 
  Popularity: 18 (history)
| Director: | Michael Chaves | 
|---|---|
| Writer: | David Leslie Johnson-McGoldrick, James Wan | 
| Staring: | 
| Paranormal investigators Ed and Lorraine Warren encounter what would become one of the most sensational cases from their files. The fight for the soul of a young boy takes them beyond anything they'd ever seen before, to mark the first time in U.S. history that a murder suspect would claim demonic possession as a defense. | |
| Release Date: | May 25, 2021 | 
|---|---|
| Director: | Michael Chaves | 
| Writer: | David Leslie Johnson-McGoldrick, James Wan | 
| Genres: | Horror, Mystery, Thriller | 
| Keywords | exorcism, supernatural, connecticut, sequel, paranormal investigation, 1980s, somber, religious horror, the conjuring universe, frightened | 
| Production Companies | New Line Cinema, The Safran Company, Atomic Monster | 
| Box Office | Revenue: $206,431,050 Budget: $39,000,000 | 
| Updates | Updated: Aug 14, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Patrick Wilson | Ed Warren | 
| Vera Farmiga | Lorraine Warren | 
| Ruairí O'Connor | Arne Cheyne Johnson | 
| Sarah Catherine Hook | Debbie Glatzel | 
| Julian Hilliard | David Glatzel | 
| Charlene Amoia | Judy Glatzel | 
| Sterling Jerins | Judy Warren | 
| John Noble | Father Kastner | 
| Eugenie Bondurant | The Occultist | 
| Shannon Kook | Drew Thomas | 
| Ronnie Gene Blevins | Bruno | 
| Keith Arthur Bolden | Sergeant Clay | 
| Steve Coulter | Father Gordon | 
| Vince Pisani | Father Newman | 
| Megan Ashley Brown | Lorraine Warren (teenage) | 
| Mitchell Hoog | Ed Warren (teenage) | 
| Andrea Andrade | Katie | 
| Ashley LeConte Campbell | Meryl Dewitt | 
| Davis Osborne | John Beckett | 
| Paul Wilson | Carl Glatzel | 
| Mark Rowe | Sergeant Thomas | 
| Stella Doyle | Mrs. Haskett | 
| Ingrid Bisu | Jessica | 
| Stacy Johnson | |
| Lindsay Ayliffe | Judge | 
| Nicky Buggs | Witch Woman | 
| Rebecca Lines | Witch #2 | 
| Robert Walker Branchaud | Prison Guard | 
| Nicholas Massouh | Doctor | 
| Chris Greene | Deputy | 
| Kaleka | Jury Foreman | 
| Fabio William | Bill Ramsey | 
| Name | Job | 
|---|---|
| David Leslie Johnson-McGoldrick | Screenplay, Story | 
| Chad Hayes | Characters | 
| Carey Hayes | Characters | 
| Arnaud Brisebois | Visual Effects Supervisor | 
| Peter Borck | Supervising Art Director | 
| Michael Chaves | Director | 
| Michael Burgess | Director of Photography | 
| Adruitha Lee | Hair Department Head | 
| Anne McCarthy | Casting | 
| Bridget Shaw | Storyboard Artist | 
| Mark LeDoux | Visual Effects Supervisor | 
| Shauna Galligan | Stunt Double | 
| Jess Durham | Stunt Double | 
| Molly Miller | Stunt Double | 
| Chris Giles | Sound Mixer | 
| Joseph Bishara | Original Music Composer | 
| James Wan | Story | 
| Peter Gvozdas | Editor | 
| Kellie Roy | Casting | 
| Jennifer Spence | Production Design | 
| Rachel Block | Supervising Art Director | 
| Julian Scalia | Supervising Art Director | 
| Lisa Son | Set Decoration | 
| Leah Butler | Costume Design | 
| Lance Aldredge | Hairstylist | 
| Charmaine Balcerzak | Hairstylist | 
| Suzanna Boykin | Hairstylist | 
| Laura Dandridge | Makeup Artist | 
| Melanie Deforrest | Makeup Artist | 
| Sarah Graham | Makeup Artist | 
| Jennifer Hodges | Hairstylist | 
| Kimberly Jones | Key Makeup Artist | 
| Missy Lisenby | Makeup Artist | 
| Eleanor Sabaduquia | Makeup Department Head | 
| Melizah Anguiano Wheat | Key Hair Stylist | 
| Darla Wigley | Makeup Artist | 
| Will Greenfield | Unit Production Manager | 
| Tricia Miles | Post Production Supervisor | 
| Jeffrey Wetzel | First Assistant Director | 
| David Waters | Second Unit First Assistant Director | 
| Joann Connolly | Second Assistant Director | 
| Kristen B. Adams | Set Designer | 
| Ian J. Anderson | Leadman | 
| Hajr Avant | Art Department Assistant | 
| Cecelia Backiel | Art Department Assistant | 
| Maxwell Britton | Set Dresser | 
| Reuben Derek Brown | Prop Maker | 
| Shana McKay Burns | Set Designer | 
| Frank Casaceli | Prop Maker | 
| Colton Comans | Set Dresser | 
| Kevin Crooks | Set Designer | 
| Curtis Crowe | Construction Coordinator | 
| Jonathan Miles DeRosa | Props | 
| Faith Farrell | Scenic Artist | 
| Duncan Fletcher | Set Dresser | 
| Kate Forry Guanci | Property Master | 
| Jordan Foster | Set Dresser | 
| Madeline Grayson | Props | 
| Herbie Henderson | On Set Dresser | 
| Al Hobbs | Set Designer | 
| Lauren Lebow | Art Department Coordinator | 
| Meagen Lee | Graphic Designer | 
