Popularity: 9 (history)
Director: | Roger Kumble |
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Writer: | Anna Todd, Mario Celaya |
Staring: |
Tessa finds herself struggling with her complicated relationship with Hardin; she faces a dilemma that could change their lives forever. | |
Release Date: | Sep 02, 2020 |
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Director: | Roger Kumble |
Writer: | Anna Todd, Mario Celaya |
Genres: | Drama, Romance |
Keywords | based on novel or book, love, teenage crush |
Production Companies | Offspring Entertainment, Voltage Pictures, Wattpad, Frayed Pages Entertainment |
Box Office |
Revenue: $47,990,414
Budget: $14,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Josephine Langford | Tessa Young |
Hero Fiennes Tiffin | Hardin Scott |
Dylan Sprouse | Trevor Matthews |
Louise Lombard | Trish Daniels |
Charlie Weber | Christian Vance |
Candice King | Kimberly Vance |
Shane Paul McGhie | Landon Gibson |
Rob Estes | Ken Scott |
Inanna Sarkis | Molly Samuels |
Selma Blair | Carol Young |
Samuel Larsen | Zed Evans |
Khadijha Red Thunder | Steph Jones |
Max Ragone | Smith Vance |
Dylan Arnold | Noah Porter |
Karimah Westbrook | Karen Scott |
John Jackson Hunter | Hardin Scott (kid) |
Pia Mia | Tristan |
Ariel Yasmine | Jamie |
Stefan Rollins | Homeless Man |
Clay Neal | Uber Driver |
Constance Payne | Zoe |
Vince Pisani | Hotel Manager |
Jon W. Sparks | Santa Claus |
Davin Allen Grindstaff | Skater |
Vanessa Dubasso | Ally |
Sarah Rossman | Nadia |
Anna Todd | Club Patron #1 |
Beatrice Kumble | Club Patron #2 |
Taylor Conrod | Paige |
Marisol Correa | Christmas Guest |
Name | Job |
---|---|
Anita Brandt-Burgoyne | Editor |
Jacek Wiśniewski | Foley Artist |
Anna Todd | Book, Screenplay |
Roger Kumble | Director |
Chelsea Ellis Bloch | Casting, Casting Director |
Mario Celaya | Screenplay |
Larry Reibman | Cinematography, Director of Photography |
Meagan McLaughlin | Costume Design |
Lynne Mitchell | Production Design |
Heather R. Dumas | Art Direction |
Marisol Roncali | Casting, Casting Director |
Bob Shapiro | Line Producer |
Nancy Kirhoffer | Production Manager |
Kathy Chambless Oliver | Production Supervisor |
Stephanie Arble | Makeup Department Head |
Steve Battaglia | Hairstylist |
Andrea C. Brotherton | Hair Department Head |
Demiko Majik DeCosta | Hairstylist |
Katy DiMondi | Key Makeup Artist |
Tony Niknejadi | Second Assistant Director |
Chad Rosen | First Assistant Director |
Chris Wright Jr. | Second Second Assistant Director |
Alex Hillkurtz | Set Dresser |
Jonathan McCarter | Set Designer |
Mason Kopeikin | Sound Effects Editor |
Andrew Rice | Sound Re-Recording Mixer |
Matthew Kemper | Visual Effects Supervisor |
Ginger Knussmann | Set Costumer |
Johnna Thomas | Costume Supervisor |
Justin Burnett | Music |
Name | Title |
---|---|
Mark Canton | Producer |
Courtney Solomon | Producer |
Anna Todd | Producer |
Nicolas Chartier | Producer |
Eric Lehrman | Executive Producer |
Aron Levitz | Producer |
Jennifer Gibgot | Producer |
Brian Pitt | Producer |
Vassal Benford | Executive Producer |
Jonathan Deckter | Executive Producer |
Andrew Panay | Executive Producer |
Michael Wexler | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 69 | 79 | 54 |
2024 | 5 | 79 | 112 | 59 |
2024 | 6 | 80 | 114 | 63 |
2024 | 7 | 90 | 121 | 68 |
2024 | 8 | 81 | 121 | 62 |
2024 | 9 | 67 | 83 | 53 |
2024 | 10 | 79 | 120 | 56 |
2024 | 11 | 74 | 145 | 55 |
2024 | 12 | 81 | 125 | 56 |
2025 | 1 | 102 | 129 | 70 |
2025 | 2 | 61 | 92 | 11 |
2025 | 3 | 19 | 59 | 3 |
2025 | 4 | 10 | 13 | 9 |
2025 | 5 | 10 | 14 | 8 |
2025 | 6 | 11 | 13 | 9 |
2025 | 7 | 10 | 12 | 9 |
2025 | 8 | 10 | 12 | 8 |
2025 | 9 | 9 | 10 | 8 |
2025 | 10 | 9 | 10 | 8 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 623 | 722 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 833 | 838 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 917 | 922 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 949 | 949 |
I've sat through much more painful slogs, but 'After we Collided' gave me two hours of insane plot - and while I forgot everything as soon as I left, I'll be back over the next couple of years just to enjoy my cheesy mess in this strange unnecessary franchise. - Chris dos Santos Read Chris' ful ... l article... https://www.maketheswitch.com.au/article/review-after-we-collided-wattpad-returns-to-the-screen-for-slightly-better-still-dumb-results
After We Collided is fond of quoting Wuthering Heights, but it owes more to Twilight and 50 Shades of Grey (the novel, called After, whose film adaptation this is the sequel to, originally appeared on Wattpad, where every asshole can publish regardless of whether or not they should). Unlike Heath ... cliff and Catherine (and by extension Romeo and Juliet, begetters of all modern star-crossed lovers), though, Tessa (Josephine Langford) and Hardin (Hero Fiennes Tiffin) have absolutely no impediment to their being together other than that they are totally wrong for each other. The only chemistry between the two is sexual; After We Collided is much more lubricious than Twilight, but a lot less risqué than 50 Shades — that is, there’s lots of implied sex but very little nudity. Since there is no reason for these two to be together, we don't give two craps if they aren't. Not that the movie doesn’t try to manufacture such a reason; for example, Emotionally Scarred Bad Boy Hardin (Tiffin may be Ralph Fiennes’s nephew, but comes across more as a young, Brittish-accented Joshua Jackson) has nightmares, but they stop when he starts dating Tessa. This is is total nonsense; sleeping with someone doesn’t equal sleeping better. But that’s the film’s naïve Love Conques All mentality. Love may indeed conquer many things, but an inert, lethargic plot is not one of them. The only part of the script that doesn't ring hollow is the title, which is very appropriate because the action, such as it is, completely lacks urgency. Nothing is resolved now, everything is left for later — to the point that two sequels were in the works at the time of this one’s release.
Despite its flaws, the franchise still shows promise, and the second movie continues with the same concept as the first installment. However, this sequel fails to build upon the foundation laid by its predecessor. It lacks the necessary development and progression, simply meandering along without ... any real direction or growth. While it's a movie that you can watch once and be content with, it doesn't leave a lasting impression that would compel you to revisit or relive the experience again.