 
  Popularity: 3 (history)
| Director: | Lewis Milestone | 
|---|---|
| Writer: | Ben Hecht, Bartlett Cormack, Charles MacArthur | 
| Staring: | 
| Hildy Johnson is an investigative reporter looking for a bigger paycheck. When an accused murderer escapes from custody, Hildy sees an opportunity for the story of a lifetime. But when he finds the criminal, he learns that the man may not be guilty. With the help of his editor, Hildy attempts to hide the convict, uncover the conspiracy and write the scoop of his career. | |
| Release Date: | Apr 04, 1931 | 
|---|---|
| Director: | Lewis Milestone | 
| Writer: | Ben Hecht, Bartlett Cormack, Charles MacArthur | 
| Genres: | Comedy, Drama, Romance, Crime | 
| Keywords | newspaper, escaped convict, reporter, screwball comedy, newspaper editor, pre-code, editor, press room, rolltop desk | 
| Production Companies | The Caddo Company | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Pat O’Brien | Hildy Johnson | 
| Adolphe Menjou | Walter Burns | 
| Mary Brian | Peggy Grant | 
| Edward Everett Horton | Bensinger | 
| Walter Catlett | Murphy | 
| George E. Stone | Earl Williams | 
| Mae Clarke | Molly | 
| Slim Summerville | Pincus | 
| Matt Moore | Kruger | 
| Frank McHugh | McCue | 
| Clarence Wilson | Sheriff Hartman | 
| Fred Howard | Schwartz | 
| Phil Tead | Wilson | 
| Eugene Strong | Endicott | 
| Spencer Charters | Woodenshoes | 
| Maurice Black | Diamond Louie | 
| Effie Ellsler | Mrs. Grant | 
| Dorothea Wolbert | Jenny | 
| James Gordon | The Mayor | 
| Herman J. Mankiewicz | (Undetermined Secondary Role) | 
| Name | Job | 
|---|---|
| Lewis Milestone | Director | 
| Ben Hecht | Writer | 
| Charles Lederer | Additional Dialogue | 
| Nate Watt | Assistant Director | 
| Charles Stallings | Production Manager | 
| Glen MacWilliams | Director of Photography | 
| Duncan Mansfield | Editor | 
| Richard Day | Settings | 
| Bartlett Cormack | Adaptation | 
| Charles MacArthur | Writer | 
| Frank Grenzback | Sound Engineer | 
| Name | Title | 
|---|---|
| Howard Hughes | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 26 | 64 | 11 | 
| 2024 | 5 | 90 | 108 | 64 | 
| 2024 | 6 | 53 | 106 | 14 | 
| 2024 | 7 | 16 | 31 | 8 | 
| 2024 | 8 | 11 | 22 | 6 | 
| 2024 | 9 | 8 | 17 | 5 | 
| 2024 | 10 | 10 | 20 | 5 | 
| 2024 | 11 | 9 | 17 | 4 | 
| 2024 | 12 | 8 | 14 | 4 | 
| 2025 | 1 | 7 | 15 | 5 | 
| 2025 | 2 | 6 | 9 | 2 | 
| 2025 | 3 | 3 | 9 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 5 | 1 | 
| 2025 | 6 | 2 | 4 | 1 | 
| 2025 | 7 | 1 | 3 | 0 | 
| 2025 | 8 | 1 | 2 | 0 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
Newspaper man "Hildy" (Pat O'Brien) is heading to New York with his fiancée "Peggy" (Mary Brian) to take a better paid job in the advertising world. His editor "Burns" (Adolphe Menjou) has one last story for him to cover and has to play quite a clever game to ensure that his best reporter takes on t ... he story. It's all about convicted killer "Earle Williams" (George E. Stone) who manages to escape from death row. "Hildy" spends his honeymoon fund to tap up an insider and to track down the man - only to conclude that maybe he didn't actually commit the crime for which he is to hang, after all. He now concocts a clever plan to hide the man - in a bureau, whilst he and his editor try to get to the bottom of the real crime. With the sheriff getting ever closer and with his fellow press hounds on the trail too, what now ensues is a quickly paced and fast-talking look at press journalism. Most of them are hacks, making up what they don't know, safe in the knowledge that the only scrutiny will come should the circulation drop. There are a few pithy one-liners too - not least from a recent visitor to the grotty prison who wonders how the prisoners stay alive long enough to be hung! What does work here is the cynicism. The writing takes a swipe at just about everyone from the press to the police; the courts and the system. Corruption and back-handers are rife up and down the greasy pole and the humour here is a little more sophisticated than in your face. I did find, however, that there is way too much dialogue and the investigative elements border on the farce a little too much for my liking, but it's still a cleverly constructed story of cats, mice and balls of wool that shows off the talents of the often under-rated Menjou well.