction
Sarah Wheale Line Producer
Stephen Noble Costume Design
Siobhan Dowd Idea
Shaheen Baig Casting
Pilar Revuelta Set Decoration
Jaime Anduiza Art Direction
Steve Joberns Thanks
Félix Bergés Visual Effects Supervisor
Marese Langan Makeup Designer, Hair Designer
Pau Costa Special Effects Supervisor
Oriol Tarragó Sound Designer
David Martí Makeup Effects
Marc Bech Sound Effects Editor
Laura Díez Mora Dialogue Editor
Wasselena Bilak Visual Effects Coordinator
Peter McDonald Visual Effects Supervisor
Esther Mestres Second Assistant "C" Camera
Layla Merrick-Wolf Casting Associate
Maryllis Gonzalez Production Accountant
Víctor Martí Post Production Supervisor
Debora Witte Electrician
Carmen Romero Extras Casting
Anita Primett Studio Teacher
Joseph Díaz Concept Artist
Sean Sevestre Concept Artist
Albert Carreras Camera Operator
Yousef El Awage Epk Camera Operator
José Haro Still Photographer
Marc Estrugo Set Designer
Florian Müller Set Designer
Jose Ruiz Foley Editor
Edward Botham Second Assistant Camera
Cristina Malillos Makeup Effects
Jesus Espin Third Assistant Director
Mónica Sánchez Second Assistant Director
Elizabeth Himelstein Dialogue Coach
Sarah Shepherd Dialect Coach
Goyo Gámez Unit Manager
Albert Ribas Dialogue Editor
Ramón Sánchez Steadicam Operator
Kelly Zampogna Makeup Artist
Quim Vives Still Photographer
Queralt González Assistant Editor
Andrey Ryabovichev Concept Artist
Don Hoffman Sound Re-Recording Mixer
Kyle D. Krajewski ADR Mixer
Jordi Florensa First Assistant Camera
Celine Gravez Second Assistant Camera
Víctor Sarasa Electrician
Lyndsey Haluszczak Assistant Production Coordinator
Margarita Huguet Unit Production Manager
Tiger Rudge Stunts
Miquel Auguet Second Assistant Camera
Javier González Leonardo Key Grip
José Luis Rodríguez Gaffer
Jason Bond Property Master
Abner Marín Sculptor
Manuel Carrión Foley Artist
Srinivas Janapati Visual Effects Coordinator
Guillem Huertas First Assistant "A" Camera
Jaime Gutiérrez Domínguez Orchestrator
Alberto Bernad VFX Editor
Inés Font Post Production Coordinator
Patricia Johnson Unit Publicist
Ruben Goldfarb Second Assistant Director
Jan Zalar Second Assistant Director
Thomas Barrera Camera Trainee
Oriol Busquets Camera Operator
David Valldepérez Camera Operator
Ana Charte Assistant Editor
Marcel Cifré VFX Editor
Glòria Blanes Script Supervisor
Josué Corral Assistant Production Manager
Anna Capdevila Third Assistant Director
Kieran O'Neal Floor Runner
Ainara Castro Visual Effects Producer
Martí Albert Sound Effects Editor
Geraint Hixson Visual Effects Coordinator
Jen Rooks Production Coordinator
Marc Rial Second Assistant Director
Javier López Antía Assistant Property Master
Richard Rowntree Greensman
Emma Saunders Graphic Designer
Shaun Mills Boom Operator
Marc Orts Sound Re-Recording Mixer
Chus Lucas Stunt Double
Anna Aguilà Costume Supervisor
Nairye Apelian Visual Effects Assistant Editor
Piotr Weiss Pre-Visualization Coordinator
Piotr Weiss Pre-Visualization Coordinator
Guillaume Fabre Digital Film Recording
Guillaume Laforge Visual Effects Compositor
Guillaume Duchaussoy Visual Effects Assistant Editor
Ángel Rico Riesgo Digital Compositor
Patrick Ness Screenplay, Novel
Name Title
Belén Atienza Producer
Álvaro Augustin Executive Producer
Jonathan King Executive Producer
Enrique López Lavigne Executive Producer
Bill Pohlad Executive Producer
Jeff Skoll Executive Producer
Sandra Hermida Co-Producer
Patrick Wachsberger Executive Producer
Ghislain Barrois Executive Producer
Mitch Horwits Executive Producer
Patrick Ness Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 29 41 20
2024 5 37 46 28
2024 6 29 44 16
2024 7 43 70 20
2024 8 28 41 17
2024 9 25 35 17
2024 10 28 43 19
2024 11 27 48 19
2024 12 23 35 16
2025 1 38 83 19
2025 2 77 170 11
2025 3 15 55 3
2025 4 5 7 4
2025 5 4 4 3
2025 6 3 4 3
2025 7 3 3 2
2025 8 4 5 3
2025 9 5 8 3
2025 10 4 5 3

