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Mulan

Loyal. Brave. True.
2020 | 115m | English

(166038 votes)

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Popularity: 7 (history)

Details

When the Emperor of China issues a decree that one man per family must serve in the Imperial Chinese Army to defend the country from Huns, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. She is spirited, determined and quick on her feet. Disguised as a man by the name of Hua Jun, she is tested every step of the way and must harness her innermost strength and embrace her true potential.
Release Date: Sep 04, 2020
Director: Niki Caro
Writer: Amanda Silver, Elizabeth Martin, Lauren Hynek, Rick Jaffa
Genres: Fantasy, Adventure, Action
Keywords china, martial arts, hero, fake identity, honor, east asian lead, heroine, based on myths, legends or folklore, live action and animation, chinese girl, live action remake, admiring, defiant, vibrant
Production Companies Walt Disney Pictures, Jason T. Reed Productions, Good Fear
Box Office Revenue: $69,965,374
Budget: $200,000,000
Updates Updated: Aug 03, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Liu Yifei Hua Mulan
Donnie Yen Commander Tung
Gong Li Xian Niang
Jet Li The Emperor
Jason Scott Lee Böri Khan
Yoson An Chen Honghui
Tzi Ma Hua Zhou
Rosalind Chao Hua Li
Cheng Pei-Pei The Matchmaker
Ming-Na Wen Esteemed Guest
Xana Tang Hua Xiu
Ron Yuan Sergeant Qiang
Jun Yu Cricket
Chen Tang Yao
Doua Moua Po
Jimmy Wong Ling
Nelson Lee The Chancellor
Hoon Lee Village Magistrate
Crystal Rao Young Mulan
Elena Askin Young Xiu
Vincent Feng Longwei
R.J. O'Young Young Soldier
Roger Yuan Duba Tegin
Jenson Cheng Tulugui Tegin
Arka Das Red Fez
Jen Sung Kilifu Tegin
King Lau Bati Tegin
Zhaidarbek Kunguzhinov Stallion Tegin
Gary Young Garrison Commander
Wolf Chen Garrison Scout
Owen Kwong Senior Officer
Young-H. Lee Imperial Gate Guard #2 (as Young-H Lee)
Name Job
Liz Tan First Assistant Director
Scott Rogers Second Unit Director
Jessica Virtue Development Producer
Winston Harris Dolly Grip
Rick Findlater Makeup Supervisor, Hair Supervisor
Lilia Collar Digital Compositor
Niki Caro Director
Mandy Walker Director of Photography
Harry Gregson-Williams Original Music Composer
Tori Marsh Stunt Double
Amanda Silver Screenplay
Elizabeth Martin Screenplay
Lauren Hynek Screenplay
David Coulson Editor
Luke Maxcy Second Assistant Director
Doc Kane ADR Mixer
Brian Chumney Dialogue Editor
John Roesch Foley Artist
Chris Manning Foley Editor
Anna Behlmer Sound Re-Recording Mixer
Holly Dorff ADR Voice Casting
Dylan Jury Casting Associate
PoPing AuYeung Casting Consultant
Stu Turner Casting
Arnika Howard-Lawrence Extras Casting Assistant
Sarah Hart Extras Casting Coordinator
Lisa Lassek Additional Editor
Benton Jew Storyboard Artist
Zach Hamelton Visual Effects Coordinator
Hubert Maston Visual Effects Supervisor
Jared Connon Production Manager
John Brubaker Visual Effects Supervisor
Michael A. Martinez Visual Effects
Jane Wu Storyboard Artist
Heidi Moneymaker Fight Choreographer
Jacob Tomuri Stunts
Bina Daigeler Costume Design
Joe Howes Visual Effects
Anne Kuljian Set Decoration
Leanne Hoare Makeup Artist
Michele Perry Makeup Artist
Jason T. Clark Art Direction
Jill Cormack Art Direction
Damien Drew Art Direction
George Hamilton Art Direction
Gabriel Kearney Art Direction
Mark Robins Art Direction
Sam Storey Art Direction
Calvin Tsoi Art Direction
Thomas P. Wilkins Art Direction
Amber Richards Set Decoration
