Popularity: 5 (history)
| Director: | Steven Soderbergh |
|---|---|
| Writer: | Jonathan Bernstein, James Greer |
| Staring: |
| A woman is involuntarily committed to a mental institution where she is confronted by her greatest fear. | |
| Release Date: | Mar 22, 2018 |
|---|---|
| Director: | Steven Soderbergh |
| Writer: | Jonathan Bernstein, James Greer |
| Genres: | Horror, Thriller |
| Keywords | stalker, mental institution, fear, mother daughter relationship |
| Production Companies | Regency Enterprises, Extension 765, New Regency Pictures, Fingerprint Releasing |
| Box Office |
Revenue: $14,293,601
Budget: $1,500,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Claire Foy | Sawyer Valentini |
| Joshua Leonard | David Strine |
| Jay Pharoah | Nate Hoffman |
| Juno Temple | Violet |
| Aimee Mullins | Ashley Brighterhouse |
| Amy Irving | Angela Valentini |
| Sarah Stiles | Jill |
| Marc Kudisch | Bank Manager |
| Colin Woodell | Mark |
| Myra Lucretia Taylor | Counselor |
| Lynda Mauze | Dolores |
| Zach Cherry | Dennis |
| Polly McKie | Nurse Boles |
| Raúl Castillo | Jacob |
| Michael Mihm | Steve |
| Robert Kelly | Steve's Partner |
| Natalie Gold | Female Patient |
| Sol Marina Crespo | Female Patient |
| Will Brill | Male Patient |
| Steven Maier | Male Patient |
| Matthew R. Staley | Medical Technician |
| Matt Mancini | Medical Technician |
| Emily Happe | Friendly Nurse |
| Gibson Frazier | Dr. Hawthorne |
| Erin Wilhelmi | Hayley |
| Joseph P. Reidy | Lawyer |
| Matt Damon | Detective Ferguson |
| Erika Rolfsrud | Medical Examiner |
| Elizabeth Goodman | TruthBite Editor |
| Roshanna Jenkins | Federal Agent |
| Lance Coughlin | Police Officer (uncredited) |
| Kevin Dean O'Connor | George Shaw (uncredited) |
| Arthur Shaffer | FBI Agent (uncredited) |
| Ursula Triplett | Arresting Police Officer (uncredited) |
| Name | Job |
|---|---|
| Rachel Jaros | Second Assistant Director |
| Grant Elder | Sound Designer |
| Josiah Nolan | Stunt Double |
| Steve Cascarelli | Property Master |
| Timothy Healy | Chief Lighting Technician |
| Melissa Braun | Extras Casting |
| Lisa Forst | Makeup Department Head |
| Glenfield Payne | Supervising Sound Editor, Sound Re-Recording Mixer |
| Josh Berger | Dialogue Editor, Sound Re-Recording Mixer |
| Duncan McRae | Sound Effects Editor, Sound Designer |
| Gavin Hecker | Foley Mixer, Foley Supervisor |
| Bobby Johanson | ADR Mixer |
| David Wilder Savage | Original Music Composer |
| Dann Fink | ADR Voice Casting |
| Nat Jencks | Colorist |
| Gregory Jacobs | Thanks |
| Parker Chehak | Visual Effects Producer |
| Bashir Hamid | Compositor |
| Navid Bagherzadeh | Visual Effects |
| Troy Sola | First Assistant Camera |
| Amy Ritchings | Co-Costume Designer |
| Devan Maura Saber | Digital Intermediate Producer |
| Bruce Winant | ADR Voice Casting |
| Michael Polaire | Thanks |
| Noel Kelly | Driver |
| Karyn Jarmer | Catering |
| April Lasky | Production Design |
| David 'Gus' Gustafson | Production Supervisor |
| Shawn Allen | Boom Operator |
| Jamie Clevenger | Production Coordinator |
| Jonathan Bernstein | Screenplay |
| Robert T. Striem | Location Manager |
| Grant Wilfley | Extras Casting |
| JT Franchuk | Hair Department Head |
| Deno Williams | Leadman |
| Giuseppe Cappello | Sound Effects Editor |
| Jay Peck | Foley Artist |
| Avi Laniado | Sound Engineer |
| Becca Banks | On Set Dresser |
| Susan Lyall | Costume Design |
| Michael Jortner | Property Master |
| Kim Fischer | Set Decoration |
| Bop Tweedie | Set Medic |
| Nikki Brower | Stunt Double |
| Thomas Varga | Production Sound Mixer |
| John Joseph Minardi | Key Grip |
| Kristin Lindbeck | Costume Supervisor |
| Richie Christie | Transportation Captain |
| Sean Turney | Assistant Property Master |
| Darrell R. Smith | Project Manager |
| Gunter Anderson | Special Effects Technician |
| Josh Child | Compositing Lead |
| Irene C. Park | Compositor |
| Nikita Dolese | Casting Associate |
| Daniela Fabrizi | Key Costumer |
| Courtney Colston | Set Costumer |
| Nicholas DeWitt | Assistant Location Manager |
| Michael A. Capotosto | Driver |
| Jill Vaupen | Travel Coordinator |
| Michael Rivera | ADR Recordist |
| Lesley Robson-Foster | Visual Effects Supervisor |
| Rachel Robb Kondrath | Graphic Designer |
| Natalie Hoffman | Graphic Designer |
