Popularity: 2 (history)
Director: | Brett Sullivan |
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Writer: | David Nasaw |
Staring: |
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics. | |
Release Date: | Feb 16, 2017 |
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Director: | Brett Sullivan |
Writer: | David Nasaw |
Genres: | Comedy, Drama, Romance, Music, History |
Keywords | new york city, musical, based on true story, love, based on play or musical, teenage girl, orphan, teenage boy, based on movie, corrupt official, workers union, turn of the century, stage musical, newspaper boy, 19th century, live theatre, 1900s, filmed theater, correctional institution, 20th century, 1890s, musical proshot |
Production Companies | Steam Motion & Sound, PJM Productions, Disney Theatrical Group |
Box Office |
Revenue: $2,827,489
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Jeremy Jordan | Jack Kelly |
Kara Lindsay | Katherine |
Ben Fankhauser | Davey |
Andrew Keenan-Bolger | Crutchie |
Steve Blanchard | Joseph Pulitzer |
Aisha de Haas | Medda Larkin |
Ethan Steiner | Les |
Tommy Bracco | Spot Conlon |
Joshua Burrage | Jojo |
Ben Cook | Race |
Michael Dameski | Tommy Boy/Scab |
Julian DeGuzman | Smalls |
Nico De Jesus | Romeo |
J.P. Ferreri | Hot Shot |
Sky Flaherty | Albert |
David Guzman | Ike |
Jacob Guzman | Mike |
Stephen Hernandez | Vince/Myron |
Devin Lewis | Morris Delancey |
Nicholas Masson | Mush/Bill |
Anthony Norman | Oscar Delancey |
Andy Richardson | Kid Blink |
Michael Rios | Henry |
Jordan Samuels | Specs |
Jack Sippel | Darcy/Kenny |
Daniel Switzer | Sniper |
Andrew Wilson | Willie/Bart |
Chaz Wolcott | Buttons |
Iain Young | Finch |
Anthony Zas | Elmer |
John E. Brady | Wiesel/Mr. Jacobi |
Kevin Carolan | Governor Roosevelt/Nunzio |
Bill Bateman | Bunsen |
James Judy | Snyder |
Michael Gorman | Mayor |
Meredith Inglesby | Hannah/Nun |
Mark Aldrich | Seitz |
Eric Jon Mahlum | Cop/Patron/Guard |
Kaitlyn Frank | Bowery Beauty/Nun |
Beth Stafford Laird | Bowery Beauty/Nun |
Name | Job |
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Brett Sullivan | Director |
Christopher Gattelli | Choreographer |
Bernard Telsey | Casting |
Ken Travis | Sound Designer |
Geoffrey Quart | Technical Supervisor |
J. Allen Suddeth | Fight Choreographer |
Daniel Brodie | Projection |
Michael Kosarin | Music Arranger, Music Supervisor |
Danny Troob | Orchestrator |
Sven Ortel | Projection |
Jack Feldman | Musical |
Tobin Ost | Set Designer |
Justin Huff | Casting |
Charles G. LaPointe | Hair Designer, Wig Designer |
Marko Keser | Editor |
Colle Bustin | Production Sound Mixer |
Ron Paull | Unit Production Manager |
Joseph V. Cicio | Camera Operator |
Phillip Arceneaux | Camera Operator |
Pat Minietta | Camera Operator |
Natalie Daniels-Browne | Post-Production Manager |
Yena Jeon | Visual Effects |
Adam Scrivener | Sound Re-Recording Mixer |
Patrick Roche | Sound Effects, Foley |
Jess Goldstein | Costume Design |
James Dodgson | Music Director, Conductor |
Jeff Calhoun | Stage Director |
Clayton Jacobsen | Lighting Director |
Jeff Croiter | Lighting Design |
Lou Castro | Associate Choreographer |
Mark Hummel | Music Arranger |
David Tregoning | Editor |
Michele Arvizo | Makeup Department Head, Hair Department Head |
Nicole K.L.N. Ebeo | Production Supervisor |
Johnny Ching | Camera Operator |
Mark Johnson | Camera Operator |
Dylan Sanford | Camera Operator |
Geoff Hockney | Colorist |
Lee McCutcheon | Sound Supervisor, Sound Mixer |
Simon Hill | Sound Re-Recording Mixer |
David Nasaw | Novel |
Richard J. Hinds | Assistant Director |
John Miller | Music Coordinator |
Martyn Porter | Steadicam Operator |
Andy Bethke | Camera Operator |
Ambar Capoor | Camera Operator |
Ted Ashton | Camera Operator |
Chiara Zonca | Visual Effects |
Paul Gatehouse | Sound Mixer |
Bob Tzudiker | Original Film Writer |
Harvey Fierstein | Musical |
Alan Menken | Musical |
Noni White | Original Film Writer |
Name | Title |
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Naomi Stevens | Producer |
Paul Morphos | Producer |
Anne Quart | Producer |
Thomas Schumacher | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 13 | 19 | 7 |
2024 | 5 | 15 | 24 | 10 |
2024 | 6 | 13 | 19 | 7 |
2024 | 7 | 12 | 21 | 8 |
2024 | 8 | 13 | 24 | 8 |
2024 | 9 | 9 | 14 | 5 |
2024 | 10 | 10 | 17 | 6 |
2024 | 11 | 9 | 14 | 5 |
2024 | 12 | 9 | 23 | 5 |
2025 | 1 | 11 | 17 | 6 |
2025 | 2 | 7 | 9 | 3 |
2025 | 3 | 5 | 9 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 1 | 5 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 6 | 0 |
Trending Position
Its very rare a Broadway musical finds its way to the big screen but with Newsies it was just destined to happen with some of the best dancing, and singing you will ever see. Newsies is has always been a 10/10 but now thanks to this professional recording its an 11 in my book ...
I'm not usually a fan of filmed theatrical performances - especially musical theatre. The television so often fails to capture the vitality of the performances and often we are left with something rather lacking. Well, to be fair to Disney, they have managed to capture loads of the energy and dynami ... sm of this adaptation of Harvey Fierstein's book about the strike by the newspaper delivery boys in New York in 1899. The strike itself is fairly legendary - as were the almost Oliver Twist-ian conditions under which these kids were exploited, rather than employed. Jeremy Jordan tops the bill and positively glows as the ring leader "Jack Kelly" who finally has enough of the poverty-stricken existence of his colleagues and who organises a protest that initially invites disdain, but eventually recognition from the city's great and good who all of a sudden realise that these tiny cogs are actually pretty crucial to their entire enterprise thriving or failing. He is well supported by Kara Lindsay, an enthusiastic Ben Fankhauser and Steve Blanchard as the original, if not terribly generous of spirit, "Pulitzer". Alan Menken and Jack Feldman have combined to churn out a remarkable number of memorable songs here, too - "The Bottom Line", "That's Rich" "Seize the Day" and "Kings of New York" are all amongst the toe-tappers that help get this sprightly song and dance musical up and running. The sparing set lends itself well to the television coverage, as does the careful use of lighting and the frequently ensemble approach to the presentation of the story. Stage is certainly best, but this is a close second that skips along well for 2½ hours effortlessly and enjoyably - even if you might be a bit vicariously out of breath at the end!