Popularity: 4 (history)
Director: | Elizabeth Banks |
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Writer: | David Auburn, Elizabeth Banks, Evan Spiliotopoulos |
Staring: |
Elena Houghlin is a scientist, engineer and inventor of Calisto -- a sustainable energy source that will revolutionize the way people use power. It will be ready as soon as she works out the last issue, if not it could be turned into a dangerous weapon. But when the cutting edge technology is pushed to an investor before she can do that, Elena turns to the Townsend Agency for help. Now, it's up to the Angels -- Jane, Sabina, and the newly recruited Elena -- to retrieve Calisto before it can be transformed into a weapon of mass destruction. | |
Release Date: | Nov 14, 2019 |
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Director: | Elizabeth Banks |
Writer: | David Auburn, Elizabeth Banks, Evan Spiliotopoulos |
Genres: | Comedy, Adventure, Action |
Keywords | scientist, duringcreditsstinger, based on tv series, training, agent, woman director, high technology, betrayal, female agent, undercover operation, hand to hand combat, istanbul, turkey, female protagonist, hamburg, germany, new recruit |
Production Companies | Columbia Pictures, Brownstone Productions, The Cantillon Company, 2.0 Entertainment |
Box Office |
Revenue: $73,279,888
Budget: $48,000,000 |
Updates |
Updated: Aug 04, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Kristen Stewart | Sabina Wilson |
Naomi Scott | Elena Houghlin |
Ella Balinska | Jane Kano |
Elizabeth Banks | Boz |
Patrick Stewart | John Bosley |
Djimon Hounsou | Edgar Bosley |
Sam Claflin | Alexander Brok |
Jonathan Tucker | Hodak |
Nat Faxon | Peter Fleming |
Chris Pang | Jonny Smith |
Luis Gerardo Méndez | Saint |
Noah Centineo | Langston |
David Schütter | Ralph |
Hannah Hoekstra | Ingrid (Angel) |
Jane Chirwa | Passing Woman (Angel) |
Emre Kentmenoğlu | Prince Alim Hassan |
Murali Perumal | Pradeep Prasad |
Sebastian Kroehnert | Sven Ludwig |
Franz Xaver Zach | Watchmaker Schmidt |
Andreas Schröders | The Accountant |
Marie-Lou Sellem | Fatima Ahmed |
Batur Belirdi | Bettor |
Anna Drexler | Susan Olson |
Tanem Çalbayram | Istanbul Ferry Girl |
Michael Strahan | NY Bosley |
Neil Malik Abdullah | LA Bosley |
Nick Dong-Sik | LA Bosley |
Dennenesch Zoudé | LA Bosley |
Peter Sikorski | Brok Lobby Security |
Frederic Böhle | Level 4 Guard |
Eric Bouwer | Ralph Guard #1 |
Marco Grahl | Cyclist |
Livia Matthes | Model |
Tessa Achtermann | Dancer |
Jabar Werner | Dancer |
Daria Nowak | Dancer |
Kiani Del Valle | Dancer |
Jakob Yaw Yeboah | Dancer |
Helen Aschauer | Dancer |
Robert Clotworthy | Charlie (voice) |
Jaclyn Smith | Kelly Garrett |
Danica Patrick | Driving Instructor |
Ronda Rousey | Fight Instructor |
Laverne Cox | Bomb Instructor |
Hailee Steinfeld | Angel Recruit |
Chloe Kim | Angel Recruit |
Lili Reinhart | Angel Recruit |
Aly Raisman | Angel Recruit |
Huda Kattan | Angel Recruit |
Robert Maaser | Big Man (uncredited) |
Nathalie Nailly | Party Guest (uncredited) |
Samantha Hunter Ogan | Angel Recruit (uncredited) |
Danny Pardo | Old Man in Market (uncredited) |
Anouar H. Smaine | Istanbul Muezin (uncredited) |
Monique StaTeena | Gate Angel (uncredited) |
Name | Job |
---|---|
Aaron Haye | Production Design |
Mark Rosinski | Set Decoration |
Stephanie Rass | Art Direction |
David Auburn | Story |
Alan Baumgarten | Editor |
