Popularity: 2 (history)
Director: | Stephen Frears |
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Writer: | Stephen Frears, Nicholas Martin |
Staring: |
The story of Florence Foster Jenkins, a New York heiress, who dreamed of becoming an opera singer, despite having a terrible singing voice. | |
Release Date: | May 06, 2016 |
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Director: | Stephen Frears |
Writer: | Stephen Frears, Nicholas Martin |
Genres: | Comedy, Drama |
Keywords | new york city, biography, singing, campy, socialite, opera singer, society matron, carnegie hall, 1940s, self delusion, delusional, singing false, society party, period film, singing lessons, chronic disease, bad singer, generous woman |
Production Companies | BBC Film, Qwerty Films, Pathé |
Box Office |
Revenue: $48,902,953
Budget: $29,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Meryl Streep | Florence Foster Jenkins |
Hugh Grant | St. Clair Bayfield |
Simon Helberg | Cosmé McMoon |
Rebecca Ferguson | Kathleen Weatherley |
Nina Arianda | Agnes Stark |
Stanley Townsend | Phineas Stark |
Allan Corduner | John Totten |
Christian McKay | Earl Wilson |
David Haig | Carlo Edwards |
John Sessions | Dr. Hermann |
Brid Brennan | Kitty |
John Kavanagh | Arturo Toscanini |
Pat Starr | Mrs. Vanderbilt |
Maggie Steed | Mrs. James O'Flaherty |
Thelma Barlow | Mrs. Oscar Garmunder |
Liza Ross | Mrs. EE Patterson |
Paola Dionisotti | Baroness Le Feyre |
Rhoda Lewis | Mrs. Patsy Snow |
Aida Garifullina | Lily Pons |
David Mills | Augustus Corbin |
David Menkin | Carlton Smith |
Sid Phoenix | Corporal Jones |
Tunji Kasim | Private Smith |
Carl Davis | Orlando Adams |
Lloyd Hutchinson | Microphone Engineer |
Richard Kilgour | Elevator Operator |
Jonathan Plowright | Ernest Ziegler |
Josh O'Connor | Donaghy |
Brian Fisher | Finkler |
Stefan Bednarczyk | Stephen Foster |
Nathan Osgood | Stagehand |
Caolan Byrne | Stagehand 2 |
John Guerrasio | Newspaper Vendor |
Ewan Stewart | Colonel |
Greg Lockett | Chuck |
Cameron Cuffe | Gino |
Georgina Morton | Pearl |
James Sobol Kelly | Edgar (Diner) |
Dar Dash | Antonio |
Grant Gillespie | Brooklyn Man |
Nat Luurtsema | Tallulah Bankhead |
Philip Rosch | Archie the Doorman |
Elliot Levey | Edgar Booth Cunningham, Jr. |
Danny Mahoney | Clifford B. Thornton III |
Simon Markson | Piano Tuner |
Mark Arnold | Cole Porter |
Adele Smyth-Kennedy | Wag Woman |
Jenny Hawkins | Florence's Dresser |
Hallam Rice-Edwards | Corbin's Gang |
Victory Maburutse | Corbin's Gang |
Rosy Benjamin | Corbin's Gang |
Oliver King | Corbin's Gang |
James Wallace | Corbin's Gang |
Charles Streeter | Corbin's Gang |
Andrew Sloane | Corbin's Gang |
Madeleine Knight | Corbin's Gang |
Stephanie Lane | Corbin's Gang |
Philip Gascoyne | New York Journalist (uncredited) |
Name | Job |
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Stephen Frears | Writer, Director |
Consolata Boyle | Costume Design |
Patrick Malone | Digital Intermediate |
Jo McLaren | Stunt Coordinator |
Alexandre Desplat | Original Music Composer |
Ian Wilson | Supervising Sound Editor |
Sue Hills | Script Supervisor |
Mike Dowson | Sound Re-Recording Mixer |
Iain Mackay | Camera Operator |
Becki Ponting | Supervising Sound Editor |
J. Roy Helland | Hairstylist, Makeup Artist |
Andrea Cracknell | Hairstylist |
Eunice Huthart | Stunt Coordinator |
Jenny King | Visual Effects Coordinator |
Lucy Bristow | Camera Operator |
Leo Davis | Casting |
Rob Farris | Digital Intermediate |
Terry Davies | Music Director |
Valerio Bonelli | Editor |
Dafydd Archard | Sound Re-Recording Mixer |
Kathleen Chopin | Casting |
Nicholas Martin | Screenplay |
Gemma McKeon | Digital Intermediate |
Alan MacDonald | Production Design |
Noga Alon Stein | Visual Effects Producer |
Rosie Grant | Assistant Costume Designer |
Phil Lee | Sound Effects Editor |
Edd Gamlin | Visual Effects Editor |
Marion Weise | Costume Supervisor |
Gareth Cousins | Art Direction |
Lissy Holm | Casting |
Patrick Rolfe | Supervising Art Director |
Karen Cohen | Makeup Artist |
Beverley Binda | Hairstylist |
Aoife Warren | Assistant Art Director |
Daniel Phillips | Makeup Designer, Hair Designer |
Karenjit Sahota | First Assistant Editor |
Paul McGeachan | Gaffer |
Andrea King | Foley Artist |
Josh Wood | Carpenter |
Jason Ewart | Additional Camera |
Iain Struthers | First Assistant Camera |
Manex Efrem | Special Effects Supervisor |
Christopher Wyatt | Art Direction |
Karen Elliott | Music Supervisor |
Anita Burger | Hairstylist |
Andrew Banwell | First Assistant Camera |
Ray Marston | Wigmaker |
Adam Gascoyne | Visual Effects Supervisor |
Tahira Herold | Makeup Artist |
Stuart Morton | Music Editor |
Elo Soode | Concept Artist, Conceptual Design |
Danny Cohen | Director of Photography |
Name | Title |
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Tracey Seaward | Producer |
Michael Kuhn | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 17 | 23 | 12 |
2024 | 5 | 20 | 31 | 15 |
2024 | 6 | 18 | 32 | 8 |
2024 | 7 | 22 | 52 | 10 |
2024 | 8 | 17 | 31 | 11 |
2024 | 9 | 12 | 20 | 7 |
2024 | 10 | 12 | 20 | 7 |
2024 | 11 | 15 | 40 | 8 |
2024 | 12 | 11 | 17 | 8 |
2025 | 1 | 13 | 24 | 6 |
2025 | 2 | 9 | 13 | 3 |
2025 | 3 | 5 | 13 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 2 | 2 | 1 |
