After
After your first, life is never the same.
2019 | 106m | English
Popularity: 27 (history)
| Director: | Jenny Gage |
|---|---|
| Writer: | Anna Todd, Susan McMartin, Tom Betterton, Tamara Chestna, Jenny Gage |
| Staring: |
| Tessa Young is a dedicated student, dutiful daughter and loyal girlfriend to her high school sweetheart. Entering her first semester of college, Tessa's guarded world opens up when she meets Hardin Scott, a mysterious and brooding rebel who makes her question all she thought she knew about herself -- and what she wants out of life. | |
| Release Date: | Apr 11, 2019 |
|---|---|
| Director: | Jenny Gage |
| Writer: | Anna Todd, Susan McMartin, Tom Betterton, Tamara Chestna, Jenny Gage |
| Genres: | Drama, Romance |
| Keywords | based on novel or book, love, teenage crush, teenage romance, bad boy, depressing, cliché |
| Production Companies | Offspring Entertainment, Voltage Pictures, Diamond Film Productions, CalMaple Films, Wattpad, Frayed Pages Media |
| Box Office |
Revenue: $69,497,587
Budget: $14,000,000 |
| Updates |
Updated: Sep 06, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Josephine Langford | Tessa Young |
| Hero Fiennes Tiffin | Hardin Scott |
| Shane Paul McGhie | Landon Gibson |
| Khadijha Red Thunder | Steph Jones |
| Dylan Arnold | Noah Porter |
| Samuel Larsen | Zed Evans |
| Inanna Sarkis | Molly Samuels |
| Selma Blair | Carol Young |
| Pia Mia | Tristan |
| Swen Temmel | Jace |
| Meadow Williams | Professor Soto |
| Peter Gallagher | Ken Scott |
| Jennifer Beals | Karen Gibson |
| Michael Hull | T.A. |
| Sarah Jorge León | Astronomy Teacher |
| Chris Kontopidis | Waitress |
| Rebecca Lee | Rebecca |
| Shannon Mayers | Secretary |
| Byron Wigfall | Barista |
| John Evanko | Security Guard |
| Mark Axelowitz | Economy Professor |
| Paul Fox | Soccer Game Announcer |
| Matthew Ezell | Professor Ezell |
| Name | Job |
|---|---|
| Anna Todd | Novel |
| Susan McMartin | Screenplay |
| Adam Silver | Director of Photography |
| Tom Betterton | Director of Photography, Screenplay |
| Michelle Harrison | Editor |
| Tamara Chestna | Screenplay |
| Jenny Gage | Director, Screenplay |
| Rusty Smith | Production Design |
| Alana Morshead | Costume Design |
| Lynne Mitchell | Supervising Art Director |
| Elizabeth Umstead | Music Supervisor |
| Marisol Roncali | Casting |
| Stephanie Arble | Makeup Artist |
| Ellen Arden | Makeup Department Head |
| Morgan E. Beasley | Set Dresser |
| Alex Hillkurtz | Set Dresser |
| Alanna Bryant | Set Costumer |
| Jose Luis Ramos Jr. | Costume Supervisor |
| Mary Vernieu | Casting |
| Justin Burnett | Original Music Composer |
| Brittany Upchurch | Set Decoration Buyer |
| Name | Title |
|---|---|
| Anna Todd | Producer |
| Courtney Solomon | Producer |
| Mark Canton | Producer |
| Aron Levitz | Producer |
| Nicolas Chartier | Executive Producer |
| Swen Temmel | Executive Producer |
| Adam Shankman | Executive Producer |
| Sarah Jorge León | Executive Producer |
| Eric Lehrman | Executive Producer |
| Gary Raskin | Executive Producer |
| Wen Wenchaun | Executive Producer |
| Zhang Haiyan | Executive Producer |
| Vassal Benford | Executive Producer |
| Nicolee Webb | Co-Producer |
| Dorothy Canton | Co-Producer |
| Jennifer Gibgot | Producer |
| Dennis Pelino | Producer |
| Jonathan Deckter | Executive Producer |
| William Sadleir | Executive Producer |
| David Dinerstein | Executive Producer |
| Jason Resnick | Executive Producer |
| Brian Pitt | Executive Producer |
| Ian Brereton | Executive Producer |
| Alastair Burlingham | Executive Producer |
| Scott Karol | Executive Producer |
| Meadow Williams | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 104 | 137 | 78 |
| 2024 | 5 | 119 | 160 | 91 |
| 2024 | 6 | 105 | 147 | 75 |
| 2024 | 7 | 96 | 149 | 73 |
| 2024 | 8 | 96 | 154 | 69 |
| 2024 | 9 | 75 | 91 | 57 |
| 2024 | 10 | 95 | 159 | 74 |
| 2024 | 11 | 95 | 133 | 75 |
| 2024 | 12 | 134 | 204 | 96 |
| 2025 | 1 | 164 | 221 | 112 |
| 2025 | 2 | 102 | 145 | 15 |
| 2025 | 3 | 35 | 81 | 3 |
| 2025 | 4 | 22 | 27 | 18 |
| 2025 | 5 | 23 | 26 | 21 |
| 2025 | 6 | 22 | 25 | 20 |
| 2025 | 7 | 21 | 22 | 19 |
| 2025 | 8 | 18 | 21 | 16 |
| 2025 | 9 | 19 | 23 | 16 |
| 2025 | 10 | 22 | 31 | 16 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 358 | 818 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 483 | 696 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 540 | 805 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 208 | 667 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 343 | 704 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 312 | 622 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 254 | 663 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 437 | 627 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 373 | 699 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 363 | 716 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 705 | 880 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 619 | 839 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 901 | 936 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 576 | 811 |
‘After’ is this weird blend of ‘Fifty Shades of Grey’ meets ‘Riverdale’ but never gets to the dumb fun both those are, nor does it have the sex appeal of those properties (there is a reason he is facing away from the camera on the poster). ‘After’ does not belong in cinemas nationwide; it’s even bel ... ow Netflix's standards. It’s more of a YouTube original, or even just something to release on the Wattpad site for free. Still, the book’s sequels have been slated for production, so it looks like we’ll be suffering once again in 2020. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-after-from-wattpad-to-the-big-screen-and-god-knows-why
In general, the movie offers an engaging story that captures your attention, although it does have some noticeable plot holes and questionable moments throughout. The film heavily emphasizes sexual content, centering much of its focus on these aspects, which may not be to everyone's taste. Ove ... rall, the movie isn't terrible, but it's not exceptional either. It falls somewhere in the middle, making it at least somewhat decent and worth watching at least once.