Melanie Hughes | Makeup Department Head |
Sarah Stamp | Hairstylist |
Maha | Key Makeup Artist |
April Schuller | Key Hair Stylist |
Stacey Panepinto | Makeup Artist |
Sandra Jethon | Makeup Artist |
Alex Oakley | First Assistant Director |
Onur Keskin | Unit Manager |
Semra Tatlipinar | Transportation Coordinator |
Zoe Morgan | Script Supervisor |
Nic Diedrich | Location Manager |
Björn S. Berger | Additional Script Supervisor |
Arno Neubauer | Unit Production Manager |
Alexandra Montag | Casting |
Emma Danoff | Additional Script Supervisor |
Diloy Gülün | Line Producer |
Lisa Hauss | Second Assistant Director |
Andreas Olshausen | Supervising Art Director |
Uwe Stanik | Art Direction |
Paul Purdy | Property Master |
Julianne Jordan | Music Supervisor |
Julia Michels | Music Supervisor |
Florian Hotz | Stunt Coordinator |
Thomas Bloem | Stunts |
Michael Bornhütter | Stunts |
Billy Buff | Stunts |
Georg Ebinal | Stunts |
Dennis Grzesczak | Stunts |
Simon Grzesczak | Stunts |
Daniela Kahl | Stunts |
Sandra Kier | Stunts |
Charlene Kreemke | Stunts |
Ayanna Linton | Stunts |
Francisco Martins | Stunts |
Goran Mitrovski | Stunts |
Benjamin Nippe | Stunts |
Piet Paes | Stunts |
Hannes Pastor | Stunts |
Christian Petersson | Stunts |
Georgina Philp | Stunts |
Leo Plank | Stunts |
Hong Indira Rieck | Stunts |
Lutz Schleisner | Stunts |
Hannah Spreitzenbarth | Stunts |
Ronnie Wechselberger | Stunts |
Kaja Wild | Stunts |
Belle Williams | Stunts |
Tolga Degirmen | Fight Choreographer |
James Manning | Second Assistant Director |
Karen Heston | Visual Effects Supervisor |
Sebastian Meuschel | "B" Camera Operator |
Rafael Jeneral | First Assistant "A" Camera |
Won-suk Park | First Assistant "B" Camera |
Carola Rodriguez Sanchez | Second Assistant "A" Camera |
Christian Kuss | Digital Imaging Technician |
Meike Schlegel | Costume Supervisor |
Jayne Marie Kehoe | Costume Supervisor |
Chelsea Staebell | Assistant Costume Designer |
Susanne Niedergall | Assistant Costume Designer |
Waris Klampfer | Assistant Costume Designer |
Melanie Ghisays | Key Costumer |
Dietke Brandt | Costumer |
Alexandra Hannemann | Costumer |
Natalia Riede | Costumer |
Patrick Worthington | Costumer |
Petra Schaumann | Makeup Artist |
Julia Böhm | Hairstylist |
Roland Winke | Sound Mixer |
Thomas Wallis | Boom Operator |
Helmut Prein | Gaffer |
Oliver Haas | Best Boy Electric |
Christoph Nickel | Rigging Gaffer |
Jan Brun | Key Grip |
Mathias Riemann | Best Boy Grip |
Ilko Petkow | Dolly Grip |
Hannes Tröger | Dolly Grip |
Uli Nefzer | Special Effects Supervisor |
Simon Daniel | Location Manager |
Bettina Lyster | Production Coordinator |
Sindy Krahl | Production Coordinator |
Katrin Wirth | Assistant Production Coordinator |
Angelika Strassl | Production Secretary |
Katharina Schwerke | Production Secretary |
Yvonne Höft | Production Accountant |
Karsten Piel | Payroll Accountant |
Oliver Kueper-Grobecker | Payroll Accountant |
Bryce Tibbey | Standby Art Director |
Iris Paschedag | Assistant Art Director |
Anna Jarocka | Set Designer |
Daniel Selensky | Set Designer |
Mariana Vasconcellos | Set Designer |
Gary Damian Thomas | Storyboard Artist |
Jan Blažíček | Storyboard Artist |
Muriel Gérard | Art Department Coordinator |
Sophie Lübben | Assistant Set Decoration |
Konstantin Ness | Assistant Property Master |
Ulrich Zeidler | Concept Artist |
Nadja Klier | Still Photographer |
