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The Girl King

2015 | 106m | English

(4649 votes)

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Popularity: 1 (history)

Details

A portrait of the brilliant, extravagant Kristina of Sweden, queen from age six, who fights the conservative forces that are against her ideas to modernize Sweden and who have no tolerance for her awakening sexuality.
Release Date: Dec 11, 2015
Director: Mika Kaurismäki
Writer: Michel Marc Bouchard
Genres: Drama, Romance, History
Keywords sweden, marriage proposal, queen, strong woman, forbidden love, political negotiations, duty, sexism, heir to the throne, based on true story, unrequited love, love interest, gender roles, madness, 17th century
Production Companies Galafilm, Starhaus Filmproduktion, Anagram Film, Triptych Media, Marianna Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
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Full Credits

Name Character
Malin Buska Kristina
Sarah Gadon Countess Ebba Sparre
Michael Nyqvist Chancellor Axel Oxenstierna
Lucas Bryant Count Johan Oxenstierna
Laura Birn Countess Erika Erksein
Hippolyte Girardot Ambassador Pierre Hector Chanut
Peter Lohmeyer Bishop of Stockholm
François Arnaud Karl Gustav Kasimir
Patrick Bauchau René Descartes
Martina Gedeck Maria Eleonora
Timo Torikka Père Viogué
Jarmo Mäkinen The General
Petri Aulin Guard
Janina Berman Abortion Nurse
Samuli Edelmann King Gustav II Adolf
Gabriele Goria Second Italian Jesuit
Mikko Kouki Aide de Camp
Mikko Leppilampi Count Magnus de la Gardie
Ville Virtanen Doctor Van Wullen
Lotus Tinat Young Queen Kristina
Jannis Niewöhner Count Jakob de la Gardie
Sampo Sarkola Theology Student
Pertti Sveholm Kristina's Tutor
Lauri Tanskanen Young Architect
Dodo Oltrecolli First Italian Jesuit
Stefan Karlsson Villager
Hugo Mikkola Baby Kristina
Raimo Aarras Court Painter
Minna Hämäläinen Servant of Ebba and Jakob
Markus Järvenpää Valet
Markus Lappalainen Valet
Keijo Pennanen Corpse
Eemeli Knuutila Ebba and Jakob's Son
Michael Markfort Queen Mother Attendant
Manni Laudenbach Queen Mother Attendant
Sökö Kaukoranta Queen Mother Attendant
Tero Jartti Queen Mother Attendant
Kaarle Husgafvel Chamber Orchestra
Eljas Tikanmäki Chamber Orchestra
Eemil Tikanmäki Chamber Orchestra
Juuso Nordlund Chamber Orchestra
Anssi Tikanmäki Chamber Orchestra
Kari Kuittinen Kristina's Guard
Eero Karisalmi Kristina's Guard
Jouni Röyskö Kristina's Guard
Taina Malmikare Elderly Lady-in-Waiting
Iiris Ahlström Elderly Lady-in-Waiting
Oula Kitti Axel's Guard / Johan's Kidnapper
Jari Uhlgren Axel's Guard / Johan's Kidnapper
Lasse Piironen Axel's Guard
Henry Jalava Axel's Guard
Ville Venho Axel's Guard
Sami Sainio Axel's Guard
Ismo Reunamo Axel's Guard
Antti Laaksovirta Council of the Realm
Hannu Pajunen Council of the Realm
Reijo Virtanen Council of the Realm
Esa Vahanne Council of the Realm
Jani Hyväri Council of the Realm
Jukka Airi Council of the Realm
Rauno Rissanen Council of the Realm
Pekka Rantanen Council of the Realm
Kari Rantanen Council of the Realm
Esko Hörkkö Council of the Realm
Matias Tähtinen Johan's Kidnapper
Name Job
Mika Kaurismäki Director
Michel Marc Bouchard Screenplay
Markku Pätilä Production Design
Jani Lehtinen Gaffer
Carole Gagnon Dialogue Editor
Guy Dufaux Director of Photography
Hans Funck Editor
Petri Neuvonen Production Design
Sasu Joutsi Set Decoration
Mikko Kuivasto Set Decoration
Marjatta Nissinen Costume Design
Beau Parsons Visual Effects Coordinator
Peter Denomme Visual Effects Producer
Jon Campfens Visual Effects Supervisor
Tuomo Hintikka Visual Effects Supervisor
Sara Kay Casting
Jenny Lewis Casting
Laura Munsterhjelm Casting
Pia Pesonen Casting
Marjorie Hamel Script Supervisor
Tytti Helles Seamstress
Kaarina Kopola Seamstress
Annariina Kurvinen Seamstress
Eszter Lehtonen Seamstress
Arja Rasinkangas Seamstress
Izabela Vuorio Seamstress
Stefan Sosna Second Unit Cinematographer
Jari Mutikainen Steadicam Operator
Andrus Prikk First Assistant Camera
Jan Granström First Assistant Camera
Jarkko Liikanen First Assistant Camera
Rachelle Bergeron ADR & Dubbing
Michel B. Bordeleau ADR & Dubbing, Supervising Sound Editor
Claire Pochon ADR & Dubbing
Anja-Corinne Welter ADR & Dubbing
Simon Meilleur Foley
Isabelle Lussier Sound Re-Recording Mixer
Marjut Samulin Makeup Designer
Tutsa Huuhka Casting
Tommi Hourula Property Master
Jouni Kortesato Runner Art Department
Anssi Tikanmäki Original Music Composer
Name Title
Arnie Gelbart Producer
Mika Kaurismäki Producer
Wasiliki Bleser Producer
Rainer Kölmel Producer
Martin Persson Producer
Anna Stratton Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 13 20 9
2024 5 15 23 10
2024 6 13 21 7
2024 7 18 36 8
2024 8 11 20 6
2024 9 8 14 5
2024 10 9 14 5
2024 11 8 13 5
2024 12 10 21 5
2025 1 9 13 4
2025 2 7 11 3
2025 3 5 9 1
2025 4 2 4 1
2025 5 1 5 1
2025 6 1 3 1
2025 7 1 1 0
2025 8 1 1 0

