 
  Popularity: 4 (history)
| Director: | Richard Rush | 
|---|---|
| Writer: | Richard Rush, Paul Brodeur, Lawrence B. Marcus | 
| Staring: | 
| A fugitive stumbles onto a movie set just when they need a new stunt man, takes the job as a way to hide out and falls for the leading lady while facing off with his manipulative director. | |
| Release Date: | Jun 27, 1980 | 
|---|---|
| Director: | Richard Rush | 
| Writer: | Richard Rush, Paul Brodeur, Lawrence B. Marcus | 
| Genres: | Comedy, Action, Drama, Thriller | 
| Keywords | stuntman, movie set, film director | 
| Production Companies | 20th Century Fox, Melvin Simon Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Peter O'Toole | Eli Cross | 
| Steve Railsback | Cameron | 
| Barbara Hershey | Nina Franklin | 
| Allen Garfield | Sam | 
| Alex Rocco | Jake | 
| Sharon Farrell | Denise | 
| Adam Roarke | Raymond Bailey | 
| Philip Bruns | Ace | 
| Charles Bail | Chuck Barton | 
| John Garwood | Gabe | 
| Jim Hess | Henry | 
| John Pearce | Garage Guard | 
| Michael Railsback | Burt | 
| George D. Wallace | Father | 
| Dee Carroll | Mother | 
| Leslie Winograde | Sister | 
| Don Kennedy | Lineman | 
| Whitey Hughes | Eli's A.D. | 
| Walter Robles | Eli's A.D. | 
| A.J. Bakunas | Eli's Script Clerk | 
| Roberto Caruso | 1st Cop | 
| Frank Avila | 2nd Cop | 
| Stafford Morgan | Thompson F.B.I. | 
| John Alderman | Carlbinerri | 
| Jack Palinkas | Technician | 
| James Garrett | 2nd Technician | 
| Garrett McPherson | Tourist | 
| Nelson Tyler | Eli's Crane Cameraman | 
| Louis Gartner | 1st Brothel Man | 
| James Avery | Man Playing Pinball (uncredited) | 
| Gregg Berger | (uncredited) | 
| Patricia McPherson | Pretty Woman (uncredited) | 
| Name | Job | 
|---|---|
| Richard Rush | Adaptation, Director | 
| Tim Griffith | Gaffer | 
| Jack Palinkas | Key Grip | 
| Jack Hofstra | Editor | 
| Richard Spero | Set Decoration | 
| Milt Rice | Special Effects | 
| Marina Pedraza | Hairstylist | 
| Whitey Hughes | Stunts | 
| Deanna Dae Coleman | Stunts | 
| Phil Adams | Stunts | 
| Mike Johnson | Stunts | 
| Norman Blankenship | Stunts | 
| Regis Parton | Stunts | 
| Ted Duncan | Stunts | 
| Paula Marcus | Second Assistant Director | 
| Douglas T. Madison | Property Master | 
| Joel King | Camera Operator | 
| Paul Brodeur | Novel | 
| Arthur Piantadosi | Sound Re-Recording Mixer | 
| Tom Lucas | Makeup Artist | 
| Ken Chase | Makeup Designer | 
| James L. Schoppe | Art Direction | 
| Ross Reynolds | Pilot | 
| Dominic Frontiere | Original Music Composer | 
| Gary Baxley | Stunts | 
| Don Pulford | Stunts | 
| Frank Beetson | Unit Production Manager, First Assistant Director | 
| Terry Terrill | Script Supervisor | 
| Roger Irvin | Construction Coordinator | 
| Ronald Vidor | Assistant Camera | 
| Bob Fillis | Best Boy Electric | 
| Mario Tosi | Director of Photography | 
| Lawrence B. Marcus | Screenplay | 
| Caroline Biggerstaff | Editor | 
| Michael Minkler | Sound Re-Recording Mixer | 
| Les Fresholtz | Sound Re-Recording Mixer | 
| Al Jones | Stunts | 
| Hank Calia | Stunts | 
| Larry Dunn | Stunts | 
| Michel Levesque | Assistant Art Director | 
| Gary Paulsen | Transportation Captain | 
| Barry Oiffer | Assistant Camera | 
| James M. Tanenbaum | Sound Mixer | 
| Peter J. Breen | Dolly Grip | 
| Gary Fettis | Assistant Property Master | 
| Susan Title | Production Coordinator | 
| John Carnochan | Assistant Editor | 
| Frank M. Holgate | Underwater Camera | 
| Emile Razpopov | Post Production Coordinator | 
| Cal Marks | Boom Operator | 
| Tad Harrier | Best Boy Grip | 
| Joe Harada | Still Photographer | 
| Robert Leader | Editorial Coordinator | 
| Dolly Fendel Gordon | Assistant Editor | 
| Jeff Bushelman | Sound Effects | 
| Diego Alex Borghello | Color Timer | 
| Donald Krafft | Leadman | 
| Robin Krause | Still Photographer | 
| Andy Blumenthal | Assistant Editor | 
| Vicki Hiatt | Post Production Assistant | 
| Dessie Markovsky | Post Production Supervisor | 
| Dan Perri | Title Designer | 
