Popularity: 10 (history)
| Director: | Edward Zwick |
|---|---|
| Writer: | Edward Zwick, Lee Child, Richard Wenk, Marshall Herskovitz |
| Staring: |
| Years after resigning command of an elite military police unit, the nomadic, righter-of-wrongs Reacher is drawn back into the life he left behind when his friend and successor, Major Susan Turner is framed for espionage. Reacher will stop at nothing to prove her innocence and to expose the real perpetrators behind the killings of his former soldiers. | |
| Release Date: | Oct 19, 2016 |
|---|---|
| Director: | Edward Zwick |
| Writer: | Edward Zwick, Lee Child, Richard Wenk, Marshall Herskovitz |
| Genres: | Action, Drama, Crime, Thriller |
| Keywords | falsely accused, based on novel or book, opium, homicide, new orleans, louisiana, sequel, false accusations, hdd, intense, vibrant |
| Production Companies | Paramount Pictures, Shanghai Film Group, TC Productions, Skydance Media, Huahua Media |
| Box Office |
Revenue: $162,100,000
Budget: $60,000,000 |
| Updates |
Updated: Aug 04, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Tom Cruise | Jack Reacher |
| Cobie Smulders | Susan Turner |
| Danika Yarosh | Samantha |
| Aldis Hodge | Espin |
| Patrick Heusinger | The Hunter |
| Madalyn Horcher | Sgt. Leach |
| Jessica Stroup | Lt. Sullivan |
| Holt McCallany | Col. Morgan |
| Robert Knepper | General Harkness |
| Robert Catrini | Colonel Moorcroft |
| Judd Lormand | Local Deputy |
| Christopher Berry | Onlooker at Diner |
| Hunter Burke | Onlooker at Diner |
| Jason Douglas | Sheriff |
| Lizeth Hutchings | Smuggled Woman |
| Marisela Zumbado | Smuggled Woman |
| Alexandra Lucchesi | Smuggled Woman |
| Anthony Molinari | Buzzcut |
| Theo Kypri | Passenger |
| Talbott Lin | Shop Owner |
| M. Serrano | Cibelli |
| Nicole Barré | Mirkovich |
| Craig Henningsen | MP at Fort Dyer |
| Giovanni Silva | Lead MP at Fort Dyer |
| Ryan Broussard | Prison Guard |
| Josh Breslow | OPS Center Worker |
| Ninja N. Devoe | MP at OPS Center |
| Ernest Wells | Cab Driver |
| Caroline Hebert | Restaurant Hostess |
| Michael Papajohn | DC Policeman at Restaurant |
| Sharon E. Smith | Nancy Peters |
| Martin Covert | Art Teacher |
| Abbie Gayle | Pembroke Student |
| Rae Varela | Pembroke Student |
| Taylor Faye Ruffin | Pembroke Student |
| Lee Child | Airport security |
| Robert Larriviere | Hotel Receptionist |
| Teri Wyble | Prud'homme´s wife |
| Gordon Alexander | Cage Match Goon |
| Sean Boyd | Decoudreau |
| Zachary James Rukavina | Amputee Vet |
| Jared Bankens | Junkie |
| Robert Segari | Junkie |
| Austin Hébert | Prudhomme |
| Darcel White Moreno | Apolline |
| Jenny Ballard | Tech at Parasource OPS Center |
| Jesse Malinowski | Aide at Parasource OPS Center |
| Billy Slaughter | Parasource Aide |
| Ben VanderMey | Parasource Gate Guard |
| Ashley Wilks | Hotel Guest |
| Robert J. Gilchrist | Ghoul on Float |
| Bennie Pete | Musician |
| Tyrus Chapman | Musician |
| Larry Lamar Brown | Musician |
| Phillip Sherrell Armand | Musician |
| Harry Darvell Cook | Musician |
| John Arvin Gilbert | Musician |
| Dwayne Finnie | Musician |
| Alvarez Huntley | Musician |
| Sabrina Gennarino | Candace |
| Chase Savoie | Garde |
| Timothy Carr | Military Police (uncredited) |
| Gino Galento | Wendy G Kennedy |
| Sam Medina | DC Policeman #2 (uncredited) |
| Julia Holt | Pedestrian (uncredited) |
| Name | Job |
|---|---|
| Loyd Bateman | Utility Stunts |
| Marshall T. Broyles | Special Effects Technician |
| Edward Zwick | Director, Screenplay |
| Lee Child | Novel |
| Richard Wenk | Screenplay |
| Henry Jackman | Original Music Composer |
| Oliver Wood | Director of Photography |
| Cliff Fleming | Aerial Coordinator |
| Billy Weber | Editor |
