Popularity: 6 (history)
Director: | Joel Crawford |
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Writer: | Bob Logan, Dan Hageman, Kevin Hageman, Chris Sanders, Kirk DeMicco, Paul Fisher |
Staring: |
Searching for a safer habitat, the prehistoric Crood family discovers an idyllic, walled-in paradise that meets all of its needs. Unfortunately, they must also learn to live with the Bettermans -- a family that's a couple of steps above the Croods on the evolutionary ladder. As tensions between the new neighbors start to rise, a new threat soon propels both clans on an epic adventure that forces them to embrace their differences, draw strength from one another, and survive together. | |
Release Date: | Nov 25, 2020 |
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Director: | Joel Crawford |
Writer: | Bob Logan, Dan Hageman, Kevin Hageman, Chris Sanders, Kirk DeMicco, Paul Fisher |
Genres: | Animation, Family, Comedy, Fantasy, Adventure |
Keywords | sequel, aftercreditsstinger, candid, joyous, adoring, prehistory, duringcreditsstinger, playful, admiring |
Production Companies | DreamWorks Animation |
Box Office |
Revenue: $215,905,815
Budget: $65,000,000 |
Updates |
Updated: Aug 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Nicolas Cage | Grug (voice) |
Emma Stone | Eep (voice) |
Ryan Reynolds | Guy (voice) |
Catherine Keener | Ugga (voice) |
Cloris Leachman | Gran (voice) |
Clark Duke | Thunk (voice) |
Leslie Mann | Hope Betterman (voice) |
Peter Dinklage | Phil Betterman (voice) |
Kelly Marie Tran | Dawn Betterman (voice) |
Kailey Crawford | Sandy (voice) |
Chris Sanders | Belt (voice) |
James Ryan | Sash (voice) |
Gabriel Jack | Young Guy (voice) |
Melissa Disney | Guy's Mother (voice) |
Joel Crawford | Guy's Father (voice) |
Januel Mercado | Shaman Monkey (voice) |
Ryan Naylor | Creepo Monkey (voice) |
Artemis Pebdani | Additional Voices (voice) |
Name | Job |
---|---|
Jana Vance | Foley Artist |
Scott Curtis | Foley Mixer |
Richard Duarte | Foley Mixer |
Rick Hromadka | Sound Designer |
Ken Gombos | Mixing Engineer |
Wataru Hokoyama | Additional Music |
Pete Siebert | Additional Music |
Dominick Certo | Music Editor |
Alfonso Casado Trigo | Conductor |
Bob Logan | Screenplay |
Lisa Curtis Saunders | Pipeline Technical Director |
Natalia Cronembold | First Assistant Editor, Associate Editor |
Peter Zaslav | Art Direction |
Nate Wragg | Production Design |
Betsy Nofsinger | Visual Effects Supervisor |
Jakob Hjort Jensen | Head of Animation |
Jon Gutman | Head of Layout |
Wil Whaley | Digital Supervisor |
Hans Dastrup | Animation Supervisor |
Antony Gray | Animation Supervisor |
Liron Topaz | Animation Supervisor |
Shaun Collaco | Lighting Supervisor |
Avedis Ekmekjian | Lighting Supervisor |
C. Jin Im | Lighting Supervisor |
Sondra Verlander | Lighting Supervisor |
Mark Sandell | Effects Supervisor |
Amaury Aubel | Effects Supervisor |
Domin Lee | Effects Supervisor |
Richard Shiba | Layout Supervisor |
Christi Soper Hilt | Casting |
Evon Freeman | Storyboard Artist |
Michael Lester | Storyboard Artist |
Heidi Jo Gilbert | Storyboard Artist |
Taylor Meacham | Storyboard Artist |
David Wolter | Storyboard Artist |
Colin Jack | Storyboard Artist |
Toniko Pantoja | Storyboard Artist |
Anthony Zierhut | Storyboard Artist |
Adam Rosette | Storyboard Artist |
Tom Caulfield | Storyboard Artist |
Kaan Kalyon | Storyboard Artist |
Faryn Pearl | Storyboard Artist |
Gary Graham | Storyboard Artist |
Steven A. MacLeod | Storyboard Artist |
William Salazar | Storyboard Artist |
Kerry McAllister | Storyboard Artist |
Jacquelyn Karambelas | Associate Editor |