Sasha Gibson | Unit Publicist |
Martin Wieandt | Unit Publicist |
Nick Laurence | Second Assistant Director |
Tom Turner | Second Assistant Director |
Lydia Pakebusch | Third Assistant Director |
Sibel Koyuncu | Third Assistant Director |
Ariella Segal | Casting Assistant |
Amal El-Farfachi | Casting Assistant |
Johanna Ragwitz | Extras Casting |
Emil Stege | Extras Casting |
Alina Riemenschneider | Extras Casting |
Florian Haeger | Transportation Coordinator |
Florian Dieckmann | Transportation Captain |
Nils Konrad | Transportation Co-Captain |
Klemens Becker | Second Unit Director of Photography |
Gökçe Doruk Erten | Local Casting |
Richard B. Molina | First Assistant Editor |
Christine Kim | First Assistant Editor |
Sarah Russell | Assistant Editor |
Anahuac Valdez | Assistant Editor |
Greg Orloff | Sound Re-Recording Mixer |
Kevin O'Connell | Sound Re-Recording Mixer |
Steve Urban | Dialogue Editor |
Paul Pirola | Foley Supervisor |
Ryan Collins | Sound Effects Editor |
Mark Larry | Sound Effects Editor |
Casey Genton | Sound Effects Editor |
Erin Oakley | Supervising Sound Editor |
Brendan Hill | Foley Editor |
Brendan Croxon | Foley Mixer |
Ailene Roberts | Assistant Sound Editor |
Adrian Medhurst | Foley Artist |
Duncan Campbell | Foley Recordist |
Aaron Hasson | ADR Mixer |
Brian Smith | ADR Mixer |
Joe Lisanti | Music Editor |
Will Kaplan | Music Editor |
Bastian Hopfgarten | VFX Supervisor |
Elizabeth Banks | Screenplay, Director |
Bill Pope | Director of Photography |
Mary Jo Markey | Editor |
Evan Spiliotopoulos | Story |
Brian Tyler | Original Music Composer |
Cornelia Ott | Art Direction |
Camille Friend | Hair Department Head |
Simone Bär | Casting |
Dylan Jury | Casting |
Debra Zane | Casting |
Markos Rounthwaite | Second Unit Director |
Cecilia Diesch | Stunts |
Jade-Eleena Dregorius | Stunts |
Thomas Hacikoglu | Stunts |
Alois Knapps | Stunts |
Alrik Kreemke | Stunts |
Aristo Luis | Stunts |
Lauren Okadigbo | Stunts |
Felix Quinton | Stunts |
Kai Fung Rieck | Stunts |
Mens-Sana Tamakloe | Stunts |
Volkram Zschiesche | Stunts |
Martin Samsøe | Second Assistant "B" Camera |
Chiabella James | Still Photographer |
Hector C. Gika | Sound Effects Editor |
Kami Asgar | Supervising Sound Editor |
Ranjani Brow | ADR Voice Casting |
Ashley Lambert | ADR Voice Casting |
Wendy Hoffmann | ADR Voice Casting |
Stephen Nakamura | Digital Intermediate Colorist |
Tufan Şimşekcan | Assistant Director |
Mathias Datow | Assistant Director |
Hannah Betts | Stunt Double |
Anitta | Songs |
Kym Barrett | Costume Design |
Claudia Heinz | Stunts |
Robert Maaser | Stunts |
Karsten Jacobsen | "A" Camera Operator, Steadicam Operator |
Ariana Grande | Songs |
Lana Del Rey | Songs |
Normani | Songs |
Nicki Minaj | Songs |
Miley Cyrus | Songs |
Stefflon Don | Songs |
Kim Petras | Songs |
ALMA | Songs |
Kash Doll | Songs |
Victoria Monét | Songs |
Chaka Khan | Songs |
Donna Summer | Songs |
Kiana Ledé | Songs |
Danielle Bradbery | Songs |
Allyn Ferguson | Songs |
Name | Title |
---|---|
Elizabeth Cantillon | Producer |
Doug Belgrad | Producer |
Matthew Hirsch | Executive Producer |
Alex Oakley | Associate Producer |
Elizabeth Banks | Producer |
Max Handelman | Producer |
Leonard Goldberg | Executive Producer |
Nancy Juvonen | Executive Producer |
Christoph Fisser | Co-Producer |
Henning Molfenter | Co-Producer |
Carl Woebcken | Co-Producer |