| Harry Lu | Armorer |
| Adrian Grünberg | First Assistant Director |
| Nathan Parker | Second Second Assistant Director |
| Jessica Williams | Stunts |
| Kelly Phelan | Stunt Double |
| Megan Le | Utility Stunts |
| Ashley Nicole Hudson | Stunt Driver |
| Lydia Hand | Stunts |
| Debbie Evans | Stunts |
| Elizabeth Classen | Stunts |
| Lucy Cork | Stunt Double |
| Deven MacNair | Stunt Driver |
| Steve Kelso | Stunt Driver |
| James Grant | Unit Production Manager |
| Judith Sunga | Casting Associate |
| Amelia Chen Miley | Casting Associate |
| Elizabeth Coulon | Local Casting |
| Cory Wilde | Armorer |
| Sid Yost | Animal Coordinator |
| Daniel Pinder | Music Editor |
| David Metzner | Music Editor |
| Dionne Simoneaux | Costume Coordinator |
| Heather Leat | Costume Supervisor |
| Laura Wolford | Costume Supervisor |
| Benj Gibicsar | Ager/Dyer |
| Chrissy Callan | Key Costumer |
| Jaclyn Tamizato | Key Costumer |
| Emma Kate Wood | Key Costumer |
| Jade Brandt | Seamstress |
| Hannah Gates | Set Costumer |
| Kelly Herdus | Set Costumer |
| Jennifer Kamrath | Set Costumer |
| Molly Kamrath | Set Costumer |
| Lisa Lovaas | Costume Design |
| Clay A. Griffith | Production Design |
| Bryan Felty | Art Direction |
| Brian Stultz | Art Direction |
| Lindsay Good | Art Department Coordinator |
| Chuck Stringer | Construction Coordinator |
| Kris Peck | Property Master |
| Lisa K. Sessions | Set Decoration |
| Peter Borck | Supervising Art Director |
| Meagan Herrera | Hair Department Head |
| Daina Daigle | Hair Department Head |
| Alice Moore | Hairstylist |
| Amy Wood | Key Hair Stylist |
| Leigh Ann Yandle | Makeup Department Head |
| Kimberly Amacker | Key Makeup Artist |
| Sarah Monzani | Makeup Artist |
| Donald Myers | Animation |
| Garry Elmendorf | Special Effects Supervisor |
| Karina Benesh | Visual Effects Coordinator |
| Tyler Johnson | Visual Effects Coordinator |
| Rob Krauzig | Visual Effects Coordinator |
| Emmi Nakagawa | Visual Effects Coordinator |
| Anwei Chen | Visual Effects Coordinator |
| Michael Nouryeh | Visual Effects Editor |
| Ryan Andersen | Visual Effects Editor |
| Brian Jochum | Visual Effects Producer |
| Jacklyn Ramirez | Visual Effects Producer |
| Thomas Nittmann | Visual Effects Producer |
| Lincoln Kupchak | Visual Effects Producer |
| Max Leonard | Visual Effects Producer |
| Molly Pabian | Visual Effects Producer |
| Alan Munro | Visual Effects Supervisor |
| Erik Liles | Visual Effects Supervisor |
| William Mesa | Visual Effects Supervisor |
| Adam Horley | ADR Supervisor |
| Joel Reidy | Boom Operator |
| Chris Welcker | Boom Operator |
| Dan O'Connell | Foley |
| John T. Cucci | Foley |
| James Ashwill | Foley |
| Luke Gibleon | Sound Effects Editor |
| James Bolt | Sound Re-Recording Mixer |
| Oleg Kulchytskyi | Sound Re-Recording Mixer |
| Andy Ryan | Gaffer |
| Jaim O'Neil | Gaffer |
| Ferdinand Duplantier Jr. | Rigging Gaffer |
| Max Patrucco | Rigging Grip |
| Bridget Brown | Rigging Grip |
| Donald Roth | Rigging Grip |
| Jim Wayer | Rigging Grip |
| David B. Nowell | Aerial Director of Photography |
| Jared Slater | Aerial Camera Technician |
| Peter Graf | Aerial Camera Technician |
| Joe Chess | Camera Operator |
| Michael J. Walker | Camera Operator |
| Michael Applebaum | Camera Operator |
| Robert Foster | Camera Operator |
| Bruce Dickson | Second Unit Director of Photography |
| Klemens Becker | Steadicam Operator |
| Joe Sökmen | Dolly Grip |
| Richard T. Hoover | Dolly Grip |
| Jeremy Wren | Dolly Grip |
| Joe Cassano | Dolly Grip |
| Maxwell Beard | Dolly Grip |
| Joe Ken | Digital Intermediate |
| Thomas Kuo | Digital Intermediate |
| Christopher Rucinski | First Assistant Editor |
