Popularity: 3 (history)
| Director: | Alfred Hitchcock |
|---|---|
| Writer: | David O. Selznick, Alma Reville, Robert Hichens |
| Staring: |
| Attorney Anthony Keane agrees to represent Londonite Mrs. Paradine, who has been fingered in her husband's murder. From the start, the married lawyer is drawn to the enigmatic beauty, and he begins to cast about for a way to exonerate his client. Keane puts the Paradine household servant on the stand, suggesting he is the killer. But Keane soon loses his way in the courtroom, and his half-baked plan sets off a stunning chain of events. | |
| Release Date: | Dec 31, 1947 |
|---|---|
| Director: | Alfred Hitchcock |
| Writer: | David O. Selznick, Alma Reville, Robert Hichens |
| Genres: | Drama, Romance, Mystery |
| Keywords | femme fatale, film noir, lawyer, black and white |
| Production Companies | Selznick International Pictures, Vanguard Films |
| Box Office |
Revenue: $2,100,000
Budget: $4,258,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Gregory Peck | Anthony Keane |
| Ann Todd | Gay Keane |
| Alida Valli | Mrs. Paradine |
| Charles Laughton | Judge Lord Thomas Horfield |
| Charles Coburn | Sir Simon Flaquer |
| Ethel Barrymore | Lady Sophie Horfield |
| Louis Jourdan | Andre Latour |
| Leo G. Carroll | Sir Joseph |
| Joan Tetzel | Judy Flaquer |
| Isobel Elsom | Innkeeper |
| Harry 'Snub' Pollard | Cabby (uncredited) |
| Kenner G. Kemp | Courtroom Spectator (uncredited) |
| Colin Kenny | Juror (uncredited) |
| Bert Stevens | Barrister in Courtroom (uncredited) |
| Arthur Tovey | Courtroom Spectator (uncredited) |
| Sam Harris | Courtroom Spectator (uncredited) |
| Name | Job |
|---|---|
| David O. Selznick | Screenplay |
| Travis Banton | Costume Design |
| Alma Reville | Adaptation |
| Alfred Hitchcock | Director |
| Franz Waxman | Original Music Composer |
| James Bridie | Treatment |
| Lee Garmes | Director of Photography |
| Frank Beetson Jr. | Wardrobe Supervisor |
| Clarence Slifer | Special Effects |
| Hal C. Kern | Supervising Film Editor |
| James G. Stewart | Sound Director |
| Emile Kuri | Set Decoration |
| Larry Germain | Hairstylist |
| Robert Hichens | Novel |
| Thomas N. Morahan | Art Direction |
| Lydia Schiller | Script Supervisor |
| Joseph B. Platt | Interior Designer |
| Fred Ahern | Unit Manager |
| J. McMillan Johnson | Production Design |
| John Faure | Associate Editor |
| Richard Van Hessen | Sound Recordist |
| Lowell J. Farrell | Assistant Director |
| Name | Title |
|---|---|
| David O. Selznick | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 17 | 8 |
| 2024 | 5 | 13 | 18 | 8 |
| 2024 | 6 | 12 | 20 | 6 |
| 2024 | 7 | 13 | 22 | 6 |
| 2024 | 8 | 11 | 16 | 8 |
| 2024 | 9 | 9 | 17 | 6 |
| 2024 | 10 | 12 | 32 | 7 |
| 2024 | 11 | 12 | 27 | 7 |
| 2024 | 12 | 9 | 13 | 6 |
| 2025 | 1 | 10 | 14 | 7 |
| 2025 | 2 | 7 | 10 | 3 |
| 2025 | 3 | 4 | 9 | 0 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 692 | 736 |
Gregory Peck is "Keane", a happily married London barrister who is called to defend a woman accused of murdering her wealthy, blind husband. Alida Valli (simply Valli in the titles) is the accused, a glamorous woman who simply reeks of gold-digger right from the start and with Leo G. Carroll leading ... the prosecution and a wonderfully curmudgeonly Charles Laughton as the High Court judge, you sense the writing is already on the wall for the women. Peck struggles in the role, to be honest, he lacks incisiveness - he is just a bit too "nice". When he discovers that it's possible that she had been having an affair with then old man's valet - a dashing Louis Jourdan - he seems torn between a sense of envy (he is clearly smitten) and a desire to secure a fair hearing and at times that drags this into melodrama territory. The courtroom scenes are all to frequently broken up by domestic issues - even Laughton and put-upon wife Ethel Barrymore as well as Peck with loving, and herself slightly envious, "Gay" (Ann Todd). For me, it is trying to accomplish too many things and ends up not really doing anything spectacular with Richard Hichens far more spicy and potent novel.