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The Conjuring: The Devil Made Me Do It Poster

The Conjuring: The Devil Made Me Do It

The demonic case that shocked America.
2021 | 111m | English

(162324 votes)

TMDb IMDb

Popularity: 18 (history)

Details

Paranormal investigators Ed and Lorraine Warren encounter what would become one of the most sensational cases from their files. The fight for the soul of a young boy takes them beyond anything they'd ever seen before, to mark the first time in U.S. history that a murder suspect would claim demonic possession as a defense.
Release Date: May 25, 2021
Director: Michael Chaves
Writer: David Leslie Johnson-McGoldrick, James Wan
Genres: Horror, Mystery, Thriller
Keywords exorcism, supernatural, connecticut, sequel, paranormal investigation, 1980s, somber, religious horror, the conjuring universe, frightened
Production Companies New Line Cinema, The Safran Company, Atomic Monster
Box Office Revenue: $206,431,050
Budget: $39,000,000
Updates Updated: Aug 14, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Patrick Wilson Ed Warren
Vera Farmiga Lorraine Warren
Ruairí O'Connor Arne Cheyne Johnson
Sarah Catherine Hook Debbie Glatzel
Julian Hilliard David Glatzel
Charlene Amoia Judy Glatzel
Sterling Jerins Judy Warren
John Noble Father Kastner
Eugenie Bondurant The Occultist
Shannon Kook Drew Thomas
Ronnie Gene Blevins Bruno
Keith Arthur Bolden Sergeant Clay
Steve Coulter Father Gordon
Vince Pisani Father Newman
Megan Ashley Brown Lorraine Warren (teenage)
Mitchell Hoog Ed Warren (teenage)
Andrea Andrade Katie
Ashley LeConte Campbell Meryl Dewitt
Davis Osborne John Beckett
Paul Wilson Carl Glatzel
Mark Rowe Sergeant Thomas
Stella Doyle Mrs. Haskett
Ingrid Bisu Jessica
Stacy Johnson
Lindsay Ayliffe Judge
Nicky Buggs Witch Woman
Rebecca Lines Witch #2
Robert Walker Branchaud Prison Guard
Nicholas Massouh Doctor
Chris Greene Deputy
Kaleka Jury Foreman
Fabio William Bill Ramsey
Name Job
David Leslie Johnson-McGoldrick Screenplay, Story
Chad Hayes Characters
Carey Hayes Characters
Arnaud Brisebois Visual Effects Supervisor
Peter Borck Supervising Art Director
Michael Chaves Director
Michael Burgess Director of Photography
Adruitha Lee Hair Department Head
Anne McCarthy Casting
Bridget Shaw Storyboard Artist
Mark LeDoux Visual Effects Supervisor
Shauna Galligan Stunt Double
Jess Durham Stunt Double
Molly Miller Stunt Double
Chris Giles Sound Mixer
Joseph Bishara Original Music Composer
James Wan Story
Peter Gvozdas Editor
Kellie Roy Casting
Jennifer Spence Production Design
Rachel Block Supervising Art Director
Julian Scalia Supervising Art Director
Lisa Son Set Decoration
Leah Butler Costume Design
Lance Aldredge Hairstylist
Charmaine Balcerzak Hairstylist
Suzanna Boykin Hairstylist
Laura Dandridge Makeup Artist
Melanie Deforrest Makeup Artist
Sarah Graham Makeup Artist
Jennifer Hodges Hairstylist
Kimberly Jones Key Makeup Artist
Missy Lisenby Makeup Artist
Eleanor Sabaduquia Makeup Department Head
Melizah Anguiano Wheat Key Hair Stylist
Darla Wigley Makeup Artist
Will Greenfield Unit Production Manager
Tricia Miles Post Production Supervisor
Jeffrey Wetzel First Assistant Director
David Waters Second Unit First Assistant Director
Joann Connolly Second Assistant Director
Kristen B. Adams Set Designer
Ian J. Anderson Leadman
Hajr Avant Art Department Assistant
Cecelia Backiel Art Department Assistant
Maxwell Britton Set Dresser
Reuben Derek Brown Prop Maker
Shana McKay Burns Set Designer
Frank Casaceli Prop Maker
Colton Comans Set Dresser
