Popularity: 14 (history)
| Director: | John R. Leonetti |
|---|---|
| Writer: | Gary Dauberman |
| Staring: |
| Four friends gather at an elegant home during the Summer of Love, 1969. Unbeknownst to them, deadly visitors are waiting outside. What begins as a simple farewell party turns to a night of primal terror as the intruders stalk and torment the four, who struggle for their lives against what appears to be a senseless attack. | |
| Release Date: | Oct 21, 2016 |
|---|---|
| Director: | John R. Leonetti |
| Writer: | Gary Dauberman |
| Genres: | Horror, Thriller |
| Keywords | california, based on true story, attack, home invasion, summer of love, 1960s, murder spree, senseless, infamous |
| Production Companies | New Line Cinema, The Safran Company |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Katie Cassidy | Sharon |
| Elizabeth Henstridge | Abigail |
| Adam Campbell | Wojciech |
| Miles Fisher | Jay |
| Chris Mulkey | John |
| Jane Kaczmarek | Mary |
| Spencer Daniels | William |
| Lucas Adams | Steve |
| Eric Ladin | Detective Clarkin |
| Arlen Escarpeta | Officer |
| Name | Job |
|---|---|
| John R. Leonetti | Director |
| Rich Delia | Casting |
| Ben Wilkins | Supervising Sound Editor |
| Jessica Harbeck | Stunt Double |
| Mallory Thompson | Stunt Double |
| Hannah Betts | Stunt Double |
| Kurt D. Lott | Utility Stunts |
| Tiffany Smith | Visual Effects Producer |
| Arthur J. Codron | Visual Effects Supervisor |
| John C. Carlucci | Special Effects Coordinator |
| Rocky Reilly | Boom Operator |
| Laura Wiest | Sound Re-Recording Mixer |
| Michael J. Benavente | Supervising Sound Editor |
| Stephanie Bravo | Makeup Department Head |
| Frances Ferris | Key Makeup Artist |
| Brittania Denison | Makeup Artist |
| Jeff Halsey | Digital Intermediate |
| Eric R. Brodeur | First Assistant Editor |
| Skip Crank | Assistant Property Master |
| Toby Chu | Original Music Composer |
| Michael St. Hilaire | Director of Photography |
| Douglas Cumming | Art Direction |
| Bob Kensinger | Set Decoration |
| Janet Ingram | Costume Design |
| Curtis Laseter | Construction Coordinator |
| Stephanie Furr | Property Master |
| Jan McWilliams | Script Supervisor |
| Sherry Whitfield | Music Editor |
| Lisa Parmet | Assistant Costume Designer |
| Jason Rainey | Ager/Dyer |
| Samantha Dewey-Gartner | Set Costumer |
| Tim Marshall | Gaffer |
| Mark La Bonge | Camera Operator |
| Chris Freilich | Epk Camera Operator |
| Peter Iovino | Still Photographer |
| Audie Aragon | Dolly Grip |
| Les T. Tomita | Key Grip |
| Brooke Noska | Visual Effects Editor |
| Ken Blackwell | Editor |
| Gary Dauberman | Writer |
| Name | Title |
|---|---|
| Peter Safran | Producer |
| Walter Hamada | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 13 | 20 | 10 |
| 2024 | 5 | 16 | 23 | 10 |
| 2024 | 6 | 14 | 29 | 7 |
| 2024 | 7 | 14 | 28 | 8 |
| 2024 | 8 | 11 | 19 | 7 |
| 2024 | 9 | 8 | 11 | 7 |
| 2024 | 10 | 13 | 33 | 6 |
| 2024 | 11 | 11 | 22 | 6 |
| 2024 | 12 | 11 | 26 | 5 |
| 2025 | 1 | 10 | 16 | 7 |
| 2025 | 2 | 8 | 11 | 3 |
| 2025 | 3 | 5 | 14 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 3 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 4 | 1 |
| 2025 | 10 | 3 | 14 | 2 |
Trending Position
Recommended this by Netflix, initially I thought to myself "Oh, bet this only got made 'cause that Tarantino flick's coming out soon", but then I realised _Wolves at the Door_ is bloody three years old, so now I can't figure out why it got made at all. Nice to see Katie Cassidy and Elizabeth Henstri ... dge in something outside of their respective superhero TV shows, but I wish it had've been in something... good. _Final rating:★½: - Boring/disappointing. Avoid where possible._
<em>'Wolves at the Door'</em> is a bit of a nothing movie. Loosely attached to <em>'The Conjuring'</em> franchise, it attempts to bring unsettling characters to life across just 72 minutes. The ooncept of the antagonists is alright, but the film gives you little reason to care. Same goes for the ... good bunch. I could see the potential for the characters of Katie Cassidy and Elizabeth Henstridge, who are the most noteworthy onscreen performers. The male characters in this are very weak though, the 'best' is Lucas Adams - which is somewhat of an issue, given his character's fate. Unlike the previous (official) films from this series, this 2016 release is actually based upon a bonafide true story involving the Manson Family - who I knew of, I just didn't know about the case itself... how awful. I see this has received criticism as to why it even exists in this sorta form given the subject matter, which is fair. It's so short that I can't say I disliked watching it, which would be grounds for a lower rating. It's also not the worst looking film.