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Meet Joe Black Poster

Meet Joe Black

Sooner or later everyone does.
1998 | 178m | English

(291728 votes)

TMDb IMDb

Popularity: 11 (history)

Details

Bill Parrish has it all - success, wealth and power. Days before his 65th birthday, he receives a visit from a mysterious stranger, Joe Black, who soon reveals himself as Death. In exchange for extra time, Bill agrees to serve as Joe's earthly guide. But will he regret his choice when Joe unexpectedly falls in love with Bill's beautiful daughter Susan?
Release Date: Nov 12, 1998
Director: Martin Brest
Writer: Bo Goldman, Ron Osborn, Jeff Reno, Kevin Wade
Genres: Fantasy, Drama, Romance
Keywords life and death, love at first sight, broken engagement, fireworks, religion and supernatural, based on play or musical, teenage crush, fate, grim reaper, doctor, millionaire, death personified, death incarnate, angel of death, romantic, appreciative, compassionate
Production Companies Universal Pictures, City Light Films
Box Office Revenue: $142,940,100
Budget: $90,000,000
Updates Updated: Aug 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Brad Pitt Joe Black / Young Man in Coffee Shop
Anthony Hopkins William Parrish
Claire Forlani Susan Parrish
Jake Weber Drew
Marcia Gay Harden Allison
Jeffrey Tambor Quince
David S. Howard Eddie Sloane
Lois Kelly-Miller Jamaican Woman
Jahnni St. John Jamaican Woman's Daughter
Richard Clarke Butler
Marylouise Burke Lillian
Diane Kagan Jennifer
June Squibb Helen
Gene Canfield Construction Foreman
Suzanne Hevner Florist
Steve Coats Electrician
Madeline Balmaceda Madeline
Julie Lund Drew's Secretary
Kay Gaffney Boardmember
Anthony Kane Boardmember
Joe H. Lamb Boardmember
Robert C. Lee Boardmember
Jim Taylor McNickle Boardmember
Hardy Phippen Jr. Boardmember
Stephen Adly Guirgis Hospital Receptionist
Leo Marks Party Waiter
Michelle Youell Party Guest
Gene Leverone Party Guest
Name Job
Walter Ferris Theatre Play
Maxwell Anderson Original Film Writer
Gladys Lehman Original Film Writer
Bo Goldman Screenplay
Thomas Newman Original Music Composer
Emmanuel Lubezki Director of Photography
Michael Tronick Editor
Juliet Taylor Casting
Dante Ferretti Production Design
Martin Brest Director
Patricia Kerrigan DiCerto Casting Associate
Barbara Harris ADR Voice Casting
Eric A. Norris Sound Effects Editor
Ron Bartlett Sound Re-Recording Mixer
Stephen G. Bishop Hairstylist
Brendan Gunn Dialect Coach
Celia D. Costas Unit Production Manager
Troy Brown Stunts
Steve M. Davison Stunts
John Cenatiempo Stunts
Chris Cenatiempo Stunts
Buddy Joe Hooker Stunt Coordinator
Scott Wilder Stunt Double
Ron Osborn Screenplay
Jeff Reno Screenplay
Kevin Wade Screenplay
Joe Hutshing Editor
Ellen Lewis Casting
Robert Guerra Art Direction
Leslie Bloom Set Decoration
Aude Bronson-Howard Costume Design
David C. Robinson Costume Design
Robert DeVine Special Effects
Ray Fisher Leadman
Tommy Allen Property Master
David Tanaka Visual Effects Editor
Michael Owens Visual Effects Supervisor
Timothy Alberts Wardrobe Supervisor
Barbara Hause Wardrobe Supervisor
Susan J. Wright Wardrobe Supervisor
Joni M. Huth Seamstress
Dain I. Kalas Seamstress
Lisa Katcher Script Supervisor
Bill Bernstein Music Editor
Angie Rubin Music Editor
Phil Pastuhov Aerial Director of Photography
Craig DiBona Camera Operator
Jay Fortune Gaffer
James Malone Rigging Gaffer
Phillip V. Caruso Still Photographer
Dave Lowry Dolly Grip
Richard Guinness Jr. Key Grip
Allen Hartz ADR Editor
Barbara Issak ADR Editor
David Melhase ADR Editor
Lauren Palmer ADR Editor
Jeff Rosen ADR Editor
Matthew Sawelson ADR Editor
Andrew Schmetterling Boom Operator
John Benson Foley Editor
John Murray Foley Editor
Dan Yale Foley Editor
Joe Earle Sound Effects Editor
Kenneth L. Johnson Sound Effects Editor
Linda Keim Sound Effects Editor
James P. Lay Sound Effects Editor
Chris Jenkins Sound Re-Recording Mixer
Mark Smith Sound Re-Recording Mixer
Mark Narramore Sound Recordist
Samuel F. Kaufman Sound Recordist
Joe Dorn Supervising ADR Editor
Beth Miller Hair Department Head
Jerry DeCarlo Hairstylist
Lyndell Quiyou Key Hair Stylist
Richard Dean Key Makeup Artist
Randy Houston Mercer Key Makeup Artist
Lynn Campbell Makeup Artist
Tricia Heine Makeup Artist
Joe Rossi Makeup Artist
Gabriel Wrye First Assistant Editor
Greg Parsons First Assistant Editor
Gary Burritt Negative Cutter
Ralph Osborn Dialogue Editor
Benjamin Beardwood Dialogue Editor
Gary Lewis Dialogue Editor
Sarah Monat Foley Artist
Robin Harlan Foley Artist
Joseph S. Alfieri Construction Coordinator
Amanda Pollack Assistant Editor
Alberto Casella Theatre Play
Phil Hetos Color Timer
Dean Drabin ADR Mixer
Marilyn Graf Foley Mixer
Don Givens Foley Recordist
Timothy Shannon Transportation Co-Captain
Francis Connolly Jr. Transportation Co-Captain
Edmund Nardone Projection
Larry Kaplan Unit Publicist
Peter A. Mian Video Assist Operator
Amy Sayres First Assistant Director
Christopher Surgent Second Assistant Director
Chris 'Curtis' Fousek Construction Coordinator
Scott A. Hecker Supervising Sound Editor
Peter Bucossi Stunts
Frank Ferrara Sr. Stunts
James P. Whalen Jr. Transportation Coordinator
Name Title
Martin Brest Producer
Celia D. Costas Associate Producer
Ronald L. Schwary Executive Producer
David J. Wally Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 63 82 47
2024 5 61 76 46
2024 6 61 108 38
2024 7 79 106 47
2024 8 67 112 50
2024 9 60 75 39
2024 10 76 116 45
2024 11 83 113 56
2024 12 63 113 45
2025 1 72 93 47
2025 2 49 94 11
2025 3 21 70 4
2025 4 15 19 10
2025 5 15 20 12
2025 6 12 15 10
2025 7 13 17 10
2025 8 8 11 7
2025 9 9 11 8
2025 10 10 13 8