Ian Gracie Supervising Art Director
Teuila Field Second Assistant Director
Guy Campbell Second Assistant Director
James Andrew Haven Second Assistant Director
Justin Muller Second Unit First Assistant Director
Joe Nolan Second Unit First Assistant Director
David Emmerichs Additional Photography
Matthew Linfoot Best Boy Electric
Michael Milella Best Boy Grip
Jason Ellson Steadicam Operator, Camera Operator
Todd Bilton Camera Operator
Cameron McLean Steadicam Operator, Camera Operator
Davis Bonner Camera Production Assistant
Christopher Rudkin Digital Imaging Technician
Lukas Davidson Digital Imaging Technician
Christian Gower Digital Imaging Technician
Pasquale Paolo Digital Imaging Technician
Phil Pastuhov Aerial Director of Photography
John Mang Dolly Grip
Richard Ward Dolly Grip
Justin Sykes Dolly Grip
Sam Peacocke Drone Pilot
Michael Craig Ferguson Drone Pilot
Brenden Holster First Assistant "A" Camera
Sam Bailey First Assistant "B" Camera
Ben Rowsell First Assistant "B" Camera
Samuel Fraser First Assistant "C" Camera
Ryan Spearman First Assistant Camera
Paul Marbury First Assistant Camera
Shaun Conway Gaffer
Sean O'Neill Gaffer
Craig Cooper Grip
John Curran Grip
Seb Graham Grip
Jan Kleinheins Grip
Frederick Leota Grip
Mike Mcrae Grip
Jay Munro Key Grip
Dion Hartley Key Grip
Charlie Adams Lighting Technician
Aaron Cordery Lighting Technician
Mathew Harte Lighting Technician
Effron Heather Lighting Technician
Luke Ripley Lighting Technician
David Brown Rigging Gaffer
Thomas DeRose Rigging Gaffer
Andrew Sykes Rigging Grip
Jason Waguespack Rigging Grip
Laetitia Belen Second Assistant "A" Camera
Nick Willoughby Second Assistant "C" Camera
Louis Cassells Second Assistant "C" Camera
Jasin Boland Still Photographer
Sanja Bucko Still Photographer
Bogdan Iofciulescu Techno Crane Operator
Jay Weston Video Assist Operator
Marc Mapile Additional Hairstylist
K. Troy Zestos Additional Hairstylist
Denise Kum Makeup Designer, Prosthetic Designer, Hair Designer
Charlie Oswin Hairstylist
Elizabeth McCarthy Hair Supervisor
Bianca Appice Key Makeup Artist
Shay Lawrence Makeup & Hair
Jacqui Leung Makeup & Hair
Georgia Lockhart-Adams Makeup & Hair
Claire Rutledge Makeup & Hair
Chiara Tripodi Makeup & Hair
Ally Williams Makeup & Hair
Tamara Eyre Makeup & Hair
Jacinta Driver Makeup & Hair
Daisy Faulkner Makeup & Hair
Hayley Ness Makeup & Hair
Jacqueline Priem Makeup & Hair
Hannah Wilson Makeup & Hair
Jose Noriega Makeup & Hair Assistant
Toni Bisset Makeup Artist
Susan Durno Makeup Artist
Susie Glass Makeup Supervisor
Michael Krehl Makeup Supervisor
Orlando Bassi Wigmaker
Jack Taggart Ager/Dyer
Daniela Backes Assistant Costume Designer
Lucy Bowring Assistant Costume Designer
Sophie Hart-Walsh Assistant Costume Designer
Liz McGregor Assistant Costume Designer
Patrick Pabalan Costume Assistant
Phoebe Newman Costume Coordinator
Jenny Rushton Costume Supervisor
Bettina Seifert Costume Supervisor
Lisa Gardner Costumer
Jee Ok Costumer
Aimee Reed Costumer
Holly Johnson Costumer
Sunshine Yuen Key Costumer
Louise George Key Costumer
Sarah Goodhue Set Costumer
Jonathan Borland Sound Effects Editor
Kelly Marumaru Set Costumer
Philippa O'Brien Set Costumer
Ana Cuerda Wardrobe Assistant
Evelyn Santana Paz Wardrobe Assistant
Ana Lydia Monaco Script Coordinator
Sarah Hinch Script Supervisor
Kathleen Thomas Script Supervisor
Vincent Cosson ADR Mixer
Jordan Smith ADR Mixer
Davy To Burnard ADR Mixer
Jeanette Browning ADR Recordist
Annlie Huang ADR Recordist
