Popularity: 2 (history)
| Director: | Gary J. Tunnicliffe |
|---|---|
| Writer: | Gary J. Tunnicliffe |
| Staring: |
| Three detectives trying to stop a diabolical serial killer are sucked into a maze of otherworldly horror, where hellish denizens including the Auditor, the Assessor, and the Jury await to pass judgment. | |
| Release Date: | Feb 13, 2018 |
|---|---|
| Director: | Gary J. Tunnicliffe |
| Writer: | Gary J. Tunnicliffe |
| Genres: | Horror, Thriller |
| Keywords | pinhead, sequel |
| Production Companies | Dimension Films |
| Box Office |
Revenue: $426,290
Budget: $350,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Damon Carney | Detective Sean Carter |
| Randy Wayne | Detective David Carter |
| Paul T. Taylor | Pinhead |
| Alexandra Harris | Detective Christine Egerton |
| Gary J. Tunnicliffe | The Auditor |
| Rheagan Wallace | Alison Carter |
| John Gulager | The Assessor |
| Helena Grace Donald | Jophiel |
| Heather Langenkamp | Landlady |
| Mike J. Regan | The Chatterer |
| Cate Jones | Bar Patron |
| Tony Payne | The Vagrant |
| John Walpole | Hodges |
| Grace Montie | Crystal Lanning |
| Jeff Fenter | Carl Watkins |
| Molly Nikki Anderson | Cleaner |
| Mary Kathryn Bryant | Jury #2 |
| Valerie Sharp | Jury #3 |
| Name | Job |
|---|---|
| Kent Shelton | Stunt Coordinator |
| Clive Barker | Characters |
| Tiffany Feese | Casting Assistant |
| Tory Ayers | Accountant |
| Keith Levine | Thanks, Executive In Charge Of Production |
| Chris Freihofer | Casting |
| James Parnell | Assistant Sound Editor |
| Toni Marlo | Assistant Makeup Artist |
| Gary J. Tunnicliffe | Makeup Effects Designer, Writer, Director, Prop Designer |
| Brent David Mannon | Production Design |
| Mike J. Regan | Makeup Effects Designer, Prop Designer |
| Michael Griffin | Editor |
| Jennifer Herbel | Set Decoration |
| Adrienne Lynn | Key Makeup Artist |
| Gary Pawlowski | Special Effects Makeup Artist |
| Mike Measimer | Special Effects Makeup Artist |
| Jeff Weiss | Second Assistant Director |
| Bezhan Nazari | Leadman |
| David Bruster | Set Costumer |
| Stacy Mize | Second Unit Director of Photography, Camera Operator |
| Matthew Gardocki | Visual Effects Supervisor, Digital Imaging Technician |
| Titus Fox | Electrician |
| Matt Bauske | Gaffer |
| Kyle Keegan | Key Grip |
| Caleb Wall | Second Assistant Camera |
| Kristen Hirlinger | Dialogue Editor, ADR Editor |
| Travis MacKay | ADR Mixer |
| Nathaniel Grady-Reitan | Assistant Sound Editor |
| Taylor Westerfield | Assistant Sound Editor |
| Benjamin Gieschen | Foley Editor |
| Kendall Credi | Sound Effects Editor |
| Jason Gaya | Sound Mixer |
| Ellie Rose | Production Supervisor |
| Travis Graalman | Additional Editor |
| Aaron Peak | Digital Intermediate |
| Jenava Burguiere | Costume Design |
| Sharon Tabb | Assistant Makeup Artist |
| Shelly D'Apolito | Assistant Hairstylist |
| Lorraine K. Comfort | Second Second Assistant Director |
| Deron Johnson | Music |
| Samuel Calvin | Director of Photography |
| Sam Howeth | Art Direction |
| Jenny Hausam | Key Hair Stylist |
| Crystal Nardico | Special Effects Makeup Artist |
| Britney Regan | Special Effects Makeup Artist |
| Ty Dickson | First Assistant Director |
| Shane Ballou | Construction Foreman |
| Cassie Kay Smith | Property Master |
| Liz Drew | Best Boy Electric |
| Richard Rowe | Drone Operator |
| Philip Byrd | First Assistant Camera |
| Austin Davis Gill | Grip |
| Ian Finneran | Second Assistant Camera |
| Zachary Burns | Still Photographer |
| Chantél Italia Johnson | Casting Assistant |
| Roy Machado | ADR Mixer |
| Kasey Destache | ADR Coordinator |