| Daniel Rogers | Health and Safety |
| Sara Flamm | Unit Production Manager |
| Gary Huckabay | Supervisor of Production Resources |
| Susan E. Novick | Post Production Supervisor |
| Jason Pomerantz | Production Director |
| Paul Bennett | Second Assistant Director |
| Mikey Eberle | Second Assistant Director |
| Zack Earl Edwards | Additional Second Assistant Director |
| Pablo Gambetta | Assistant Director |
| Dan Gutierrez | Additional Second Assistant Director |
| Derek Hall | Second Assistant Director |
| Daniel Hillary | Second Unit Director |
| Max Keene | First Assistant Director |
| Ben LeDoux | Second Second Assistant Director |
| Conte Mark Matal | Second Assistant Director |
| Dixon McPhillips | Additional Second Assistant Director |
| Neil Morgan | Assistant Director |
| Hiro Taniguchi | Additional Second Assistant Director |
| Anna Rane | Script Supervisor |
| Beverly Winston | Script Supervisor |
| Brooklyn Proctor | Stunts |
| Marshall Herskovitz | Screenplay |
| Andy Nelson | Sound Re-Recording Mixer |
| Mark P. Stoeckinger | Supervising Sound Editor |
| Chiabella James | Still Photographer |
| David James | Still Photographer |
| Wade Eastwood | Second Unit Director |
| Danny Cosmo | Stunts |
| William Scharpf | Stunt Driver |
| Robert Alonzo | Stunt Coordinator |
| Andrew Rowlands | Second Unit Director of Photography |
| Wolfgang Stegemann | Fight Choreographer |
| Name | Title |
|---|---|
| Paula Wagner | Executive Producer |
| David Ellison | Executive Producer |
| Dana Goldberg | Executive Producer |
| Kevin J. Messick | Co-Producer |
| Don Granger | Producer |
| Herb Gains | Executive Producer |
| Tom Cruise | Producer |
| Christopher McQuarrie | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 56 | 68 | 43 |
| 2024 | 5 | 60 | 75 | 42 |
| 2024 | 6 | 61 | 90 | 40 |
| 2024 | 7 | 68 | 113 | 41 |
| 2024 | 8 | 63 | 103 | 37 |
| 2024 | 9 | 54 | 66 | 40 |
| 2024 | 10 | 61 | 109 | 41 |
| 2024 | 11 | 61 | 95 | 35 |
| 2024 | 12 | 57 | 98 | 37 |
| 2025 | 1 | 58 | 78 | 39 |
| 2025 | 2 | 40 | 68 | 9 |
| 2025 | 3 | 26 | 77 | 3 |
| 2025 | 4 | 8 | 10 | 6 |
| 2025 | 5 | 8 | 10 | 6 |
| 2025 | 6 | 9 | 11 | 7 |
| 2025 | 7 | 8 | 10 | 7 |
| 2025 | 8 | 9 | 12 | 6 |
| 2025 | 9 | 9 | 13 | 6 |
| 2025 | 10 | 8 | 12 | 6 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 418 | 754 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 429 | 784 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 328 | 709 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 467 | 722 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 521 | 738 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 280 | 714 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 195 | 663 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 272 | 704 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 379 | 701 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 570 | 868 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 388 | 762 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 217 | 643 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 581 | 832 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 427 | 741 |
I was a supporter of the first Jack Reacher film, having never developed a literary attachment to the eponymous hero and thus being perfectly happy to see him misinterpreted (apparently) by the diminutive Tom Cruise. But this sequel, adapted from another of Lee Child's bestselling books, has the ... misfortune to bear a title which may provide its epitaph. Reacher does come back, on a similar mission to last time: that is, to clear someone's name and run around (he does a lot of running) dodging those who would rather see him hand-cuffed and out of their ill-intentioned way.
