Popularity: 4 (history)
| Director: | Josie Rourke |
|---|---|
| Writer: | John Guy, Beau Willimon |
| Staring: |
| In 1561, Mary Stuart, widow of the King of France, returns to Scotland, reclaims her rightful throne and menaces the future of Queen Elizabeth I as ruler of England, because she has a legitimate claim to the English throne. Betrayals, rebellions, conspiracies and their own life choices imperil both Queens. They experience the bitter cost of power, until their tragic fate is finally fulfilled. | |
| Release Date: | Dec 07, 2018 |
|---|---|
| Director: | Josie Rourke |
| Writer: | John Guy, Beau Willimon |
| Genres: | Drama, History |
| Keywords | scotland, based on novel or book, cousin, royal family, biography, queen elizabeth i, tudor, female prisoner, burlesque, cousin relationship, woman director, 16th century, british monarchy, house of stuart, apathetic |
| Production Companies | Focus Features, Working Title Films, 3dot Productions, Perfect World Pictures |
| Box Office |
Revenue: $46,712,809
Budget: $25,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Saoirse Ronan | Mary Stuart |
| Margot Robbie | Queen Elizabeth I |
| Jack Lowden | Henry Darnley |
| Joe Alwyn | Robert Dudley |
| David Tennant | John Knox |
| Guy Pearce | William Cecil |
| Gemma Chan | Bess of Hardwick |
| Martin Compston | Earl of Bothwell |
| Ismael Cruz Cordova | David Rizzio |
| Brendan Coyle | Earl of Lennox |
| Ian Hart | Lord Maitland |
| James McArdle | James, Earl of Moray |
| Richard Cant | Thomas Andrews |
| Guy Rhys | Earl of Kent |
| Thom Petty | Earl of Shrewsbury |
| Izuka Hoyle | Mary Seton |
| John Ramm | Bull |
| Simon Russell Beale | Robert Beale |
| Maria Dragus | Mary Fleming |
| Liah O'Prey | Mary Livingston |
| Eileen O'Higgins | Mary Beaton |
| Greg Miller Burns | Thomas Hepburn |
| Aneurin Pascoe | John Hepburn |
| Adrian Derrick-Palmer | George Dalgleish |
| Kal Sabir | The Laird of Ramorny |
| Luke Kidd | James Haliburton |
| Adrian Lester | Lord Randolph |
| Georgia Burnell | Kate Carey |
| Alan Turkington | Thomas Jenye |
| Euan Macnaughton | William Kirkcaldy of Grange |
| Scot Greenan | Hector Maclean |
| Karen Dunbar | Commoner |
| Ian Hallard | Sir Richard Knightley |
| Andrew Rothney | King James I |
| Angela Bain | Snuffer Woman |
| Abby Cassidy | Fotheringhay Gentlewoman |
| Shalisha James-Davis | Fotheringhay Gentlewoman |
| Adam Bond | Sir William Douglas |
| Katharine O'Donnelly | Young Holyrood Servant |
| Grace Molony | Dorothy Stafford |
| Luke Hobson | Henry Killigrew |
| Ben Wiggins | John Tamworth |
| Eldredd Wolf | William Killigrew |
| Eric MacLennan | Portrait Painter |
| Nathen East | Andrew Ker of Fawdonside |
| Daniel Booroff | Knox's Secretary |
| Sean Buchanan | Francis Yaxley |
| Matthew Pidgeon | Wedding Announcer |
| Benjamin Barraclough | Officer |
| Jordan Turk | James MacDonald |
| Adam Stevenson | Urie Campbell |
| Scot Greenan | Hector MacLean |
| Chris Grahamson | Moray's Drummer |
| Ed Jones | William Taylor |
| Owen Gorman | Bishop |
| John Stahl | Fisherman |
| Kadiff Kirwan | Attaché |
| Alex Beckett | Sir Walter Mildmay |
| Will Rowlands | Soldier |
| Grant Crookes | Bothwell |
| Philip Gascoyne | English Nobleman (uncredited) |
| Name | Job |
|---|---|
| John Guy | Book |
| Jessica Brooks | Makeup Artist |
| Alastair Coomer | Casting Director |
| Michael Hanna | Stunts |
| Richard Leggett | Stunts |
| Nathaniel Marten | Stunts |
| Jack Miles | Stunts |
| Justin Pearson | Stunts |
| Alex Payne | Stunts |
| Dan Styles | Stunts |
| Lauterio Zamparelli | Stunts |
| Tania Blunden | Post Production Supervisor |
