 
  Popularity: 2 (history)
| Director: | Samuel Fuller | 
|---|---|
| Writer: | Samuel Fuller | 
| Staring: | 
| A former prostitute works to create a new life for herself in a small town, but a shocking discovery could threaten everything. | |
| Release Date: | Oct 29, 1964 | 
|---|---|
| Director: | Samuel Fuller | 
| Writer: | Samuel Fuller | 
| Genres: | Drama, Crime | 
| Keywords | prostitute, small town, pedophilia, police, hospital | 
| Production Companies | Leon Fromkess-Sam Firks Productions, Allied Artists Pictures | 
| Box Office | Revenue: $0 Budget: $200,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Constance Towers | Kelly | 
| Michael Dante | J.L. Grant | 
| Anthony Eisley | Capt. Griff | 
| Virginia Grey | Candy | 
| Patsy Kelly | Mac, Head Nurse | 
| Marie Devereux | Buff | 
| Karen Conrad | Dusty | 
| Linda Francis | Rembrandt | 
| Bill Sampson | Jerry | 
| Sheila Mintz | Receptionist | 
| Edy Williams | Hatrack | 
| Betty Bronson | Miss Josephine | 
| Jean-Michel Michenaud | Kip | 
| Patsy Kelly | Mac | 
| Patricia Gayle | Nurse | 
| George Spell | Tim | 
| Christopher Barrey | Peanuts | 
| Patty Robinson | Angel Face | 
| Betty Robinson | Bunny | 
| Breena Howard | Redhead | 
| Sally Mills | Marshmallow | 
| Monte Mansfield | Farlunde | 
| Barbara Perry | Edna | 
| Walter Mathews | Mike | 
| Neyle Morrow | Officer Sam | 
| Gerald Milton | Zookie | 
| Fletcher Fist | Barney | 
| Michael Barrere | Young Delinquent | 
| Name | Job | 
|---|---|
| Samuel Fuller | Writer, Director | 
| Stanley Cortez | Director of Photography | 
| Eugène Lourié | Art Direction | 
| Jerome Thoms | Editor | 
| Paul Dunlap | Original Music Composer | 
| Harry Thomas | Makeup Artist | 
| Peter Zinner | Music Editor | 
| Einar Bourman | Costume Design | 
| Al Overton | Recording Supervision | 
| Leonard Corso | Sound Effects Editor | 
| Victor A. Gangelin | Set Decoration | 
| Herbert G. Luft | Production Manager | 
| Nate Levinson | Assistant Director | 
| Tom Coleman | Property Master | 
| Frank Dugas | Camera Operator | 
| John Dutton | Script Supervisor | 
| Name | Title | 
|---|---|
| Samuel Fuller | Producer | 
| Sam Firks | Executive Producer | 
| Leon Fromkess | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 13 | 20 | 9 | 
| 2024 | 5 | 13 | 20 | 9 | 
| 2024 | 6 | 13 | 25 | 8 | 
| 2024 | 7 | 18 | 33 | 7 | 
| 2024 | 8 | 17 | 45 | 8 | 
| 2024 | 9 | 11 | 19 | 6 | 
| 2024 | 10 | 11 | 19 | 6 | 
| 2024 | 11 | 11 | 24 | 6 | 
| 2024 | 12 | 10 | 22 | 5 | 
| 2025 | 1 | 10 | 15 | 7 | 
| 2025 | 2 | 8 | 12 | 3 | 
| 2025 | 3 | 5 | 15 | 1 | 
| 2025 | 4 | 2 | 5 | 1 | 
| 2025 | 5 | 2 | 6 | 1 | 
| 2025 | 6 | 2 | 4 | 1 | 
| 2025 | 7 | 1 | 4 | 0 | 
| 2025 | 8 | 2 | 5 | 0 | 
| 2025 | 9 | 1 | 4 | 0 | 
| 2025 | 10 | 1 | 2 | 0 | 
Trending Position
When "Kelly" (Constance Towers) meets "Griff" (Anthony Eisley) on a park bench she is armed with nothing but a smile and a case of champagne. She's a saleswoman for the stuff, don't you know! Suffice to say, the two end up drinking a bit of her stock and this starts the ball rolling on a relationshi ... p that is full of ups and downs, pitfalls, betrayal and we even get a song. We learn pretty quickly that "Kelly" is escaping a rather seedy past and that "Griff" isn't all he's cracked up to be either. Soppy melodrama? Well no, actually. The two - and a solid, if unremarkable, supporting cast edge this story forward in quite an innovative, almost exciting, fashion. There is a chemistry between Towers and the rather bland Eisley that keeps this bubbling along as they constantly try to out-manoeuvre one another. Might they even be in love in this epitome of middle-class dullness and double standards that they find themselves living? It doesn't hang around with a solid, sometimes poignantly effective, script and the fact that there isn't an out and out star here helps focus on the performances and the story a bit more. It oozes a sexiness in an understated sort of fashion and though I doubt I will ever watch it again, I did find it (her) quite compelling to watch.