Popularity: 8 (history)
| Director: | Robert Zemeckis |
|---|---|
| Writer: | Robert Zemeckis, Roald Dahl, Kenya Barris, Guillermo del Toro |
| Staring: |
| In late 1967, a young orphaned boy goes to live with his loving grandma in the rural Alabama town of Demopolis. As the boy and his grandmother encounter some deceptively glamorous but thoroughly diabolical witches, she wisely whisks him away to a seaside resort. Regrettably, they arrive at precisely the same time that the world's Grand High Witch has gathered. | |
| Release Date: | Oct 26, 2020 |
|---|---|
| Director: | Robert Zemeckis |
| Writer: | Robert Zemeckis, Roald Dahl, Kenya Barris, Guillermo del Toro |
| Genres: | Family, Comedy, Fantasy, Horror |
| Keywords | hotel, witch, based on novel or book, mouse, transformation, orphan, based on children's book, talking animal |
| Production Companies | Warner Bros. Pictures, Esperanto Filmoj, ImageMovers, Necropia Entertainment, The Roald Dahl Story Company |
| Box Office |
Revenue: $29,303,571
Budget: $0 |
| Updates |
Updated: Oct 26, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Anne Hathaway | Grand High Witch |
| Octavia Spencer | Grandma |
| Stanley Tucci | Mr Stringer |
| Jahzir Bruno | Hero Boy |
| Chris Rock | Older Hero (voice) |
| Codie-Lei Eastick | Bruno Jenkins |
| Kristin Chenoweth | Daisy / Mary (voice) |
| Charles Edwards | Mr Jenkins |
| Morgana Robinson | Mrs Jenkins |
| Brian Bovell | Reginald |
| Josette Simon | Zelda |
| Eugenia Caruso | Consuella |
| Ana Maria Maskell | Esmerelda |
| Amber Flanagan | Esmeralda |
| Eurydice El-Etr | Samantha |
| Orla O'Rourke | Saoirse |
| Penny Lisle | Lana |
| Dempsey Bovell | Jesup |
| Jonathan Livingstone | Raymond |
| Paul Leonard | Maitre'D - Luther |
| Simon Manyonda | Sous Chef |
| Philippe Spall | Chef |
| Abi Adeyemi | Witch |
| Anastasia Zabarchuk | Witch |
| Katie Hardwick | Witch |
| Vivienne Acheampong | Alice's Mum |
| Sobowale Antonio Bamgbose | Alice's Dad |
| Lunga Skosana | Grandma's Mother |
| Miranda Sarfo Peprah | Young Grandma |
| Joseph Zinyemba | Basketball Kid |
| Me'sha Bryan | Chambermaid |
| Cyril Nri | Chief Doorman |
| Joshua Neil | Officer Perry |
| Ken Nwosu | Bellman |
| Angus Wright | Waiter |
| Sarah T. Cohen | Witch |
| Rachel Sophia-Anthony | Shop Customer (uncredited) |
| Name | Job |
|---|---|
| Robert Zemeckis | Screenplay, Director |
| Roald Dahl | Novel |
| Alan Silvestri | Original Music Composer |
| Kenya Barris | Screenplay |
| Gary Freeman | Production Design |
| Kevin Baillie | Visual Effects Supervisor |
| Victoria Burrows | Casting |
| Nina Gold | Casting |
| Randy Thom | Sound Re-Recording Mixer, Sound Designer |
| Tolga Kenan | Stunt Coordinator, Stunts |
| Claire Fleming | Art Direction |
| Tom Still | Supervising Art Director |
| Sami Fendall | Scenic Artist |
| Ronni Brown | Foley Artist |
| Chris Manning | Foley Editor |
| Sarah Lochlan | Stunts |
| Paul Lowe | Stunt Double |
| James Horan | Stunts |
| Laurent Plancel | Stunts |
| Mens-Sana Tamakloe | Stunt Double |
| Jeremiah O'Driscoll | Editor |
| Ryan Chan | Editor |
| Scot Boland | Casting |
| Lee Grumett | First Assistant Director |
| Sandra Scott | Visual Effects Producer |
| Jeremy Bowker | Sound Designer |
| Eunice Huthart | Stunt Coordinator |
| Sue Whitaker | Art Direction |
| Raffaella Giovannetti | Set Decoration |
| Jason Inman | First Assistant Director |
| Mark Hopkins | Second Unit First Assistant Director |
| Lizzie Pritchard | Script Supervisor |
| Giulia Patanè | Script Supervisor |
| Jeff Carson | Music Editor |
| Alice Wood | Music Editor |
| Lucy Thompson | Special Effects Coordinator |
| Mark Holt | Special Effects Supervisor |
| Adrian Bennett | Special Effects Technician |
| Tim Niverth | Special Effects Technician |
