Popularity: 5 (history)
Director: | Adam Robitel |
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Writer: | Bragi F. Schut, Maria Melnik |
Staring: |
Six strangers find themselves in circumstances beyond their control, and must use their wits to survive. | |
Release Date: | Jan 03, 2019 |
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Director: | Adam Robitel |
Writer: | Bragi F. Schut, Maria Melnik |
Genres: | Horror, Mystery, Thriller |
Keywords | key, puzzle, magnet, escape room, mysterious box, death game, riddle, game, box, traumatized person, sliding puzzle, chicago, illinois, code, clue, cube, teamwork, pool table |
Production Companies | Columbia Pictures, Original Film |
Box Office |
Revenue: $155,712,077
Budget: $9,000,000 |
Updates |
Updated: Aug 15, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Taylor Russell | Zoey Davis |
Logan Miller | Ben Miller |
Jay Ellis | Jason Walker |
Deborah Ann Woll | Amanda Harper |
Nik Dodani | Danny Khan |
Tyler Labine | Mike Nolan |
Yorick van Wageningen | Games Master WooTan Yu |
Cornelius Geaney Jr. | College Professor |
Russell Crous | Charlie - Jason's Assistant |
Bart Fouche | Gary - Ben's Boss |
Jessica Sutton | Allison - Zoey's Roommate |
Paul Hampshire | Hazmat One |
Vere Tindale | Minos Security Guard / Hazmat Two |
Kenneth Fok | Detective Li |
Caely-Jo Levy | Nurse |
Jamie-Lee Money | Rosa / 1st Flight Attendant |
Jeremy Jess Boado | Business Passenger |
Inge Beckmann | 2nd Flight Attendant |
Carl Coetzee | Pilot #1 |
Katheryn Griffiths | Pilot #2 |
Gary Green | Minos Technician #1 |
Raven Swart | Minos Technician #2 |
Dan Gruenberg | Fabricator |
Gino Lee | Ben's Teenage Friend |
Álex Martínez | Football Player |
Rebecca Riedy | Puzzle Maker |
Adam Robitel | Gabe |
Pete Sepenuk | Hazmat Joe |
Mario Tardón | Coach |
Alfredo Tavares | Detective |
Name | Job |
---|---|
Adam Robitel | Director |
Bragi F. Schut | Story, Screenplay |
Marc Spicer | Director of Photography |
John Carey | Original Music Composer |
Brian Tyler | Original Music Composer |
Steve Mirkovich | Editor |
Bonnie Lee Bouman | Casting |
Kill the Noise | Songs |
Maria Melnik | Screenplay |
Reza Levy | Costume Designer |
Grant Hulley | Stunt Coordinator, Second Unit Director |
Robyn Glaser | Second Assistant Director |
Andre Weavind | First Assistant Director |
Donovan Roberts-Baxter | Line Producer |
Mark Walker | Supervising Art Director |
Malwande Sigabi | Art Direction |
Cecelia van Straaten | Art Direction |
Wynand Smit | Art Direction |
Ria van Heerden | Script Supervisor |
Rebecca Rivo | Unit Production Manager |
Calvin Hayward | Production Manager |
Tracy Perkins | Set Decoration |
Kerry von Lillienveld | Property Master |
Conrad Kuhne | Production Sound Mixer, Sound Mixer |
Max Poolman | Special Effects Supervisor |
David Bloomer | Still Photographer |
Carien Smit | Script Supervisor |
Grant Appleton | Second Unit Director of Photography, "B" Camera Operator |
Sean McCormack | Supervising Sound Editor |
Tateum Kohut | Sound Re-Recording Mixer |
Greg P. Russell | Sound Re-Recording Mixer |
Adrian Methurst | Foley Artist |
Marc Bloch | Visual Effects Supervisor |
Jeremy Hattingh | Visual Effects Supervisor |
Byron Tofas | Compositing Lead |
Christa Schamberger | Casting Director |
Lynne-Anne Vosloo | Line Producer |
Andrew LemMon | Set Decoration |
Tamara Hunter | Casting |
Edward Thomas | Production Design |
Grant Powell | Fight Choreographer |
Sarel Pretorius | Steadicam Operator, "A" Camera Operator |
Frank Gardner | First Assistant "A" Camera |
Diogo Domingues | First Assistant "B" Camera |
Margaret Muggleston | Second Assistant "A" Camera |
