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The Stunt Man

"If God could do the tricks that we can do, he'd be a happy man..."
1980 | 131m | English

(11270 votes)

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Popularity: 4 (history)

Details

A fugitive stumbles onto a movie set just when they need a new stunt man, takes the job as a way to hide out and falls for the leading lady while facing off with his manipulative director.
Release Date: Jun 27, 1980
Director: Richard Rush
Writer: Richard Rush, Paul Brodeur, Lawrence B. Marcus
Genres: Comedy, Action, Drama, Thriller
Keywords stuntman, movie set, film director
Production Companies 20th Century Fox, Melvin Simon Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Peter O'Toole Eli Cross
Steve Railsback Cameron
Barbara Hershey Nina Franklin
Allen Garfield Sam
Alex Rocco Jake
Sharon Farrell Denise
Adam Roarke Raymond Bailey
Philip Bruns Ace
Charles Bail Chuck Barton
John Garwood Gabe
Jim Hess Henry
John Pearce Garage Guard
Michael Railsback Burt
George D. Wallace Father
Dee Carroll Mother
Leslie Winograde Sister
Don Kennedy Lineman
Whitey Hughes Eli's A.D.
Walter Robles Eli's A.D.
A.J. Bakunas Eli's Script Clerk
Roberto Caruso 1st Cop
Frank Avila 2nd Cop
Stafford Morgan Thompson F.B.I.
John Alderman Carlbinerri
Jack Palinkas Technician
James Garrett 2nd Technician
Garrett McPherson Tourist
Nelson Tyler Eli's Crane Cameraman
Louis Gartner 1st Brothel Man
James Avery Man Playing Pinball (uncredited)
Gregg Berger (uncredited)
Patricia McPherson Pretty Woman (uncredited)
Name Job
Richard Rush Adaptation, Director
Tim Griffith Gaffer
Jack Palinkas Key Grip
Jack Hofstra Editor
Richard Spero Set Decoration
Milt Rice Special Effects
Marina Pedraza Hairstylist
Whitey Hughes Stunts
Deanna Dae Coleman Stunts
Phil Adams Stunts
Mike Johnson Stunts
Norman Blankenship Stunts
Regis Parton Stunts
Ted Duncan Stunts
Paula Marcus Second Assistant Director
Douglas T. Madison Property Master
Joel King Camera Operator
Paul Brodeur Novel
Arthur Piantadosi Sound Re-Recording Mixer
Tom Lucas Makeup Artist
Ken Chase Makeup Designer
James L. Schoppe Art Direction
Ross Reynolds Pilot
Dominic Frontiere Original Music Composer
Gary Baxley Stunts
Don Pulford Stunts
Frank Beetson Unit Production Manager, First Assistant Director
Terry Terrill Script Supervisor
Roger Irvin Construction Coordinator
Ronald Vidor Assistant Camera
Bob Fillis Best Boy Electric
Mario Tosi Director of Photography
Lawrence B. Marcus Screenplay
Caroline Biggerstaff Editor
Michael Minkler Sound Re-Recording Mixer
Les Fresholtz Sound Re-Recording Mixer
Al Jones Stunts
Hank Calia Stunts
Larry Dunn Stunts
Michel Levesque Assistant Art Director
Gary Paulsen Transportation Captain
Barry Oiffer Assistant Camera
James M. Tanenbaum Sound Mixer
Peter J. Breen Dolly Grip
Gary Fettis Assistant Property Master
Susan Title Production Coordinator
John Carnochan Assistant Editor
Frank M. Holgate Underwater Camera
Emile Razpopov Post Production Coordinator
Cal Marks Boom Operator
Tad Harrier Best Boy Grip
Joe Harada Still Photographer
Robert Leader Editorial Coordinator
Dolly Fendel Gordon Assistant Editor
Jeff Bushelman Sound Effects
Diego Alex Borghello Color Timer
Donald Krafft Leadman
Robin Krause Still Photographer
Andy Blumenthal Assistant Editor
Vicki Hiatt Post Production Assistant
Dessie Markovsky Post Production Supervisor
Dan Perri Title Designer
Rosanna Norton Costume Design
Erik Cord Stunts
Gregory J. Barnett Stunts
Kenny Endoso Stunts
Gray Johnson Stunt Coordinator, Stunts
A.J. Bakunas Stunts
Tom Morga Stunts
Walter Robles Stunts
Dick Warlock Stunts
James Winburn Stunts
Name Title
Melvin Simon Executive Producer
Paul Lewis Associate Producer
Richard Rush Producer
Organization Category Person
Cannes Film Festival Best Director Richard Rush Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 12 20 7
2024 5 14 20 8
2024 6 10 15 5
2024 7 14 26 9
2024 8 11 25 7
2024 9 7 10 5
2024 10 11 21 6
2024 11 9 17 5
2024 12 8 15 5
2025 1 8 15 5
2025 2 6 10 3
2025 3 5 10 1
2025 4 2 4 1
2025 5 2 4 1
2025 6 1 2 1
2025 7 0 1 0
2025 8 1 1 0
2025 9 2 3 1
2025 10 2 4 1

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Reviews

CaptNemo
8.0

This incredible movie took me by surprise in the fall of 1980. The Stunt Man replaced The Empire Strikes Back at the theater where I worked. I was prepared to hate this film. To my complete surprise, it became my favorite film from the 1980s. If you haven't seen it, strap yourself in and go for the ... ride. It's worth every second. Peter O'Toole has Never been better as Cross, the demented and brilliant director. Is he out to kill Cameron just to get a good scene or two from him? Or is he actually a caring person who would never hurt a fly? You won't know until the film is just about over. Basically, Cameron is on the run from the Law. He stumbles into a film set and (perhaps) causes the death of the film's stunt man. Ely Cross, the director, offers Cameron a place to hide from the Law if he'll replace the stunt man until the film is done shooting. Cameron agrees. From that point, nothing is what it seems. The film blends the real with the surreal world of filmmaking that will have you smiling throughout. High Points are the Soundtrack and Barbara Hershey. Barbara has never been more beautiful here, and she gives the performance of a lifetime. Location filming was at the Del Coronado Hotel in San Diego. The same hotel was used for Some Like It Hot.

Jun 23, 2021
Professor-Hosquith
8.0

I'd like to embellish the previous review... CaptNemo did a good job summing up the movie, but there are a few other interesting things that can be said about it. My short summary is that this is probably the best "meta" movie, or movie about making movies you'll find. I discovered the film on cable ... TV, and immediately fell in love with it. A short time later I came across the Brodeur novel in a used bookstore, and bought and read it immediately. The novel is quite dark, and has a number of plot issues. In several ways the movie is more fun and better than the book. But it's a *quite* different story. One area I disagree with CaptNemo is where he said that you find out everything at the end of the movie... I don't find the end of the movie completely illuminating -- some things are fairly clear, but there is much that's still open to interpretation... which is one of the things that makes it so fun to watch again! I only owned the laser disc edition of this movie for many years. I only recently acquired the DVD to have it in a more modern format to show to friends. And so then I discovered the commentary, and only as a result of that commentary I found out about the documentary film about the movie, "The Sinister Saga of Making The Stunt Man." If you're a fan of this movie, the documentary is a must-have! Regarding the movie-within-a-movie, it's difficult to say if it would have been a good movie or not. Is Eli Cross a good director? We don't really know. We're only offered tantalizing glimpses of his work. It would have been nice if the DVD special features included the screenplay of the movie-within-a-movie, or maybe even stitched some of the scenes together, like was done for the DVD of the movie-within-the-movie in Joe Dante's "Matinee."

Dec 17, 2024