| Peter Treece | Special Effects Technician |
| J.C. Davis | Hair Department Head |
| Phil Hawley | Painter |
| Paula Price | Makeup Designer, Hair Designer |
| Shannon Bakeman | Hairstylist |
| Nikita Rae | Hair Supervisor |
| Rose Crocker | Key Hair Stylist, Key Makeup Artist |
| Tracy Smith | Key Hairdresser |
| Magdalena Janusinska-Surma | Makeup & Hair |
| Jeanette Brown | Makeup & Hair |
| John Fallows | Makeup & Hair |
| Sarah Grispo | Makeup & Hair |
| Lois McIntosh | Makeup & Hair |
| Sophie Rowatt | Makeup & Hair |
| Valerie Noble | Makeup Artist |
| Aurora Beadle | Prosthetic Makeup Artist |
| Marina Altomare | Prosthetic Makeup Artist |
| Jane McBennett | Prosthetic Makeup Artist |
| Kristyan Mallett | Prosthetic Designer |
| Lee Eldred | Best Boy Electric |
| Des Whelan | Camera Operator |
| Vince McGahon | Steadicam Operator, Camera Operator |
| Andrew Banwell | Camera Operator |
| Ben Appleton | Digital Imaging Technician |
| Steven Skinner | Electrician |
| Julian Bucknall | First Assistant "A" Camera |
| Max Glickman | First Assistant "B" Camera |
| David Pearce | First Assistant "C" Camera |
| John Flemming | Key Grip |
| Mario Spanna | Libra Head Technician |
| Stephen Catney | Lighting Technician |
| Joe Chapman | Lighting Technician |
| Alfie Rowland | Lighting Technician |
| Greg Thomas | Rigging Gaffer |
| Alex Collings | Second Assistant "A" Camera |
| Chris King | Second Assistant "B" Camera |
| Ben Gadsden | Second Assistant "C" Camera |
| Toby McKay | Second Assistant "C" Camera |
| Lara Humphreys | Art Department Assistant |
| Sarah Smith | Art Department Assistant |
| Clare Griffiths | Art Department Coordinator |
| Jules Wicks | Art Department Coordinator |
| Tamara Catlin-Birch | Art Department Coordinator |
| Laura Miller | Assistant Art Director |
| Mark Kimber | Assistant Property Master |
| Yasmin Al-Naib | Assistant Set Decoration |
| Camila Higgs | Assistant Set Decoration |
| Po Sing Chu | Concept Artist |
| Jamie O'Hara | Concept Artist |
| Daniel Hyun Lim | Conceptual Design |
| John Whitby | Construction Buyer |
| Dominic Ackland-Snow | Construction Manager |
| Jon Ziman-Bright | Draughtsman |
| Claire Peerless | Draughtsman |
| Sarah Jeanne Perry | Graphic Designer |
| Liberty Thompson | Graphic Designer |
| Tyrone Isaacs | Greensman |
| Noel Godfrey | Props |
| Tina Charad | Scenic Artist |
| Rohan Harris | Scenic Artist |
| Cosmo Sarson | Scenic Artist |
| Francesca Birri | Set Decorating Coordinator |
| Lara Genovese | Set Designer |
| Joe Birdsey | Set Dresser |
| Laura Collins | Set Dresser |
| Manuel Vilaseca Vaya | Set Dresser |
| Richard Usher | Standby Art Director |
| Bill Thompson | Storyboard Artist |
| Lee Biggs | Supervising Carpenter |
| Maria D'Agostino | Ager/Dyer |
| Samantha Keeble | Assistant Costume Designer |
| Alex Grace | Costume Assistant |
| Zoé Le Moullec | Costume Coordinator |
| Alice Buckingham | Costume Mistress |
| Charlotte Finlay | Costume Supervisor |
| Perry Goyen | Principal Costumer |
| Emma Heath | Principal Costumer |
| Lucilla Simbari | Principal Costumer |
| Cristy Watson | Set Costumer |
| Abigail Best | Tailor |
| Amy Clark | Textile Artist |
| Aaron Timperley | Wardrobe Master |
| Lucy Amos | Casting Associate |
| Byron Beane | Casting Associate |
| Matthew Janion | Extras Casting |
| Agueda Del Castillo | 2D Supervisor |
| Rousselot de Saint Ceran Tristan | 3D Generalist |
| Nicholas Tripodi | Animation Supervisor |
| Jye Skinn | Animation Supervisor |
| James Hollingworth | Animation Technical Director |
| Bridgette Perrers | Animation Technical Director |
| Frascella Roberto | Animation Technical Director |
| Amir Wahid Eleswy | CG Supervisor |
| Avi Goodman | CG Supervisor |
| Nathan Ortiz | CG Supervisor |
| Marc Schoenbeck | Compositing Artist |