Kevin Crooks Set Designer
Curtis Crowe Construction Coordinator
Jonathan Miles DeRosa Props
Faith Farrell Scenic Artist
Duncan Fletcher Set Dresser
Kate Forry Guanci Property Master
Jordan Foster Set Dresser
Madeline Grayson Props
Herbie Henderson On Set Dresser
Al Hobbs Set Designer
Lauren Lebow Art Department Coordinator
Meagen Lee Graphic Designer
Jason Redbeard Lewis Carpenter
Alexander K. Riba Set Dresser
Kurt Peterson Boom Operator
D. Chris Smith Sound Designer
Jon Title Sound Effects Editor
Donny Eidson Pyrotechnician
Kyle A. Wasserman Special Effects Technician
Ian Sutton Special Effects Technician
Joel Studer Special Effects Technician
Wayne Rowe Special Effects Coordinator
Jody Blose Script Supervisor
Ian Broucek Music Supervisor
Stuart Sperling Assistant Editor
Liz Calandrello First Assistant Editor
Jerry Wheat Lighting Technician
Jeff Wallace Assistant Chief Lighting Technician
Mark Sunderland Additional Lighting Technician
Deon Slacks Lighting Technician
Nick Seoane Lighting Technician
Riko Schatke Best Boy Grip
Paul Sanford Grip
Jesse Roth Second Unit Director of Photography, Camera Operator
Brian Rosso Camera Operator
Mike Robertson Rigging Gaffer
Louis Rendemonti Lighting Technician
Joseph Parker Grip
Caroline Oelkers Loader
Scott Montgomery Camera Car
Matthew C. McCarthy Best Boy Grip
Matt Matches Second Assistant "B" Camera
Colin Lutke Lighting Technician
Eric Leach Second Unit Director of Photography
Jeff LaBaume Lighting Technician
Darryl Humber Dolly Grip
Chris Lumpkin Key Rigging Grip
Jeff 'Moose' Howery Key Grip
Matthew Haskins Second Assistant "A" Camera
Lexi Guenard Camera Production Assistant
Mark Gilmer Digital Imaging Technician
Tony Gandolfi Grip
Joshua Davis Gaffer
Kenneth Bolton Dolly Grip
Mike Black Grip
Nicholas Xli Anderson Rigging Grip
Jason Augustin Additional Lighting Technician
Christian Wagner Editor
Emerald Gordon Wulf Stunt Double
Bryan Haines VFX Artist
Michael Babcock Sound Re-Recording Mixer
Jason W. Jennings Supervising Sound Editor, Sound Designer
Dave McMoyler Sound Effects Editor
Eric Bruneau Visual Effects Producer
Claire Callway Visual Effects Producer
Melanie La Rue Visual Effects Producer
Louis-Charles Lapointe Visual Effects Producer
Ineke Majoor Visual Effects Producer
Laurent Meste VFX Artist
Robert Nederhorst Visual Effects Supervisor
Josh Simmonds Visual Effects Supervisor
Ben Sumner VFX Artist
Olcun Tan Visual Effects Supervisor
Kamyllia Vasseur VFX Artist
Virginie Wintrebert Visual Effects Producer
Susan L. Bertram Costume Supervisor
Jordan Johnson Set Costumer
Maegan Robinson Set Costumer
Reetu Aggarwal 3D Artist
Paul Murphy Grip
Justin Kratzer Accounting Clerk Assistant
Alayna Glasthal Executive Producer's Assistant
Danielle Bozzone Executive Producer's Assistant
Sara Bennett Assistant Editor
Jessica Merideth Stunts
BJ McDonnell Steadicam Operator
Brittany Upchurch Set Decoration Buyer
Name Title
Peter Safran Producer
Judson Scott Executive Producer
Richard Brener Executive Producer
Dave Neustadter Executive Producer
James Wan Producer
Victoria Palmeri Executive Producer
Michelle Morrissey Executive Producer
Will Greenfield Co-Producer
Michael Clear Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 94 125 74
2024 5 100 123 70
2024 6 106 194 75
2024 7 131 176 100
2024 8 99 157 69
2024 9 89 111 67
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2024 12 75 93 60
2025 1 76 106 56
2025 2 73 99 12
2025 3 21 84 3
2025 4 14 19 11
2025 5 21 36 11
2025 6 17 23 12
2025 7 13 15 11
2025 8 21 37 15
2025 9 59 90 36
2025 10 26 37 18