Toto Dzingwa | Second Assistant "B" Camera |
Nigel Tompkins | Digital Imaging Technician |
Abigail Metcalfe | Costume Supervisor |
Caity Shearer | Key Costumer |
Jeremy Johnson | Costumer |
Tacara Dore | Costumer |
Simone Stubbs | Makeup Designer, Hair Designer |
Evelyn Gambe | Key Makeup Artist, Special Effects Makeup Artist |
Thami Nkosi | Key Hair Stylist |
Natassha Struwig | Makeup Artist |
Tarryn Kohler | Makeup Artist |
Esté Ueckermann | Makeup Artist |
Plaxedes Kelias | Makeup Artist |
Justin Paterson | Chief Lighting Technician |
Phillip Mhlabane | Assistant Chief Lighting Technician |
Ludwe Balintulo | Rigging Gaffer |
Selemani Mahango | Rigging Supervisor |
Zaan Wienand | Key Grip |
Vikelani Ncube | Grip |
Chris Hope | Dolly Grip |
Gabriel Riley | Key Rigging Grip |
Sean Potgieter | Rigging Grip |
Ian Arrow | Boom Operator |
Robyn Jansen | Utility Sound |
Deon Du Preez | Location Manager |
Dino Denton | Assistant Location Manager |
Jada Thwala | Production Coordinator |
Jarrod Allies | Assistant Production Coordinator |
Robyn Petersen | Assistant Production Coordinator |
Gai Harvison-Petzer | Production Accountant |
Nadeema October | Payroll Accountant |
Natalia Voorslag | Assistant Accountant |
Tiaan Kotze | Assistant Accountant |
Nomthandazo Mvula | Assistant Accountant |
Brendan Smithers | Construction Manager |
Elzaan Wilson | Construction Coordinator |
Evangelos Tsiroukis | Draughtsman |
Cindy Sasman | Art Department Coordinator |
Michelle van Besouw | Leadman |
Fabio Mibazwana | Set Dresser |
Martin Barrios | Props |
Dezi Rorich | Unit Publicist |
David Tumahole | Second Second Assistant Director |
Nkululeko Radebe | Third Assistant Director |
Sarah Perkins | Casting Associate |
Emma Wold | Casting Assistant |
Rose Wicksteed | Casting |
Sophie Kingston-Smith | Casting Assistant |
Trent Moffett | Extras Casting |
Adrian Galley | Dialect Coach |
Sten Runyowa | Craft Service |
Peter Pav | Additional Editor |
Jason Sacharoff | Assistant Editor |
Kami Asgar | Supervising ADR Editor |
Erin Oakley | Supervising ADR Editor |
Robert Troy | Dialogue Editor |
Robert Chen | Dialogue Editor |
Paul Pirola | Sound Effects Editor |
Tim Tuchrello | Assistant Sound Editor |
Adrian Medhurst | Foley Artist |
Ryan Squires | Foley Mixer |
Brian Smith | ADR Mixer |
Howard London | ADR Mixer |
Joe Lisanti | Music Editor |
Matthew Llewellyn | Music Editor |
Tom Reiser | Digital Colorist |
Name | Title |
---|---|
Ori Marmur | Producer |
Rebecca Rivo | Executive Producer |
Karina Rahardja | Co-Producer |
Neal H. Moritz | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 37 | 50 | 25 |
2024 | 5 | 49 | 86 | 29 |
2024 | 6 | 38 | 77 | 27 |
2024 | 7 | 34 | 53 | 23 |
2024 | 8 | 48 | 72 | 26 |
2024 | 9 | 27 | 33 | 20 |
2024 | 10 | 40 | 85 | 22 |
2024 | 11 | 32 | 63 | 21 |
2024 | 12 | 36 | 84 | 20 |
2025 | 1 | 42 | 67 | 29 |
2025 | 2 | 31 | 48 | 6 |
2025 | 3 | 13 | 42 | 3 |
2025 | 4 | 8 | 11 | 5 |
2025 | 5 | 7 | 12 | 4 |
2025 | 6 | 6 | 9 | 4 |
2025 | 7 | 6 | 8 | 5 |
2025 | 8 | 5 | 8 | 4 |
2025 | 9 | 6 | 9 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 271 | 644 |
Year | Month | High | Avg |
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2025 | 8 | 386 | 686 |
Year | Month | High | Avg |
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2025 | 7 | 394 | 730 |
Year | Month | High | Avg |
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2025 | 6 | 414 | 706 |
Year | Month | High | Avg |
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2025 | 5 | 479 | 777 |
Year | Month | High | Avg |
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2025 | 4 | 411 | 795 |