| Jason Redbeard Lewis | Carpenter | 
| Alexander K. Riba | Set Dresser | 
| Kurt Peterson | Boom Operator | 
| D. Chris Smith | Sound Designer | 
| Jon Title | Sound Effects Editor | 
| Donny Eidson | Pyrotechnician | 
| Kyle A. Wasserman | Special Effects Technician | 
| Ian Sutton | Special Effects Technician | 
| Joel Studer | Special Effects Technician | 
| Wayne Rowe | Special Effects Coordinator | 
| Jody Blose | Script Supervisor | 
| Ian Broucek | Music Supervisor | 
| Stuart Sperling | Assistant Editor | 
| Liz Calandrello | First Assistant Editor | 
| Jerry Wheat | Lighting Technician | 
| Jeff Wallace | Assistant Chief Lighting Technician | 
| Mark Sunderland | Additional Lighting Technician | 
| Deon Slacks | Lighting Technician | 
| Nick Seoane | Lighting Technician | 
| Riko Schatke | Best Boy Grip | 
| Paul Sanford | Grip | 
| Jesse Roth | Second Unit Director of Photography, Camera Operator | 
| Brian Rosso | Camera Operator | 
| Mike Robertson | Rigging Gaffer | 
| Louis Rendemonti | Lighting Technician | 
| Joseph Parker | Grip | 
| Caroline Oelkers | Loader | 
| Scott Montgomery | Camera Car | 
| Matthew C. McCarthy | Best Boy Grip | 
| Matt Matches | Second Assistant "B" Camera | 
| Colin Lutke | Lighting Technician | 
| Eric Leach | Second Unit Director of Photography | 
| Jeff LaBaume | Lighting Technician | 
| Darryl Humber | Dolly Grip | 
| Chris Lumpkin | Key Rigging Grip | 
| Jeff 'Moose' Howery | Key Grip | 
| Matthew Haskins | Second Assistant "A" Camera | 
| Lexi Guenard | Camera Production Assistant | 
| Mark Gilmer | Digital Imaging Technician | 
| Tony Gandolfi | Grip | 
| Joshua Davis | Gaffer | 
| Kenneth Bolton | Dolly Grip | 
| Mike Black | Grip | 
| Nicholas Xli Anderson | Rigging Grip | 
| Jason Augustin | Additional Lighting Technician | 
| Christian Wagner | Editor | 
| Emerald Gordon Wulf | Stunt Double | 
| Bryan Haines | VFX Artist | 
| Michael Babcock | Sound Re-Recording Mixer | 
| Jason W. Jennings | Supervising Sound Editor, Sound Designer | 
| Dave McMoyler | Sound Effects Editor | 
| Eric Bruneau | Visual Effects Producer | 
| Claire Callway | Visual Effects Producer | 
| Melanie La Rue | Visual Effects Producer | 
| Louis-Charles Lapointe | Visual Effects Producer | 
| Ineke Majoor | Visual Effects Producer | 
| Laurent Meste | VFX Artist | 
| Robert Nederhorst | Visual Effects Supervisor | 
| Josh Simmonds | Visual Effects Supervisor | 
| Ben Sumner | VFX Artist | 
| Olcun Tan | Visual Effects Supervisor | 
| Kamyllia Vasseur | VFX Artist | 
| Virginie Wintrebert | Visual Effects Producer | 
| Susan L. Bertram | Costume Supervisor | 
| Jordan Johnson | Set Costumer | 
| Maegan Robinson | Set Costumer | 
| Reetu Aggarwal | 3D Artist | 
| Paul Murphy | Grip | 
| Justin Kratzer | Accounting Clerk Assistant | 
| Alayna Glasthal | Executive Producer's Assistant | 
| Danielle Bozzone | Executive Producer's Assistant | 
| Sara Bennett | Assistant Editor | 
| Jessica Merideth | Stunts | 
| BJ McDonnell | Steadicam Operator | 
| Brittany Upchurch | Set Decoration Buyer | 
| Name | Title | 
|---|---|
| Peter Safran | Producer | 
| Judson Scott | Executive Producer | 
| Richard Brener | Executive Producer | 
| Dave Neustadter | Executive Producer | 
| James Wan | Producer | 
| Victoria Palmeri | Executive Producer | 
| Michelle Morrissey | Executive Producer | 
| Will Greenfield | Co-Producer | 
| Michael Clear | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 94 | 125 | 74 | 
| 2024 | 5 | 100 | 123 | 70 | 
| 2024 | 6 | 106 | 194 | 75 | 
| 2024 | 7 | 131 | 176 | 100 | 
| 2024 | 8 | 99 | 157 | 69 | 
| 2024 | 9 | 89 | 111 | 67 | 
| 2024 | 10 | 97 | 182 | 64 | 
| 2024 | 11 | 109 | 203 | 69 | 
| 2024 | 12 | 75 | 93 | 60 | 
| 2025 | 1 | 76 | 106 | 56 | 
| 2025 | 2 | 73 | 99 | 12 | 
| 2025 | 3 | 21 | 84 | 3 | 
| 2025 | 4 | 14 | 19 | 11 | 
| 2025 | 5 | 21 | 36 | 11 | 
| 2025 | 6 | 17 | 23 | 12 | 
| 2025 | 7 | 13 | 15 | 11 | 
| 2025 | 8 | 21 | 37 | 15 | 
| 2025 | 9 | 59 | 90 | 36 | 
| 2025 | 10 | 26 | 37 | 18 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 33 | 232 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 24 | 161 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 40 | 270 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 174 | 619 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 219 | 644 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 77 | 521 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 244 | 634 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 423 | 707 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 195 | 637 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 279 | 744 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 712 | 869 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 286 | 650 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 10 | 265 | 646 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 9 | 378 | 759 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 8 | 526 | 767 | 