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2025 10 449 851
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2025 2 487 810
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2025 1 469 689
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2024 12 293 723
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2024 8 259 729

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Reviews

Wuchak
9.0

***Captivating commentary on love, life and death*** The Grim Reaper (i.e. the Angel of Death) comes to take billionaire industrialist Bill Parrish (Anthony Hopkins) but instead decides to take a holiday in the corporeal universe by possessing the body of a young man (Brad Pitt). Death's deal wit ... h Parrish is that, as long as he's entertained, he'll delay Bill's death. Mr. Death materializes as a mysterious stranger with child-like qualities known as 'Joe Black.' His "holiday" is complicated when he falls for Parrish's daughter (Claire Forlani). "Meet Joe Black" (1998) is a re-imagining of the 1934 film "Death Takes a Holiday" (which I've never seen). It has the confidence to take its time at almost 3 hours, but is so captivating that it feels shorter than most 90-minute mindless flicks. The plot is reminiscent of other good "fish out of water" stories like Spock in Star Trek, “Starman” (1984), etc. Yes, it's outlandish but the film expertly presents the bizarre situation in a totally believable manner. In other words, this is indeed a serious drama, which nicely balances out the heavy moments with lighter touches. I would compare it to "The Green Mile" (1999), another long drama with supernatural touches and wholly captivating. Despite its fantastical premise, "Meet Joe Black" consistently offers profound insights to the most vital topics of the human experience — love, life, death and numerous others, e.g. betrayal, rivalry, hostility, comeuppance and the mysterious beyond. One good example is when Parrish's son-in-law (Jeffrey Tambor) offers a definition of love to Joe Black: To know the worst thing about someone and it's okay, presuming they’re penitent. This is just one example; the film is filled with such insights. "Meet Joe Black" cost $90 million to make and only made half of it back at the USA box office. Fortunately it has gone on to garner an enthusiastic following and rightly so 'cause this is a near-masterpiece of filmmaking and genuinely moving. I consider myself a masculine man, but tears flowed through approximately 1/3 of the runtime. This is a sign of a potent and affecting picture. It's a travesty that dreck like "Pirates of the Caribbean" makes gazillions of dollars and garbage like "American Beauty" are hailed as masterpieces while true gems like "Joe Black" are often overlooked. The good thing is that time was on Joe Black's side. The word got out. The film runs 2 hours, 58 minutes, and was shot in Warwick, Rhode Island (Aldrich Mansion); Manhattan; and Teaneck, New Jersey. GRADE: A/A-

