Popularity: 9 (history)
| Director: | Neil Jordan |
|---|---|
| Writer: | Anne Rice |
| Staring: |
| A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter. | |
| Release Date: | Nov 11, 1994 |
|---|---|
| Director: | Neil Jordan |
| Writer: | Anne Rice |
| Genres: | Fantasy, Drama, Horror |
| Keywords | paris, france, san francisco, california, based on novel or book, new orleans, louisiana, vampire, louisiana, plantation, pity, bite, melancholy, child vampire, gothic horror, 18th century, macabre, plague, 19th century, urban gothic, playful, cautionary, reluctant vampire, grand, audacious, exuberant, melodramatic |
| Production Companies | Geffen Pictures |
| Box Office |
Revenue: $223,664,608
Budget: $60,000,000 |
| Updates |
Updated: Aug 16, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Tom Cruise | Lestat |
| Brad Pitt | Louis |
| Antonio Banderas | Armand |
| Christian Slater | Malloy |
| Stephen Rea | Santiago |
| Kirsten Dunst | Claudia |
| Domiziana Giordano | Madeleine |
| Thandiwe Newton | Yvette |
| Laure Marsac | Mortal Woman on Stage |
| John McConnell | Gambler |
| Mike Seelig | Pimp |
| Bellina Logan | Tavern Girl |
| Lyla Hay Owen | Widow St. Clair |
| Lee E. Scharfstein | Widow's Lover |
| Monte Montague | Plague Victim Bearer |
| Nathalie Bloch | Maid |
| Jeanette Kontomitras | Woman in Square |
| Roger Lloyd Pack | Piano Teacher |
| George Kelly | Dollmaker |
| Nicole DuBois Favre | Creole Woman |
| Virginia McCollam | Whore on Waterfront |
| Helen McCrory | 2nd Whore |
| Indra Ové | New Orleans Whore |
| Micha Bergese | Paris Vampire |
| Rory Edwards | Paris Vampire |
| Marcel Iureș | Paris Vampire |
| Susan Lynch | Paris Vampire |
| Louise Kim Salter | Paris Vampire |
| Matthew Sim | Paris Vampire |
| François Testory | Paris Vampire |
| Andrew Tiernan | Paris Vampire |
| Simon Tyrrell | Paris Vampire |
| George Antoni | Paris Vampire |
| Sara Stockbridge | Estelle |
| Katia Caballero | Woman in Audience |
| Louis Lewis-Smith | Mortal Boy |
| Name | Job |
|---|---|
| Susan E. Fiore | Second Second Assistant Director |
| James Devis | Second Unit Director |
| Alan Tomkins | Art Direction |
| Nick Dudman | Makeup Artist, Key Makeup Artist |
| Mick Audsley | Editor |
| Joke van Wijk | Editor |
| Sandrine Ageorges | Unit Production Manager |
| Ansel M. Stroud Jr. | Thanks |
| Patrick Clayton | First Assistant Director |
| Philip Kohler | Unit Production Manager |
| Jean-Pierre Avice | Unit Production Manager |
| Chris Brigham | Unit Production Manager |
| John Engel | Unit Production Manager |
| Joe Burns | Second Assistant Director |
| Laura Dash | Stunts |
| Sy Holland | Stunts |
| Paul Jennings | Stunts |
| Mark Lisbon | Stunts |
| Andreas Petrides | Stunts |
| Lee Sheward | Stunts |
| Anastas N. Michos | Camera Operator |
| Clive Winter | Sound Mixer |
| Malcolm Middleton | Supervising Art Director |
| Diana Dill | Script Supervisor |
| Yves De Bono | Special Effects Supervisor |
| Mark Clayton | Third Assistant Director |
| Ros Shingleton | Assistant Set Decoration |
| Ken Court | Assistant Art Director |
| Stephen Scott | Assistant Art Director |
| Peter Joly | Sound Editor |
| Nigel Mills | Sound Editor |
| Michael Connell | Music Editor |
| Peter Holt | Foley Editor |
| Tom Fleischman | Sound Re-Recording Mixer |
| Robin O'Donoghue | Sound Re-Recording Mixer |
| Dean Humphreys | Sound Re-Recording Mixer |
| Carol Schwartz | Makeup Artist, Key Makeup Artist |
| Sarah Monzani | Makeup Artist, Key Makeup Artist |
| Jan Archibald | Hair Department Head |
| Michael White | Key Hair Stylist |
| Eithné Fennel | Key Hair Stylist |
| Frank Gardiner | Assistant Costume Designer |
| John Scott | Costume Supervisor |
| Kevin De La Noy | Second Unit First Assistant Director |
| David Carrigan | Additional Second Assistant Director |
| Trevor Neighbour | Special Effects Supervisor |
| Kevin Constant | Assistant Art Director |
| Robert Perdziola | Assistant Art Director |
| Stella Vaccaro | Set Designer |
| Monroe Kelly | Set Designer |
| Deirdre N. Williams | Costume Supervisor |