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I've always questioned myself why The Conjuring Universe possesses more spin-offs than main titles since The Conjuring and The Conjuring 2 are, by far, the best films of the popular horror franchise. ... Looking at the numbers, The Nun holds the box office record, being the most successful movie of the saga financially, but ironically enough, it's also the most disliked film by both critics and audience members. The viral marketing campaign obviously hyped this spin-off to an unbelievable level of expectation, but it's still strange that it took five years to deliver another The Conjuring flick since both previous installments were tremendously profitable as well. With James Wan out of the director's chair and without a screenplay credit, my expectations weren't exactly high. Wan is one of the main reasons why The Conjuring movies work so well. From his ability to generate an enormous amount of suspense to the actually scary atmosphere, Wan is definitely one of the best horror directors of the last decade. Therefore, replacing him would always be a challenging task. Michael Chaves directed The Curse of La Llorona, a generic, bland horror flick that didn't have a single surprising element. However, I did compliment Chaves' work with the horror sequences since I did find them somewhat effective. So, I was still feeling optimistic about The Devil Made Me Do It... It's admittedly the weakest film of the trilogy, but it's still far from the awful Annabelle Comes Home or the hideous origin story about the famous nun. When it comes to the main titles, the exceptional production value is something all have in common. In fact, this latest flick is arguably the best-looking one. The horror sequences look stunning on the big screen, and the sound design is extremely impactful as always. It's worth remembering that this franchise doesn't waste hundreds of millions to make its movies, being a relatively low-budget cinematic universe, especially when compared to every other studio's massive sagas. Practical effects are always the go-to if possible, keeping the use of CGI to the minimum. Acting-wise, it's also where these films triumph. Patrick Wilson and Vera Farmiga share palpable chemistry, deeply elevating their characters' emotional connection. At its core, The Conjuring features a love story between Ed and Lorraine Warren, ultimately being their grounded, convincing, loving relationship that keeps the viewers interested in the least "based on a true story" events. Both actors deliver remarkable performances, as does the legendary John Noble (The Lord of the Rings, Fringe) as a former priest. I didn't know about his casting before the movie, so I was genuinely surprised by seeing Noble on the big screen again. He's absolutely phenomenal, as expected, and quite creepy as a mysterious character. Everyone else is decent enough, but I don't find any other interpretation worth noting. Unfortunately, this is as far as I can go compliment-wise. The primary narrative surrounding the actual case that gives the name to the film is nowhere near as interesting as the stories told in the previous The Conjuring movies. The case itself doesn't have much to tell, so the majority of the film rests on following the beloved couple going on side quests as detectives. Eventually, the clues found are connected to the main plot, but overall, David Leslie Johnson-McGoldrick's screenplay isn't that captivating. Despite the predictability and formulaic horror elements, there's a rather enjoyable "twist" to the whole "demon possession" routine that marks the entire franchise. The biggest disappointment is something I feared would happen without James Wan at the helm. The once terrifying, suspenseful atmosphere during the effective, creative jumpscare sequences now gives place to the generic build-up that viewers experience in some of the cheapest horror movies of today. Due to a character's health issue, the tension levels