Year | Month | High | Avg |
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2025 | 3 | 308 | 694 |
Year | Month | High | Avg |
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2025 | 2 | 293 | 741 |
Year | Month | High | Avg |
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2025 | 1 | 348 | 761 |
Year | Month | High | Avg |
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2024 | 12 | 704 | 750 |
Year | Month | High | Avg |
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2024 | 11 | 505 | 792 |
Year | Month | High | Avg |
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2024 | 10 | 447 | 720 |
Year | Month | High | Avg |
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2024 | 9 | 853 | 900 |
Year | Month | High | Avg |
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2024 | 8 | 730 | 889 |
I think this is about the third escape room based horror movie I've seen, and I'm **preeeeeeetty sure** it's the best one? _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ ...
Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/out-of-the-box-escape-roomnbspreview<a> _Escape Room_ is a horror-movie take on the puzzle-solving fun of escape rooms currently sweeping the United States. Granted, the popular real-life escape rooms do not have an ... added element of death, but _Escape Room_ the movie does not shy away from quite a few grisly murders.
This is really about some amazingly inventive visuals as we follow some well-deserving egotists and miscreants who find themselves caught up in lethal, industrial scale, version of the "Adventure Game". They've been lured by the prospect of winning quite a measly $10k, so we ought not to be surprise ... d by the quality of entrant for this adventure as they must pit their collective wits against a designer from hell. The whole point of the game, though, is that they do have a chance, if they can think quickly enough on their feet and/or play pool upside down. It might well work fine as a video game, but as a feature on screen it's really a lame collection of acting talent delivering increasingly hysterical dialogue in an environment for which I was heartily cheering from the moment I met "Ben" (Logan Miller), "Zoey" (Taylor Russell) and the rest of a gang of people for whom over-confidence is the order of the day. It does look good and it's decently paced with an agreeable degree of jeopardy, but from my perspective any survivor was going to be one too many, so any result other than that was merely going to disappoint and/or scream sequel at us.
Escape Room (2019) kicks off with an intriguing premise that instantly hooks you. The movie thrives on its creative and visually impressive room designs, with each puzzle adding layers of tension and suspense. It’s fast-paced and keeps you entertained throughout, making it an enjoyable watch for fan ... s of thrillers and puzzle-based challenges. However, the emotional connection with the characters feels thin, which slightly dampens the impact of the stakes. You’ll root for their survival but probably won’t remember much about them once the credits roll. The ending, while tying into the sequel, leaves you with a sense of incompleteness, an all-too-common trend in franchise filmmaking that can feel tiresome. Sometimes, you just want a self-contained story that offers closure without setting up the next installment. That said, the movie is still fun for what it is, especially if you’re not expecting deep storytelling. It’s a visually engaging, suspenseful ride that’s worth watching, even if it doesn’t leave a lasting emotional impression