Popularity: 4 (history)
| Director: | Gore Verbinski |
|---|---|
| Writer: | Gore Verbinski, Justin Haythe |
| Staring: |
| An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps but soon suspects that the spa's miraculous treatments are not what they seem. | |
| Release Date: | Feb 15, 2017 |
|---|---|
| Director: | Gore Verbinski |
| Writer: | Gore Verbinski, Justin Haythe |
| Genres: | Science Fiction, Horror, Mystery |
| Keywords | switzerland, mountain, therapist, health, darkness, wellness, employee, patient, spa, drugs, remote, swiss alps, treatment, cure, accident, wellness center, institute, incertitude, bitter, derogatory, frustrated |
| Production Companies | Regency Enterprises, New Regency Pictures, Blind Wink |
| Box Office |
Revenue: $26,620,002
Budget: $40,000,000 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Dane DeHaan | Lockhart |
| Jason Isaacs | Volmer |
| Mia Goth | Hannah |
| Harry Groener | Pembroke |
| Celia Imrie | Victoria Watkins |
| Adrian Schiller | Deputy Director |
| Ivo Nandi | Enrico |
| Tomas Norström | Frank Hill |
| Ashok Mandanna | Ron Nair |
| Lisa Banes | Hollis |
| David Bishins | Hank Green |
| Carl Lumbly | Mr. Wilson |
| Magnus Krepper | Pieter the Vet |
| Peter Benedict | Constable |
| Michael Mendl | Bartender |
| Maggie Steed | Mrs. Abramov |
| Craig Wroe | Morris |
| Tom Flynn | Humphrey |
| Eric Todd | Josh |
| Jason Babinsky | Carl |
| Johannes Krisch | Caretaker |
| Rebecca Street | Lockhart's Mother |
| Jeff Burrell | Funeral Director |
| Bert Tischendorf | Lockhart's Father |
| Douglas Hamilton | 9-Year-Old Lockhart |
| Leonard Kunz | Frank |
| Daniel Michel | Denim |
| Natascha Lawiszus | Bar Girl |
| Luzie Scheuritzel | Bar Girl |
| Manon Kahle | Secretary |
| Adrian Zwicker | Conductor |
| Julia Graefner | Vet's Daughter |
| Nino Böhlau | Drawing Boy |
| Annette Lober | Volmer Institute Staff |
| Susanne Wuest | Volmer Institute Staff |
| Godehard Giese | Volmer Institute Staff |
| Nadine Boeske | Volmer Institute Staff |
| Judith Hoersch | Volmer Institute Staff |
| Angelina Häntsch | Volmer Institute Staff |
| Axel Buchholz | Volmer Institute Staff |
| David Bredin | Volmer Institute Staff |
| Matthias Britschgi | Volmer Institute Staff |
| Andreas Dobberkau | Volmer Institute Staff |
| Sarah Franke | Volmer Institute Staff |
| Caspar Kaeser | Volmer Institute Staff |
| Sebastian Kaufmane | Volmer Institute Staff |
| Martin Laue | Volmer Institute Staff |
| Benedict Seifert | Volmer Institute Staff |
| Roman Schomburg | Volmer Institute Staff |
| Florian Steffens | Volmer Institute Staff |
| Sven Timmreck | Volmer Institute Staff |
| Hanna Wollschlaeger | Volmer Institute Staff |
| Jef Bayonne | Volmer Institute Patient |
| Klaus Burckhardt | Volmer Institute Patient |
| Helmut Boelling | Volmer Institute Patient |
| Renate Prack | Volmer Institute Patient |
| Matthias Rick | Volmer Institute Patient |
| Peter Simlinger | Volmer Institute Patient |
| Jutta Marina Von Brunkau | Volmer Institute Patient |
| Johnny Otto | Doctor Barlock (uncredited) |
| Natalia Bobrich | Nurse (uncredited) |
| Alexander Yassin | Wall Street Banker (uncredited) |
| Chris Theisinger | Wallstreet Broker (uncredited) |
| David Sánchez Calvo | Orderly (uncredited) |
| Earl Vincent Sherwood II | Ron NYC Driver (uncredited) |
| Chris Huszar | Wedding Guest (uncredited) |
| Marko Buzin | Wedding Guest (uncredited) |
| Matt Lindquist | (voice) (uncredited) |
| Name | Job |
|---|---|
| David Salamon | CG Supervisor |
| Orla Maxwell | Casting Associate |