Brett Voss ADR Recordist
Corrin Ellingford Boom Operator
Chris Hall Cableman
Matthew Hartman Dialogue Editor
James Wright Dolby Consultant
Shelley Roden Foley Artist
Christopher Barron Foley Editor
E. Larry Oatfield Foley Editor
Nick Docter Foley Editor
Scott Curtis Foley Mixer
Tony Johnson Production Sound Mixer
Pascal Garneau Sound Effects Editor
Scott Guitteau Sound Effects Editor
Dan Abrams Sound Engineer
Mark Lindauer Sound Engineer
Ryan Stern Sound Engineer
Andy Winderbaum Sound Engineer
Eric Flickinger Sound Mix Technician
Steve Harris Sound Mixer
Chris Quilty Sound Mixer
Cloud Wang Sound Recordist
Terry Porter Sound Re-Recording Mixer
Anna P. McCarthy Casting Assistant
Ariella Segal Casting Assistant
Chris Velvin Casting Associate
Paul Rubell Additional Editor
David Stone Assistant Editor
Pete Harrow Colorist
Natasha Leonnet Digital Intermediate Colorist
James Andrykowski First Assistant Editor
Jonny Winograd First Assistant Editor
Allison Krumwiede Art Department Assistant
Rachael Cooper Art Department Coordinator
Janelle Hope Art Department Coordinator
Rebecca Young Art Department Coordinator
Lok Yiu Chan Assistant Art Director
Tony Drew Assistant Art Director
David Peters Assistant Art Director
Mark Stephen Assistant Art Director
Helen Strevens Assistant Art Director
Abi Wollcombe Assistant Property Master
Rosie Guthrie Assistant Set Decoration
Katie Sharrock Assistant Set Decoration
Francis Baker Carpenter
Paul Drebing Carpenter
Brian Schrider Carpenter
Kyle Brown Concept Artist
Richard K. Buoen Concept Artist
Andrea Dopaso Concept Artist
Andrew H. Leung Concept Artist
David Masson Concept Artist
Steffen Reichstadt Concept Artist
Houston Sharp Concept Artist
Aaron Sims Concept Artist
Filippo Valsecchi Conceptual Design
Alistair Gillies Conceptual Illustrator
Mathew Hunkin Conceptual Illustrator
Michele Moen Conceptual Illustrator
Victoria Wevers Construction Buyer
Cathy Adams Construction Coordinator
Mark Stainthorpe Construction Foreman
Kevin Willcocks Construction Foreman
Darren Wilcock Construction Manager
Michael Wong Construction Manager
Jarl Benzon Greensman
Tyler Page Armorer
Matt Cornelius Property Master
Natalija Kucija Props
Guy Mulligan Props
Dan Perry Props
Mela Blackwell Scenic Artist
Ethan Montgomery-Williams Scenic Artist
Karin Åberg Scenic Artist
Jenny Morgan Set Decorating Coordinator
Zahra Archer Set Designer
Rebecca Asquith Set Designer
David Chow Set Designer
Tanika Pratt Set Designer
Karijus Schlogl Set Designer
Rachel van Baarle Set Designer
Gavin Walker Swing
Jillian Chitty Textile Artist
Joe Dunckley Weapons Master
Mark Smith Animation Supervisor
Julius Kwan Animation Supervisor
Laurent Laban Animation Supervisor
Benjamin Hendricks CG Supervisor
Daniele Tosti CG Supervisor
Nicholas Daniels Compositing Supervisor
Romain Rico Compositing Supervisor
Christoph Salzmann Compositing Supervisor
Ndosi Anyabwile Digital Compositor
Michael Balzer Digital Compositor
Julian Bryant Digital Compositor
Gayanath Dayasundara Digital Compositor
Daphne De Jesus Digital Compositor
Andrew Dohan Digital Compositor
Robyn Ducharme Digital Compositor
Nara Smith Digital Compositor
Tyler Usie Digital Compositor
Jack Van Nuis Digital Compositor
Alex Wolfe Digital Compositor
Tomohiko Fukuda Digital Compositor
Aron Galabuzi Digital Compositor
Jason Marlow Matchmove Supervisor
Marc Jones Matchmove Supervisor
Josh Evans Matte Painter
Darren Quah Matte Painter
Einar Martinsen Matte Painter
Marvin Kim Modelling Supervisor
