Popularity: 5 (history)
Director: | Martin Scorsese |
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Writer: | Brian Selznick, John Logan |
Staring: |
Orphaned and alone except for an uncle, Hugo Cabret lives in the walls of a train station in 1930s Paris. Hugo's job is to oil and maintain the station's clocks, but to him, his more important task is to protect a broken automaton and notebook left to him by his late father. Accompanied by the goddaughter of an embittered toy merchant, Hugo embarks on a quest to solve the mystery of the automaton and find a place he can call home. | |
Release Date: | Nov 22, 2011 |
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Director: | Martin Scorsese |
Writer: | Brian Selznick, John Logan |
Genres: | Family, Adventure, Drama |
Keywords | paris, france, library, clock tower, based on novel or book, movie business, clock, museum, key, train accident, steampunk, montparnasse, orphan, robot, hiding, filmmaking, security guard, leg brace, doberman, toy store, runaway train, railway station, guard dog, toy maker, mechanics, cinema history, mechanical toys, ticking clock, based on young adult novel, clockwork, train station, toy, stationmaster, clockmaker, mechanical dolls |
Production Companies | Paramount Pictures, Infinitum Nihil, GK Films, Sikelia Productions, Mandate International |
Box Office |
Revenue: $185,770,160
Budget: $170,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Asa Butterfield | Hugo Cabret |
Ben Kingsley | Georges Méliès |
Chloë Grace Moretz | Isabelle |
Sacha Baron Cohen | Station Inspector |
Ray Winstone | Uncle Claude |
Emily Mortimer | Lisette |
Christopher Lee | Monsieur Labisse |
Helen McCrory | Mama Jeanne |
Michael Stuhlbarg | René Tabard |
Frances de la Tour | Madame Emilie |
Richard Griffiths | Monsieur Frick |
Jude Law | Hugo's Father |
Kevin Eldon | Policeman |
Gulliver McGrath | Young Tabard |
Shaun Aylward | Street Kid |
Emil Lager | Django Reinhardt |
Angus Barnett | Theatre Manager |
Edmund Kingsley | Camera Technician |
Max Wrottesley | Train Engineer |
Marco Aponte | Train Engineer Assistant |
Ilona Cheshire | Café Waitress |
Francesca Scorsese | Child at Café |
Emily Surgent | Child at Café |
Lily Carlson | Child at Café |
Frederick Warder | Arabian Knight |
Christos Lawton | Arabian Knight |
Tomos James | Arabian Knight |
Ed Sanders | Young Tabard's Brother |
Terence Frisch | Circus Barker |
Max Cane | Circus Barker |
Frank Bourke | Gendarme |
Stephen Box | Gendarme |
Ben Addis | Salvador Dali |
Robert Gill | James Joyce |
Graham Curry | Railway Porteur 71 (uncredited) |
Eric Haldezos | Policeman (uncredited) |
Hugo Malpeyre | Theater Guest (uncredited) |
Gino Picciano | Worker (uncredited) |
Michael Pitt | Projectionist (uncredited) |
Martin Scorsese | Photographer (uncredited) |
Brian Selznick | Party Guest (uncredited) |
Catherine Balavage | Girl in Cafe |
Name | Job |
---|---|
Martin Scorsese | Director |
Brian Selznick | Book |
Howard Shore | Original Music Composer |
John Logan | Screenplay |
Robert Richardson | Director of Photography |
Thelma Schoonmaker | Editor |
Dante Ferretti | Production Design |
Sandy Powell | Costume Design |
Francesca Lo Schiavo | Set Decoration |
Doug Coleman | Stunt Coordinator |
Morag Ross | Makeup Designer |
Meghan Rafferty | Casting Associate |
Craig Barron | Visual Effects |
Simon Rhodes | Scoring Mixer |
Robert Legato | Visual Effects Supervisor |
Clive Lamming | Scientific Consultant |
John Knoll | Visual Effects Supervisor |
Eliza Coleman | Stunts |
Marc Mailley | Stunts |
Olly Tellett | First Assistant "B" Camera |
Philip Stockton | Dialogue Editor, Supervising Sound Editor |
Marissa Littlefield | Supervising ADR Editor |
Branka Mrkic | Dialogue Editor |
Kam Chan | Foley Editor |
Jamie Baker | Foley Editor |
Ellen Lewis | Casting |
Martin Foley | Art Direction |
Kate Benton | Makeup Artist |
Gillian Aldam | Stunts |
Max Leonard | Visual Effects |
Thomas Nittmann | Visual Effects |
Ben Gladstone | Location Manager |
Marisa Clayton | Digital Intermediate |
John Midgley | Production Sound Mixer |
Marko Costanzo | Foley |
Frank Kern | Foley |
George A. Lara | Foley |
Paul Sharp | Best Boy Electrician |
Lee Walters | Gaffer |
Jennifer Dunnington | Music Editor |
Kelley Cribben | Post Production Supervisor |
Chris Fielder | First Assistant Sound Editor |
Tom Fleischman | Sound Re-Recording Mixer |
Eugene Gearty | Sound Designer |
Matt Garner | Visual Effects Editor |
Jeremiah Sweeney | VFX Artist |
Edson Williams | VFX Artist |