| James B. Appleton | Boom Operator |
| Brandon Boyles | Set Dresser |
| Jack Whitney | ADR Coordinator |
| Luke Q. Iaciofano | Utility Sound |
| Pedro Atienzar | Compositor |
| Matthew T. Griffin | Visual Effects Producer |
| Alexis Sansone | Visual Effects Coordinator |
| Lucas McGowen | Drone Pilot |
| Yafi Hoch | Set Costumer |
| Vincent Taylor | Location Assistant |
| Sean Hogan | Production Accountant |
| Steven Soderbergh | Director of Photography, Director, Editor |
| Carmen Cuba | Casting |
| James Greer | Screenplay |
| Joseph Malloch | Unit Production Manager |
| Joseph P. Reidy | First Assistant Director |
| Manny Siverio | Stunt Coordinator |
| Ashley Pynn | Stunt Double |
| Corey Bayes | Associate Editor |
| Ian Cymore | ADR Editor |
| Matthew R. Staley | Stunts |
| Name | Title |
|---|---|
| Robert T. Striem | Associate Producer |
| Corey Bayes | Co-Producer |
| Dan Fellman | Executive Producer |
| Joseph Malloch | Producer |
| Arnon Milchan | Executive Producer |
| Joseph P. Reidy | Co-Executive Producer |
| Ken Meyer | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 35 | 56 | 20 |
| 2024 | 5 | 45 | 72 | 32 |
| 2024 | 6 | 26 | 39 | 17 |
| 2024 | 7 | 27 | 44 | 17 |
| 2024 | 8 | 20 | 38 | 11 |
| 2024 | 9 | 15 | 28 | 10 |
| 2024 | 10 | 20 | 41 | 11 |
| 2024 | 11 | 22 | 46 | 11 |
| 2024 | 12 | 18 | 28 | 12 |
| 2025 | 1 | 20 | 42 | 11 |
| 2025 | 2 | 13 | 21 | 3 |
| 2025 | 3 | 6 | 18 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 2 | 2 | 1 |
| 2025 | 7 | 2 | 4 | 1 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
Divisive Dilemas. Have to be honest, I had no idea this was filmed on an iPhone 7 or that it was directed by Steven Soderbergh. I was stuck for something to watch on cable the other night and I liked the sound of the plot premise. So unburdened by expectation of a searing horror classic I settled ... in to see what unfolds. Plot has Claire Foy as Sawyer Valentini who inadvertently commits herself to a mental health institution. Once inside things being to unravel and the threat of her one time stalker now being even close to her opens up the book of terror - but is it real? Firstly you have to say that the mental health authorities must have had kittens when they saw this, much of what is on screen is utterly ridiculous and paints the system in a damning light. Secondly you really have to jump on board with the improbability of it all, this really is made for dramatic entertainment purpose and not as a viable horror of the real world. As a thriller it worked for me, the constant question of what is real or not keeps things on the slow burn. Either way, real or not, it's thought provoking enough to warrant staying till pics end. The psychological angle is pungent enough to say there's some thought in the writing, though this is undone by utter nonsense as things spiral into the impossible for the final quarter of film. Foy is good value up front and the fulcrum of it all, while elsewhere good work comes from Nate Hoffman and it's nice to see Juno Temple in a spicy role. Ultimately this is no blood letting horror picture, and certainly it's no One Flew Over The Cuckoo's Nest, Girl Interrupted etc etc. The iPhone experiment is a gimmick that works here due to the confines of the location for story, but as a genre piece of worth it is unlikely to have legs. However, even though I enjoyed this as a one time only viewing experience, I perfectly understand why it has become divisive. So for those who haven't seen it yet then it is advised you understand this is no terrifying thrill a minute piece. It's tricky to recommend with any sort of confidence, and thus I feel the internet ratings of about 6.5/10 is just about right. 6.5/10
Every time Claire Foy is not on the screen, the calibre of acting in _Unsane_ drops to laughable. I'm glad that Soderbergh is able to put together films for the seven-figure price range, but the fact of the matter is that the camera on an iPhone just isn't that good. It's decent enough to (in most s ... cenes) get the visuals across, but never decent enough to not be a distraction. _Unsane's_ tale is relatively well told, but also something that's been done before, and considering the man in the director's chair, something that probably should have been done better too. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._