Rpin Suwannath Pre-Visualization Supervisor
David Gimenez Senior Animator
Ryan Sivley Senior Animator
Nicholas St. Clair Senior Animator
Jared Sandrew Stereoscopic Supervisor
Isaac Buono Visual Effects Compositor
Chloe Feodoroff Visual Effects Coordinator
Dru Fickling Visual Effects Coordinator
Emily Fay Higgins Visual Effects Coordinator
Katie Johnson Visual Effects Coordinator
Ricky McLennan Visual Effects Coordinator
Raven Midkiff Visual Effects Coordinator
Ruchika Rawat Visual Effects Coordinator
Kimberley Wells Visual Effects Coordinator
Valerie Wicks Visual Effects Coordinator
Louise Vanhelle Visual Effects Coordinator
Zaid Babeel Visual Effects Coordinator
Melyssa Forget Turcotte Visual Effects Coordinator
Tom Barrett Visual Effects Editor
Pamela Choules Visual Effects Editor
Ryan Brassington Visual Effects Editor
Jennifer Pearson Visual Effects Editor
Diana Giorgiutti Visual Effects Producer
Jarrod Nesbit Visual Effects Producer
Adam Pere Visual Effects Producer
Jeanne-Élise Prévost Visual Effects Producer
Lilian Bravo Visual Effects Producer
Fiona Crawford Visual Effects Producer
Matthew Dravitzki Visual Effects Producer
Rene Sekula Visual Effects Producer
Jake Hetzel Visual Effects Production Assistant
Hugh Brompton Visual Effects Production Manager
Tyler Cordova Visual Effects Production Manager
Todd Whalen Visual Effects Production Manager
Christian Irles Visual Effects Supervisor
Darwin Go Visual Effects Supervisor
Seth Maury Visual Effects Supervisor
Anders Langlands Visual Effects Supervisor
Sebastian Meyer Creature Design
Simon Ambridge Production Manager
Andrew Cochrane Production Supervisor
Christie Kwan Production Supervisor
Huai Hsuan Huang Translator
Helen Ashton Dialect Coach
Sarah Shepherd Dialect Coach
Erik Singer Dialect Coach
Kylie Gaudin Production Coordinator
Logan Marshall Production Runner
Francesca Hunt First Assistant Accountant
Nicola Benton Second Assistant Accountant
Melissa Chan Second Assistant Accountant
Amy Gurr Second Assistant Accountant
Mei Ling Au Set Production Assistant
Devon Baclawski Set Production Assistant
Miriam Emerson Set Production Assistant
Luke Park Bower Set Production Assistant
Jason Ren Set Production Assistant
Moira Houlihan Unit Publicist
Jared Hasselbach VFX Artist
Jason Astley VFX Artist
Kay Hoddy Rotoscoping Artist
Sophie Massey Broadbery Third Assistant Director
Duy Pham Visual Effects
Lizzy Jane Klein Researcher
Justin Pollard Researcher
Marina Stojanovic Set Designer
Sarah Dunn Graphic Designer
Rick Jaffa Screenplay
Sean Andrew Faden Visual Effects Supervisor
Holly Sedillos Vocals
Simon Rhee Stunt Double
James Lew Stunts
Marc Dominic Rienzo Visual Effects Supervisor
Grant Major Production Design
Ashlee Fidow Stunt Double
Kyrsten Mate Supervising Sound Editor, Sound Designer
Gwendolyn Yates Whittle Supervising Sound Editor
Yaxi Liu Stunt Double
Wakako Sekine Compositing Artist
Kiera O'Connor Stunts
Tina L. Newman Production Executive
Ben Cooke Stunt Coordinator
Stuart Thorp Stunts
Sandra Balej 2D Supervisor
Name Title
Liz Tan Co-Producer
J.C. Spink Producer
Jake Weiner Producer
Tendo Nagenda Producer
Jason Reed Producer
Chris Bender Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 65 84 47
2024 5 67 92 49
2024 6 63 99 46
2024 7 63 105 39
2024 8 62 116 45
2024 9 45 61 33
2024 10 69 122 32
2024 11 60 106 37
2024 12 52 85 40
2025 1 59 80 38
2025 2 39 52 9
2025 3 14 51 3
2025 4 9 12 7
2025 5 21 80 8
2025 6 15 48 7
2025 7 7 10 6
2025 8 7 10 5
2025 9 6 9 5
2025 10 6 7 5