2025 | 10 | 2 | 3 | 2 |
Trending Position
**Nothing is greater than to have a supportive life partner by side.** I follow closely what films are announced and what are getting released. Sometimes its common that some films comes out without my knowledge, particularly non-Hollywood English language films. This British film was about a wea ... lthy couple from the New York, especially the husband who tries his best to fulfill his seriously ill wife's dream to be an opera singer. The problem is she's not any good. Not just him, but everybody who is close to them and once laughed at her, try to understand them and give their support. But not all the occasion seems to remain the same. So on one such a big event, the disaster strikes and how it affects the couple is the rest of the tale to disclose. A very surprising film. I thought it was just a comedy like it brings small smiles on our face, but I laughed out loud on many occasions. This is definitely a right time, because I felt like it was a music and cinematic version of the American presidential candidate Don Trump. Yep, there not much difference, but still this film is some way inspiring, not Trump. It says you must never give up on your dream. As much as you laugh watching it, as much you realise how hard chasing a dream to be if one is very passionate about something, but does not have the talent to reach the height. The message is very similar to the film 'Eddie the Eagle'. Do you think everybody got talent in the world, so I believe you should watch this and you will know why I'm telling you to watch it. When I read about the film's storyline, I thought it was so silly. But when I learnt it is a biographical film, that interested me to have a look at it. It is truly an unbelievable film, in a sense of humour and overall a good way. The couple was rich, so they could do anything they want just like what Donald Trump believes. But both the things are not the same, especially this one is more about the real life struggle against the odds. In some parts, it gets more emotional and I loved that final line said by the wife. It's always, the participation that counts, not how you fared it. Oh my god, another Oscars nominee is almost certain for the record holder Meryl Streep. Hugh Grant was equally amazing and this is one of the best of him I have seen, particularly in the recent times. One of the best main roles for Simon Helberg, he was not next best after the Streep and Grant. I still feel this film is underrated. The director of 'Phenomena' was very good at handling the stuff for the film to get its best shape. I think this is one of this year's must see film and surely recommend it to all. _8/10_
**One of the best and most elegant comedies I've seen in recent times. Bravo! Bravíssimo!** There aren't enough adjectives for someone like Florence Foster Jenkins. On the one hand, it's beautiful to see someone who doggedly pursues the dream of a lifetime. On the other hand, the technical incapa ... city of this well-meaning and friendly lady for the task to which she so wanted to dedicate herself is quite evident. She didn't know how to sing, she didn't really care about it, and she wouldn't allow anyone to try to advise her against. As she said before she died, no one can say she didn't sing. I don't know exactly if the film was faithful to the real Foster Jenkins… I don't know her life and her historical figure that well. However, I want to believe so. The movie is truly funny, and the script is delicious. This movie had everything to not be very interesting, but it turned out to be a little gem and one of the funniest family comedies I've seen in a long time. Interestingly, it never addresses an issue, which is Florence's poor health, greatly affected by the syphilis she contracted from her husband, from whom she soon separated, and which she never treated properly. The dialogues were very well written and deserve to be listened to carefully. But what makes this film truly precious is the extraordinary performance by Merryl Streep. I have no doubt that it must have been difficult for the actress, who has good vocal qualities, to sing so badly, but she is deeply committed and gives Florence Foster Jenkins an unusual and extremely pleasant sweetness. In fact, Streep even seems to have fun with this job and her character. Hugh Grant, back in the movies after a break in his career, is also in good shape and does a good job. A further note for the good support work by Simon Helberg, Rebecca Ferguson and David Haig. Technically, the film relies heavily on the adequate and historically accurate recreation of the entire historical period in question. I really liked the cars, the sets and the costumes, particularly those designed for Streep. The cinematography is good but understated, and the effects do their job without distracting us from the humor, witty and elegant. Alexandre Desplat writes a very competent soundtrack, but the film would not work well without the priceless and hilarious performances of Streep and Helberg, in singing and piano, recreating as far as possible some of the still existing recordings of the true “diva of din”, the which can be heard over the end credits, where some authentic recordings were used.