| Pranay Agarwal | 2D Supervisor |
| Ben Wiggs | Animation Supervisor |
| Sabine Engelberg | Art Direction |
| Anna-Lena Slater | Casting Associate |
| Marcus Haendgen | Property Master |
| Rebecca Pilkington | Set Decoration Buyer |
| Carlton Kaller | Music Editor |
| Priscilla John | Casting |
| Nane Cornelius | Set Decoration Buyer |
| Carl Obereisenbuchner | Set Decorating Coordinator |
| Daniel Chour | Art Direction |
| Susanne Stroh | Costume Coordinator |
| Dorothea Kulhawy | Key Costumer |
| Pete Beaudreau | Editor |
| Wolfgang Metschan | Art Direction |
| Sarah Young | Assistant Costume Designer |
| Tarnia Nicol | Art Direction |
| Meike Schlegel | Costume Supervisor |
| Dietke Brandt | Set Costumer |
| Judith Sunga | Casting Associate |
| Mark Rosinski | Set Decoration |
| Lance Pereira | Editor |
| Scott Keery | Property Master |
| Stephanie Ross | Visual Effects Editor |
| Glenn König | Key Grip |
| Christian Scheibe | Dolly Grip |
| Annette Field | Key Hair Stylist |
| Allen Maris | Visual Effects Producer |
| Tim Gomillion | Sound Recordist |
| Sharon Martin | Hair Designer, Makeup Designer |
| Seda Yilmaz | Visual Effects Coordinator |
| Sivaprayag | Visual Effects Editor |
| Florian Gellinger | Visual Effects Supervisor |
| David Giammarco | Sound Re-Recording Mixer |
| Niamh O'Loan | Makeup Artist |
| Patrick J. Smith | First Assistant Editor |
| Benjamin Carlson | VFX Production Coordinator |
| Luka Bazeli | Camera Operator |
| Jeremy Braben | Aerial Director of Photography, Aerial Camera, Drone Operator |
| Pietu Korhonen | Foley Editor |
| David Chrastka | Sound Effects Editor |
| Crystal Hadcroft | Visual Effects Editor |
| Marcus Pohlus | Steadicam Operator, Camera Operator |
| Ryan J. Frias | Sound Effects Editor |
| Florian Emmerich | Camera Operator |
| Dietmar Haupt | Rigging Gaffer |
| Sachin Patidar | Visual Effects Editor |
| Graeme Puttock | Visual Effects Producer |
| Thomas Proctor | Visual Effects Supervisor |
| Daniel Smith | Still Photographer |
| Christopher Raphael | Still Photographer |
| Matthew Crowe | Matchmove Supervisor |
| Anwei Chen | Visual Effects Coordinator |
| Kerstin Kensy | Visual Effects Producer |
| Steffen Hagen | Visual Effects Coordinator |
| Sam Paul Toms | Visual Effects Editor |
| Andy Day | Gaffer |
| Paul Jacob Bashour | Ultimate Arm Operator |
| Douglas Murray | Supervising Sound Editor |
| Jacob Riehle | Assistant Sound Editor |
| David J. Krystal | Orchestrator |
| Ben Bischof | Assistant Director |
| Christian Almesberger | Underwater Camera |
| Bashaar Wahab | Location Scout |
| Jacquelyn Carr | Production Supervisor |
| Hervé Berthou | Set Dresser |
| Benn Martenson | Additional Photography |
| Francesca Bradley | Casting Assistant |
| Josef Brandl | Set Designer |
| Thomas Wallis | Boom Operator |
| Owen Gurry | Musician |
| Arno Neubauer | Unit Production Manager, Line Producer |
| Stephanie Rass | Set Designer |
| Tobias Kownatzki | First Assistant Camera |
| Luisa Wolf | Third Assistant Director |
| Katharina Dietl | Third Assistant Director |
| Phil Castellano Jr. | ADR Supervisor |
| Won-suk Park | First Assistant Camera |
| Andreya Lynham | Casting Assistant |
| Patrick Savage | Musician |
| Jan Meyerdierks | ADR & Dubbing |
| Howard Bevan | Boom Operator |
| Kari Vähäkuopus | Foley |
| Jake Jackson | Score Engineer |
| Julia Fidel | Choreographer |
| Don H. Julien | First Assistant Director |
| Henrik Greisner | Location Manager |
| Jan Grunwald | First Assistant Camera |
| Daniel Bhattacharya | Musician |
| Nina Büttner | Production Accountant |