are constantly high for this person in particular, but for most of the runtime, the general environment lacks the essential scary feeling. The jumpscares look lazy and too obvious, a cliche that The Conjuring films fought hard to distance themselves from. In addition to this, it's a much darker movie than the rest in terms of lighting. Finally, I have mixed feelings about the ending. Without spoiling it, of course, it's similar to A Quiet Place Part II in the sense that two different sequences need to be edited together seamlessly so the viewers can easily follow what's happening without losing the tension and suspense. One of these scenes is particularly shaky, repetitive, and overly dark, which definitely left me a bit disappointed. Peter Gvozdas and Christian Wagner's editing is really good, though. Michael Burgess' cinematography offers a couple of gorgeous shots, and Joseph Bishara's score maintains the ominous tone of the franchise. James Wan is clearly missed, but Michael Chaves didn't do a bad job. The Conjuring: The Devil Made Me Do It is undoubtedly the weakest installment of the trilogy, but it's still quite far from the awful level of the worst films of the horror franchise. Boasting the trademark terrific production value of the saga, Patrick Wilson and Vera Farmiga deliver outstanding lead performances as the only two emotionally compelling characters. Overall, every element is lesser than the previous The Conjuring movies. From the less scary atmosphere to the unimaginative, generic jumpscares, Michael Chaves isn't able to replicate James Wan's tremendous levels of suspense and tension, despite a brilliant opening sequence. David Leslie Johnson-McGoldrick's screenplay focuses on many storylines indirectly connected to the main plot, ending up with a not-that-interesting narrative that doesn't quite justify the main title. Some technical attributes, mainly the editing and cinematography, as well as sound design, compensate with some entertainment. In the end, I still recommend it to fans of the cinematic universe and lovers of the horror genre. Rating: B-
Decent enough third entry that gets a little goofy at the end but I liked it, though not quite as good as the first two. I'd say Michael Chaves did a fine job directing utilizing some of the tricks James Wan did in the previous entries (like a one-shot scene going through the house early on). But li ... ke the others, the biggest plus is with Patrick Wilson and Vera Farmiga who were again wonderful together. **3.5/5**
So I watched the movie and what started off well, end up like a half way Romance movie. It had it's up and downs and then peaked and fell flat. Expected abit more for a series that is this good usually. ...
Full Analysis at https://www.spotamovie.com/ - **Intro** - Released in June 2021, “The Conjuring: The Devil Made Me Do It” is an American-British production that lasts for one hour and fifty-two minutes. It belongs to the genres of religion, crime, horror and drama, and it’s part of the “Conjuring U ... niverse.” The trial of Arne Johnson inspired the movie. The film is not precisely the reproduction of what happened. But we need to remember that it’s a movie, and fiction is mandatory for our entertainment. And the film is engaging. It provides moments of pure adrenaline and pieces of beautiful cinematography and photography. Although it is not perfect, we think it deserves your time because God, daemons and exorcisms, apparently, are with us, believe it or not. Let us explain it to you. - **The Story** - In July 1981, Ed and Lorraine Warren, a couple who specialised in paranormal investigations, were helping the Glatzel. Their eight-year son David was experiencing unexplained and disturbing symptoms, which were consuming David and the whole family. So the Warren decides that it’s time for a real exorcism, and they go to document it. But something terrible and unexpected is going to happen, and also the Warren get surprised. In fact, the event degenerates into an escalation of violence, murder, and occult rituals. The case became a worldwide event because, for the first time in history, the defence lawyer brought in front of the court the fact that a demon possessed the killer. Will the lawyer succeed with her defence? What is that Ed and Lorraine are going to prove?And what is your opinion about this surreal but true story? - **Full Analysis at https://www.spotamovie.com/the-conjuring-the-devil-made-me-do-it-2021-movie-review-and-analysis/**