 
  Popularity: 8 (history)
| Director: | Adam Shankman | 
|---|---|
| Writer: | Peter Huyck, Jas Waters, Alex Gregory, Tina Gordon | 
| Staring: | 
| Magically able to hear what men are thinking, a sports agent uses her newfound ability to turn the tables on her overbearing male colleagues. | |
| Release Date: | Feb 08, 2019 | 
|---|---|
| Director: | Adam Shankman | 
| Writer: | Peter Huyck, Jas Waters, Alex Gregory, Tina Gordon | 
| Genres: | Comedy, Romance | 
| Keywords | telepathy, bartender, partnership, psychic, widower, single father, boxing trainer, national basketball association (nba), personal assistant, basketball player, retelling, boys club, atlanta, georgia, father daughter relationship, best friends, woman in a man's world, best friend's wedding, passed over for promotion | 
| Production Companies | Paramount Pictures, Will Packer Productions, Paramount Players, BET Films | 
| Box Office | Revenue: $69,766,483 Budget: $20,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Job | 
|---|---|
| Peter Huyck | Screenplay | 
| Jim Denault | Director of Photography | 
| Jas Waters | Story | 
| Alex Gregory | Screenplay | 
| David Fletcher | Special Effects Coordinator, Special Effects Supervisor | 
| Spencer Jarvis | First Assistant Director | 
| Rachel Block | Art Direction | 
| Jonathan Romeo | Lead Costumer | 
| Emma E. Hickox | Editor | 
| Mark Hutman | Production Design | 
| Lisa Rodgers | Post Production Supervisor | 
| Grady Allen Bishop | Camera Car | 
| Jason Elwood Hanna | Stunt Double | 
| Amir R. Khan | Second Assistant Director | 
| Michelle Wade Byrd | Casting | 
| Ralph Bertelle | Executive In Charge Of Production | 
| Dan Short | Second Assistant Director | 
| Bennett Gammon | Additional Second Assistant Director | 
| Catherine A. Cospelich | Additional Second Assistant Director | 
| Chris Henryon | Compositor | 
| John Copeman | Stunt Double | 
| Justin Webb | Stunt Double | 
| Crystal Hooks | Stunts | 
| Michael H. Ward | Art Direction | 
| Kristen B. Adams | Set Designer | 
| David J. Thompson | Steadicam Operator, "A" Camera Operator | 
| Bobby Mancuso | First Assistant Camera | 
| Zach Holloran | Camera Loader | 
| Paul Reed | Production Sound Mixer | 
| David McLean | Chief Lighting Technician | 
| Kate Forry Guanci | Property Master | 
| Brian McKissick | Storyboard Artist | 
| Veronica James | Assistant Costume Designer | 
| Herman Robinson | Key Costumer | 
| Beverly Jo Pryor | Makeup Department Head | 
| Quintessence Patterson | Makeup Artist | 
| Eric Pagdin | Key Hair Stylist | 
| Mildred Iatrou | Supervising Sound Editor | 
| Frank A. Montaño | Sound Re-Recording Mixer | 
| David Halagarda | Production Coordinator | 
| Tiffany D. Moore | Production Secretary | 
| Braheeim Roberts | Second Second Assistant Director | 
| Geena Dioquino | Casting Assistant | 
| Sean Clouser | Construction Coordinator | 
| Samuel Wayne Beitz | Transportation Captain | 
| Jessica Miglio | Still Photographer | 
| Doug Jackson | Sound Effects Editor | 
| Susan Dudeck | Dialogue Editor | 
| Matthew Harrison | Foley Supervisor | 
| John T. Cucci | Foley Artist | 
| Jack Cucci | Foley Mixer | 
| Jeff Gomillion | ADR Mixer | 
| David Brian Martin | Stunt Driver | 
| Lenny Vullo | Unit Production Manager | 
| Vera Mills | Set Decoration | 
| Jan Ruona | "B" Camera Operator | 
| Dan Turek | First Assistant Camera | 
| Diane Durant | Script Supervisor | 
| Jason Sullivan | Boom Operator | 
| Jeff Kirschner | Assistant Chief Lighting Technician | 
| Ryan Kutch | Leadman | 
| Maria Elia Castro | Art Department Coordinator | 
| Shilla Benning | Costume Supervisor | 
| Deidra Toney | Tailor | 
| Ashunta Sheriff | Key Makeup Artist | 
| Melissa Forney | Hair Department Head | 
| AL Payne | Hairstylist | 
| Jon Taylor | Sound Re-Recording Mixer | 
| Joshua Kirchmer | First Assistant Editor | 
| Gerard Averill | Location Manager | 
| Lacie Collins | Assistant Production Coordinator | 
| Jessica Judge | Production Secretary | 
| Bret Howe | Casting Associate | 
| Susan Murphy | Production Accountant | 
| Neil Castles Jr. | Transportation Coordinator | 
| Heidi Falconer | Unit Publicist | 
| Teri E. Dorman | Supervising Dialogue Editor | 
| Galen Goodpaster | ADR Editor | 
| Susan Dawes | Dialogue Editor | 
| Melissa Lytle | Assistant Sound Editor | 