Trending Position


Year Month High Avg
2025 10 592 843
Year Month High Avg
2025 9 306 644
Year Month High Avg
2025 8 198 665
Year Month High Avg
2025 7 211 651
Year Month High Avg
2025 6 186 644
Year Month High Avg
2025 5 217 688
Year Month High Avg
2025 4 201 752
Year Month High Avg
2025 3 122 531
Year Month High Avg
2025 2 108 589
Year Month High Avg
2025 1 319 699
Year Month High Avg
2024 12 111 625
Year Month High Avg
2024 11 328 681
Year Month High Avg
2024 10 395 716
Year Month High Avg
2024 9 364 681
Year Month High Avg
2024 8 418 699

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Reviews

msbreviews
4.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com As you might now, this remake is one of my most anticipated movies of 2020 (list here). I've at least "liked" almost every remake Disney has delivered so far, so I was incredibly excited that 1998's ... Mulan was getting the same treatment. Niki Caro made it clear this would be an entirely different version of the story we all know and love. A more realistic take on the Chinese tale, one that removes all songs and fan-favorite characters like Mushu, which instantly impacted expectations, varying tremendously from person to person. People who would love a remake quite similar to the original will enter the film already slightly discouraged. However, to everyone who complained about Disney copying their original IP, Mulan might be their best chance to like a remake from the studio. In my opinion, a remake should have a bit of both. It must keep the original's essence and message while delivering something that distinguishes it from the former. Any remake must always prove the reasons behind its existence. It must have something that makes the viewers think: "I like this part that's not in the original". Aladdin has a new arc given to Jasmine. Beauty and the Beast provides Beast with a better-developed storyline. Even The Lion King, a remake that convinced many people to call it a shot-for-shot (it isn't), presents a groundbreaking visual experience that's incomparable to the original. Therefore, I was genuinely hyped for Mulan and what Niki Caro could bring with her more pragmatic cut... I can't deny it: I feel extremely disappointed. In my review of the original movie, I mention how epic and cinematic it feels. It was one of the aspects I looked forward to the most in this new version. Despite the beautiful set design and some painting-like shots, this is the first time a Disney's live-action remake loses to its original regarding its visuals. The 2D animation from more than twenty years ago feels superior in every single aspect. There's only one shot in the entire remake that I would put in the original, and I bet it would look and feel a lot more emotionally significant. The action sequences are unimaginative and incredibly disjointed. Except for a few great war moments, most action scenes are packed with excessive CGI, a badly employed HFR (high frame rate), and overediting. In fact, the editing (David Coulson) is weirdly overworked throughout the entire runtime, cutting too much and omitting sequences that were supposed to significantly impact the narrative. From character-defining moments to simple connections between scenes, it feels like the film is hiding something. I constantly needed to rely on my knowledge of the original to remember why certain moments are meaningful to a character or to the story itself because this remake straight-up removes these moments without replacing them with something else. Even in chronological terms, it's clumsily put together, jumping from location to location without actually showing the characters moving from one place to another. Finally, as my last remark on the technical aspects, Harry Gregson-Williams' score is partially also a letdown. Like the rest of the movie, there are some nice touches and lovely homages to the songs everyone cherishes, especially Reflection. I had already mentalized myself to ignore the absence of songs because I believed Harry would find a way to replace them with a similarly grand score that I would definitely enjoy. However, Mulan's score fails not only to elevate a single battle sequence but also to deliver that cinematic atmosphere that I was looking forward to so much. I didn't get chills during the entire film. It didn't transform any big character moments. Maybe watching it on IMAX instead of at home might improve my opinion, but I doubt that. Story-wise, it's a mixed bag for me. Niki Caro promised a more realistic take, totally different from the original, and she undoubtedly accomplished that. This is the furthest from the original any Disney remake has been, by far. From the replacement of characters to an overall change to the main narrative, Mulan is more faithful to the original Chinese tale than the 1998's flick, but that doesn't mean it's better, much on the contrary. The essence and message are there but told through a distinct perspective, which some people will find hard to accept, especially hardcore fans of the original movie. However, I do believe that Hua Mulan still carries the characteristics that made me care about her. Her courage and bravery to go to war in order to save her father from certain death. Her love and devotion to her family, who she wants to honor. Hua Mulan doesn't want to just be the wife of some random man nor be imprisoned by dated stereotypes. This is all in the remake but told through the lenses of a protagonist who already has everything she needs to lead a nation. This is the main difference character-wise, but one that doesn't affect the nature of the original. However, it impacts the remake itself. While all of this sounds amazing, Mulan sort of contradicts itself by making her main character feel unique and different from everyone else, distancing her more from people than actually embracing her. Like I already mentioned above, this is an entirely altered version of the story everyone knows. I do welcome every change made, including the removal of Mushu, Cri-Kee, and all of the singing. However, if something's removed, something else has to replace it in some shape or form. Once again, I have mixed feelings. Some additions, like the introduction of Chi and the witch Xian Lang (Gong Li), are refreshing but poorly developed throughout the runtime. The vital energy force is connected to my issue with the "be yourself" message, while the character not only follows a predictable arc, but it diminishes Bori Khan's (Jason Scott Lee) menacing presence. The ending feels remarkably underwhelming as well. Not only the climactic fight between Hua Mulan and Bori Khan fails to live up to expectations, but it's executed in a visually disheartening fashion. I expected this remake to feel grand, magnificent, epic, and cinematic, just like its original or even better. It's far from that. The acting could also be better. Liu Yifei is fantastic as Hua Mulan, Yoson An offers a subtle yet efficient interpretation of Chen Honghui, and the actors who portray Yao (Chen Tang), Ling (Jimmy Wong), and Chien-Po (Doua Moua) are also amusing. However, Donnie Yeng as Commander Tung and Jet Li as The Emperor are embarrassingly bland, while Jason Scott Lee is visually perfect casting as the main villain, but he's not able to shine. In the end, Mulan is the most disappointing remake Disney has made so far and by far. Even though Niki Caro delivers the realistic, distinct take that was promised, its execution feels inferior to the original animated film in every single way. Technically and visually, it's the first live-action remake from the respective studio that loses in almost every aspect to the 2D animation from more than twenty years ago. The 1998's movie is far more epic and cinematic than its remake. The disjointed editing is overworked to the point of omitting and skipping through character-defining moments. The action scenes are packed with unnecessary CGI that takes away from the war set pieces, which also look small in scale. The musical score isn't able to replace the songs from the original, overflowing the film with a weirdly empty feeling. Despite Liu Yifei delivering a good performance as the protagonist as well as a few of her colleagues, the acting is pretty mediocre overall. Story-wise, it's a mixed bag. It's an undoubtedly unique version, the furthest that a Disney's remake has ever been from its original, which will instantly upset some and please others. I praise the courage and bravery in producing such a different version. There are dozens of new additions that I sincerely appreciate, but their execution lacks emotional impact, ultimately being decisions inferior to the ones of the original. The message and essence of the original are still present through another perspective, which is the best compliment I can give to an otherwise quite disappointing remake... Rating: C-