| Tammy Kusian | Hairstylist |
| James E. Tocci | Art Direction |
| David B. Nowell | Camera Operator |
| Jean-Philippe Blime | Assistant Director |
| Dominique Delany | Second Assistant Director |
| Jean-Michel Hugon | Art Direction |
| Jean-Michel Ducourty | Assistant Art Director |
| Peter Takeuchi | Visual Effects Producer |
| Shane Mahan | Makeup Designer |
| Leonard Green | Assistant Sound Editor |
| Anne Rice | Screenplay, Novel |
| Elliot Goldenthal | Original Music Composer |
| Philippe Rousselot | Director of Photography |
| Susie Figgis | Casting |
| Juliet Taylor | Casting |
| Dante Ferretti | Production Design |
| Francesca Lo Schiavo | Set Decoration |
| Sandy Powell | Costume Design |
| Neil Jordan | Director |
| Stephen McLaughlin | Scoring Mixer |
| Matthias Gohl | Music Score Producer |
| River Phoenix | In Memory Of |
| Gary Archer | Prosthetics |
| Stan Winston | Makeup Effects Designer |
| Michael Stevenson | Second Assistant Director |
| Robert Legato | Visual Effects Supervisor, Second Unit Director |
| Greg Powell | Stunt Coordinator |
| Nick Gillard | Stunts |
| Mark Dalton | Stunts |
| Gary Powell | Stunts |
| Michèle Burke | Makeup Artist, Makeup Supervisor |
| Morag Ross | Makeup Artist, Key Makeup Artist |
| Micha Bergese | Choreographer |
| Paul Bernard | Additional Second Assistant Director |
| John Rosengrant | Makeup Designer |
| George Fenton | Music Supervisor |
| Jack Stew | Foley Artist |
| Nina Hartstone | Assistant Sound Editor |
| Mark Southworth | Stunts |
| Eddy Joseph | Supervising Sound Editor |
| Chris Corbould | Special Effects Supervisor |
| Name | Title |
|---|---|
| Redmond Morris | Co-Producer |
| David Geffen | Producer |
| Stephen Woolley | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 54 | 77 | 41 |
| 2024 | 5 | 82 | 95 | 70 |
| 2024 | 6 | 73 | 96 | 41 |
| 2024 | 7 | 62 | 89 | 41 |
| 2024 | 8 | 53 | 83 | 38 |
| 2024 | 9 | 43 | 60 | 31 |
| 2024 | 10 | 57 | 99 | 38 |
| 2024 | 11 | 44 | 73 | 34 |
| 2024 | 12 | 46 | 95 | 31 |
| 2025 | 1 | 43 | 56 | 35 |
| 2025 | 2 | 36 | 58 | 7 |
| 2025 | 3 | 13 | 40 | 3 |
| 2025 | 4 | 9 | 14 | 4 |
| 2025 | 5 | 9 | 16 | 6 |
| 2025 | 6 | 7 | 9 | 5 |
| 2025 | 7 | 7 | 8 | 6 |
| 2025 | 8 | 7 | 9 | 6 |
| 2025 | 9 | 8 | 10 | 5 |
| 2025 | 10 | 7 | 10 | 6 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 764 | 842 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 560 | 803 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 290 | 744 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 648 | 737 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 360 | 688 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 261 | 691 |
This is a much more sophisticated take on the vampire through-the-ages narrative; but it has certainly dated in the almost 30 tears since Neil Jordan put together a stellar, if not great, cast to regale us with the tale of "Louis" (Brad Pitt) & "Lestat" (Tom Cruise). Told in flashback to a very scep ... tical reporter "Daniel" (Christian Slater), Pitt tells of his near 200 year life that started with his meeting with Cruise and his conversion to his immortal existence based on blood. It's a hugely lavish affair, with loads of lust, trickery, duplicity and gore - tinged with genuine regret, loneliness and sadness - and, of course, loads of cruel violence. Whilst it does nod to the whole "Hammer" style of horror thrillers - there is plenty of ketchup - the writing and characterisations have much more depth to them. Neither of the principal characters are likeable, but you do build some sort of reverse empathy with - at least Pitt - as the film progresses. The attention to detail on the sets and costumes as we march through time never lessens and contributes magnificently to a stylish, sumptuous glamour-fest. Much as they were/are doubtless box-office A listers, however, Pitt was just too young looking to be convincing, Cruise just can't really act at the best of times, much less with extra dental props and Kirsten Dunst just annoyed me in the best traditions of Shirley Temple. A shame, because the rest of this is superb.