Drew Barrymore | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 40 | 49 | 34 |
2024 | 5 | 46 | 65 | 27 |
2024 | 6 | 39 | 57 | 27 |
2024 | 7 | 57 | 91 | 31 |
2024 | 8 | 34 | 51 | 20 |
2024 | 9 | 26 | 47 | 18 |
2024 | 10 | 33 | 66 | 20 |
2024 | 11 | 33 | 58 | 22 |
2024 | 12 | 39 | 83 | 26 |
2025 | 1 | 36 | 53 | 25 |
2025 | 2 | 27 | 39 | 5 |
2025 | 3 | 12 | 36 | 3 |
2025 | 4 | 5 | 7 | 4 |
2025 | 5 | 13 | 52 | 4 |
2025 | 6 | 14 | 59 | 4 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 5 | 9 | 3 |
2025 | 9 | 5 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 897 | 897 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 783 | 783 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 925 | 925 |
2019s ‘Charlie’s Angels’ is a fun watch with a great cast, especially a scene-stealing Kristen Stewart (she has a dance number and I need her in a ‘Step Up’ movie ASAP). I really hope this does well, as there is huge potential for sequels exploring all these new Angels. If you like pure joy, I highl ... y recommend checking it out on the big screen. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-charlies-angels-a-new-generation-of-angels-another-barrel-of-fun
A pointless reboot for the Woke generation. I wouldn't mind quite so much if the director focused more on a believable storyline than a Twitter-pleasing one instead. Banal to the extreme, a complete waste of time and money: these contemporary iP reboots simply are not working, especially when the ... political dogma is more or less forced down one's throats for the sake of a good story,
what a junk, is all i can say ...
I really did want to like it. So many of these girl-power-team-up action films that we've gotten in the past decade feel so hollow. Don't get me wrong, I know there is a huge sect of assholes that were absolutely unwilling to ever give this movie a chance, and had pre-ordained that it would be te ... rrible and they hate it before a single frame was shot, and that almost every single dude in that sect made that decision specifically because of the fact that it's a movie with women in the forefront, and it is good and right to target those dudes with your derision. But having actually watched it... Yeah it's feminism with a teeny splash of gay but like... It's a very **corporate** feminism and a very **under-the-rug-able** gay. Which isn't good, but could have been fine, except that it was the only thing that I was looking forward to, and also seems to be what makes _Charlie's Angels_ think it has done enough. But it's so boardroom driven and paper-thin, which I could hack if the actual plot was any good or any number of other things that you normally look to a movie for, but by and large those aspects aren't just hollow, they're straight-up bad. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
I have seen worse. I have seen better. Charlie’s Angles was always a part of jiggle tv which made it sadly a labeled brand no matter what direction you approach it from. However I refuse to engage in a pointless debate of judging Elizabeth Banks Girl Power version vs. Mc Q’s non stop pop culture ... sample a thon. Both seem to me a mirror image of lucridity that belongs to their respective eras. My opinion should be given greater weight on this matter because I found a way to use the word Lucridity.
The fight scenes were pretty bad on some of it. The movie was decent for the comedy but not for the action. ...