Jun 23, 2021
Kamurai
5.0

Disappointing watch, probably won't watch again, and can't recommend. I finally see what everyone is freaking out about this movie. Mostly, it is because it just left all the spirit of the first movie behind and started over. They made a conscious effort to ditch the goofiness, and magic ani ... mals of the first one to do a more gritty and real version, like a DC movie. After those decisions, they also chose to reintroduce actual magic, but mostly for the villains, who had slightly better women's rights(?). I'll be honest, the movie itself wasn't interesting enough to follow completely. For instance, I know "Mushu" was replaced with a phoenix, but I have no idea what happened to it. Mulan also is outed much sooner in this, but basically skirts execution about 3 different times because of her accomplishments with a much more laid back atmosphere than it was in the 1998 version. Despite all the money poured into the movie that keeps it from being a bad movie, it just doesn't feel good. While it is wonderous at times, it just lacks the heart warming charm that one would expect from a Disney movie.

Jun 23, 2021
itsogs
10.0

I did not see the first movie pertaining to this story so there is nothing for me to compare it to, maybe this was a good thing for me because I went into it with an open mind. I am always apprehensive when I watch a movie with jumps that are not realistic (flying actors with hidden wires attached) ... but although such things were included, it was bearable. I thought the actors were believable and they filled their roles as expected. I would watch this movie a second and even a third time because for me the entertainment factor was there. I have watched many movies that allow me to multitask, this one required my undivided attention. In a nutshell, the entertainment, screenplay and acting were all there so I give it at least 5 stars.⭐⭐⭐⭐⭐

Nov 04, 2021