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Reviews

msbreviews
6.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I've always questioned myself why The Conjuring Universe possesses more spin-offs than main titles since The Conjuring and The Conjuring 2 are, by far, the best films of the popular horror franchise. ... Looking at the numbers, The Nun holds the box office record, being the most successful movie of the saga financially, but ironically enough, it's also the most disliked film by both critics and audience members. The viral marketing campaign obviously hyped this spin-off to an unbelievable level of expectation, but it's still strange that it took five years to deliver another The Conjuring flick since both previous installments were tremendously profitable as well. With James Wan out of the director's chair and without a screenplay credit, my expectations weren't exactly high. Wan is one of the main reasons why The Conjuring movies work so well. From his ability to generate an enormous amount of suspense to the actually scary atmosphere, Wan is definitely one of the best horror directors of the last decade. Therefore, replacing him would always be a challenging task. Michael Chaves directed The Curse of La Llorona, a generic, bland horror flick that didn't have a single surprising element. However, I did compliment Chaves' work with the horror sequences since I did find them somewhat effective. So, I was still feeling optimistic about The Devil Made Me Do It... It's admittedly the weakest film of the trilogy, but it's still far from the awful Annabelle Comes Home or the hideous origin story about the famous nun. When it comes to the main titles, the exceptional production value is something all have in common. In fact, this latest flick is arguably the best-looking one. The horror sequences look stunning on the big screen, and the sound design is extremely impactful as always. It's worth remembering that this franchise doesn't waste hundreds of millions to make its movies, being a relatively low-budget cinematic universe, especially when compared to every other studio's massive sagas. Practical effects are always the go-to if possible, keeping the use of CGI to the minimum. Acting-wise, it's also where these films triumph. Patrick Wilson and Vera Farmiga share palpable chemistry, deeply elevating their characters' emotional connection. At its core, The Conjuring features a love story between Ed and Lorraine Warren, ultimately being their grounded, convincing, loving relationship that keeps the viewers interested in the least "based on a true story" events. Both actors deliver remarkable performances, as does the legendary John Noble (The Lord of the Rings, Fringe) as a former priest. I didn't know about his casting before the movie, so I was genuinely surprised by seeing Noble on the big screen again. He's absolutely phenomenal, as expected, and quite creepy as a mysterious character. Everyone else is decent enough, but I don't find any other interpretation worth noting. Unfortunately, this is as far as I can go compliment-wise. The primary narrative surrounding the actual case that gives the name to the film is nowhere near as interesting as the stories told in the previous The Conjuring movies. The case itself doesn't have much to tell, so the majority of the film rests on following the beloved couple going on side quests as detectives. Eventually, the clues found are connected to the main plot, but overall, David Leslie Johnson-McGoldrick's screenplay isn't that captivating. Despite the predictability and formulaic horror elements, there's a rather enjoyable "twist" to the whole "demon possession" routine that marks the entire franchise. The biggest disappointment is something I feared would happen without James Wan at the helm. The once terrifying, suspenseful atmosphere during the effective, creative jumpscare sequences now gives place to the generic build-up that viewers experience in some of the cheapest horror movies of today. Due to a character's health issue, the tension levels are constantly high for this person in particular, but for most of the runtime, the general environment lacks the essential scary feeling. The jumpscares look lazy and too obvious, a cliche that The Conjuring films fought hard to distance themselves from. In addition to this, it's a much darker movie than the rest in terms of lighting. Finally, I have mixed feelings about the ending. Without spoiling it, of course, it's similar to A Quiet Place Part II in the sense that two different sequences need to be edited together seamlessly so the viewers can easily follow what's happening without losing the tension and suspense. One of these scenes is particularly shaky, repetitive, and overly dark, which definitely left me a bit disappointed. Peter Gvozdas and Christian Wagner's editing is really good, though. Michael Burgess' cinematography offers a couple of gorgeous shots, and Joseph Bishara's score maintains the ominous tone of the franchise. James Wan is clearly missed, but Michael Chaves didn't do a bad job. The Conjuring: The Devil Made Me Do It is undoubtedly the weakest installment of the trilogy, but it's still quite far from the awful level of the worst films of the horror franchise. Boasting the trademark terrific production value of the saga, Patrick Wilson and Vera Farmiga deliver outstanding lead performances as the only two emotionally compelling characters. Overall, every element is lesser than the previous The Conjuring movies. From the less scary atmosphere to the unimaginative, generic jumpscares, Michael Chaves isn't able to replicate James Wan's tremendous levels of suspense and tension, despite a brilliant opening sequence. David Leslie Johnson-McGoldrick's screenplay focuses on many storylines indirectly connected to the main plot, ending up with a not-that-interesting narrative that doesn't quite justify the main title. Some technical attributes, mainly the editing and cinematography, as well as sound design, compensate with some entertainment. In the end, I still recommend it to fans of the cinematic universe and lovers of the horror genre. Rating: B-