**...but he did go back and got into a trouble!** The original source is a long book series, so they did not do it in order. Like the first film, which was based on the ninth book, this one was on the eighteenth. It was a stylishly made film. The actors were good, and their stunts were excellent. ... But not the storyline. This is a very familiar theme. You know, someone framed you and you go on to dig the truth while everyone trying to hunt you down. There are lots of close encounter, which give great thrilling entertainment. So, other than the story, everything looked fine. Jack goes to meet one of his ex colleagues at his old headquarters. But soon he discovers she's behind the bars and now he's too for the crime they did not do. So escaping from the prison and looking for clues, who framed them and why, all one by one disclosed with some excellent running-chasing action sequences. The film almost as good as any timepass action film. But like it was the new wine in an old bottle. So it won't work for everyone, especially those with greater expectations. The 55 year old Tom Cruise on the edge to become a veteran actor, but still he got that action hero macho in him. Probably another 3-4 films, including the upcoming 'Mission: Impossible' sequel. So this franchise could replace his cast with younger one in the future. Because another 20 books to go. Though, I'm thinking about the television series. Cobie too was awesome. The film justifies to its original, but not more than an above average. So good for once watching it. _6.5/10_
A suitably entertaining sequel, even if it is a downgrade on the very good original. <em>'Jack Reacher: Never Go Back'</em> sees a whole new cast, with one obvious exception, and that does affect my enjoyment - not a fan of major cast changes, myself. Still, the newcomers all add a decent amount ... with their performances. The premise, meanwhile, is less interesting than that of <em>'Jack Reacher'</em>, but it still makes for solid action. Tom Cruise (Jack) is, as you'd predict, the clear best part of this follow-up. That man does a lot of productions in this genre, in that regard his performance doesn't feel majorly different from his other work but the film is at its highest point when he is onscreen. Cruise is joined by the pleasing Cobie Smulders (Turner) and satisfactory Danika Yarosh (Samantha). Elsewhere, you have the underused duo of Aldis Hodge (Espin) and Robert Knepper (James). In conclusion, this may not match 2012's effort but there is still fun to be had.
Good movie. Just like a normal type of Tom Cruise movie. Where he kicks lots of butte. In this one he's like a ghost. Trying to be like the bourne identity. Still a decent movie though. ...
It's good ...
“Reacher” (Tom Cruise) returns to Washington for a bit of dinner with his new army handler (Cobie Smulders) only to find that she has been replaced and charged with espionage and double murder. He’s a bit suspicious and so sets about trying to get to the bottom of things. No mean feat, as it happens ... , because it is soon clear to him (and her) that they are facing a conspiracy that goes right to the top of the military. With just about every armed agency on their tail, his problems only get worse when a fifteen year old lass appears in his life claiming to be his daughter. Having “Sam” (Danika Yarosh) in tow as they try to stay alive long enough to clear their names and identify the culprits only makes things more perilous for our intrepid duo. Perhaps the carnival in New Orleans might help them survive? It’s all perfectly watchable, this film, but it’s formulaic and predicable right from the start and Cruise appears to be very much going through the (set piece, sugar-glass) motions as the plot offers us very little we haven’t seen loads of times before - often in an action-packed edition of “The A-Team”. Neither Smulders nor the annoying Yarosh really add very much, except maybe some attitude, and though nobody could ever say Aldis Hodge doesn’t look good in an uniform, his contributions are not much livelier, either. If you like your thrillers delivered join-the-dot style, then this should pass a couple of hours without too much head-scratching but otherwise this isn’t really up to much.