Katie Parody | Assistant Editor |
Mary Blee | Associate Editor |
Collin Erker | Assistant Editor |
Ryan Naylor | Production Coordinator |
Sébastian Piquet | Character Designer, Visual Development |
Joe Pitt | Character Designer |
Philippe Brochu | Visual Development |
Luca Pisanu | Visual Development |
Paul Schoeni | Visual Development |
Leighton Hickman | Visual Development |
Frederic William Stewart | Visual Development |
Kirsten Kawamura | Visual Development |
Ritchie Sacilioc | Visual Development |
Jesse Aclin | Visual Development |
Christophe Lautrette | Visual Development |
Priscilla Wong | Visual Development |
Ruben Perez | Visual Development |
Drew Adams | Animation |
Patrick Danaher | Animation |
Garrett O'Neal | Animation |
Luiza Alaniz | Animation |
Patrick Giusiano | Animation |
David Polk | Animation |
Kimberlee Allyn | Animation |
Thomas Grummt | Animation |
Robyne Powell | Animation |
Kristof Serrand | Animation |
Laura H. Han | Animation |
David Badgerow | Animation |
Brooke Shay Bradford | Animation |
Andrew Harkins | Animation |
Dane Stogner | Animation |
John Hill | Animation |
Laurent Caneiro | Animation |
Joseph Chong | Animation |
Martin P. Hopkins | Animation |
Greg Whittaker | Animation |
Kelly Vawter | Animation |
Steven Hornby | Animation |
David Couchariere | Animation |
Brendan Kirschbaum | Animation |
Ryan Vicik | Animation |
Sean Mack | Animation |
Michelle Cowart | Animation |
Ludovic Bouancheau | Animation |
David Weatherly | Animation |
Alberto Corral | Animation |
Beril Pisgin-Saglam | Animation |
Gregory Creaser | Colorist |
Paul McGhee | Colorist |
Pascal Garneau | Sound Effects Editor |
Jonathan Greber | Dialogue Editor |
Doug Winningham | Foley Editor |
Dee Selby | Foley Editor |
Shelley Roden | Foley Artist |
Tim Davies | Orchestrator |
Brian Byrne | Orchestrator |
Lorenzo Carrano | Orchestrator |
Ryan Humphrey | Orchestrator |
Jeremy Levy | Orchestrator |
James McWilliam | Orchestrator |
Jennifer Howell | Thanks |
Jerry Schmitz | Thanks |
Joel Crawford | Director |
Dan Hageman | Screenplay |
Kevin Hageman | Screenplay |
Chris Sanders | Story, Characters |
Kirk DeMicco | Story, Characters |
Paul Fisher | Screenplay |
Mark Mothersbaugh | Original Music Composer |
Randy Thom | Sound Designer |
Brian Chumney | Supervising Sound Editor |
Chris Scarabosio | Sound Re-Recording Mixer |
James Ryan | Editor |
Januel Mercado | Head of Story |
Fabio Lignini | Animation Supervisor |
Rani Naamani | Animation Supervisor |
Simon Wells | Storyboard Artist |
Mac Smith | Sound Effects Editor |
John Roesch | Foley Artist |
Ronni Brown | Foley Artist |
Jordan Seigel | Orchestrator |
Tom McGrath | Thanks |
Christopher DeFaria | Thanks |
Kevan Shorey | Animation |
John Cleese | Thanks, Characters |
Leff Lefferts | Supervising Sound Editor, Sound Re-Recording Mixer |
Maggie Kang | Storyboard Artist |
Elisabeth Franklin Constantine | Animation |
Derek McGinley | Sound Re-Recording Assistant |
Jack Black | Songs |
Name | Title |
---|---|
Rachel Zusser | Associate Producer |
Mark Swift | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 72 | 82 | 58 |
2024 | 5 | 72 | 95 | 56 |
2024 | 6 | 80 | 132 | 51 |
2024 | 7 | 93 | 149 | 69 |
2024 | 8 | 76 | 112 | 53 |
2024 | 9 | 62 | 81 | 46 |
2024 | 10 | 73 | 113 | 49 |
2024 | 11 | 80 | 126 | 51 |
2024 | 12 | 65 | 111 | 48 |
2025 | 1 | 64 | 87 | 54 |
2025 | 2 | 48 | 72 | 11 |
2025 | 3 | 25 | 67 | 3 |
2025 | 4 | 14 | 17 | 9 |
2025 | 5 | 13 | 17 | 12 |
2025 | 6 | 11 | 15 | 9 |
2025 | 7 | 8 | 9 | 6 |
2025 | 8 | 8 | 12 | 7 |
2025 | 9 | 8 | 14 | 6 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 603 | 832 |
Year | Month | High | Avg |