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Reviews

Rangan
6.0

**Caught between the national duty and a personal affair.** A biographical film set in the 17th century about the queen of Sweden. If a film was made based on the real means it has to be something very important thing to tell us like about the person or the historical events surrounding that pers ... on. It is a good film to learn the history of that part of the world if you do not belong there, and even for the natives with less knowledge about it. Multi- nationally produced film with a decent cast and production in the English language despite a Scandinavian tale. Besides, it is also a lesbian theme and one of the oldest real account I have seen in a film. Even today, not the whole world accepts it with the open arm. So on that perspective, I was curious about the film. Not to know how the film was made, but how they are, the real people dealt with such sexual concept in those days. Particularly, how the people around reacted to it. On that topic, the narration was not explicit. That means watching it expecting one of the best among its kind is a disappointment. But the film offers more from other angles of importance. After her father's death, the young Kristina was trained all her childhood to be the next ruler of the Sweden. When she came of age to take the crown, her aim is to mark the presence of Sweden all over the Europe. She's a fine sword woman, but also very interested in philosophy and art. But she has never been so confused as one day when she felt something for a woman in her court. She begins to learn more about it from an expert and on the other side, her duty to the nation and its people seems not getting better. How the fate of Sweden and her personal life collides covered in the remaining parts. > ❝I know how to set a bear trap, how to clean a musket, but I don't know how to place my lips on yours.❞ The film was not received well. Critically failed, but it was not that bad if you ask me. Yes, it was boring in parts, due to lack of progression. There's lots of things happened in the story, yet seems was not enough to impress its viewers. Especially switching between national duty and personal affairs strongly collides. Thus leaving both the subjects behind half baked. The real events took place for decades was put into a hundred minutes film did not justify. It's particularly about picking the right story segment to add in the screenplay and the some of the parts looked fine, but not the overall film. On the other hand, some people might find it a propaganda. Protestants, Roman Catholic, I don't know which way it leans, but started with one way and ended with another. So it could be the end that counts. On the humanitarian ground, morally, all looked fine to me. So if that's what made this film to become prey, then it's a totally wrongly judged. Otherwise the film is acceptable for being a biopic, telling the truth. Of all the kings and queen of the world we learnt about, Kristina is different and one should know about her for that. I feel she was very modern and modern in the wrong century. Born in the royal family, had all the power, it's very sad how her fate has changed at the end. But that's not the end of her tale. There's more to reveal, though this film covered only that takes place in the Sweden and being the ruler. I'll be happy if a sequel was made to tell her latter life and self-discovery. I'm sure it would be more a philosophical, but some people might raise the voice propaganda. Since this flick did not do well, that's not going to happen, I guess. One of the reasons I wanted to watch it was Sarah Gadon. She was in one of the main roles, but had a less preference. The other actress was really good and she was almost in every frame of the film. It might not be the best film to represent the LGBT, but it had its share and definitely a decent film from all the other angles. Should have been better, that's what those who saw it would say and so am I. Once watchable, but it does not have quality to I say the word, recommended! _6/10_

May 16, 2024