Jun 23, 2021
JPV852
7.0

Decent enough third entry that gets a little goofy at the end but I liked it, though not quite as good as the first two. I'd say Michael Chaves did a fine job directing utilizing some of the tricks James Wan did in the previous entries (like a one-shot scene going through the house early on). But li ... ke the others, the biggest plus is with Patrick Wilson and Vera Farmiga who were again wonderful together. **3.5/5**

Jun 23, 2021
The_Bad_Critic
6.0

So I watched the movie and what started off well, end up like a half way Romance movie. It had it's up and downs and then peaked and fell flat. Expected abit more for a series that is this good usually. ...

Jul 08, 2021
bastag
7.0

Full Analysis at https://www.spotamovie.com/ - **Intro** - Released in June 2021, “The Conjuring: The Devil Made Me Do It” is an American-British production that lasts for one hour and fifty-two minutes. It belongs to the genres of religion, crime, horror and drama, and it’s part of the “Conjuring U ... niverse.” The trial of Arne Johnson inspired the movie. The film is not precisely the reproduction of what happened. But we need to remember that it’s a movie, and fiction is mandatory for our entertainment. And the film is engaging. It provides moments of pure adrenaline and pieces of beautiful cinematography and photography. Although it is not perfect, we think it deserves your time because God, daemons and exorcisms, apparently, are with us, believe it or not. Let us explain it to you. - **The Story** - In July 1981, Ed and Lorraine Warren, a couple who specialised in paranormal investigations, were helping the Glatzel. Their eight-year son David was experiencing unexplained and disturbing symptoms, which were consuming David and the whole family. So the Warren decides that it’s time for a real exorcism, and they go to document it. But something terrible and unexpected is going to happen, and also the Warren get surprised. In fact, the event degenerates into an escalation of violence, murder, and occult rituals. The case became a worldwide event because, for the first time in history, the defence lawyer brought in front of the court the fact that a demon possessed the killer. Will the lawyer succeed with her defence? What is that Ed and Lorraine are going to prove?And what is your opinion about this surreal but true story? - **Full Analysis at https://www.spotamovie.com/the-conjuring-the-devil-made-me-do-it-2021-movie-review-and-analysis/**

Nov 08, 2021