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The Crowd Poster

The Crowd

1928 | 98m | English

(9812 votes)

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Popularity: 4 (history)

Details

John, an ambitious but undisciplined New York City office worker, meets and marries Mary. They start a family, struggle to cope with marital stress, financial setbacks, and tragedy, all while lost amid the anonymous, pitiless throngs of the big city.
Release Date: Mar 03, 1928
Director: King Vidor
Writer: King Vidor, John V.A. Weaver
Genres: Drama, Romance
Keywords new york city, marriage, tragedy, silent film
Production Companies Metro-Goldwyn-Mayer
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2025
Entered: Apr 13, 2024
Trailers and Extras

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Full Credits

Name Character
Eleanor Boardman Mary Sims
James Murray John 'Johnny' Sims
Bert Roach Bert
Estelle Clark Jane
Daniel G. Tomlinson Jim
Dell Henderson Dick
Lucy Beaumont Mary's Mother
Freddie Burke Frederick John 'Junior' Sims
Alice Mildred Puter Sims Daughter
John D. Bloss Boy on Fence (uncredited)
Roy Bloss Boy on Fence (uncredited)
Sidney Bracey John's Supervisor (uncredited)
Johnny Downs John, age 12 (uncredited)
Sally Eilers Party Girl at Bert's Place (uncredited)
Joseph W. Girard Member of Board of Directors (uncredited)
Pat Harmon Truck Driver (uncredited)
Chris-Pin Martin Worker in Hallway (uncredited)
Warner Richmond Mr. Sims (uncredited)
Virginia Sale Mary's Sister-in-Law (uncredited)
Larry Steers Doctor at Hospital (uncredited)
Name Job
King Vidor Director, Screenplay
Cedric Gibbons Settings
A. Arnold Gillespie Settings
Joseph Farnham Title Graphics
John V.A. Weaver Screenplay
Henry Sharp Director of Photography
Hugh Wynn Editor
Name Title
Irving Thalberg Producer
Organization Category Person
BAFTA Awards Best Director Leo McCarey Nominated
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Popularity History


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Reviews

Geronimo1967
7.0

Ha! Talk about "Stop the world I want to get off". Well that's how "John" (James Murray) feels for a fair chunk of this intimate observational drama about his relationship with his wife "Mary" (Eleanor Boardman). They meet, fall in love, start a family - all is going great guns until a tragedy strik ... es the pair. "Mary" proves a little more robust following this fairly gut-wrenching event; he really struggles. He quits his job with an insurance company and spends the next few months in and out of work. It's not that he is lazy, or incapable - it's that he feels useless, worthless and a bit of a burden. He considers that he has failed in one of his fundamental duties and no amount of consoling or family rallying round seems to be able to shake him from this malaise. It's only a walk with their young son (Freddie Burke Frederick) where he considers putting an end to it all that makes him see life a little through the young and adoring boy's eyes. Is it too late to reverse this trend into depression? It might be about the "American" dream, but actually this story could fit for any family starting with little more than a great deal of love and determination, anywhere in the world. It delicately exposes us all to the vagaries of human existence and the stresses and strains we must endure in a world that, most of the time, couldn't care less about any individual. As we frequently see here - there are plenty of others just as needy, determined and willing. Both Murray and Boardman use their expressive faces to convey their feelings of joy and sadness well, and there are a few really quite engaging scenes - especially towards the end - from the youngster. It's not always the cheeriest of films to watch, but it has a striking humanity to it that makes it well worth an hour and an half.

Mar 24, 2024