Jun 23, 2021
tensharpe
6.0

Joe Black ( Brad Pitt ) as the Grim Reaper arrives on the doorstep of wealthy businessman Bill Parrish ( Anthony Hopkins ) after borrowing a body of a man killed that morning. After experiencing chest pains and hearing voices Bill Parish is due to die and Joe has come to escort him to the other side ... . Bill, playing for more time, engages with Joe and manages to persuade him to spend a little more time on earth. Joe’s interest in humanity and experiencing life is particularly heightened when he and Bill’s daughter Susan start to form a relationship.  “Meet Joe Black” centres more on the relationship of Joe and Susan rather than Deaths design for Bill. As a Romeo and Juliet style story of forbidden love, “Meet Joe Black” tries hard to play on audience emotions. Brad Pitt and Anthony Hopkins give solid performances but the lengthy run time makes it hard to sustain interest in both the story and any of the characters. The premise is quite good and the Stella cast try to make the most of the concept of the spiritual firepower of love. However it’s over complication and unnecessary sub plot ( bid to take over Bill’s company) just makes “ Meet Joe Black” unnecessarily long.

Feb 03, 2023
Geronimo1967
6.0

Billionaire "Parrish" (Sir Anthony Hopkins) is feeling a bit under the weather as his birthday approaches, and a potential corporate merger looms too. His daughter "Sarah" (Claire Forlani) is, meantime, rather keen on one of his hotshot employees "Drew" (Jake Weber) who is a driving force behind the ... impending and lucrative business deal. "Parrish" is clearly unwell, and after a scare that looks like an heart attack, he finds a new character in his life. The blonde and piercing-eyed Brad Pitt whose purpose here is pretty clear to us, but not yet to his new friend. Hastily named "Joe Black" the older man starts to act as a sort of guide for the younger, who clearly his little knowledge of how the world works. "Black" starts to feature much more prominently in the life of the mogul and that causes consternation as he begins to display a behaviour that really contrasts with that which made him successful in the first place. That causes quite a bit of chagrin for the ambitious "Drew" but not as much as the attentions "Black" is now paying to "Claire" - and that are slowly becoming reciprocated, too. "Parrish" has, by now, begun to realise who his dashing and charismatic companion is - and has concerns about the impact this might have on his daughter should she find out. Can the pair find a way to reconcile what must be done with what they want to be done? It's quite a solid and promising story and there's quite an effective dynamic between the under-stated Pitt and Sir Anthony. It's just far too long, though. It could easily lose an hour and the plot wouldn't suffer. It's almost like a three act play that takes far too long to get going, and is really only redeemed by a delightfully conspiratorial last half hour. It's a good looking film but is too dialogue-heavy and I found myself wading through too much of it to really enjoy it. Sorry.

Feb 08, 2024
Hadam10Rose
N/A

Death takes a holiday. Not only the name of the play it was based off, but the general premise of the film. A real fish out of water story, with death trying to understand life and why people don't usually want to give it up. I can see this film not ageing well for those on the left who demand chang ... es to older films or scenes cut. With them not understanding that death talks to people in their own voice. So that's why we the audience heard Joe speaking like the Jamaican women who was in the hospital. I can see those people losing their minds over that scene. Demanding at minimum a trigger warning. Anyway the cast did an amazing job and is one of those films where you don't listen to the critics, who gave it a F, listen to the audience who gave it a B.

Mar 19, 2025