Popularity: 3 (history)
Director: | Mike Wiluan |
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Writer: | Mike Wiluan, Rayya Makarim, Moira Lang, Raymond Lee |
Staring: |
Betrayed by the Dutch colonial forces, Arana manages to escape along with his nephews Jamar and Suwo, the newborn sons of Hamza, one of the last Indonesian sultans fighting against foreign tyranny. In 1860, after wandering for years on the plains of the American Wild West, Arana and the two brothers return to Indonesia to avenge their dead loved ones and punish the evil man who caused their misfortune. | |
Release Date: | Jul 19, 2018 |
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Director: | Mike Wiluan |
Writer: | Mike Wiluan, Rayya Makarim, Moira Lang, Raymond Lee |
Genres: | Action, Drama |
Keywords | martial arts, small town, 19th century, java, indonesia, brother brother relationship, asian western |
Production Companies | Infinite Studios, Zhao Wei Films, Bert Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Yoshi Sudarso | Suwo |
Ario Bayu | Jamar |
Pevita Pearce | Kiona |
Tio Pakusadewo | Arana |
Reinout Bussemaker | Van Trach |
Mikha Tambayong | Sri |
Happy Salma | Seruni |
Alex Abbad | Fakar |
Zack Lee | Koen |
Donny Damara | Sakar |
El Manik | Suroyo |
Daniel Adnan | Drost |
Sunny Pang | Leung |
Donny Alamsyah | Young Arana |
Mike Lucock | Hamza |
Hannah Al Rashid | Adrie |
Maya Wulan | Ibu Endang |
Conan Stevens | Brute |
Alexander Winters | Young Van Trach |
Ho Yuhang | Chinese Shopkeeper |
Novi Suraadhitama | Villager |
Sutan Faiz Mualana As-Shidiq | Village Boy |
Dyah Prima Ariyati | Older Village Woman |
Abdul Razak | Village Headman |
Arie Jan Hendrik | Dutch Officer |
Vania Valencia | Prostitute |
Mike Wiluan | Mango |
Craig Alexander Miller | Angry Punter |
Cullet Eric | Executioner |
Name | Job |
---|---|
Mike Wiluan | Director, Screenstory, Screenplay |
Yudhi Arfani | Original Music Composer |
Zeke Khaseli Gumelar | Original Music Composer |
Rayya Makarim | Screenplay |
Moira Lang | Screenplay |
Stefan Meutstege | Sound Recordist |
Pawas Sawatchaiyamet | Production Design |
John Radel | Director of Photography |
Natalie Soh | Editor |
Sean Albertson | Editor |
Raymond Lee | Screenplay |
Preeyanan Suwannathada | Costume Designer |
Yeo Wen Chek | Visual Effects Supervisor |
Melisa Hana Kristianty | Casting |
Philothea Liau | Casting |
Tay Hoo Wee | Production Manager |
Huang Junxiang | Line Producer |
Chali Sakyan | Unit Production Manager |
Viko Amanda | Unit Production Manager |
Andy Howard | First Assistant Director |
Bunpote Hemsokana | Second Assistant Director |
Arman Rizal Tasrif | Second Second Assistant Director |
Febby Stephanie Ginting | Third Assistant Director |
Kazu Patrick Tang | Action Director |
Weeraphon Phumatfon | Fight Choreographer |
Cullet Eric | Stunt Coordinator |
Indrasetno Vyantrata | Sound Mixer |
Yoseph Yudi Hermawan | Gaffer |
Malik Basar | Key Grip |
Sorawut Akarawatcharangura | Art Direction |
Ahmad Zulkarnaen | Property Master |
Watcharachai Panichsuk | Special Effects Supervisor |
Dollei Seah | Makeup Department Head, Hair Department Head |
Wahyu Hidayat | Script Supervisor |
Luqman Saputra | Still Photographer |
Richard Hocks | Sound Re-Recording Mixer, Sound Designer, Sound Effects Editor, Supervising Sound Editor |
Franziska Treutler | Foley Artist |
Nusorn Thongkhum | Sound Designer, Sound Effects Editor |
Warat Prasertlap | Sound Designer, Sound Effects Editor |
Branandi W. Madya K. | Sound Recordist |
Name | Title |
---|---|
Mike Wiluan | Producer |
Rayya Makarim | Producer |
Eric Khoo | Executive Producer |
Michy Gustavia | Executive Producer |
Wicky V. Olindo | Executive Producer |
Huang Junxiang | Producer |
Tan Fong Cheng | Producer |
Kimberly James | Producer |
Natalya Pavchinskaya | Executive Producer |
Freddie Yeo | Executive Producer |
Kris Wiluan | Executive Producer |
Christopher Smith | Executive Producer |
Mo Shuyi | Executive Producer |
Sukhdev Singh | Executive Producer |
Bert Tan | Executive Producer |
Jonathan Satyabudi | Co-Producer |
John Radel | Co-Producer |
Matthew Jordan | Associate Producer |
Edo Sitanggang | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 9 | 15 | 4 |
2024 | 5 | 13 | 29 | 6 |
2024 | 6 | 11 | 32 | 4 |
2024 | 7 | 12 | 22 | 7 |
2024 | 8 | 7 | 12 | 4 |
2024 | 9 | 6 | 9 | 4 |
2024 | 10 | 5 | 10 | 3 |
2024 | 11 | 7 | 19 | 3 |
2024 | 12 | 5 | 8 | 3 |
2025 | 1 | 6 | 13 | 2 |
2025 | 2 | 4 | 6 | 1 |
2025 | 3 | 3 | 5 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 3 | 3 | 2 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 988 | 988 |
The words "Spaghetti Western" come to mind, but then the word "Brusesploitation" and "Hong Kong Action Cinema" the latter of which really should and probably does have a better name. But then...those movies are all kind of fun. As in cool, hip, action packed, gory, violent, sadistic, nihilistic, ... and all the best possible things that off-Hollywood has to offer. Buffalo Boys kind of comes short in the fun department. Here and there you see a little gem of a moment, but that is it. The plot never gets into the Western depth and the action is never really as fun as what you would expect from a Hong Kong action flick. In other words, it never goes over the top enough with the action to really make an impact and it never really goes full nihilistic new wave western enough to hit that cord either. It tries to play it safe and the wow moments it delivers are things that we have seen before in both genres without the fun of being a genre trope.