| Aurore de Blois | Compositing Supervisor |
| Dominic Hellier | Compositing Supervisor |
| Chiara Costantino | Digital Compositor |
| Gayanath Dayasundara | Digital Compositor |
| Maxime Dontigny | Digital Compositor |
| Sarah Downey | Digital Compositor |
| Björn Gromoll | Digital Compositor |
| Shailey Horton | Digital Compositor |
| Lyne Lepage | Digital Compositor |
| Viviane Lévesque Bouchard | Digital Compositor |
| Sean Lyndon Martin | Digital Compositor |
| Diana Moneva | Digital Compositor |
| Zofie Olsson | Digital Compositor |
| Marc Chu | Head of Animation |
| Rafael Albuquerque | Key Animation |
| Melanie Plett | Lead Animator |
| Brad Kvist | Lead Animator |
| Philip Negroski | Lead Animator |
| Vijay Bundela | Lighting Artist |
| Chris Palmer | Lighting Artist |
| Alan Rosenfeld | Lighting Artist |
| Andrew Dunkerley | Lighting Artist |
| Noelia Ruiz Rubio | Lighting Artist |
| Drew Wood-Davies | Lighting Supervisor |
| Julian Gregory | Matchmove Supervisor |
| Jin Yong Kim | Matchmove Supervisor |
| Crystal Bretz | Modeling |
| Rick Glenn | Senior Animator |
| Goran Ognjanovic | Senior Animator |
| Yves Ruprecht | Senior Animator |
| Aram Lakhotia | Senior Animator |
| Mandlekar Sagar | Senior Animator |
| Andrei Korovkin | Senior Modeller |
| Michael Gilbert | VFX Editor |
| Erin Anderson | Visual Effects Coordinator |
| Saikat Dutta | Visual Effects Coordinator |
| Zach Groves | Visual Effects Coordinator |
| Anne-Valerie Kenol | Visual Effects Coordinator |
| Amy Madigan | Visual Effects Coordinator |
| Maxime Masson | Visual Effects Coordinator |
| Zoe Medcraft | Visual Effects Coordinator |
| Marisa Perkins | Visual Effects Coordinator |
| Abhijitsinh Gohil | Visual Effects Coordinator |
| Dominique Fernet | Visual Effects Coordinator |
| Derrick Mitchell | Visual Effects Editor |
| Nour Halouani | Visual Effects Editor |
| Rachel Litz | Visual Effects Editor |
| Tom Balogh | Visual Effects Editor |
| Vikki Chapman | Visual Effects Producer |
| Tomas Battersby | Visual Effects Production Assistant |
| Jérémie Jutras | Visual Effects Production Assistant |
| James Lee | Visual Effects Production Assistant |
| Laura Bonde Pedersen | Visual Effects Production Assistant |
| Francesca Mancini | Visual Effects Production Manager |
| Emily C. Moye | Visual Effects Production Manager |
| Neil Van Dijk | Visual Effects Production Manager |
| Christian Emond | Visual Effects Supervisor |
| Yael Majors | Visual Effects Supervisor |
| Yoshi DeHerrera | Visual Effects Supervisor |
| Tim Ledbury | Visual Effects Supervisor |
| Glenn Melenhorst | Visual Effects Supervisor |
| Gong Myung Lee | Visual Effects Supervisor |
| Samar Pollitt | Production Manager |
| Matthew Hartman | Dialogue Editor, ADR Editor |
| Simon Diggins | ADR Mixer |
| Eric Gotthelf | ADR Mixer |
| Bobby Johanson | ADR Mixer |
| Thomas J. O'Connell | ADR Mixer |
| Charleen Richards-Steeves | ADR Mixer |
| Nick Roberts | ADR Mixer |
| Adam Sharpe | ADR Mixer |
| Jana Vance | Foley Artist |
| Jason Butler | Foley Mixer |
| Luke Dunn Gielmuda | Sound Effects Editor |
| Jeff King | Sound Mix Technician |
| Mark Purcell | Sound Mix Technician |
| William B. Kaplan | Sound Mixer |
| Kevin O'Connell | Sound Re-Recording Mixer |
| Bjørn Ole Schroeder | Supervising Sound Editor |
| Christi Leftwich | Assistant Editor |
| Robert Sealey | Assistant Editor |
| Jesse Goldsmith | First Assistant Editor |
| Roisin Carty | Dialect Coach |
| Joan Washington | Dialect Coach |
| Jordan Brown | First Assistant Accountant |
| Rachel Donkor | Production Accountant |
| Harvey Diack | Production Assistant |
| Fateh Khaled | Production Assistant |
| Samantha Choat | Production Assistant |
| Jussilinho Ángel Castro | Production Coordinator |
| Hephzibah Craen | Production Coordinator |