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2025 | 8 | 399 | 666 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 951 | 959 |
Year | Month | High | Avg |
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2025 | 6 | 600 | 750 |
Year | Month | High | Avg |
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2025 | 5 | 545 | 775 |
Year | Month | High | Avg |
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2025 | 4 | 365 | 762 |
Year | Month | High | Avg |
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2025 | 3 | 367 | 753 |
Year | Month | High | Avg |
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2025 | 2 | 926 | 944 |
Year | Month | High | Avg |
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2025 | 1 | 800 | 806 |
Year | Month | High | Avg |
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2024 | 12 | 580 | 864 |
Year | Month | High | Avg |
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2024 | 11 | 182 | 709 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 577 | 839 |
With cinemas starving for content - especially family content these school holidays - 'The Croods: A New Age' is your best bet. It's the perfect holiday escape for the whole family, with big laugh-out-loud moments, epic fight sequences, and of course a great message about getting along and working t ... ogether. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-the-croods-a-new-age-a-fun-family-prehistoric-escape
Somewhat nomadic after the conclusion of their 2013 adventure, the caveman "Croods" are still searching for a place to call home. It's not just the quest that intrepid leader "Grug" must manage, he's also got the constantly hormonal "Eep" and "Guy" to contend with too! Anyway, they stumble upon a po ... sitively Elysian land of lush green grass, waterfalls - and bananas - and that's where they encounter the pretty supercilious "Betterman" family. They'd be the posh "Flintstones" with all the bamboo mod cons - even the original picture window! It's soon clear, though, that these two families are facing a bit of a culture clash and as tempers mount, "Grug" commits an unmentionable sin - and they are descended upon by a marauding gang of punch monkeys determined to feed them all to their Kong-esque king. Now they must but aside their trivial differences and work together else they will all end up as banana fritters! It's quite a fun little adventure film, this. It pokes fun at vanity and intolerance, keeps the story simple and engaging enough before an ending that, though predictable, reminds us of the values of working together rather than apart. The animation is standard, high-end, Dreamworks fayre and it's entertainingly scripted passing ninety minutes effortlessly.
<em>'The Croods: A New Age'</em> makes for a good sequel. I didn't mind the original from 2013 (that long ago, eh?), I found it passable but did have to watch a recap video before watching this entry as I remembered absolutely nothing; aside from the first few scenes. I guess that's to be expecte ... d given the time gap, albeit I don't think I watched the first film until around 2019. This one offers up enough entertainment, it does feature a type of story that is rather predictable but I think all the shenanigans keep it ticking along nicely and the voice cast are all very good. Nicolas Cage, Emma Stone and Ryan Reynolds (feels odd to see a Reynolds character not truly front and centre) reprise their roles well, as Leslie Mann and Peter Dinklage make for strong additions. All in all, a worthy follow-up - I'd place it on the same level as its predecessor, to be honest.