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Phantom of the Paradise Poster

Phantom of the Paradise

He sold his soul for rock n’ roll!
1974 | 92m | English

(25179 votes)

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Popularity: 5 (history)

Details

Fledgling singer-songwriter Winslow Leach finds himself double-crossed by the nefarious music producer Swan, who steals both his music and the girl Winslow wants to sing it, Phoenix, for the grand opening of his new rock palace, the Paradise. After Swan has Winslow sent to prison for trespassing, Winslow endures a freak accident that leaves him disfigured and seeking revenge.
Release Date: Oct 31, 1974
Director: Brian De Palma
Writer: Louisa Rose, Brian De Palma, Gaston Leroux
Genres: Comedy, Fantasy, Horror, Music
Keywords new york city, rock 'n' roll, suicide attempt, mask, phantom, haunted house, palace, musical, greed, satire, revenge, soul selling, rock music, pianist, false accusations, masked man, glam rock, car explosion, rock opera, rock musical, sing sing, music production, record company, faustian pact, songwriting, phantom of the opera, music industry, abuse of power, music producer, moral corruption, deal with the devil, printing press, horror musical
Production Companies Pressman-Williams, Harbor Productions
Box Office Revenue: $250,000
Budget: $1,300,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
William Finley Winslow Leach / The Phantom
Paul Williams Swan
Jessica Harper Phoenix
George Memmoli Philbin
Gerrit Graham Beef
Archie Hahn The Juicy Fruits / The Beach Bums / The Undeads
Jeffrey Comanor The Juicy Fruits / The Beach Bums / The Undeads
Peter Elbling The Juicy Fruits / The Beach Bums / The Undeads
Colin Cameron Band
David Garland Band
Gary Mallaber Band
Art Munson Band
Mary Margaret Amato Swan's Entourage
Rand Bridges Swan's Entourage
Jim Bohan Swan's Entourage
Herb Pacheco Assassin
Jennifer Ashley Groupie
Janit Baldwin Groupie
Janus Blythe Groupie
Katherine Mastellos Groupie
Robin Mattson Groupie
Patrice Rohmer Groupie
Cheryl Smith Groupie
April Troy Groupie
Walter Foster Cop
Peter Harrell Cop
Troy Haskins Judge
Gene Gross Warden
Henry Calvert Nightwatchman
Ken Carpenter Stagehand
Sam Forney Stagehand
Leslie Brewer Surfgirl
Celia Derr Surfgirl
Linda Larimer Surfgirl
Roseanne Romine Surfgirl
Nydia Amagas Dancer
Sara Ballantine Dancer
Kristi Bird Dancer
Cathy Buttner Dancer
Linda Cox Dancer
Jane DeFord Dancer
Bibi Hansen Dancer
Robin Jeep Dancer
Deen Summers Dancer
Judy Washington Dancer
Susan Weiser Dancer
Janet Savarino Singing Twin
Jean Savarino Singing Twin
Keith Allison Country & Western Singer
Bobby Birkenfeld Guy
Sandy Catton Black Singer
William Donovan Reporter
Scott Edmund Lane Reporter
Dennis Olivieri Reporter
Adam Wade Reporter
Nancy Moses Back-Up Singer
Diana Walden Back-Up Singer
Sherri Adeline Girl in Ticket Line
Carol O'Leary Betty Lou
Marty Bongfeldt Mini-bopper
Coleen Crudden Mini-bopper
Bridgett Dunn Mini-bopper
William Shephard Rock Freak
Angelyne Auditioning Singer (uncredited)
Greg Bransom Spectator (uncredited)
Shelly Desai Dental Health Volunteer (uncredited)
Paul Hirsch Paradise Audience Member (uncredited)
Rod Serling Introductory Narrator (voice) (uncredited)
Name Job
Peggy Taylor Casting
Sylvia Fay Casting
John Chambers Makeup Designer
Robert Enrietto Second Assistant Director
Al Gramaglia Sound Mixer
James M. Tanenbaum Sound
George Aliceson Tipton Additional Music
Tim Griffith Gaffer
John L. Black Grip
Louisa Rose Writer
Larry Pizer Director of Photography
Thomas R. Burman Makeup Designer
Thomas Lightburn Unit Manager
Anna Sugano Hairstylist
Rolf Miller Makeup Artist
Greg Auer Special Effects
Michael J. Dmytryk Assistant Director
Burt Bluestein Second Assistant Director
Dan Sable Sound Editor
Ronnie Taylor Camera Operator
Cary Griffith Grip
Andy Epper Stunt Double
Brian De Palma Writer, Director
Paul Williams Original Music Composer, Songs
Paul Hirsch Editor
Geno Havens Casting
Jack Fisk Production Design
Rosanna Norton Costume Design
Gary Kent Unit Manager
Sissy Spacek Set Dresser
Jim Lovelett Stunt Double
Gaston Leroux Novel
Name Title
Jeffrey L. Hayes Associate Producer
Lynn Pressman-Raymond Associate Producer
Paul Lewis Associate Producer
Bill Scott Associate Producer
Gustave M. Berne Executive Producer
Michael Arciaga Associate Producer
Edward R. Pressman Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 19 28 15
2024 5 19 29 12
2024 6 18 33 11
2024 7 21 45 12
2024 8 16 35 10
2024 9 14 23 8
2024 10 17 30 10
2024 11 17 29 10
2024 12 15 25 10
2025 1 15 21 11
2025 2 11 18 3
2025 3 6 15 1
2025 4 2 6 1
2025 5 2 6 1
2025 6 2 4 1
2025 7 1 3 1
2025 8 1 2 1
2025 9 4 5 2
2025 10 5 7 4

Trending Position


Year Month High Avg
2025 10 755 807
Year Month High Avg
2025 9 594 787
Year Month High Avg
2025 8 795 837
Year Month High Avg
2025 6 807 871
Year Month High Avg
2025 5 953 953
Year Month High Avg
2025 1 291 489

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Reviews

Geronimo1967
7.0

William Finley as the eponymous character and Paul Williams as the duplicitous record producer "Swan" both ham up enjoyably in this update of the Gaston Leroux novel. "Finley" is writing a cantata, parts of which are overheard by the unscrupulous "Swan" who gets his sidekick "Philbin" (George Memmol ... i) to pinch the score. Next thing, auditions are ongoing and the poor old writer has been well and truly sidelined. He's determined to wreak his revenge, a determination amplified after an accident sees him hideously disfigured. With chaos ensuing all around, "Swan" decides to try and make a peace with his nemesis - but pretty soon it's clear that's never going to work and as the opening night of the rock club "The Paradise" looms ever closer, you have to wonder if you'd really want a ticket after all. It's good fun this film with some entertaining performances at the top, Jessica Harper holds her own as the feisty chanteuse "Phoenix" and there's just about enough menacing megalomania to prevent it descending into farce. It's quite easy to see how many subsequent films or concepts it may have spawned as it takes much from musical theatre and high drama and mingles them into something that's a sort of an hybrid of the "Man from U.N.C.L.E" and "Jesus Christ Superstar". Williams also wrote much of the of the original soundtrack with a few power ballads packed in to keep the pace moving along and it's worth sticking about for the credits. It has dated, but I still enjoyed it.

Sep 20, 2024