| Shyam Bansropun | Production Secretary |
| Ethan Modder | Production Secretary |
| Georgie Carter | Stand In |
| Stacy Mann | Unit Publicist |
| Katie McDonnell | Stunt Double |
| Claire Lawrence | Stunts |
| Aldonio Danny Frietas | Utility Stunts |
| Paul Ginns | Stunts |
| Matt Da Silva | Utility Stunts |
| Jason Curle | Stunt Double |
| Belle Williams | Stunt Double |
| Simeon Wilkins | Storyboard Artist |
| Pete Ford | Utility Stunts |
| Rachael Evelyn | Stunts |
| Matt Crook | Stunts |
| Elliot Hawkes | Utility Stunts |
| Luke Tumber | Stunts |
| Don Burgess | Director of Photography |
| Guillermo del Toro | Screenplay |
| Peter Swords King | Makeup Designer, Hair Designer |
| Danielle Dupre | Sound Mix Technician |
| Leff Lefferts | Sound Re-Recording Mixer |
| Gina Hallas | Production Controller |
| Freddie Mason | Stunts |
| Joanna Johnston | Costume Design |
| Martin Smith | Gaffer |
| Dennis Sands | Scoring Mixer |
| Name | Title |
|---|---|
| Alfonso Cuarón | Producer |
| Robert Zemeckis | Producer |
| Luke Kelly | Producer |
| Jacqueline Levine | Executive Producer |
| Marianne Jenkins | Executive Producer |
| Michael Siegel | Executive Producer |
| Gideon Simeloff | Executive Producer |
| Cate Adams | Executive Producer |
| Lee Grumett | Associate Producer |
| Jack Rapke | Producer |
| Guillermo del Toro | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 61 | 73 | 45 |
| 2024 | 5 | 57 | 78 | 37 |
| 2024 | 6 | 61 | 106 | 42 |
| 2024 | 7 | 64 | 112 | 37 |
| 2024 | 8 | 50 | 82 | 33 |
| 2024 | 9 | 39 | 56 | 30 |
| 2024 | 10 | 61 | 98 | 44 |
| 2024 | 11 | 52 | 76 | 35 |
| 2024 | 12 | 41 | 51 | 29 |
| 2025 | 1 | 47 | 59 | 33 |
| 2025 | 2 | 41 | 57 | 8 |
| 2025 | 3 | 15 | 43 | 3 |
| 2025 | 4 | 9 | 14 | 5 |
| 2025 | 5 | 7 | 15 | 5 |
| 2025 | 6 | 6 | 10 | 5 |
| 2025 | 7 | 5 | 6 | 4 |
| 2025 | 8 | 5 | 7 | 4 |
| 2025 | 9 | 7 | 9 | 6 |
| 2025 | 10 | 8 | 10 | 6 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 283 | 676 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 954 | 954 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 935 | 935 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 710 | 801 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 974 | 974 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 979 | 981 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 916 | 921 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 236 | 516 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 924 | 929 |
A lot was changed in this remake and I thought it would irk me. After about twenty minutes I thought I had been wrong, the opening had some originality and it seemed like something fresh. then they arrived at the Hotel and Anne Hathaway came on the scene like a wrecking ball. Any potential that this ... movie had was suffocated by Hathaways incredibly poor performance. Watch Anjelica Huston's performance in the original and you will see the MASSIVE difference in ability. Hathaway's performance is akin to an amateur impressionist. It feel more like an insult than an homage by Hathaway, she put zero effort or spirit into this character. Her accent is atrocious and her presence is almost nonexistent. Also the CGI already looks cheap, c'mon they had better puppets in the 80's. All witches now have joker smiles and shark teeth? This could've really been a good movie and it is just marred by an extremely poor performance from the lead villain, an overuse of cheap effects, poor pacing, lack of originality in the second half and a horrendous ending. The only highlights of this movie are Octavia Spencer and Jahzir Bruno who do a fantastic job of filling and updating their roles. Unfortunately as most fans know, Jahzir spends the second half of the movie as a poorly CGI'd mouse. Leaving Octavia Spencer to carry the