| Richard Duarte | Foley Mixer | 
| Jesse Dodd | ADR Mixer | 
| Joe Lisanti | Supervising Music Editor | 
| Brad Warnaar | Orchestrator | 
| Tina Gordon | Screenplay, Story | 
| Adam Shankman | Director | 
| Tara Feldstein Bennett | Casting Director | 
| Chase Paris | Casting Director | 
| Mary Vernieu | Casting | 
| Jennifer Badger | Stunt Coordinator | 
| Niahlah Hope | Stunt Double | 
| Tomar Boyd | Stunt Double | 
| Joshua Lamboy | Stunt Double | 
| Brionna Maria Lynch | Stunt Driver, Stunt Double | 
| Chick Bernhard | Stunt Driver | 
| Kevin Waterman | Stunts | 
| Laurence Chavez | Stunts | 
| Ronny Mathew | Stunts | 
| Marcelle Coletti | Stunts | 
| Marcus Lewis | Stunts | 
| Johnny Caruso | Music Editor | 
| Sekinah Brown | Costume Designer | 
| Brian Tyler | Original Music Composer | 
| Michael Hatzer | Digital Colorist | 
| Name | Title | 
|---|---|
| David McFadzean | Executive Producer | 
| James Lopez | Producer | 
| Amy Sayres | Executive Producer | 
| Judd Payne | Co-Executive Producer | 
| Shayla Cowan | Associate Producer | 
| Taraji P. Henson | Executive Producer | 
| Dete Meserve | Executive Producer | 
| Will Packer | Producer | 
| Adam Shankman | Executive Producer | 
| Matt Williams | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 44 | 74 | 31 | 
| 2024 | 5 | 85 | 105 | 64 | 
| 2024 | 6 | 47 | 82 | 25 | 
| 2024 | 7 | 49 | 81 | 32 | 
| 2024 | 8 | 34 | 50 | 25 | 
| 2024 | 9 | 38 | 71 | 25 | 
| 2024 | 10 | 33 | 44 | 24 | 
| 2024 | 11 | 36 | 50 | 26 | 
| 2024 | 12 | 33 | 51 | 23 | 
| 2025 | 1 | 32 | 52 | 19 | 
| 2025 | 2 | 33 | 75 | 8 | 
| 2025 | 3 | 10 | 46 | 2 | 
| 2025 | 4 | 7 | 12 | 4 | 
| 2025 | 5 | 6 | 13 | 3 | 
| 2025 | 6 | 5 | 9 | 4 | 
| 2025 | 7 | 7 | 9 | 5 | 
| 2025 | 8 | 6 | 9 | 4 | 
| 2025 | 9 | 6 | 7 | 4 | 
| 2025 | 10 | 6 | 9 | 4 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 350 | 654 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 857 | 920 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 255 | 546 | 
I knew there was a What a Women Want reboot in the works, and my interest was **zero**. I heard they were flipping the script a la genders, and it was still zee - row. Cast Taraji P. Henson in the lead and I was like: "Fuck... I'm gonna have to watch this now aren't I?" And so I did. But I ... probably shouldn't have. _Final rating:★½: - Boring/disappointing. Avoid where possible._
Good watch, could watch again, and can recommend. While it's potentially problematic for many of the same reasons for the Mel Gibson "What Women Want", I think this is a much better version, and a good modernization. It's also a good way to shift it to a "black movie". Taraji P. Henson does a ... n excellent job carrying the movie and it is full of good humor, and exciting moments. The movie does send a little bit of a mixed message as it seems to indicate that a woman needs to be a man in order to play in a man's world, but it feels more like its about it not being a man's world. This is a good time, my only concern is that she's not a very likable character at the start of the movie.
Well, it has less that 5 Stars and I think that is a very good thing. Less than a year ago giving a movie like "What Men Want" anything less than a perfect score would have created a Ghostbusters style backlash to anyone that even remotely suggested it might not be better than The Godfather. And ... then Oceans 8 flopped...and got mainly positive reviews based principally out of fear...and had a cast that mostly seemed disinterested in attacking absolutely everyone that didn't buy a ticket. Now it seems that that critics are OK with giving it a low rating, so long as they still only praise it in the prose review...just in case. So, think of it like the Gibson version of "What Women Want" and then make it raunchy and vulgar to the point of repulsion with views of the opposite sex that would get a lot of men arrested. And then think if it as slightly androphobic...and slightly as in the androphobia is racially based which makes it clear that the message of this film is to virtue signal how woke the they are by making it clear that a certain skin color and gender are evil. In other-words, it's kind of like the original "Birth of a Nation" with it's propagandist depiction of race...meets a romantic Comedy written and directed by Andrew Dice Clay.