Popularity: 1 (history)
Director: | Ken Loach |
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Writer: | Paul Laverty |
Staring: |
Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self-employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point. | |
Release Date: | Oct 04, 2019 |
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Director: | Ken Loach |
Writer: | Paul Laverty |
Genres: | Drama |
Keywords | van, graffiti, postman, debt, working class, caregiver, mailman, delivery service, social realism, labor rights |
Production Companies | France 2 Cinéma, BBC Film, Why Not Productions, Wild Bunch, Les Films du Fleuve, Sixteen Films |
Box Office |
Revenue: $8,766,149
Budget: $0 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
---|---|
Paul Laverty | Writer |
Ken Loach | Director |
Robbie Ryan | Director of Photography |
George Fenton | Original Music Composer |
Paul Heasman | Stunt Coordinator |
Jo Slater | Costume Design |
Kahleen Crawford | Casting |
Ray Beckett | Sound Mixer |
Kevin Brazier | Sound Editor |
Adrienne D'Anna | Assistant Production Manager |
Hannes Bruneel | Telecine Colorist |
Rachel Durance | Assistant Editor |
La' Toyah McDonald | Third Assistant Director |
Mark Gales | Location Manager |
Max Graham | Dailies Technician |
Laurent Van Eijs | Gaffer |
Sarah Cunningham | Camera Operator |
David Gilchrist | First Assistant Director |
Callum Johnson | Floor Runner |
Caroline Stewart | Casting Associate |
Alexandre Cabanne | Clapper Loader |
Conor McAleese | Boom Operator |
Craig Menzies | Property Buyer |
Paul Campbell | Property Master |
Habib Rahman | Production Accountant |
Jamie Hamer | Second Assistant Director |
Jonathan Morris | Editor |
Anita Brolly | Hair Designer, Makeup Designer |
Shona Mackenzie | Production Coordinator |
Fergus Clegg | Production Design |
Julie Bemment | Art Department Assistant |
Marianne Lynch | Casting Assistant |
Jamie Edgell | Stunts |
Susanna Lenton | Script Supervisor |
Andrew O'Reilly | Focus Puller |
Bob Dixon | Dolly Grip |
François Tiberghien | Electrician |
Julie Ann Horan | Art Direction |
Robert Brazier | Sound Effects Editor |
Ian Wilkinson | Foley |
Steve Farman | Negative Cutter |
Campbell Mitchell | Props |
Stuart Wharton | Location Assistant |
Ruby Alexandra Hirst | Art Department Assistant |
Eimhear McMahon | Line Producer |
Andy Godbold | Stunts |
Seon Rogers | Stunts |
Joss Barratt | Still Photographer |
Thibault Walckiers | Clapper Loader |
Dave Gales | Unit Manager |
Antoine Doyen | Electrician |
Zoe Robinson | Assistant Art Director |
Sarah-Kate Goodwin | Wardrobe Supervisor |
Ben Brazier | Dialogue Editor |
Rowena Wilkinson | Foley |
Ian Tapp | Sound Re-Recording Mixer |
Mike Grimes | Foley |
Justin Tillett | Online Editor |
Andrew Caller | Sound Re-Recording Mixer |
Name | Title |
---|---|
Jack Thomas-O'Brien | Associate Producer |
Rebecca O'Brien | Producer |
Pascal Caucheteux | Executive Producer |
Grégoire Sorlat | Executive Producer |
Vincent Maraval | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Spirit Awards | Best Actor | Kris Hitchen | Nominated |
Berlin International Film Festival | Best Director | Ken Loach | Won |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 16 | 21 | 11 |
2024 | 5 | 18 | 30 | 11 |
2024 | 6 | 18 | 29 | 11 |
2024 | 7 | 26 | 58 | 15 |
2024 | 8 | 17 | 36 | 10 |
2024 | 9 | 10 | 18 | 7 |
2024 | 10 | 14 | 28 | 9 |
2024 | 11 | 14 | 30 | 7 |
2024 | 12 | 13 | 22 | 8 |
2025 | 1 | 10 | 14 | 7 |
2025 | 2 | 8 | 12 | 3 |
2025 | 3 | 5 | 12 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 1 | 5 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 0 | 1 | 0 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 290 | 561 |
‘Sorry We Missed You’ is a film about family dynamics as much as it is about what we sacrifice as a society for the convenience of next-day home deliveries. It’s in the quiet observation of working-class parents and their children that 83-year-old Ken Loach’s latest film hits its nuanced, deeply emo ... tional notes. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-sorry-we-missed-you-an-incisive-look-at-the-struggle-against-debt
Well directed and well acted, ‘Sorry We Missed You’ is a touching and real portrayal of working-class people trying to survive in a cruel system. 8/10 ...