David Davenport | Costume Supervisor |
Allison Pokladowski | Assistant Costume Designer |
Charles Heidet | Transportation Coordinator |
Jaap Buitendijk | Still Photographer |
Martha Pinson | Script Supervisor |
Deborah Jarvis | Makeup Artist |
Stuart Rose | Art Direction |
Karen M. Murphy | Visual Effects Producer |
Jan Archibald | Hair Designer |
Stephanie Hovette | Wigmaker |
Michael Solinger | Post Production Supervisor |
Laura Schalker | Hairstylist |
Joss Williams | Special Effects Supervisor |
David Warren | Supervising Art Director |
Stephen Castor | Thanks |
Suzanne Stokes-Munton | Hairstylist |
Michael Kowalski | Visual Effects Producer |
Lee Eldred | Grip |
Christopher Surgent | First Assistant Director |
David Balfour | Property Master |
Ben Grossmann | Visual Effects Supervisor |
Alex Henning | Digital Effects Supervisor |
Alex Bowens | Art Department Assistant |
John Bernard | Line Producer |
Rick Yorn | Thanks |
Michael Byrch | Stunts |
Jack Shahram Ghoulian | Visual Effects Supervisor |
Eric Kasanowski | CG Artist |
Name | Title |
---|---|
Martin Scorsese | Producer |
Tim Headington | Producer |
Graham King | Producer |
Barbara De Fina | Executive Producer |
Georgia Kacandes | Executive Producer |
Emma Tillinger Koskoff | Executive Producer |
Charles Newirth | Executive Producer |
David Crockett | Executive Producer |
Christi Dembrowski | Executive Producer |
Johnny Depp | Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Actor | Sacha Baron Cohen | Nominated |
Academy Awards | Best Picture | N/A | Nominated |
Academy Awards | Best Director | Martin Scorsese | Nominated |
Golden Globes | Best Picture | N/A | Nominated |
Golden Globes | Best Director | Martin Scorsese | Nominated |
BAFTA Awards | Best Director | Martin Scorsese | Nominated |
SAG Awards | Best Actress | Melissa McCarthy | Nominated |
SAG Awards | Best Director | Martin Scorsese | Nominated |
SAG Awards | Best Supporting Actress | Chloë Grace Moretz | Nominated |
SAG Awards | Best Picture | N/A | Nominated |
Berlin International Film Festival | Best Supporting Actor | Sacha Baron Cohen | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 36 | 57 | 21 |
2024 | 5 | 38 | 65 | 24 |
2024 | 6 | 31 | 49 | 24 |
2024 | 7 | 42 | 58 | 25 |
2024 | 8 | 30 | 55 | 21 |
2024 | 9 | 23 | 40 | 15 |
2024 | 10 | 31 | 53 | 17 |
2024 | 11 | 31 | 53 | 19 |
2024 | 12 | 30 | 58 | 22 |
2025 | 1 | 30 | 61 | 21 |
2025 | 2 | 20 | 33 | 4 |
2025 | 3 | 8 | 24 | 2 |
2025 | 4 | 6 | 11 | 4 |
2025 | 5 | 6 | 11 | 4 |
2025 | 6 | 5 | 8 | 4 |
2025 | 7 | 5 | 7 | 4 |
2025 | 8 | 5 | 6 | 3 |
2025 | 9 | 5 | 7 | 4 |
2025 | 10 | 5 | 5 | 5 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 536 | 793 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 607 | 811 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 863 | 910 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 435 | 695 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 440 | 729 |
Year | Month | High | Avg |
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2025 | 4 | 493 | 778 |
Year | Month | High | Avg |
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2025 | 3 | 750 | 896 |
Year | Month | High | Avg |
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2025 | 2 | 599 | 774 |
Year | Month | High | Avg |
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2025 | 1 | 482 | 798 |
Year | Month | High | Avg |
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2024 | 12 | 657 | 864 |
Year | Month | High | Avg |
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2024 | 11 | 509 | 783 |
Year | Month | High | Avg |
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2024 | 10 | 208 | 631 |
Year | Month | High | Avg |
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2024 | 8 | 852 | 909 |
Really good watch, might watch again, and can recommend. Asa Butterfield, Chloe Grace-Moretz, Ben Kingsley, and Sacha Baron Cohen all give a great performance in this weird, weird setting of an alt history train station, or hell, maybe this is a true story and I'm just that unfamiliar with the bi ... rth of cinema. There is a great message of love and togetherness in this, but it's told in such an odd way. It's very refreshing, but a family movie from the point of view of an orphan is untraditional, and then there is all this theming of mechanics and along with weird dreams. Despite all the artsy fartsy nonsense, the experience and story are both fun and charming. As long as you have an open mind, I'm sure this will be a fun watch.