| Bat Gankhuyag | Grip |
| Constantin Brandenburg | Location Scout |
| Markus Bensch | Executive In Charge Of Production |
| Ronny Schröder | Second Assistant Director |
| Marc Bitz | Set Designer |
| Gareth Griffiths | Musician |
| Caroline Kaempfer | Second Assistant Director |
| Nino Neuboeck | First Assistant Camera |
| Alex Oakley | First Assistant Director |
| David Thummerer | Set Dresser |
| Sonja B. Zimmer | Executive In Charge Of Production |
| David Crockett | Production Manager |
| Laura Bach | Set Designer |
| Anthony Leonardi III | Storyboard Artist |
| Axel Eichhorst | Storyboard Artist |
| Gore Verbinski | Story, Director |
| Bojan Bazelli | Director of Photography |
| Eve Stewart | Production Design |
| Grant Armstrong | Supervising Art Director |
| Jenny Beavan | Costume Design |
| Kyle Cooper | Title Designer |
| Holly Dorff | ADR Voice Casting |
| Heikki Kossi | Foley |
| David Farmer | Supervising Sound Editor, Sound Designer |
| Paul Massey | Sound Re-Recording Mixer |
| Benjamin Wallfisch | Original Music Composer |
| Fraser Taggart | Second Unit Director of Photography |
| Matt Dunkley | Orchestrator |
| Kim Foscato | Dialogue Editor |
| Thomas Hacikoglu | Stunts |
| Ben Shepherd | Visual Effects |
| Barrie Gower | Prosthetics |
| Angela Fellenberg | Second Company Grip |
| Zoe Liang | Second Assistant Director Trainee |
| Kilian Kämpfer | Sound Effects Designer |
| William Stein | Recording Supervision |
| Justin Haythe | Story, Screenplay |
| Denise Chamian | Casting |
| Michael Standish | Set Decoration |
| Malcolm Humphreys | CG Supervisor |
| Name | Title |
|---|---|
| David Crockett | Producer |
| Morgan Des Groseillers | Executive Producer |
| Gore Verbinski | Producer |
| Arnon Milchan | Producer |
| Christoph Fisser | Co-Producer |
| Henning Molfenter | Co-Producer |
| Carl Woebcken | Co-Producer |
| Justin Haythe | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 30 | 36 | 21 |
| 2024 | 5 | 38 | 57 | 21 |
| 2024 | 6 | 29 | 56 | 21 |
| 2024 | 7 | 47 | 79 | 21 |
| 2024 | 8 | 31 | 50 | 21 |
| 2024 | 9 | 24 | 38 | 17 |
| 2024 | 10 | 30 | 60 | 18 |
| 2024 | 11 | 29 | 60 | 19 |
| 2024 | 12 | 24 | 33 | 18 |
| 2025 | 1 | 25 | 37 | 18 |
| 2025 | 2 | 19 | 35 | 5 |
| 2025 | 3 | 8 | 33 | 1 |
| 2025 | 4 | 4 | 5 | 3 |
| 2025 | 5 | 7 | 17 | 3 |
| 2025 | 6 | 7 | 22 | 3 |
| 2025 | 7 | 4 | 8 | 3 |
| 2025 | 8 | 5 | 7 | 3 |
| 2025 | 9 | 4 | 8 | 3 |
| 2025 | 10 | 5 | 8 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 967 | 967 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 895 | 921 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 635 | 782 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 538 | 801 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 856 | 882 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 957 | 957 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 915 | 915 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 902 | 902 |
The movie did a great job with atmosphere and mood for sure but the hollow plot devices, shaky motives, nonsensical 'science' and the burden set upon me to suspend disbelief against all odds makes it one that I cannot recommend. It is unfortunate that they did not have a more experienced or capab ... le writer to consult before moving ahead. I think the right person may have been able to untangle this knot of a script. All other elements were well done and I could feel the tension and sense of isolation grow throughout the film. They did so much right that it is a terrible shame that, ultimately, it went so wrong.
