 
  Popularity: 4 (history)
| Director: | Gabe Turner | 
|---|---|
| Writer: | Gabe Turner | 
| Staring: | 
| The Guvnors is a violent thriller set amongst the clans and firms of South East London, bringing two generations together in brutal conflict. | |
| Release Date: | Jun 24, 2014 | 
|---|---|
| Director: | Gabe Turner | 
| Writer: | Gabe Turner | 
| Genres: | Crime, Thriller | 
| Keywords | london, england, clans, suburban, two generations | 
| Production Companies | Fulwell 73 Productions, DP Films, Creativity Capital | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 09, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Harley Sylvester | Adam | 
| Doug Allen | Mitch | 
| Jay Simpson | Neil | 
| Charley Palmer Rothwell | Trey | 
| Martin Hancock | DC Meyler | 
| Melanie Gutteridge | Angie | 
| Cameron Lee Farrelly | Alfie | 
| Vas Blackwood | Bill | 
| Tony Denham | Trent | 
| Paul Reynolds | Tone | 
| David Essex | Mickey Snr | 
| Marley Lockhart | Tyler | 
| Jumayn Hunter | Wood | 
| Richard Blackwood | PC Benson | 
| Lorraine Stanley | Cheryl | 
| Dorian Simpson | Jade | 
| Donna Kehoe | Michelle | 
| Craig Canning | Ginge | 
| Tom Davis | Paul | 
| Jamie Belman | Mike | 
| Christopher Hatherall | Darren | 
| Francesca Leonie | Taylor | 
| Nina Cranstoun | Jade's Mum | 
| Emily Corcoran | Teacher | 
| Adam Harley | Charlie | 
| Harry Neale | Trent (24) | 
| Paul Collin-Thomas | Mitch (24) | 
| Paul Standell | Neil (24) | 
| Malcolm Parker | Bill (24) | 
| Tom Dunlea | Meyler (24) | 
| Rochelle Neil | Adam's Mum | 
| Alexandra Piasecki | Bill's Assistant | 
| Barrington Patterson | One-Eyed Baz | 
| Cass Pennant | Top Boy | 
| Steve Wraith | Top Boy | 
| Name | Job | 
|---|---|
| Dominic Kinnaird | Stunt Coordinator | 
| Jude Poyer | Stunt Coordinator | 
| Stelios Koupetoris | Dialogue Editor | 
| Gabe Turner | Director, Writer | 
| Christopher Gudgeon | Armorer | 
| Grace Crum | Art Department Assistant | 
| Vicki Williams | Music Supervisor | 
| Jon Euesden | Gaffer | 
| Fabrizio Sciarra | Camera Operator | 
| Paul Burns | Production Design | 
| Richard Kondal | Supervising Sound Editor, Sound Re-Recording Mixer | 
| Marian Briozzo | Post Production Supervisor | 
| Jenny Rhodes | Makeup Designer | 
| Lottie McDowell | Property Master | 
| Dean Dodds | Schedule Coordinator | 
| Gillian Hawser | Casting | 
| Ellie Pash | Art Direction | 
| Torquil Fleming-Boyd | Steadicam Operator | 
| Tom Walden | Steadicam Operator | 
| Emiliano Battista | Editor | 
| Paul Arnold | Original Music Composer | 
| Andrew Barnabas | Original Music Composer | 
| James Friend | Director of Photography | 
| Name | Title | 
|---|---|
| Leo Pearlman | Producer | 
| Danny Potts | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 10 | 15 | 5 | 
| 2024 | 5 | 10 | 16 | 6 | 
| 2024 | 6 | 12 | 23 | 7 | 
| 2024 | 7 | 11 | 23 | 6 | 
| 2024 | 8 | 10 | 22 | 5 | 
| 2024 | 9 | 6 | 9 | 4 | 
| 2024 | 10 | 7 | 15 | 4 | 
| 2024 | 11 | 10 | 33 | 4 | 
| 2024 | 12 | 6 | 15 | 4 | 
| 2025 | 1 | 6 | 12 | 3 | 
| 2025 | 2 | 5 | 8 | 2 | 
| 2025 | 3 | 3 | 6 | 1 | 
| 2025 | 4 | 1 | 2 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 1 | 4 | 0 | 
| 2025 | 9 | 5 | 6 | 4 | 
| 2025 | 10 | 4 | 4 | 3 | 
Trending Position
We start with gang leader "Adam" (Harley Sylvester) proving who's the boss to the neighbours. A brutal and violent man, he then proceeds to visit a boozer that used to be the haunt of the legendary "Guvnors" where he comes off slightly worse at the hands of the elderly " Mickey" (David Essex). Humil ... iated, he exacts his revenge and soon the two gangs are heading for a rumble with his newly invigorated opponents led by "Mitch" (Doug Allen). Now had this just stayed on the path of a nasty, vicious, tale of gangland power-struggling, then it might just have been passable. It doesn't! It introduces some frankly ridiculous familial sub-plots and delivers these and the overall narrative via some pretty static dialogue and some even worse acting performances. Sylvester just has no menace to him at all, whatever the expletives are that emanative from his scarred face. Maybe I just recall him too much as the quiet one from "Rizzle Kicks" a bit here, but he is just unremarkable. No more so, it has to be said, than the equally unconvincing "Mitch" whose character reminded me of someone from "Green Street" (2005). It can't have had much of a budget, and the production and editing look the product of basic, single-camera, assemble direction that seems determined to shock us into appreciation rather than engage us with any of these, frankly rather odious, individuals. Maybe it is indicative of aspects of East London life, but presented this way I couldn't honestly say I cared about any of them up to and after it's "West Side Story" style denouement.