| Rosanna Norton | Costume Design | 
| Erik Cord | Stunts | 
| Gregory J. Barnett | Stunts | 
| Kenny Endoso | Stunts | 
| Gray Johnson | Stunt Coordinator, Stunts | 
| A.J. Bakunas | Stunts | 
| Tom Morga | Stunts | 
| Walter Robles | Stunts | 
| Dick Warlock | Stunts | 
| James Winburn | Stunts | 
| Name | Title | 
|---|---|
| Melvin Simon | Executive Producer | 
| Paul Lewis | Associate Producer | 
| Richard Rush | Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Cannes Film Festival | Best Director | Richard Rush | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 12 | 20 | 7 | 
| 2024 | 5 | 14 | 20 | 8 | 
| 2024 | 6 | 10 | 15 | 5 | 
| 2024 | 7 | 14 | 26 | 9 | 
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| 2025 | 1 | 8 | 15 | 5 | 
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| 2025 | 3 | 5 | 10 | 1 | 
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| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 2 | 4 | 1 | 
Trending Position
This incredible movie took me by surprise in the fall of 1980. The Stunt Man replaced The Empire Strikes Back at the theater where I worked. I was prepared to hate this film. To my complete surprise, it became my favorite film from the 1980s. If you haven't seen it, strap yourself in and go for the ... ride. It's worth every second. Peter O'Toole has Never been better as Cross, the demented and brilliant director. Is he out to kill Cameron just to get a good scene or two from him? Or is he actually a caring person who would never hurt a fly? You won't know until the film is just about over. Basically, Cameron is on the run from the Law. He stumbles into a film set and (perhaps) causes the death of the film's stunt man. Ely Cross, the director, offers Cameron a place to hide from the Law if he'll replace the stunt man until the film is done shooting. Cameron agrees. From that point, nothing is what it seems. The film blends the real with the surreal world of filmmaking that will have you smiling throughout. High Points are the Soundtrack and Barbara Hershey. Barbara has never been more beautiful here, and she gives the performance of a lifetime. Location filming was at the Del Coronado Hotel in San Diego. The same hotel was used for Some Like It Hot.
I'd like to embellish the previous review... CaptNemo did a good job summing up the movie, but there are a few other interesting things that can be said about it. My short summary is that this is probably the best "meta" movie, or movie about making movies you'll find. I discovered the film on cable ... TV, and immediately fell in love with it. A short time later I came across the Brodeur novel in a used bookstore, and bought and read it immediately. The novel is quite dark, and has a number of plot issues. In several ways the movie is more fun and better than the book. But it's a *quite* different story. One area I disagree with CaptNemo is where he said that you find out everything at the end of the movie... I don't find the end of the movie completely illuminating -- some things are fairly clear, but there is much that's still open to interpretation... which is one of the things that makes it so fun to watch again! I only owned the laser disc edition of this movie for many years. I only recently acquired the DVD to have it in a more modern format to show to friends. And so then I discovered the commentary, and only as a result of that commentary I found out about the documentary film about the movie, "The Sinister Saga of Making The Stunt Man." If you're a fan of this movie, the documentary is a must-have! Regarding the movie-within-a-movie, it's difficult to say if it would have been a good movie or not. Is Eli Cross a good director? We don't really know. We're only offered tantalizing glimpses of his work. It would have been nice if the DVD special features included the screenplay of the movie-within-a-movie, or maybe even stitched some of the scenes together, like was done for the DVD of the movie-within-the-movie in Joe Dante's "Matinee."