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The Long Day Closes Poster

The Long Day Closes

A magical story about a boy’s love affair with the music and movies of the 50s.
1992 | 85m | English

(4338 votes)

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Popularity: 4 (history)

Director: Terence Davies
Writer: Terence Davies
Staring:
Details

Bud is a lonely and quiet boy whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality.
Release Date: May 22, 1992
Director: Terence Davies
Writer: Terence Davies
Genres: Drama
Keywords nostalgia, liverpool, england, loneliness, family relationships, lgbt, semi autobiographical, 1950s, gay theme, lgbt child
Production Companies Channel Four Films, BFI, Film Four International
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 02, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Leigh McCormack Bud
Marjorie Yates Mother
Anthony Watson Kevin
Nicholas Lamont John
Ayse Owens Helen
Tina Malone Edna
Jimmy Wilde Curly
Robin Polley Mr Nicholls
Peter Ivatts Mr Bushell
Joy Blakeman Frances
Denise Thomas Jean
Patricia Morison Amy
Gavin Mawdsley Billy
Kirk McLaughlin Labourer/Christ
Mark Heath Black Man
Victoria Davies Nun
Brenda Peters Nurse
Karl Skeggs Albie
Lee Blennerhassett 1st Bully
Peter Hollier 2nd Bully
Jason Jevons 3rd Bully
Name Job
Marianne Elliott Casting Assistant
John Battsek Publicist
William Diver Editor
Chris Harvey Production Manager
Lesley Stewart Production Coordinator
Kate Mellor Production Secretary
Andrew MacDonald Brown Location Manager
Jeff Bowen Location Manager
Sheryl Leonardo Production Accountant
Susan Nicholson Production Accountant
Doreen Jones Casting Director
Gus Maclean First Assistant Director
David Gilchrist Third Assistant Director
Ben Johnson Runner Art Department
James Norton Other
Maxine Howard Production Assistant
Jim Atkins Transportation Coordinator
Harriet Cox Camera Operator
Chris Plevin Focus Puller, Additional Photography
Jeremy Kelly Additional Photography, Clapper Loader
Carol Thompson Continuity
Gary Romaine Grip
Tristam Cones Camera Trainee
David Harrison Rigging Supervisor
Paul Collard Other
Clive Neakes Other
Terry Edland Gaffer
Kevin Edland Electrician
Rick Butland Electrician
Dave Tyler Electrician
Dennis O'Connell Electrician
Kave Quinn Art Direction
Tracey Gallacher Assistant Art Director
Karen Wakefield Property Buyer
Gordon Fitzgerald Property Master
Pat Harkins Standby Property Master
Piero Jamieson Standby Property Master
Geoff Stainthorp Standby Carpenter
Ben Pulsford Other
Catherine Goodley Scenic Artist
John McMillan Construction Manager
Robin Thistlethwaite Construction Manager
Mariana Russell Runner Art Department
Stewart Cunningham Dressing Prop
Stuart Wood Carpenter
Bill Meal Painter
Dave Watson Vehicles Wrangler
Terry Thompson Additional Construction
Alan Hausmann Additional Construction
Alan Weeks Additional Construction
Ronnie Barlow Additional Construction
Albert Grassi Additional Construction
Peter Cheesman Additional Construction
Simon Clarkson Additional Construction
Charlie McMillan Additional Construction
Peter Seater Additional Construction
Jim Thompson Additional Construction
Hugh Doherty Additional Construction
Kevin Rowe Other
Jason Kent Other
David Lewis Other
Patrick Wheatley Wardrobe Supervisor
Marion Weise Wardrobe Assistant
Margaret Wicks Thanks
Aad Wirtz Sound Mixer
Adrian Rhodes Sound Mixer
Alex Mackie Sound Editor
Moya Burns Sound Recordist
June Prinz Boom Operator
Patrick O'Neill Dialogue Editor
Catherine Creed First Assistant Editor
Christine Campbell Assistant Editor
Tom Hilton Still Photographer
Sarah Fitzgerald Other
Emma Chapman Publicist
Phil Symes Publicist
Gerard O'Beirne Vocals
Ruth Davies Vocals
David Firman Conductor
Bob Last Music Supervisor
Robert Lockhart Music Director
Monica Howe Costume Designer
Aileen Seaton Makeup & Hair
Heather Jones Makeup & Hair
Christopher Hobbs Production Design
Michael Coulter Director of Photography
Angela Topping Executive In Charge Of Production
Terence Davies Writer, Director
Tommy Gormley Second Assistant Director
Dan Zeff Production Assistant
Isobel Buchanan Vocals
Jack Stew Foley Artist
Name Title
Olivia Stewart Producer
Maureen McCue Associate Producer
Ben Gibson Executive Producer
Colin MacCabe Executive Producer
Organization Category Person
Cannes Film Festival Best Actress Marianne Faithfull Won
Venice Film Festival Best Actress N/A Won
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 7 10 5
2024 5 9 12 5
2024 6 9 20 4
2024 7 10 20 5
2024 8 7 12 5
2024 9 7 14 5
2024 10 8 19 4
2024 11 7 22 4
2024 12 5 7 4
2025 1 6 7 4
2025 2 5 7 3
2025 3 4 7 1
2025 4 1 3 1
2025 5 2 3 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 3 4 1
2025 10 3 4 3

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Reviews

narrator56
6.0

Okay, I get it. This movie is artistic. Plot and character development are secondary, irrelevant even perhaps. The film is about visual snapshots, emotional memories that are alternately nostalgic or slightly painful. But I think the movie tries so hard that it fails to entertain, choosing to assume ... that if you don’t like it, that is okay, because it means you don’t “get” it. For example, do we really need the camera to linger on an empty scene like a stairway for 15 to 30 seconds after someone has walked up them? What does that add to the emotional impact of the film? And how illustrative is it to watch the boy stare at nothing for several moments without giving us any indication what he is thinking or feeling? Shouldn’t we care? And is it good cinema to have the characters mumble so that we lean forward to hear what they are saying, only to blast us out of our seats with one of the many loud interludes of music? By all means, be artistic and atmospheric and nostalgic. But if you go far enough as to have a narrator occasionally slip in descriptions of what we are seeing, why not take it a step further and tell a bit of a story while you are at it? It would have been so easy to please the starry-eyed dreamers and couch reviewers as well as the more gauche like myself.

Sep 17, 2021