 
  Popularity: 1 (history)
| Director: | Richard Fleischer, William Cameron Menzies | 
|---|---|
| Writer: | Martin Goldsmith, Earl Felton, Jack Leonard | 
| Staring: | 
| A tough cop meets his match when he has to guard a gangster's widow on a train journey from Chicago to Los Angeles. | |
| Release Date: | May 03, 1952 | 
|---|---|
| Director: | Richard Fleischer, William Cameron Menzies | 
| Writer: | Martin Goldsmith, Earl Felton, Jack Leonard | 
| Genres: | Crime, Thriller | 
| Keywords | telegram, hitman, widow, overweight man, police protection, blonde, little boy, film noir, murder, undercover cop, police detective, railroad detective, gunman, brawl, followed, train trip, hard-boiled dame | 
| Production Companies | RKO Radio Pictures | 
| Box Office | Revenue: $0 Budget: $10,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Charles McGraw | Det. Sgt. Walter Brown | 
| Marie Windsor | Mrs. Frankie Neall | 
| Jacqueline White | Ann Sinclair | 
| Gordon Gebert | Tommy Sinclair | 
| Queenie Leonard | Mrs. Troll | 
| David Clarke | Joseph Kemp | 
| Peter Virgo | Densel | 
| Don Beddoe | Det. Sgt. Gus Forbes | 
| Paul Maxey | Sam Jennings | 
| Harry Harvey | Train Conductor | 
| Peter Brocco | Vincent Yost (uncredited) | 
| George Chandler | Accomplice Running Newsstand (uncredited) | 
| Franklyn Farnum | Train Passenger (uncredited) | 
| Don Haggerty | Det. Wilson (uncredited) | 
| Milton Kibbee | Tenant (uncredited) | 
| Walter Merrill | Officer Allen (uncredited) | 
| Harold Miller | Train Passenger (uncredited) | 
| Bess Flowers | Restaurant Diner (uncredited) | 
| Name | Job | 
|---|---|
| George E. Diskant | Director of Photography | 
| Martin Goldsmith | Story | 
| Earl Felton | Screenplay | 
| Jack Leonard | Story | 
| Robert Swink | Editor | 
| Darrell Silvera | Set Decoration | 
| Jack Okey | Art Direction | 
| Adele Balkan | Costume Design | 
| Clem Portman | Sound | 
| William Dorfman | Assistant Director | 
| Francis M. Sarver | Sound | 
| William Stevens | Set Decoration | 
| Richard Fleischer | Director | 
| Albert S. D'Agostino | Art Direction | 
| William Cameron Menzies | Co-Director | 
| Name | Title | 
|---|---|
| Stanley Rubin | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 12 | 21 | 7 | 
| 2024 | 5 | 16 | 31 | 8 | 
| 2024 | 6 | 12 | 19 | 6 | 
| 2024 | 7 | 12 | 20 | 7 | 
| 2024 | 8 | 10 | 15 | 6 | 
| 2024 | 9 | 8 | 12 | 5 | 
| 2024 | 10 | 8 | 19 | 5 | 
| 2024 | 11 | 10 | 20 | 6 | 
| 2024 | 12 | 8 | 11 | 5 | 
| 2025 | 1 | 8 | 12 | 5 | 
| 2025 | 2 | 7 | 11 | 3 | 
| 2025 | 3 | 5 | 9 | 1 | 
| 2025 | 4 | 2 | 4 | 1 | 
| 2025 | 5 | 2 | 4 | 1 | 
| 2025 | 6 | 1 | 3 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 5 | 0 | 
| 2025 | 10 | 0 | 1 | 0 | 
Trending Position
The witness protection programme just got hard boiled. After finally waking herself up, a mobsters wife decides to testify against him and his organisation. As the trial draws closer she is constantly under threat of being murdered before she can spill the beans. Tough detective Walter Brown and ... his partner Gus Forbes are assigned to escort her safely across country via a train from Chicago to Los Angeles, but nobody can be trusted, and the threat of death is around everyone on board this speeding train. Yes it may well be a "B" movie, but as "B" movies go this has to rank as one of the finest exponents of that particular arc. With the film taking place almost entirely on board the train, the tension sapping and claustrophobic feel is perfectly executed by director Richard Fleischer. The plot twists and turns and throws up genuine moments of surprise that thrill instead of hinder, whilst the ending doesn't cop out by pandering to the normal requisite of witness protection thrillers. Charles McGraw is great as Brown, putting the hard into hard boiled and Jacqueline White is very precious as Ann Sinclair. Truth is, is that all the cast work well within the confines of this tightly produced picture. It was a surprise hit for RKO, where made on a small budget of under a quarter of a million dollars, it turned out to be a very profitable "B" production for the company. It wowed audiences back in the 50s and it's testament to the film's worth that today, here in the modern age, it's still being sought out and praised by movie lovers of all ages. 8/10