| Dylan Shelby | Boom Operator |
| Vicki O'Reilly Vandegrift | Foley Artist |
| Micaela Cain | Foley Mixer |
| Brian Gililland | Sound Mixer |
| Derek McGinley | Supervising Sound Editor |
| Neil Evans | Additional Editor |
| Andrew Balis | Colorist |
| Pepper Reed | Script Supervisor |
| Hannah Marchant | Production Coordinator |
| Jack Odell | Costume Design |
| Laron M. Chapman | Second Second Assistant Director |
| Shea Sinclair | Post Production Consulting |
| Name | Title |
|---|---|
| Bob Weinstein | Executive Producer |
| Gary J. Tunnicliffe | Associate Producer |
| Michael Leahy | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 40 | 47 | 31 |
| 2024 | 5 | 45 | 58 | 27 |
| 2024 | 6 | 36 | 71 | 17 |
| 2024 | 7 | 26 | 37 | 18 |
| 2024 | 8 | 23 | 40 | 14 |
| 2024 | 9 | 14 | 21 | 10 |
| 2024 | 10 | 19 | 41 | 12 |
| 2024 | 11 | 22 | 45 | 11 |
| 2024 | 12 | 15 | 29 | 9 |
| 2025 | 1 | 20 | 32 | 9 |
| 2025 | 2 | 15 | 22 | 3 |
| 2025 | 3 | 5 | 15 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 4 | 6 | 2 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 943 | 943 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 243 | 642 |
Well, it's better than "Revelations," I will grant that. Taking a note from "Hellraiser: Inferno," we once again are following a cop and his partner(s) as they track a sadistic killer whose killing follow the Ten Commandments (name the film this brings to mind in ten, nine, eight, ...), all while th ... e Cenobites seem to be doing...something in the background (seriously, I'm not sure what they're really up to; it starts at the beginning of the film with a discussion about how antiquated the Lament Configuration is and how outdated they seem to be with increasingly debauched pleasures and pains readily available; I don't know, it never seems to really go anywhere). Or we would be following them if we weren't already pretty much near the end of an investigation that had been going on for a while. The really bizarre thing is that, for the tenth movie in the series, you can actually see the potential for a decent and interesting film here. But they drop the ball hard, and it's a potential that they fail to realize on an epic scale. The main problem here, and I can't believe I'm about to say this, is that the film needed to be longer. More hints at the ultimate solution to the mystery needed to be dropped, enough so that when looking back, the audience could say, "Yeah, how did I miss that?" rather than "Did I miss something?" It also results in a real lack of characterization, although I have to admit that it's not entire for want of trying. I like that there are hints at a bigger picture, even if they do fly in the face of established Hellraiser lore. For the first time, we see an actual angelic counterpart to the demonic Cenobites, although the problem here is that the Cenobites were never really established as demons, per se. It's also got a twist ending that's bizarre even by Hellraiser standards, and might have worked if Pinhead in particular were given more of a character in this film. Instead, the ending is entirely dependent on knowledge of him from previous films, but let's be honest here, no one who isn't familiar with the previous films will see this one. Again, it's not phoned in like the previous Hellraiser film (I can't believe I also have to give credit for the film actually looking like it was filmed with a professional camera and not an iPhone like "Revelations"), but it's still so sloppy that it falls over itself trying to tell a bigger tale than I think they were ready for, and instead comes off as derivative and vastly disappointing.