| Pete Cavaciuti | Steadicam Operator, "A" Camera Operator |
| Rodrigo Gutierrez | "B" Camera Operator |
| James Manning | Second Assistant Director |
| Simon Dunn | Second Assistant "A" Camera |
| Archie Muller | Second Assistant "B" Camera |
| Harvey Taylor | Stunts |
| Angela Moneke | Production Coordinator |
| Simon Hume | First Assistant "A" Camera |
| Lewis Hume | First Assistant "B" Camera |
| Angus Hudson | Second Unit Director of Photography, "C" Camera Operator |
| Calem Trevor | Second Assistant "C" Camera |
| Kat Spencer | Second Assistant "D" Camera |
| Lucy Ward | Script Supervisor |
| Sarah Kelly | Key Makeup Artist, Key Hair Stylist |
| Louise Coles | Makeup & Hair |
| Nina Annan | Assistant Editor |
| Alice Syed | Production Coordinator |
| Alan Martin | Gaffer |
| Gary Romaine | Grip |
| Isabella Odoffin | Casting Associate |
| Wendy Kidd | Unit Publicist |
| Alex Oakley | First Assistant Director |
| Alastair Sirkett | Sound Mixer, Sound Designer |
| Marc Pilcher | Hairstylist |
| James Merifield | Production Design |
| Gina Cromwell | Set Decoration |
| Richard May | Production Manager |
| Mark Flanagan | Stunts |
| Kirsten Lane | Music Consultant |
| Ian Wilson | Sound Designer, Supervising Sound Editor |
| Jenny Shircore | Hair Designer, Makeup Artist, Hairstylist |
| Gerry Behan | Stunts |
| Lemuel Black | Stunts |
| Sean Condren | Stunts |
| Darren Costello | Stunts |
| Shay Doherty | Stunts |
| Jonathan East | Stunts |
| Jason Beeston | Stunts |
| James Bewley | Stunts |
| Max Cormac | Stunts |
| Gavin Coventry | Stunts |
| Levan Doran | Stunts |
| Stuart Frift | Stunts |
| Tony Condren | Stunt Coordinator |
| Adam Behan | Stunts |
| Sean Bingham | Stunts |
| Aran Condren | Stunts |
| James Cosgrave | Stunts |
| Ken Doherty | Stunts |
| Stav Dvorkin | Stunts |
| Mathew McKay | Stunts |
| Derek Walker | "D" Camera Operator |
| Filippo Maso | Camera Trainee |
| Laura Sulca | Camera Trainee |
| Keith McNamara | First Assistant "C" Camera |
| Tommy Holman | First Assistant "D" Camera |
| Nick Poole | Camera Trainee |
| Alex Golding | Digital Imaging Technician |
| Robert Flanagan | Production Sound Mixer |
| Todd Ellis | Standby Art Director |
| Oliver Goodier | Art Direction |
| Matthew Robinson | Assistant Art Director |
| Lotta Wolgers | Draughtsman |
| Jenny Hawes | Art Department Coordinator |
| Ava Skeet | Art Department Assistant |
| Finlay Britton | Storyboard Artist |
| Kate Chadderton | Costume Coordinator |
| Dafydd Bates | Camera Trainee |
| Anthony Dias | Digital Imaging Technician |
| Paul Naughton | Boom Operator |
| Toby Britton | Art Direction |
| Gavin Dean | Assistant Art Director |
| Denise Ball | Draughtsman |
| Tom Turner | Draughtsman |
| Tamara Catlin-Birch | Art Department Coordinator |
| Emma MacDevitt | Assistant Set Decoration |
| Brendan Handscombe | Costume Supervisor |
| Sarah Brest | Wardrobe Master |
| James Wakefield | Supervising Art Director |
| Gavin Fitch | Art Direction |
| Catherine Whiting | Draughtsman |
| Andrew Tilhoo | Draughtsman |
| Marie Boon | Art Department Assistant |
| Samantha Redwood | Assistant Set Decoration |
| Laura Smith | Assistant Costume Designer |
| Hannah Edwards | Key Makeup Artist, Key Hair Stylist |
| Susie Redfern | Makeup & Hair |
| Annette Field | Makeup & Hair |
| Matt George | Wigmaker |
| Karen Teitge | Makeup & Hair |
| Terry Jarvis | Wigmaker |
| Andrew Ryland | Location Manager |
| Alex Rouse | Wigmaker |
| Mark Walledge | Location Manager |
| Nathan Flaher | Assistant Location Manager |
| Debs Richardson | First Assistant Editor |
| Pat Karam | Location Manager |
| Karl King | Unit Manager |