entirety of the movie from there on out almost seems like a cruel prank. Tucci is decent as is Codie Eastwick as Bruno but there characters are so poorly written and used they practically add nothing. The addition of a third mouse is also meaningless and changes nothing in the story. Ultimately this movie is a far worse version of the first one. They actually managed to tell less of the story, give characters less development, and have worse effects than a movie made over 30 years ago. Some of this may have been forgivable if they added any decent original concepts but again this is a poor retread with no added substance. Its disheartening to see so many big names attached to this film. Guillermo Del Toro should not put this on his IMBD page. Of course your children will like it, they like Peppa Pig.
When you hear the names Robert Zemeckis, Guillermo del Toro and Alfonso Cuaron, you expect something visually engaging. These three names paired with Dahl's work could have been something really special, but this is just another bland adaption. The more you compare it to both the source material and ... previous adaptions, it comes across as bland and missing the mark. The same could be said about the star-studded cast led by Hathaway and Octavia Spencer, with Stanley Tucci playing the forgettable hotel owner. This team really could have made something unique, but this is not it, witch. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-the-witches-horrifying-for-all-the-wrong-reasons
Is a good movie for family. The end is unexpected and Anne Hatheway is always a good choice in distribution. ...
Unlike what a lot of people seems to think about this movie I though it was a fairly decent family movie. It’s not great but decent enough. I quite enjoyed it at least. The story is what it is. It is a Roald Dahl story so it is somewhat dark but funny and with some light at the same time. Of cour ... se there are a bunch of whiners complaining that it is too dark and not suited for children. Well, everyone knows (or should now) what to expect from a Roald Dahl story so just go and see another movie then. My kids, even when they where younger, would have no problem with this movie. But then I would spend the time to watch it with them. It is called parenting. The beginning felt a wee bit slow perhaps but once the grand witch, and in particular the three mice, entered the scene it became rather funny. The one thing I did not like that much was the over the top silly acting of the witches, especially the grand witch. They could really have toned down that it bit to make her a bit more scary. Now she just became silly and somewhat annoying. The special effects were quite nice. The mice was a bit cartoonish but that was okay for this movie. I quite liked how the grand witch’s mouth split open from time to time to reveal her “witchiness”. Apparently a bunch of disability advocates, including British Paralympic swimmer Amy Marren, got unhinged and claimed the movie was “perpetuating bias against individuals with ectrodactyly and other limb differences.” Seriously? Get a grip. It is fiction and a family movie about witches for Christ sake! Presenting witches or other supernatural creatures as having “abnormalities” like crows feet, fangs and God knows what is what makes witches. If these obsessive whiners and cancel culture freaks would have their way no movie worth watching and no book worth reading would ever be made. Anyway, I felt it was an hour and 45 minutes that I enjoyed.
A thoroughly entertaining movie... way better than I was expecting after reading the reviews. I loved Ann Hathaway's portrayal of the Grand High Witch. She really threw herself into the role. Not really a kids movie, as it's a little dark... but definitely a good watch! ...