Trending Position


Year Month High Avg
2025 9 494 706
Year Month High Avg
2025 6 819 905
Year Month High Avg
2025 4 334 535
Year Month High Avg
2025 2 923 951
Year Month High Avg
2025 1 56 635
Year Month High Avg
2024 11 911 916

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Reviews

Rangan
7.0

**An alternate way to confront the reality.** Based on the British novel, made by a well known Spanish director. This film might remind you the titles like 'Finding Neverland', 'Where the Wild Things Are', 'Neverwas' et cetera, but still it is unique. Particularly for the message it carried out. ... Many lines were awesome, inspiring for those whose world are crumbling down. Emotional, as well as one of the best recent children's films. The story of a boy whose mother is severely ill. He starts to have weird dreams, following, an appearance of a tree-monster from the nearby cemetery. The monster is to tell a few tales and at the end of it, he has to tell the truth about his nightmares to him. So as the days go by, it becomes more challenging to him to confront the reality. He can't run away from all, but to face it and those are the remaining narration. While being a kid, they believe every fantasy tale have narrated to them. Even a picture of those tales would influence to have an imagination in their daily life activity. This film does not hide anything from the viewers just to bring a breathtaking twist at the finale. So, you would know what's happening, but why, is the puzzle to solve. Even that is not a hard nut to crack. Though the purpose of the film is to reveal how some children cope a tragic event in their life, like perhaps the film 'Before I Wake', with misunderstanding the words said by the grown ups to them. This is really a wonderful film for kids, as well as for adults. I Hope you won't miss it. _7/10_

May 16, 2024
badelf
7.0

This is a very enjoyable tale. It's targeted to younger viewers, and therefore the characters are not at all complex. In spite of that shortcoming from an adult's POV, the overall effect is wonderful and emotional. Definitely worth the time. ...

Aug 13, 2022
FilipeManuelNeto
4.0

**It's not a hateful or forgettable movie, but it's far from being lively or happy.** Despite its weaknesses, I confess I liked this film, and that maybe comes from the fact that it touched me personally. Being a film that is so focused on the pain of losing someone dear, on how a person faces si ... tuations of suffering and manages to digest it, it was a film that cost me a little to watch because I also lost a very dear person recently. I expected a more cheerful film with a more lively tone. That, yes, partially frustrated my expectations, and I believe that other people will also say the same. However, I cannot say that I hated what I saw. In fact, the script focuses on a young teenager who has to live his day-to-day life, at school and at home, while mentally and psychologically preparing himself for the imminent orphanhood, as his mother is very ill and, we know it, will die soon. And in the midst of all this, he ends up imagining, in a very realistic way, a big monster that comes to visit him and that forces him to deal with the feelings he is feeling, and to deal with situations, and also with a grandmother with who has relationship problems. Directed by J.A. Bayona is a relatively average film. The script is predictable, the "monster-tree" is something we've seen in other films, but it's always a good idea, especially if it's supposed to be a wise and ancient monster, as is the case here. Lewis MacDougall is the young man who will have the lead role in the film, and he does it quite well, even though the script is not very demanding on him. I also enjoyed Felicity Jones' performance, even though the actress doesn't really have much to do. And I feel sorry for Sigourney Weaver, because she's a good actress in the wrong role. It was a massive casting error, and it would have been preferable to cast a genuinely British actress in the role, rather than an American with a notoriously faked accent. Technically, the highlight obviously goes to the CGI, which is good enough and does an interesting job, especially in the scenes where the tree “awakens” to move and reveal its real appearance. I also liked the soundtrack, even if it's not the most memorable or interesting, and the cinematography, which does its job flawlessly. Liam Neeson was, once again, responsible for the voice of the monster. The actor is already a veteran of dubbing and has given voice to many fantastic characters in other films, so it was a sure bet for the production.

Nov 28, 2022