| Heidi Freeman | Visual Effects Editor |
| Ian Lumsden | Assistant Location Manager |
| Andy Hague | Visual Effects Editor |
| Victoria Blackwood | Assistant Editor |
| Imogen Turner | Assistant Production Coordinator |
| Steve Single | Sound Re-Recording Mixer, Dialogue Editor |
| Hugo Adams | Foley Supervisor |
| Paolo Magni | Assistant Editor |
| Sarah Cook | Production Secretary |
| Jim Crowther | Best Boy Grip |
| Neal Champion | Special Effects Supervisor |
| Liam Daniel | Still Photographer |
| Glen Gathard | Foley Mixer |
| Sue Harding | Foley Artist |
| Michael Connell | Music Editor |
| Alicia Brockenbrow | Assistant Director |
| David Appleby | Key Grip |
| Craig Shiels | Grip |
| Eliza Heslop | Casting Assistant |
| Dean Thomas | Transportation Captain |
| Adele Fletcher | ADR Editor |
| Lilly Blazewicz | Foley Editor |
| Zoe Freed | Foley Artist |
| Andrew Caller | Sound Re-Recording Mixer |
| Ian Hutchinson | Location Manager |
| Josie Rourke | Director |
| John Mathieson | Director of Photography |
| Beau Willimon | Screenplay |
| Chris Dickens | Editor |
| Alexandra Byrne | Costume Design |
| Max Richter | Original Music Composer, Orchestrator |
| Peter Dillon | Stunts |
| Alex Beckett | In Memory Of |
| Russell Balogh | Stunts |
| Richard Ryan | Stunt Coordinator |
| Dave Boyle | Stunts |
| David Garrick | Stunts |
| Edward Linard | Stunts |
| Jinny Lofthouse | Stunts |
| Erol Mehmet | Stunts |
| Ciaran O'Grady | Stunts |
| Andy Pilgrim | Stunts |
| Richie Wilson | Stunts |
| Isona Rigau | Assistant Art Director |
| Peter Burgis | Foley Artist |
| Dave Foster | Orchestrator |
| Chris Lyons | Special Effects Makeup Artist |
| Katie Anna Brady | VFX Artist |
| Christopher Johnston | Location Manager |
| Name | Title |
|---|---|
| Jane Robertson | Co-Producer |
| Tim Bevan | Producer |
| Kate Pakenham | Executive Producer |
| Amelia Granger | Executive Producer |
| Harriet Spencer | Associate Producer |
| Eric Fellner | Producer |
| Debra Hayward | Producer |
| Liza Chasin | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| SAG Awards | Best Actress | Saoirse Ronan | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 26 | 46 | 17 |
| 2024 | 5 | 35 | 47 | 23 |
| 2024 | 6 | 28 | 53 | 14 |
| 2024 | 7 | 34 | 78 | 17 |
| 2024 | 8 | 23 | 41 | 14 |
| 2024 | 9 | 18 | 44 | 9 |
| 2024 | 10 | 22 | 48 | 11 |
| 2024 | 11 | 17 | 28 | 12 |
| 2024 | 12 | 20 | 41 | 13 |
| 2025 | 1 | 22 | 48 | 13 |
| 2025 | 2 | 16 | 25 | 3 |
| 2025 | 3 | 6 | 19 | 1 |
| 2025 | 4 | 5 | 9 | 2 |
| 2025 | 5 | 3 | 11 | 1 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 4 | 5 | 3 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 602 | 778 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 783 | 861 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 784 | 784 |
Thinking about them just in terms of their visual appearnce, Saoirse Ronan probably should have played Queen Elizabeth I instead of Mary, and Margot Robbie probably should have played Not In This Movie. Perhaps it could have performed better, had it not come out the same year as both _Outlaw King ... _ and _The Favourite_, as its content lies somewhere between the two, but its quality pales to either. _Final rating:★★ - Definitely not for me, but I sort of get the appeal._
This movie is complete trash. Watch only if you want modern politics shoved down your throat. The movie focuses more on LGBT rights then events related to the setting the movie takes place. Poor casting choices, horrible acting from A-list actors and low budget sets. Not worth streaming. No ... t worth pirating. Not worthing Seeding. Not worth the popcorn.
