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The Satanic Rites of Dracula Poster

The Satanic Rites of Dracula

Evil begets evil on the sabbath of the undead!
1973 | 88m | English

(7628 votes)

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Popularity: 4 (history)

Director: Alan Gibson
Writer: Don Houghton
Staring:
Details

The police and British security forces call in Professor Van Helsing to help them investigate Satanic ritual which has been occurring in a large country house, and which has been attended by a government minister, an eminent scientist and secret service chief. The owner of the house is a mysterious property tycoon who is found to be behind a sinister plot involving a deadly plague. It is in fact Dracula who, sick of his interminable existence, has decided that he must end it all in the only possible way- by destroying every last potential victim.
Release Date: Apr 17, 1973
Director: Alan Gibson
Writer: Don Houghton
Genres: Horror
Keywords scotland yard, vampire, satanist, gothic horror, van helsing, plague, bubonic plague
Production Companies Hammer Film Productions
Box Office Revenue: $544,476
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Christopher Lee Count Dracula
Peter Cushing Prof. Lorrimer Van Helsing
Michael Coles Insp. Murray
William Franklyn Peter Torrence
Freddie Jones Prof. Julian Keeley
Joanna Lumley Jessica Van Helsing
Richard Vernon Col. Mathews
Barbara Yu Ling Chin Yang
Patrick Barr Lord Carradine
Richard Mathews John Porter
Lockwood West General Sir Arthur Freeborne
Valerie Van Ost Jane
Maurice O'Connell Agent Hanson
Peter Adair Doctor
Maggie Fitzgerald Vampire Girl
Pauline Peart Vampire Girl
Finnuala O'Shannon Vampire Girl
Mia Martin Vampire Girl / Sacrifice Victim
John Harvey Commissionaire
Ian Dewar Guard
Paul Weston Guard
Name Job
Alan Gibson Director
Don Houghton Writer
Brian Probyn Director of Photography
Chris Barnes Editor
James Liggat Casting
Lionel Couch Art Direction
George Blackler Makeup Artist
Les Bowie Special Effects
Rebecca Breed Wardrobe Supervisor
Derek Whitehurst Assistant Director
Claude Hitchcock Sound Recordist
Terry Poulton Sound Editor
Chic Anstiss Camera Operator
Elizabeth Wilcox Continuity
Maude Onslow Hairdresser
Don Picton Assistant Art Director
Ken Softley Construction Manager
Dennis Whitlock Sound Mixer
Ron Jackson Production Manager
Philip Martell Music Supervisor
John Cacavas Original Music Composer
Name Title
Roy Skeggs Producer
Don Houghton Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 12 17 7
2024 5 14 18 9
2024 6 15 32 7
2024 7 13 23 8
2024 8 12 22 7
2024 9 9 13 5
2024 10 18 44 7
2024 11 12 25 6
2024 12 12 28 7
2025 1 10 14 8
2025 2 8 12 3
2025 3 6 10 1
2025 4 2 3 1
2025 5 1 5 1
2025 6 1 4 1
2025 7 1 3 0
2025 8 1 3 0
2025 9 3 6 2
2025 10 6 7 4

Trending Position


Year Month High Avg
2025 1 744 744

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Reviews

Wuchak
6.0

***Hammer’s final Dracula film with Christopher Lee*** Two years after the events of “Dracula A.D. 1972” (1972) Scotland Yard & Lorrimer Van Helsing (Peter Cushing) discover that Dracula (Christopher Lee) is alive and well in the London area, disguised as an antisocial property developer with a m ... ad scheme to unleash a lethal virus upon the Earth. “The Satanic Rites of Dracula,” aka “Count Dracula and His Vampire Bride” (1973), was the last of seven Hammer Dracula films starring Lee as the diabolic Count released from 1958-1973. The previous six are: “Horror of Dracula” (1958), “Dracula, Prince of Darkness” (1966), “Dracula has Risen from the Grave” (1968), “Taste the Blood of Dracula” (1970), “Scars of Dracula” (1970) and “Dracula A.D. 1972” (1972). While this is arguably the least in the series, it has a lot to offer once you get past Dracula’s henchmen riding motorcycles and wearing brown vests with wool fringe (no doubt this was ‘hip’ attire back in 1972 when the film was shot). It helps to grasp that Stoker’s original novel took place in what was then modern times, 1897, with Dracula being over 400 years old by that point. “Satanic Rites” simply envisions how the vampire lord would function in the early 70s. In Stoker’s book he’s a powerful and arrogant creature that holds a position of authority, a Count, and prefers to dwell in an intimidating castle in Transylvania or a gothic estate in London, not to mention acquires subjects to serve his purposes, like gypsies and Renfield. Here Drac’s DD Denham persona is the modern English equivalent to a Count in Transylvania hundreds of years prior. In both cases he’s an untouchable authority figure with minions carrying out his will. Simply put, this is how a 500 year-old evil being would operate in the 1970s using elements of the modern world to accomplish his ends, including the British Empire. Speaking of which, in Stoker’s novel Dracula recognized the British Empire as a means to spread his cult of vampirism around the world and eventually take it over. He wasn’t content to just threaten a few local nobodies as observed in the five previous sequels. In “Satanic Rites” he’s back to his vision of global domination, tricking 4 members of the Establishment into being agents of his "own created Apocalypse," but now we see the incredibly sinister culmination of his power-mad scheme. To appreciate what this flick has to offer you have to get past the motorcycle-riding henchmen and their dubious vests. Once you do, it has quite a bit to offer: The notable group of protagonists, including those played by Michael Coles and Joanna Lumley; the way they put their heads together to figure out what the Count is doing and how to stop him; and Drac’s “harem” he keeps in the basement (played by Maggie Fitzgerald, Finnuala O'Shannon, Pauline Peart and a newly converted vamp played by Valerie Van Ost). The film runs 1 hour, 27 minutes and was shot in Hertfordshire & nearby London, England. GRADE: B-

Oct 09, 2021
Geronimo1967
5.0

The great grandson of the original "Van Helsing" (Peter Cushing) is drafted in by Scotland Yard to investigate a series of deaths that smack of vampirism. The investigation centres around a manor house where the great and the good of London society meet, ostensibly for ordinary gatherings, but we kn ... ow it is much more sinister (well, in theory, anyway). What's more - this house is built upon an old cemetery, and guess who was buried in it just a few years earlier? This is a sort of 1970s "Freemasons meet Dracula" affair, with a lacklustre dialogue and some pretty lame performances all round. It builds predictably to a conflagration that seems a long time coming, and neither Cushing nor the fleeting appearances from Christopher Lee really ignite the film. The score has that early synthesised sound to it, and the photography - though probably quite effective in 1973, now looks dated and juddery. These Hammer films were well past their sell-by dates by now, the gift had long since stopped giving and perhaps because it is in colour, it is not remotely scary. Passable, but only because I like the genre.

May 27, 2023