My goodness! Two and a half hours of absolute drivel. The worst movie I have seen in a long time. The list of things that are wrong with this movie are almost too many to list. First the good: the makers of this movie have obviously paid a lot of attention and have gone to a lot of trouble in th ... e design of the movie. The location and the settings are stunning. The 'spa' where the story takes place is suitably unsettling and creepy. The music also is a highlight. That's where the good ends, unfortunately. The plot of this movie is an absolute mess. It seems the producers weren't sure what they were going for: Gothic horror? Dark and quirky? Straight out frightening? As a result, the finished product is none of these things. The movie swings from one improbable scenario to another. New plot elements are introduced with no relation to what has gone before. Several times the movie arrives at what seems to be a conclusion before picking itself up, introducing a hitherto unreferenced, unrelated, unnecessary and unlikely plot 'twist' and then lurching on its demented way. It's almost as if the makers finished the movie and then someone thought of something else to include - often borrowed from another, better movie - and they tacked it on the end. The movie seems interminable. Its two and a half hour run time could have been shortened by an hour and resulted in a somewhat enjoyable story. It also doesn't help that the denouement is pretty obvious quite early in the piece or that certain of the plot elements are not really explained properly or that none of the characters are likeable or worthy of the viewer's sympathy or that most of the tension is provided by the music, not by the story or acting. In short, if you're looking for a good evening's entertainment look elsewhere. This ain't it.
_A Cure for Wellness_ is most certainly not going to be for everyone. It's spectacularly, deliberately, uncomfortably ugly (albeit, in a bizarrely beautiful way). It's story is flawed, it's long (two and a half hours all told), it's slow, some of its setups don't evolve into payoffs, it's not half a ... s mysterious or clever as it might think it is, and it can't even hold to its own mythology 100%. But I loved it. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**The mysteries behind a misty mountain fortress!** Seems the films of this director won't survive without Johnny Depp in the lead. Just one good film would change that conception. Is this the one! No, but was very close. After seeing the film I thought it could be based on the novel, but isn't. ... The writers must be good to create such atmosphere, outside the novel. I was very impressed with the film, though the screenplay lagged the pace. And a few things need to be explained where the narration failed to do so, keeping in mind the average intelligent people. Other than that it is a decent mystery-drama associated with fantasy and sci-fi. Due to a financial crisis in the firm, a young New Yorker goes to the Swiss Alps looking for his boss. At first he struggles to make a contact with him as the staffers are not friendly. After an unexpected incident, he has to stay a bit longer. In those periods, he comes to realise there's something wrong with the place, hence decides to uncover. Does he really do it! His struggles in the attempt and everything else were told in the remaining part. Somewhat it reminded me 'Perfume: The Story of a Murderer'. Not until you finish watching it or figure it out the puzzle. Then the BG score was too cliché for such concept, but nothing can be replaced it. The film had a good opening. Even the mid part. But dragged in the latter section. The overall length of the film was another drawback for the narration. There were no empty scenes, everything's were filled with something, but the end twist was not as phenomenal as promised in the earlier developments. Especially if you had seen a handful of similar masterpieces. It was kind of an old concept, like the pre 80s or something. Yet acceptable at present for being rare. Thus, it depends how well it was made. An above average film, but for those who haven't seen many films in their lives, this will be a great one. _6/10_
First of all, it's not for everyone. It might seem repetitive, too long or stupid at times. However, it's worth a shot merely because of it's visuals and the constant intrigue whether the protagonist is to believed or not. The so-called 'plot holes' in the movie are open to interpretation and though ... t and never bothered me. The ending could have been cut short, but it's a reminder that perhaps there are no good guys here. Seems to be a product of another era, perhaps too ambitious for its own good.
I got sucked into this movie and i liked it. It was different. I started this movie cause i couldnt find the remote so i watched this and it was good. Even had Lizard ppl. I'll give it a 7 out of 10. ...