We have a scourge upon our land. 'Tis worse than pestilence and famine. 'Tis a woman with a crown. Mary Stuart's (Saoirse Ronan) attempt to overthrow her cousin Elizabeth I (Margot Robbie), Queen of England, finds her condemned to years of imprisonment before facing execution. Directed by ... Josie Rourke and written by Bau Willimon and John Guy, Mary Queen of Scots is the latest in a long line of historical costumers that fudge history to suit heir own ends. From a technical standpoint it's top draw, design, costuming and lead acting performances are quality - though Mary herself ends up being more cartoonish than anything resembling a tragic historical figure. Sadly, though, the narrative goes round and round in circles and ends up in a politically correct fog. The pace is laborious, which makes the two hour run time something of a chore to get through. There's little dangles of spice, with attempts at gay acceptance and oral pleasure etc etc, and things hit an upward curve in the latter stages, there's even some smarts in the narrative where obsession with rites and rules of succession threaten to turn the pic into exciting politico/religio waters. Alas, it's a false dawn, to the point where the costume design becomming the best thing in a production speaks volumes about a badly - on the page - historical drama. 3/10
We have a scourge upon our land. 'Tis worse than pestilence and famine. 'Tis a woman with a crown. Mary Stuart's (Saoirse Ronan) attempt to overthrow her cousin Elizabeth I (Margot Robbie), Queen of England, finds her condemned to years of imprisonment before facing execution. Directed by Josi ... e Rourke and written by Beau Willimon and John Guy, Mary Queen of Scots is the latest in a long line of historical costumers that fudge history to suit heir own ends. From a technical standpoint it's top draw, design, costuming and lead acting performances are quality - though Mary herself ends up being more cartoonish than anything resembling a tragic historical figure. Sadly, though, the narrative goes round and round in circles and ends up in a politically correct fog. The pace is laborious, which makes the two hour run time something of a chore to get through. There's little dangles of spice, with attempts at gay acceptance and oral pleasure etc etc, and things hit an upward curve in the latter stages, there's even some smarts in the narrative where obsession with rites and rules of succession threaten to turn the pic into exciting politico/religio waters. Alas, it's a false dawn, to the point where the costume design becoming the best thing in a production speaks volumes about a badly - on the page - historical drama. 3/10
Unfortunately there are just too many flaws in this depiction of the life of Mary Stuart to itemise. The writing rather clumsily imposes a 21st century slant on 16th century Scottish history and seems more bent on imposing the morals and opinions of the former on the times and scenarios of the latte ... r. Neither principal performance is particularly engaging; and Jack Lowden and Joe Alwyn are frankly hopeless as the sexually ambiguous "Darnley" and "Leicester" respectively. The Oscar nominations for Make-up and Costume are certainly well deserved, but really do epitomise the style-over-substance emphasis of this weak adaptation of one of history's greatest rivalries.
Well, I guess the good new is that you don't have to worry at all. It is not historically accurate, and by that I mean it falls under the title of "revisionist." Normally I don't care if a film is historically accurate, I understand it is Hollywood...but I do care if it is a total re-write of histor ... y. This is a rewrite, it is so far from accurate that it is a clear attempt to change people's knoweldge of the historical figures and the era. But, the good news is that where is lacks in historical correctness it more than makes up for in political correctness. And that might be at the route of why it veers so far from depicting actual real life events. It's focus was elsewhere, it's focus was on appeasing the people that support censorship and wish nothing more than to revise history to suit their political agenda. But, the good news is that they do a great job of breaking down a tense political and religious struggle to sex.. sex... sex, which seems to be the real driving force behind man characters in the film, forsaking what would have otherwise been an interesting and story of political intrigue