Popularity: 1 (history)
Director: | Erich von Stroheim |
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Writer: | Erich von Stroheim |
Staring: |
A con artist masquerades as Russian nobility and attempts to seduce the wife of an American diplomat. | |
Release Date: | Jan 11, 1922 |
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Director: | Erich von Stroheim |
Writer: | Erich von Stroheim |
Genres: | Drama, Thriller |
Keywords | monte carlo, court, wig |
Production Companies | Universal Film Manufacturing Company |
Box Office |
Revenue: $400,200
Budget: $1,100,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Erich von Stroheim | Count Wladislaw Sergius Karamzin |
Rudolph Christians | Andrew J. Hughes |
Miss DuPont | Helen Hughes |
Maude George | Princess Olga Petchnikoff |
Mae Busch | Princess Vera Petchnikoff |
Dale Fuller | Maruschka |
Cesare Gravina | Cesare Ventucci |
Malvina Polo | Marietta |
Albert Edmondson | Pavel Pavlich |
Mary Philbin | Crippled Girl (uncredited) |
Nigel De Brulier | Monk (uncredited) |
C.J. Allen | Albert I |
Robert Edeson | Andrew J. Hughes |
Agnes Emerson | Bit Role |
Louise Emmons | Mother Garoupe |
Harrison Ford | Armless Soldier |
Mrs. Kent | Dr. Judd's Wife |
Edward Reinach | Secretary of State of Monaco |
Louis K. Webb | Dr. Judd |
Name | Job |
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Erich von Stroheim | Writer, Scenario Writer, Director |
William H. Daniels | Director of Photography |
Ben F. Reynolds | Director of Photography |
Jack R. Proctor | Assistant Director |
Edward Sowders | Assistant Editor, Assistant Director |
Louis Germonprez | Assistant Director |
William Meyers | Technical Supervisor |
James R. Sullivan | Technical Supervisor |
George Williams | Technical Supervisor |
R.H. Cochrane | Publicist |
Van Alstein | Scenic Artist |
Harry Joe Brown | Lighting Technician |
Bob Roberts | Assistant Editor |
Julius Stern | Editorial Coordinator |
Sigmund Romberg | Music |
J. Frank Cork | Conductor |
Arthur Ripley | Editor |
Daniel Mandell | Assistant Editor |
Name | Title |
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Irving Thalberg | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 9 | 15 | 5 |
2024 | 5 | 13 | 17 | 8 |
2024 | 6 | 11 | 28 | 5 |
2024 | 7 | 9 | 14 | 4 |
2024 | 8 | 9 | 15 | 6 |
2024 | 9 | 8 | 11 | 4 |
2024 | 10 | 8 | 13 | 5 |
2024 | 11 | 8 | 16 | 4 |
2024 | 12 | 7 | 17 | 4 |
2025 | 1 | 7 | 10 | 4 |
2025 | 2 | 6 | 10 | 3 |
2025 | 3 | 4 | 9 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 3 | 0 |
2025 | 8 | 1 | 3 | 0 |
Trending Position
It's a soap. Despite all the associated history of cuts, recuts and restoration it is still just a beautifully photographed soap opera. Erich von Stroheim did just about everything in this entertaining, if a little too cyclical, tale of a cad. That cad "Count Sergius Karanzim" (EVS) parades around t ... he Côte D'Azur luring unsuspecting (wealthy) women to his rented villa in which he, with his two "cousins" (Maude George & Mae Busch as the Princesses "Petchnikoff") fleeces them relentlessly. For quite a while his charm, wit and guile provides them with a good living until he aims a little too high with the wife of an American diplomat in Monte Carlo. "Mrs. Hughes" (Miss Dupont) and her husband (Rudolph Christians) may well be about to put a spoke in the wheel of these confidence tricksters. It's good fun, this, with Von Stroheim eminently convincing as the con man and DuPont equally effective as his ditzy mark. The production is maybe a bit static, but at 100 years old, it is still delivered in a fashion that shows off the Mediterranean scenery whilst aiming one squarely between the eyes of the vacuous, riche, clientele who assumed their excesses of funds were adequate compensation for their gullibility, stupidity and naivety. It sags from time to time, so I am not hugely shocked that this original 21 reeler was scaled back somewhat. What we have here, though, still have flows well enough with succinct inter titles that are, at times, quite witty too. I am not sure I would ever bother to watch it again, but I am glad that I did. You can see here the template for so many films that followed.